2006 April Music Memorabilia Auction
| Sale Number: | 622 |
| Location: | |
| Auction Date: | April 14th at 6 PM CT through April 15th |
Featured Collections
Good Rockin' Tonight Collection
The Rat Pack Archive
The Maria Elena Holly Collection
Al White Jazz Collection
The Ken Strickfaden Archive
Session 1
Movie/TV Memorabilia
Two Blackstone Costumes. Gay Blackstone's "Goldigger" costume made with a metallic gold padded bra top adorned with gold bangles, sequins, rhinestones accompanied by brocade, gold pants, and gold sash. Worn by Gay as one of the Goldiggers on Dean Martin's television show. In very good condition with some fraying on the top and belt, and a few tiny tears on the tulle insets of the pants. Also, Blackstone's Moorish Showgirl costume which was worn during the "Moorish Fantasy" illusion. This elaborate costume consists of velvet legging-style pants and a jewel-encrusted, copper-colored bra top, aqua-colored cape decorated with sequins and hand-painted flowers, and bronze-colored, high-heeled sandals. In overall good condition, with light soiling from wear; the shoes are in poor condition.
Blackstone Wool Tailcoat and Pants. A black Barathea wool tailcoat with silk faille lapels, pants, and white pique-front vest, made by Sheba of Tokyo in 1956. Also included is a white pique shirt, formal collar, and white bow tie. In very good condition.
Gay Blackstone "Lightbulbs Through the Girl" Costume. Copper-colored two piece costume consisting of heavy, metallic-ribbed jumpsuit with a mandarin collar and copper sequencing, with a floor-length vest and copper-colored shoes. Worn for a performance on the 1977 RKO TV special "Magic." In overall good condition with some fraying near the hemline of the pants.
Harry Blackstone Signed Photograph. Vintage glossy 8" x 10" photo signed by the renowned magician and inscribed in fountain pen "To 'Skippy' Best wishes, Harry Blackstone 4-25-44." In very good condition, with a tack hole to each corner, several noticeable creases, surface impressions, and some light border soiling. With COA from PSA/DNA.
BlackStone Velvet Capes Set. Set of two long black velvet capes with silver and bronze eyelash lining, worn by Harry Blackstone Jr. in his Broadway production "Blackstone! The Magnificent Musical Magic Show," the longest running magic show to appear on a Broadway stage, one with an open back. In great condition.
Blackstone Production Basket and Scarves. A large, gold metal basket with open-slatted sides that permit a view of its "empty" interior before the basket begins to fill with colored scarves. In very good condition, it measures 16" x 16" and includes one lot of original scarves.
Blackstone Botania Table. Used by Harry Blackstone Sr. in the 1920 "Enchanted Garden" performances as the table upon which the "Girl to Flower Botania" illusion rested. Included are the original wood-and-canvas packing materials and crate. It measures 31" x 33" and is in good condition.
Blackstone "Lotus Bowl" Illusion. Attractive spun copper vase from which a magician pours seemingly endless amounts of liquid, even though he/she repeatedly proves it to be empty. In very good condition with some light scratches.
Blackstone Production Cage. Stainless steel, collapsible cage, used by Harry Blackstone Jr. in the "Enchanted Garden" production. Approximately 14" in diameter, and in good condition.
Blackstone Conductor Levitation Stand. Using this prop during some of Harry Blackstone's performances, conductor Eric Kuntzl would magically levitate while conducting the orchestra. In very good condition.
Blackstone "Dart Flowers" Illusion. Used by both Harry Blackstone Sr. and Harry Jr., the "Dart Flowers" illusion involved bouquets of these swan-feather flowers being "planted" on the stage. The pieces here consist of red and yellow flowers with greenery and attached, weighted dart, in good to fair condition.
Blackstone "Rebloom Bouquet" Illusion. Used by Harry Blackstone Sr., this feather bouquet is designed so that when blooms are plucked from the stems, new ones magically appear in their place. In very good condition.
Blackstone Blue Thin Model "Sawing" Illusion. A very popular device for the classic "sawing your assistant in half" illusion. It consists of a blue cabinet with chrome legs, measures 20" x 37" x 37", and is in good condition with some wear and tear from use.
Blackstone "Shooting Through the Girl" Illusion. Featured is an illusion performed only rarely by Harry Blackstone Jr. and his wife, Gay. Included is a belt, ribbon, darts, and a mechanism that seemingly the dart and ribbon pass through a person with enough force to ultimately hit the target behind him or her. In very good condition.
Blackstone "Up and Down" Illusion. Originally performed by Harry Sr. in the '30s and recreated by Harry Jr. for PBS, this teleportation-style illusion is deceptive even for other pro magicians. A girl enters the elevated open frame, the side curtains are lowered, and on command the curtains fall to reveal that she has vanished -- only to immediately appear somewhere else. It measures 105" x 40.5" x 40.5" and is in good condition.
Blackstone Yogano Levitation Chair. Performed on television by Blackstone Jr., this is a self-contained levitation illusion contained in a normal-looking chair. An assistant sits in the chair, rises roughly 18", then descends back down. In very good condition.
Blackstone "Zig Zag Girl" Illusion. Based on Robert Harbin's classic illusion in which a girl in a cabinet is bisected by two metal blades, and the first such replica built with his approval, this piece was used by Harry Blackstone Jr. at the 1970 "It's Magic" show. It measures 72" x 32" x 18" and is in very good condition.
Blackstone Camel Cigarette Trick. Used by Harry Blackstone Sr. in the '30s and similar to a silk production box, this small yellow box comes with two Camel Cigarette pack shells. in fair condition.
Blackstone 1946 Souvenir Album. From the 1946 International Brotherhood of Magicians Convention, the album features numerous black-and-white photos of Harry Blackstone Sr., Dell O'Dell, Russ Walsh, Johnny Paul, and others. Spiral bound with brown endpapers, and in very good condition.
Blackstone "Million Dollar Mystery" Illusion. This 7' cabinet features a double front and side doors capable of producing, vanishing, and exchanging multiple people at a fast pace. It was used by Harry Blackstone Jr. to produce himself, Regis Philbin, and and several Miss America contestants during the 1996 pageant in Atlantic City. In good condition.
"Addams Family" Electric Chair. It's creepy and it's kooky, and altogether spooky: This (non-functioning) electric chair prop was featured in the 1991 feature film. It measures approximately 6 1/2' tall and 3 1/2' wide, is in great condition, and would look great in any living room. Well, almost any...
"Beverly Hills Cop 3" Prop Weapon. An "Annihilator 2000" futuristic weapon system from the 1994 action comedy sequel. Look closely; it's composed of bits and pieces from a pocket calculator, portable CD player, microwave oven, and other odds and ends. It's in excellent condition but, alas, doesn't actually fire.
"Buffy the Vampire Slayer" Prop Stake. Writer-director Joss Whedon's cult TV series made a star out of Sarah Michelle Gellar by casting her as a typical high school girl with a not-so-typical knack for fighting evil. Affectionately referred to as "Mr. Pointy" by Buffy, this 8" wooden stake prop from the series -- perfect for vanquishing the forces of darkness -- is in Excellent condition. Vampires not included.
Johnny Carson Boom Microphone. This Sennheiser MKH805 shotgun microphone was used during the New York run of "The Tonight Show" and Johnny Carson's tenure as host from 1962-1972. This microphone was the boom mic used for guests. It has a 10' cable and is in optimum functioning condition.
"Cleopatra" Painted Palace Chair Prop. A gold-and-black painted wooden palace chair from the 1963 movie, with floral-decorated seat and back cushions, and gold-paint decorated arms and legs. Restored and repainted, and in overall very good condition for its age.
Painted Royal Palace Chair Used in Cleopatra. Offered is a wooden, painted prop chair used in the movie Cleopatra starring Elizabeth Taylor. The chair has Egyptian-type scroll designs around the edge of the seat, and the ornate cushion is trimmed in in thick, golden braid. The chair is in ecellent condition.
"Cleopatra" Seated Figure Prop Statue. Gold-painted statue of a seated figure with bird's head. Restored and repainted, it is in very good condition with some moderate paint chipping, and measures 64" x 20" x 28".
"Cleopatra" Backless Prop Chair. A gold-and-white painted wooden chair from the movie, with scrolling arms decorated with wooden swan heads and a red, green, gold, and brown cushion. In overall fair condition, restored and repainted, with some wear and paint loss.
"Cleopatra" Prop Fans. Pair of large, gold-painted faux-bronze fans from the movie, with large feathers extending from the top, a gold-painted wood handle, and one with a rectangular wooden base. Each measures 72", has been restored and repainted, and in fair condition with heavy wear to the feathers.
"Cleopatra" Make-Up Head. Used to design Elizabeth Taylor's make-up for the movie. In very good condition with only a few scratches.
Two Design Sketches from "Cleopatra." "Cleopatra" soldier's costume design sketch, hand-painted on heavy cardboard and measuring 15" x 20". This sketch features a costume design for a Roman soldier from the 1963 production. In good condition with some light wear and discoloration around the edges, the sketch features a few handwritten notes and initials. Also, a "Cleopatra" jewelry design sketch - colorful, almost textured painted designs of ten separate pieces of royal jewelry for the 1963 feature film, on heavy cardboard measuring 15" x 20". In great condition with slight wear and discoloration to the edges.
"Dances With Wolves" Prop Rifle. This replica lever-action repeating rifle was used in Kevin Costner's Oscar winning film. It features a wooden stock, ladder sight, and working trigger and lever action. In Excellent condition with almost no wear, and measures 43" in length.
Parasol from Gone With the Wind. Here's a charming memento from arguably the most popular film ever made - the parasol of Aunt Pittypat Hamilton (played by Laura Hope Crews) in Gone With the Wind. The item itself is a real curio - a black silk parasol of the 1860s style that can be compactly folded. Several now rather-tattered areas actually add to the prop's "aged" charm and quaint appeal. The consignor's relative acted as an extra in the film. Mind-boggling to imagine how many millions of people in audiences all over the world have seen this parasol on theatre and TV screens over the past 67 years. One of those all-too-rare If-it-could-only-talk relics associated with a timeless film. Own a piece of GWTW history! (And if you lose the bidding, "Tomorrow is another day...")
"Magnificent Seven" Prop Shotgun. A prop double-barreled shotgun from John Sturges' 1960 remake of Akira Kurosawa's classic "The Seven Samurai," and, ironically, long-since established as one of the greatest Westerns ever made. In Good condition with considerable rusting and a small chunk missing from the wood stock. A great prop from a great movie.
"The Patriot" Peg Leg Prop. Colonial era-style peg leg of leather and wood construction, as well as a rather anachronistic rubber traction pad mounted on the bottom worn by actor Joey D. Vieira, noted actor. As a child, Joey played Porky on the early episodes of Lassie. In Excellent condition.
"The Patriot" Prop Musket. This wood-and-steel replica musket was used in the 2000 Mel Gibson historical adventure-drama. It features a working trigger/flintlock mechanism and detachable bayonet, and measures 72" in length. In Excellent condition with almost no wear.
"Raiders of the Lost Ark" Prop Submachine Gun. This is a realistic plastic-and-metal replica MP40 submachine gun used in the 1981 action-adventure classic. It features a folding stock, working trigger action, sliding bolt action, and removable ammo magazine, and disassembles into two sections. In Excellent condition with virtually no wear, and measures 24" in length (33" with stock extended).
"The Spy Who Loved Me" Submarine. This functional submersible was used in the 1977 James Bond thriller "The Spy Who Loved Me." A prototype for the "Shark Hunter II" series produced by Perry Oceanographics, this mini-sub was designed for transporting personnel, conducting underwater surveys, and to serve as a recreational vehicle. Representatives from Pinewood Studios visited the builder to negotiate the propulsion and ballast for the submersible Lotus Esprit used in the movie, when they caught a glimpse of the Shark Hunter hull. So enamored were they with it, that the script was rewritten to include the sub in an astounding underwater chase scene. Features include an aluminum and fiberglass hull, brushless electric motor, and stainless steel aircraft control cables. Maximum depth: 450 feet. Top speed: 3.5 kys. Battery duration: 5-6 hours. Range: 18-20 miles. Torpedoes: none (sorry). Yellow with black detailing, seats two, and is 15 feet in length. Includes wheeled transport trailer, a history of the sub from designer Richard Brown, and list of operational guidelines from previous owner Tom Kolodner.
"Star Trek" Commemorative Displays. Two limited edition plaques dedicated to the original series. The first (#1,916/10,000) commemorates the 30th anniversary of the show and features a large color photo of the original cast and a commemorative 30-cent stamp; the second (#131/2,500) features a photo of series creator Gene Roddenberry and his wife/"Trek" actress Majel Barrett, signed by the latter. Both measure 12" x 15" and are in Excellent condition.
"Star Trek" Panels Three light, plastic panels from an unspecified "Star Trek" production, in very good condition with some minor wear and a few cracks. Be the winning bidder and you're well on your way to building your own starship.
"Star Trek" Wood Plate. Painted wood prop, measuring 7" x 11" x 3", used in an unknown "Star Trek" production. In excellent condition.
"Star Trek: First Contact" Screen-Used Phaser Rifle. Phaser rifle used in the 1996 sequel. One of only three rifles made for the film, it was used in the scene where Captain Picard, Worf, and Lt. Hawk confront the Borg on the outer Hull of the Enterprise. It features solid carved wood construction with plastic detail, and measures 35" in length. One of the other three rifles sold for $45,000 in a Profiles in History auction on December 12, 2001.
"Star Trek" Klingon Marble Slab Chair Prop. From an unidentified "Star Trek" production, this wood-and-foam chair features faux marble facing and plastic cushions. It measures 34" x 36" x 29", and is in overall Good condition with small sections of facing missing from the front.
"X-Files" Alien Baby in Jar. By its third season, "The X-Files" had grown from a cult hit to a global phenomenon, becoming the #1 show in numerous countries and making paranoia fun again. Featured is an alien fetus prop from the episode "The Erlenmeyer Flask," the cliffhanger finale to the series' first season, an episode that set the tone for the remainder of the series. The prop is 6.5" tall, 3.5" in diameter, and kinda gross. In excellent condition, and still in its original slime.
"Alamo" Buckskin Costume. Faux buckskin costume from the 1960 production of "The Alamo" starring John Wayne and Richard Widmark. It consists of a tunic and pants, both in Excellent condition with a small tear at the base of the v-neck on the tunic.
Ethel Barrymore "The Farmer's Daughter" Costume Gown. Full-length beige satin gown worn by the actress in the 1947 romantic comedy with Barrymore's name inside the gown. Designed by Edith Head. In Very Good condition.
Humphrey Bogart "Battle Circus" Costume (1953). Featured in this lot is a khaki tunic worn by Humphrey Bogart in the war movie "Battle Circus," in which Bogart played an embittered Army surgeon who falls for a nurse played by June Allyson. A MGM wardrobe tag is sewm into the suit. The item is in very good condition with no stains or tears.
Marlon Brando "One-Eyed Jacks" Costume. Featured in this lot are a scarf and pair of pants worn by Marlon Brando in the movie "One-Eyed Jacks." Brando not only starred as a betrayed bank robber named Rio, he also directed the film (the only time he would do so). A Western Costume Co. tag with Brando's name is sewn into the pants. Both pieces are in good condition.
Charlie Chaplin Costume Vest. Although he was best known for his silent comedies (especially the ones featuring his Little Tramp character), Charlie Chaplin also made a number of talkies later in his career. Featured is a vest worn by Chaplin in the 1947 comedy drama "Monsieur Verdoux," in which Chaplin (who also directed) cast himself against type as a literal ladykiller. A rare item in great condition, especially for its age. A Western Costume Co. tag with Chaplain's name is sewn into the vest.
"Cleopatra" Costume Gown. Mustard-yellow full-length gown with Egyptian-themed embroidery worn by Elizabeth Taylor in the epic Cleopatra. In very good condition with some light soiling from wear. A label with "E. Taylor Cleopatra" is sewn into the dress.
"Cleopatra" One-Piece Gown. Full-length, olive-colored satin gown designed for Elizabeth Taylor to be worn in the film, with her name written on the inside label. In excellent condition.
Claudette Colbert Costume Suit. Orange costume consisting of wool coat and skirt worn by Claudette Colbert in an unknown Paramount production. A Paramount wardrobe label with Colbert's name is sewn in the suit. In Very Good condition, with a noticeable strip of fading across the shoulders.
Kevin Costner "No Way Out" Costume Jacket. This black U. S. Navy dinner dress uniform jacket with bow tie was worn by Costner in the 1987 political thriller. A metal tag in the inside pocket states: "Property of Vietnam Veterans in the Media Production Inventory" and bears the date Jan. 10, 1987. In Excellent condition.
Ben Davidson Signed Prison Costume from Necessary Roughness (1991). After being sanctioned by the NCAA to the point of being a second rate team, the Texas State Armadillos practice against a team from the local prison. This team included former Oakland Raider great Ben Davidson. Included here are three pieces of his costume in prison grey, and each piece is signed! This group also has the pressbook folder that has been signed as well. With all pieces in great shape this will appeal to collectors of both football and movie memorabilia.
"First Knight" Costume Armor. Prop plate armor and sword from the 1995 Arthurian epic that starred Sean Connery, Julia Ormond, and Richard Gere. Included are a rubber-and-plastic prop sword (41" in length), silver-painted plastic helmet, metal breast and back plates, metal greaves and forearm guards, and metal-and-leather guantlets. It's still shiny and in Excellent condition with the usual dings and dents from age and use.
"F Troop" Costume Uniform. A U.S. Cavalry uniform costume from the series, one of the classic sitcoms of the '60s. Includes neckerchief, shirt, and pants, all in Excellent condition.
Betty Grable Movie Costume. One of Hollywood's most universally known stars of the '40s and the archetypal "pinup girl," Betty Grable was known for her beauty and performances in "Coney Island" and "How to Marry a Millionaire." Featured in this lot are the apron and bloomers worn by Grable in the 1950 musical "Wabash Avenue." Also included in the lot is a photo from the movie of Grable wearing the costume. Betty Grable's name is written on a label in the costume.
Alec Guinness "Cromwell" Costume. This lot is the military jacket and suit worn by Sir Alec Guinness in his role of King Charles I in the 1970 movie "Cromwell." A beautiful item in pristine condition.
Alec Guinness "Cromwell" Costume. This lot features a rather regal costume worn by Sir Alec Guinness in his role of King Charles I in "Cromwell." The costume bears some minor wear around the collar, but otherwise is in great condition.
Ken Curtis "Gunsmoke" Badge. Curtis is best known for his long-running role as Festus Hagen, the cantankerous deputy marshall from "Gunsmoke" from 1964-75. This deputy U.S. marshall badge was one of several worn by Curtis on the show. Acquired from the CBS archives, it is in Excellent condition, with the initials "K.C." and "CBS" etched onto the back. A fantastic artifact from one of the greatest and most classic TV series.
James Arness "Gunsmoke" Badge. On the air from 1955 to 1975, "Gunsmoke" still stands as the longest-running prime time drama in the U. S., and James Arness played Marshal Matt Dillon throughout its 20-year run, the longest uninterrupted period any actor has played the same role in the same show in prime time. This U.S. marshall's badge was one of several worn by Arness on the show, and was acquired from the CBS archives. It is in Excellent condition, with the initials "J.A." and "CBS" etched onto the back. A wonderful and unique piece of TV history.
Richard Harris Costume From "Cromwell." Here is a tunic worn by Harris in the historical drama "Cromwell," in which Harris played the title character, British Civil War leader Oliver Cromwell. A label with Harris' name is sewn in the costume. The tunic is a bit tattered, but it's supposed to be; war is hell, especially on one's wardrobe.
Jonathan Harris "Lost in Space" Costume. By taking the "Swiss Family Robinson" formula and applying it to science fiction, "Lost in Space" (1965-68) quickly became a cult classic TV series totaling 83 episodes in three seasons. Featured is a black and red felt costume worn by actor Jonathan Harris on the series in his role of the duplicitous Dr. Smith, a regular cast member who was credited as a "special guest star" throughout the run of the series. (The original pilot was reshot with his character added in because network executives wanted an antagonist, after contracts for the other players were already set.) In superb, like-new condition.
Bob Hope "Monsieur Beaucaire" Costume. A light teal coat with rhinestones and gold trim worn by Hope in the 1946 period comedy "Monsieur Beaucaire," in which he played an 18th-Century French barber who impersonates a Spanish noble. A Western Costume Co. label with Hope's name is sewn in the costume. In Excellent condition.
Bob Hope "Monsieur Beaucaire" Costume Vest. A purple vest with rhinestones and gold trim worn by Hope in "Monsieur Beaucaire." A Western Costume Co. label with Hope's name is sewn in the vest. In excellent condition.
Anthony Hopkins "Lion in Winter" Costume. Included in this lot is a woolen knitted tunic worn by Hopkins in his role of Prince Richard in the classic 1968 drama "The Lion in WInter," opposite Peter O'Toole as King Henry II and Katharine Hepburn as Eleanor of Aquitane. The item is in superb condition.
Danny Kaye Costume. Gray suit, beige dress shirt (with zip-up back), and bow tie worn by the comedian on his 1963-67 variety show. The initials "DK" are written in the costume in an unknown hand. In Excellent condition
"King and I" Costume. Maroon and emerald satin costume with sequins, worn in the 1956 romantic musical. In very good condition with some fraying to the cuffs.
Burt Lancaster Medieval Costume. This lot includes the three-piece costume (including the tights) worn by Burt Lancaster in the adventure film "The Flame and the Arrow," in which Lancaster played a 12th-century rebel battling German rule. In great condition.
"Laverne & Shirley" Matching Dresses. Here is a pair of matching red crepe dresses worn by actresses Shirley Williams and Penny Marshall on the popular sitcom "Laverne & Shirley." You can tell which one was Laverne's -- it has the letter "L" embroidered on it, of course.
Jennifer Lopez "Selena" Bustier. Beaded black satin bustier worn by Jennifer Lopez in the 1997 biopic "Selena," the movie that helped establish her as an actress. "J Lopez" is written in ink on the label inside in an unknown hand. In Excellent condition.
Marilyn Monroe Hand Purse. This small, black beaded hand purse with metal closure and chain handle was owned and used by the iconic actress on many of her evening outings. In Excellent condition, with a few missing beads and very minor wear.
Audie Murphy Costume Shirt from "To Hell and Back." Audie Murphy, the most decorated American soldier in World War II, enjoyed a Hollywood acting career after the war ended, eventually playing himself in the autobiographical 1955 movie "To Hell and Back," recreating his actions in several key battles. This olive drab uniform shirt with corporal's stripes was worn by Murphy in the movie and his name is written in the shirt in an unknown hand. A unique and very special item.
"The Music Man" Band Uniform Costume. Featured here is a band uniform costume worn by an extra in the 1962 musical classic. Included is the hat (in great condition, although the brim has begun to separate from the hat in one or two places ), coat (great condition), and pants (very good, with some staining to the legs). Hirsch Uniform Company labels are in each piece of the costume.
Maureen O'Hara "Wings of Eagles" Costume Dress. Blue and off-white dress with blue polka dots, worn by O'Hara in the 1957 drama. O'Hara's name is penned in the collar of the dress. Portions of some of the snap fasteners are missing and there is a small separation to the right shoulder seam, otherwise the dress is in Very Good condition.
Shaquille O'Neal "Blue Chips" Costume Basketball Uniform. Blue-and-white Champion brand basketball uniform worn by pro baller Shaquille O'Neal in the 1994 sports drama. In excellent condition.
Heath Ledger "The Patriot" Costume. Rising young star Heath Ledger gave his first major U.S. performance opposite Mel Gibson in this 2000 historical drama. Included in this lot are a shirt, pants, waistcoat, and overcoat, each in Excellent condition with Ledger's name or initials written on the label tags.
Gregory Peck Crown from "David and Bathsheba." Released in 1951, this low key Biblical epic (which cleverly saved the David versus Goliath episode for the film's climax, inserting it as a flashback) featured fine performances by Gregory Peck and Susan Hayward in the title roles. Featured is the crown worn by Peck in the movie. A wonderful piece of film history. A photo of Peck wearing the crown also accompanies this lot.
Vincent Price Robe. Featured is the robe worn by Vincent Price in his role of the Duke of Clarence in the 1939 horror drama "Tower of London," a historical epic that cast Price opposite Boris Karloff and Basil Rathbone. (Price would later appear as Richard III in Roger Corman's 1962 version of the story.) The robe is red velvet with white fur trim, in Excellent condition, and pretty swanky looking. A Western Costume Co. label bearing Price's name is sewn in the robe.
Ronald Reagan Jacket. Featured Is a blue, double-breasted jacket worn by actor-turned-president Ronald Reagan in the 1947 drama "That Hagen Girl," made at the height of his career and a good 15 years before he gave up showbiz for politics. A Warner Bros. label with Reagan's name is sewn in the jacket. The jacket is in like-new condition.
Roy Rogers Signed Cowboy Hat. Roy Rogers richly deserved his title of "King of the Cowboys" - nearly 100 movies, long-running TV and radio shows, and personal appearances. His smiling image, with Dale Evans and Trigger, is one of the most winning of any Western star. Here is one of Rogers' Stetson hats, given to the consignor by Rogers at the Roy Rogers Ranch in the San Fernando Valley early in 1954. This was one of the hats selected for Roy by tailor "Nudie" Cohn -"The Bill Blass of Blue Grass," and "The Halston of Honky Tonk"! Cohn's top fame came via the gold lame jump suit Cohn designed for Elvis Presley in 1957, but his first real distinction was designing the western wardrobe of Roy and Dale in the early 1950s. The "3x Beaver Quality" light beige Stetson hat has Rogers' full name engraved on the inside band and is signed on the inside front cloth, "To Johnny from Roy Rogers." "Nudie" told the consignor that he had never seen Rogers give a fan a Stetson before, so this is a truly rare and desirable item. The hat comes with a handsome buckled leather belt that fits around its crown, and has only a few small blemishes under the brim and some light stain on the inside top. Considering the Excellent condition of the hat and autograph, and the fact that Dale Evans gave "Nudie" Cohn's eulogy at his 1984 funeral, this is a remarkable item on a variety of levels - representing the stardom, style and kindness of the true King of the Cowboys. "Happy Trails" and happy bidding! With COA from PSA/DNA.
Rosalind Russell "The Trouble With Angels" Costume. Here is the nun outfit worn by Russell in her role as the Mother Superior in the 1966 Ida Lupino-directed family comedy. Producer William Frye personally offered his friend Greta Garbo $1 million to play the role. When she declined, he offered the role to Russell at a much lower salary. Western Costume Co. labels with Russell's name are sewn in the costume.
Peter Sellers Costume Coat. Remembered primarily as Dr. Strangelove and the bumbling Inspector Clouseau in the Pink Panther movies, Peter Sellers was one of the all-time great comedic actors. Here is a jacket worn by Sellers in the comedy adaptation of Alexander Hope's classic adventure tale "The Prisoner of Zenda." A label with Sellers' name and "Prisoner of Zen" is sewn in the jacket. A fabulous item.
Simone Simon "Mademoiselle Fifi" Costume Coat. Fur-trimmed wool coat worn by Simone Simon in the 1944 period war drama. Simone's name is penned on a label sewn in the coat. In Excellent condition.
Barbara Stanwyck Dress Designed by Edith Head. Full-length gold dress with belt owned and worn by Barabara Stanwyck and designed by Edith Head, whose 35 Oscar nominations and 8 wins made her both the most honored costume designer and woman in Academy history to date. "B Stanwyck" is penned in the dress in an unknown hand. In Excellent condition.
"Starship Troopers" Uniform and Prop Rifle. Controversial during its 1997 theatrical release because of its ultraviolent content, "Starship Troopers" has come to be regarded as one of the best military satires since "Dr. Strangelove." Included are a prop helmet made of resin, canvas uniform tunic and matching pants, and a life-size prop rubber assault rifle used by extras in the movie. The uniform is in Excellent condition, the helmet is in great condition with some dings and paint chipping from use, and the gun is in great condition with a few chunks missing here and there. Perfect for bughunts.
Spencer Tracy Suit. This fitted, gray pin-stripe suit was worn by actor Spencer Tracy in the romantic comedy "Pat and Mike." Tracy played shady sports promoter Mike opposite long-time love Katharine Hepburn's flustered young athlete Pat. A MGM label with Tracy's name is sewn in the costume. The suit is in exceptional condition, especially considering its age.
John Wayne "Sands of Iwo Jima" Costume Cap. This olive drab garrison cap was worn by the Duke in the 1949 war movie "Sands of Iwo Jima," one of his finest performances. Size 7 1/4, it features a Warner Bros. stamp and Wayne's name written on the inside in both black and white ink. In Excellent condition with a couple of very small holes.
Orson Welles' Costume from "MacBeth." Like many of actor-filmmaker Orson Welles' works, his dark, stylized adaptation of Shakespeare's "MacBeth" was butchered by the studio and poorly received by audiences and critics alike upon its initial release, but in the years since has become highly regarded. This lot features the three-piece costume worn by Welles in the movie, and includes pants, tunic, and cloak. In excellent condition.
Vintage Hollywood Photos and Post Cards. This huge lot features 49 silent-era postcards bearing the images of Francis X Bushman, Edna Purvance, Lila Lee, Mabel Normand, Conrad Nagel, May Allison, Ronald Coleman, Neil Hamilton, Mary Philbin, and Creighton Hale; and some 160 vintage b&w 5" x 7" and 7.5" x 9.5" photos featuring Gary Cooper, Clara Bow, Tim McCoy, Lillian Gish, Florence Vidor, Norma Shearer, Lupe Velez, Joan Crawford, Louise Brooks, George O'Brien, Jason Robards, Ronald Coleman, Richard Barthelmess, Renee Adoree, Jackie Coogan, Harold Lloyd, Gloria Swanson, and scores of others -- many of them signed. In overall Fine condition with mild to moderate wear, curling, and/or discoloration.
"Anthony Adverse" Shots. When Jack L. Warner received the suggestion to film Anthony Adverse, Hervey Allen's 1,200-page novel, he responded, "Read it? I can't even lift it!" Yet Warner proceeded, producing this lavish 18th century historical costumer starring Fredric March and Olivia de Havilland and directed by Mervyn LeRoy. The epic was a Best Picture Academy Award contender in 1936 (losing to MGM's The Great Ziegfeld), winning four Oscars (Best Supporting actress for Gale Sondergaard, Best Cinematography, Best Musical score and Best Editing). This is a lot of eight beautiful 11x14 stills from Anthony Adverse, capturing the film's lushly romantic quality. Shot One: a wonderful storybook-style pose of doomed lovers Maria (Anita Louise) and Dennis (Louis Hayward) having a rendezvous at a mill. Shot Two: a chilling pose of villain Don Luis (Claude Rains) confronting Maria in her bed as he brandishes a candle. Shot Three: A scene of the duel between Don Luis and Dennis, as Maria and others watch. Shot Four: a pose of little Anthony (Bill Mauch) visiting little Florence (Marilyn Knowlden) and her mother (Marjorie Gateson). Shot Five: a charming exterior still of Anthony (Fredric March) and Angela (Olivia de Havilland) riding in a donkey-drawn cart. Shot Six: a pose of Anthony with the adult Florence (Alma Lloyd) and her mother. Shot Seven: an expansive scene of an opera being performed, featuring de Havilland in the shot. Shot Eight: A profile-to-profile reunion of Anthony and Angela. Each has a "layout in story form" attachment at the bottom of the still and each is stamped on the back August 13, 1936. Shots One though Four, as well as Seven and Eight, have some border wear and chips, and Shot Eight has lost its lower right corner and has a few spots of surface wear beside de Havilland's coiffure. Overall Very Good condition, and superb still artwork from one of Warner Bros.' major extravaganzas of the 1930s.
"Anthony Adverse" Shots. A second lot of eight beautiful 11x14 stills, numbered Nine through Thirteen and Fifteen through Seventeen, from Warner Bros.'s 1936 Academy Award for Best Picture contestant Anthony Adverse. Still Nine shows Anthony (Fredric March) and the "seductive housekeeper" Faith (Gale Sondergaard, who won the Academy's first Best Supporting Actress prize for this performance) with the Madonna-style doll left with him at the orphanage. Still Ten is an expansive set exterior, showing Anthony on a ship at a port with Captain Jorham (Joseph Crehan). Still Eleven pictures a dissipating Anthony in Africa, involved in the slave trade, with Ferdinando (Paul Sotoff) and "voluptuous native woman" Neleta (Steffi Duna). Still Twelve shows Anthony at the jungle trading post with natives and slaves. Still Thirteen is a group scene featuring Napoleon (played by Rollo Lloyd - Warner Bros. newcomer Humphrey Bogart had tested for this role!). Still Fifteen shows Anthony and Angela with their son. Still Sixteen shows Anthony and Angela profile to profile, and Still Seventeen features Anthony and his son shipboard and leaving France. Each still has a caption attached at the bottom and is stamped on the back August 13, 1936. The stills have some border wear and chips, but are in overall Very Good condition and are handsome mementos of one of Warner Bros.' major Golden Age epics.
Character Actors Autographs. What a diversity! Four excellent vintage signed album pages from four wildly different players. There's Edmund Gwenn, who won an Oscar for playing Kris Kringle in 1947's Miracle on 34th Street, with a picture of Gwenn pasted below the signature. Then there's Ward Bond, powerhouse roughneck of the John Ford stock company and star of TV's Wagon Train. There's H. B. Warner, best-remembered as the Christ in DeMille's 1927 The King of Kings, and finally we offer Gabby Hayes, the most grizzled cowboy sidekick of them all. There's also a bonus: the flip side of the Gwenn album page has a signature of 1940s leading man Sonny Tufts, with a picture of Tufts pasted beside his name. Here are excellent signatures from four of the most colorful scene-stealers of Hollywood history.
Gene Autry Saddle. One of 12 Western stock saddles made for the legendary singing cowboy by Ed Gillmore Saddlery of North Hollywood in the 1930s and '40s, it was used by Autry in his Flying A Ranch Rodeo, an act that broke all previous attendance records when it performed at Madison Square Garden in 1940. Sadly, Gillmore was murdered that same year, and his shop was sold to Hollywood Saddlery. In amazing condition, the saddle features an overall floral design with Autry's name on the side jockey. and conchos on the swells, skirts, and edge of the cantle. A true rarity and an important piece of Western memorabilia.
Clyde Barrow Swatch of Pants. The 1967 film Bonnie and Clyde, starring Faye Dunaway and Warren Beatty, assured the ongoing historic fascination of Depression bank robbers Bonnie Parker and Clyde Barrow. The real-life couple weren't as glamorous, but they were at least as fascinating. This certificate - numbered 350/870 - contains a swatch of the woolen trousers worn by Clyde on May 23, 1934, the fateful day he (and Bonnie) died in a Gibsland, Louisiana ambush. Clyde's sister Marie Barrow signed the certificate, pesonally guaranteeing the trouser piece's authenticity. Also signed by Charles Heard, who arranged this unique tribute with Marie. A sure-as-shooting curio, certain to fascinate and cause discussion.
Clyde Barrow Swatch of Pants. "Some day they'll go down together, and they'll bury them side by side - To few it'll be grief, to the law a relief, But it's death for Bonnie and Clyde." Thusly did Bonnie Parker poetically prophesy the fate of herself and Clyde Barrow, her bank-robbing Depression desperado of the Great Depression. On May 23, 1934, the prophecy was fulfilled - police ambushed the legendary bank robbers near Gibsland, Louisiana and the duo perished in a blaze of gunfire. This handsome certificate contains a woolen swatch cut from the trousers worn by Clyde Barrow at the time of his death. Marie Barrow, sister of Clyde, personally guarantees this item, and the certicate - #195/870 - bears her signature. It also has the signature of Charles Heard of Avalon Productions, Ltd., who made the arrangements with Marie Barrow. Bonnie and Clyde are pictured on this uniquely historic, ready-to-frame item - a remarkable curiosity.
Bonnie and Clyde Wanted Poster (1934). "We rob banks!" This is a vintage U.S. Department of Justice wanted poster for Texas desperadoes Bonnie Parker and Clyde Barrow, with a facsimile signature of J. Edgar Hoover. It's in NM- condition, with a little tanning, and is framed to an overall size of 10" x 12". This fascinating historical item is accompanied by a certificate of authenticity from the American Historical Guild.
John Barrymore Photos. "You have no idea what it means to play opposite so perfect an artist!" exclaimed Greta Garbo to John Barrymore after acting a scene with him in Grand Hotel, surprising Barrymore further by kissing him. Here are two superbly striking 11x14 stills of that "perfect artist," taken by Metro's ace portrait photographer Clarence Sinclair Bull during Barrymore's halcyon MGM years in the early 1930s. The horizontal portrait shows Barrymore posing by a ship model in the recreation room of his Beverly Hills house. He's smoking a pipe and standing in front of old framed theatre posters, which are visible on the wall behind him, along with his shadow. (There's also an empty glass on the table before him - reminding one of the Barrymore demons.) The second shot, vertical, shows Barrymore, flaunting his "Great Profile" as he poses with Diana Wynyard in MGM's Reunion in Vienna (1933). He's in uniform, and holding a glass here too, but it's evidently called for in the story. Each still has Bull's stamp on the verso. The portrait with pipe-and-ship model has the original snipe attached to the back and a Dell Publishing Company stamp, dated April 4, 1939 (although the still was taken circa 1932) and is in Excellent condition. The Reunion in Vienna picture has the original snipe on the back, as well as stamps from the Photoplay magazine library and blue pencil crop marks; there's a crease mark in the lower right corner, but it still rates Very Good condition. John Barrymore reigns as one of the most fascinating, eccentric and tragic Golden Age stars, and these two Bull portraits capture his flair and genius.
Jack Benny Cufflinks and Silver Tray. Featured is a sterling silver tray, presented to "Jack Benny in appreciation of your assistance to Canada's Sixth Victory Loan April 1944," along with a pair of Friar's Club cufflinks owned and worn by Benny. Also included is a handwritten letter from his daughter Joan, dated May 9, 1991, attesting to the authenticity of the items. The cufflinks are in excellent condition as is the letter, which has been laminated, and the tray bears some tarnishing on the bottom but is otherwise in great shape.
"Blue Velvet" Crew Jacket. David Lynch bounced back from his dismal experience making "Dune" by writing and directing this neo-noir masterpiece, a critical and commercial success that earned him his second Oscar nomination. This handsome black corduroy jacket, worn by a member of the production crew, is a men's size 42 and has a quilted blue lining and blue title logo and the tagline "It's a strange world..." embroidered on the back. It is in Excellent condition with some very minor wear to the collar. Also included are a trailer card bearing the Blue Velvet production stencil and "The Ear" handwritten on it in black marker, as well as a polaroid of said severed prop appendage, dressed with phony gore -- both in Excellent condition.
Humphrey Bogart's Silver Cigarette Case. This handsome silver cigarette case is emblazoned with a crown over a letter "H" on the front, and features the inscription "King Bogie from the Boss" on the back. In very nice condition with some minor wear and tarnishing.
Tim Burton Original Art: Polaroid Portrait. From the personal collection of Hollywood's most original horror director of present day (and night), here is a Polaroid portrait, taken by Burton himself, with an eerie essence probably familiar to his many fans. It's a gaggle of five goblin-like dolls, all in varying degrees of massacre. Each of these pleasingly plump little monsters in striped shirts has stitched eyelids and appears somehow to be enjoying his personal distress - even the one whose head seems to be in the process of decapitation in a splash of blood. It all looks like a nightmare that Burton's Corpse Bride might have suffered (or enjoyed) about bully boys from her childhood. Grotesque and disturbing to be sure, it's also strikingly evocative of Burton's stylistics that are so much a part of his films. The picture is 19" x 24", and is set in a brown matte inside a 33.5" x 37" black frame. Please note: the back of the painting is inscribed to Danny Elfman, major Hollywood composer (who's scored many of Burton's films) and member of the cult rock group Oingo Boingo. Burton has signed the picture - however, his signature is underneath the matte. Excellent condition. Are you a devoted fan of Tim Burton films? Mount this chillingly charming example of the man's fetishes and fascinations on your wall and enjoy.
Tim Burton Original Art: Framed Polaroid. If you enjoy the uncanny dark visions of such Tim Burton films as Beetlejuice, Edward Scissorhands, Corpse Bride and his Batman films, you'll fall under the power of this uncanny artwork from Burton himself. It's a Polaroid portrait taken by Burton of various dismembered limbs and body parts - stitched in various configurations. Gruesome but undeniably fascinating, the picture measures 19" x 24", and is set within a brown matte and a 33.5" x 37" black wooden frame. Dismemberment has been a motif of Burton's work since his early work Frankenweenie (1984), which had resulted in Burton being fired by Disney, who never released the film theatrically. (The studio did release it to video after Burton won fame elsewhere.) Burton has signed the portrait but his name is under the matte. Excellent condition. This is a personal, disturbing but oddly compelling work of art from present-day Hollywood's most fascinating horror director!
James Coburn Oil Painting. An avid painter, actor James Coburn produced this gorgeous oil painting of a seascape at sunset in 1967, twelve years before severe rheumatoid arthritis sidelined him from his hobby and acting in general for many years. Signed by the "Cross of Iron" star in the lower right corner, it is in superb condition and framed to an overall size of 52" x 40".
"Cool Hand Luke" Script. A revised final draft copy of the script, dated September 29, 1966, in Very Fine condition with a light amount of tanning and wear.
Early Memorabilia from Disneyland. Since its opening on July 17, 1955, Disneyland has become the world's most famous theme park and -- with an estimated 515 million visitors since its opening -- is one of the most visited sites in the world. This great selection of early memorabilia from the park includes two passes from the opening day ceremonies, a parking pass, two "Welcome to Disneyland" windshield cards guaranteeing a clean windshield, a $1 Disneyland money order, a pamphlet featuring a map of the park, and six Disneyland post cards. All items are in Excellent condition with the occasional case of minor discoloration.
"The Exorcist" Script. A "West Coast Version" of the final draft of the screenplay, dated April 24, 1972, in Very Fine condition with moderate wear to the covers, which are detached.
Charles Fazzino "Crazy for Broadway" 3-D Artwork. This 3-D lithograph by Pop artist Charles Fazzino is #303 from a limited edition of 475, and is signed by the artist in the lower right corner. In Excellent condition, framed to an overall size of 18" x 22".
Charles Fazzino "Remembering '60s TV" 3-D Lithograph. This 3-D artwork by Charles Fazzino is #395 from a limited edition of 400, and is signed by the artist in the lower right corner. In Excellent condition, framed to an overall size of 32.5" x 38.5".
Clark Gable's Humidor. A man known for a robust lifestyle, Clark Gable often indulged himself with a cigar. This glass humidor features a silver lid engraved with Gable's name on the top, and is in great condition with some moderate tarnishing and mild denting to the lid.
The Good Earth - Film Still of Paul Muni and Theatre Portrait of Nazimova. The Good Earth, Pearl Buck's powerful novel of the awesome trials and tribulations of a Chinese couple, made the transition to both stage and screen. This lot commemorates both versions. A 10" x 13" MGM still shows Paul Muni as Wang Lung and Charley Grapewin as Wang Lung's father in this spectacular film, the final picture produced by MGM's famed Irving Thalberg (who died before its release). Luise Rainer won her second Academy Award for her portrayal of "O-Lan" in The Good Earth. Also included is a stunning 11" x 14" theatre portrait, showing the legendary Alla Nazimova as "O-Lan" in the Theatre Guild's production of The Good Earth, which opened in New York October 17, 1932. (Claude Rains played Wang Lung in this stage production.) The back of the film still has a stamp by MGM, noting the photo is by Frank Tanner, as well as the original snipe mentioning Muni, Grapewin, Thalberg and director Sidney Franklin. The back of the theatre portrait has Nazimova's name and the play's title in pencil, as well as a stamp from the Vandamm Studio in New York. Both items in excellent condition.
"Gremlins 2" Archive. Popular enough to make $150 million at the box office in 1984 and spawn a sequel a few years later, Joe Dante's "Gremlins" was also one of the movies that led to the creation of the PG-13 rating, its potent mix of black comedy apparently having been a curveball to the MPAA. This pair of hardbound volumes includes a variety of production documents related to the 1990 sequel, including a copy of the first draft of the script dated September 18, 1988; a copy of the third draft, dated February 16, 1989; a shooting schedule; a copy of the original press kit, 8" x 10" publicity stills, movie review clippings; call sheets; and other items. In Excellent condition.
Richard Haydn "Edwin Carp" Radio Script. This vintage three-ring binder contains British actor Richard Haydn's copy of the script for the radio comedy "Edwin Carp," complete with handwritten notes. Also included is a hand-written, two-page letter from Irwin Allen. In Good condition with appreciable wear to the binder, and some toning and wear to the pages, and some rusted staples.
Katharine Hepburn Framed Photos. A set of contact sheet-style b&w photos of Katharine Hepburn, signed by photographer Andy Hanson and matted and framed to an overall size of 25" x 30.5". In Excellent condition.
Bob Hope Golf Clubs and Frank Sinatra Golf Ball. This set of MacGregor irons were personally owned and used by Bob Hope. The set includes a 3, 4, 5, 6, 7, 8, 9, and 11 irons with Hope's named stamped on the heads. Also included is a circa 1963 First Flight #6 golf ball stencilled "Compliments of Frank Sinatra." All items are in Excellent condition, with a little bit of yellowing to the golf ball.
How Green Was My Valley Lot of Three Photos. How Green Was My Valley won 1941's Best Picture Academy Award, (topping, among other nominees, Citizen Kane) and John Ford received the Best Director prize (edging out, among others, Kane's Orson Welles). The film won three other Oscars as well, and this lot features three beautiful 11" x 14" stills from the beloved film. The first features Maureen O'Hara as Angahard and Anna Lee as Bronwyn, both flanking young Roddy McDowall as Huw. The second is a breathtakingly beautiful portrait of Maureen O'Hara, holding flowers; her backdrop is the Welsh mining town exterior set that 20th Century-Fox built on an 80-acre set near Malibu. The third shot is a variation on the second, again showcasing Ms. O'Hara's beauty. The second shot has a border framing the picture, and the first and third do not. The first shot has "EXCLUSIVE Please Credit 20th Century-Fox Film Corp." stamped on the back, and the first and third have a stamp on the verso from the Dell Publishing Company. O'Hara's name and the film's have been written on the back of pictures one and three. The sharpness and lighting in each still are remarkable. Wonderful images from a milestone John Ford film and one of the most memorable movies of the 1940s.
Stan Laurel Cuff Links. This pair of ornate cuff links were purchased by comedian Stan Laurel in Mexico City in 1932 and worn on a number of occasions. They were later given to Laurel's biographer, John McCabe, by his widow Ida Kitaeva Laurel after the actor's death in 1965. The cuff links are in great condition with only a moderate amount of tarnishing. Accompanied by LOA from John McCabe, thus ensuring impecable provenance.
David Lynch Watercolor Painting. Best known for mind-bending surrealist films such as "Blue Velvet," "Lost Highway," "Mulholland Drive," and "Wild at Heart," writer-director David Lynch is also an avid painter and furniture designer. Featured here is one of his works, an 8" x 5.5" gray-toned watercolor titled "Paris Industry" signed by Lynch and dated 1980. The piece is framed and matted to an overall size of 14" x 11.5", and is in Excellent condition. With COA from PSA/DNA.
Zeppo Marx Wristwatch Invention Copyright Agreement. The youngest of the Marx Brothers, Zeppo took over the straight man after his brother Gummo left the act during their vaudeville days, later joining Gummo to work as a talent agent. A serious-minded amateur inventor and machinist, Zeppo had great mechanical skills and later owned a company that machined parts for the war effort during World War II (including the clamps used to hold the Hiroshima bomb in place inside the Enola Gay). He also invented a wristwatch that would monitor the pulse rate of cardiac patients and sound an alarm if they went into cardiac arrest. Featured here are the original patent application description and design sketches for said wristwatch, filed in Switzerland and dated June 6, 1967, as well as other documents pertaining to the design and patenting of the watch. One sketch is signed by Marx's co-inventor, A. Dale Herman, but not by Marx himself. The items are in excellent condition with light wear and a couple of fold creases.
"M*A*S*H" Scripts. This set of five scripts includes final drafts of "Depressing News" (dated November 21, 1980), "The Life You Save" (January 30, 1981), and "The Foresight Saga" (March 12, 1981); plus revised final drafts of "The Red/White Blues" (January 21, 1981) and "Sons and Bowlers" (February 12, 1982). Each is in Excellent condition with little to no wear.
Steve McGee "Times Square" 3-D Lithograph. Number 141 of a limited edition of 200, signed by the artist. In Excellent condition, framed to an overall size of 22.5" x 26.5".
"A Midsummer Night's Dream" Cast Portrait. For many fans of Golden Age Hollywood, Warner Bros.' A Midsummer Night's Dream (1935) is perhaps the most beautifully photographed film of its era. Hal Mohr's camerawork was so wondrous that he won the Best Cinematography Academy Award as a write-in; the only person ever to win a write-in Oscar. This incredible 14" x 17" publicity cast portrait suggests all the beauty of the film - reproduced and finished by a special photographic effect so it appears as a huge page from an ancient edition of Shakespeare. The shot features 18 members of the cast, including James Cagney (as Bottom), Joe E. Brown (in gown and blonde wig as Flute), Olivia de Havilland (Hermia), Dick Powell (Lysander), Anita Louise (Titania), Victor Jory (Oberon), Ross Alexander (Demetrius), Jean Muir (Helena), Verree Teasdale (Hippolyta), Mickey Rooney (Puck), Ian Hunter (Theseus), Frank McHugh (Quince), Arthur Treacher (Ninny's Tomb), Hugh Herbert (Snout), Otis Harlan (Starveling), Hobart Cavanaugh (Philostrate), Dewey Robinson (Snug), and Nina Theilade (Faerie). Robinson is holding a dog on a leash. The names of the actors are printed on a gold snipe on the back of the picture. There's a tear about four inches up the right border, that extends about four inches into the picture (across Cavanaugh's legs ) and which has been taped on the back of the picture; also a crease that runs down the lower right corner. These imperfections are lost in the overall impact of this Very Good condition gorgeous cast portrait. Beautiful background includes giant statuary. A knockout item for devotees of 1930s Golden Age Hollywood, the Warner Bros. stock company - and Shakespeare!
"Little Movie Mirror" Booklets. Fans of the early days of the American movie industry will want to take a look at these 16-page, 4" x 6" "Little Movie Mirror" booklets, circa 1920s. The set of 11 includes one each devoted to Lillian Gish, Ben Turpin, Harriet Hammond, Colleen Moore, Bert Lytell, Wallace Reid, William S. Hart, Viola Dana, Corinne Griffith, Mae Murray, and Doraldina; plus a copy of "The Life of Rudolf Valentino" and a pamphlet promoting the 1926 adventure movie "Old Ironsides." The booklets are in overall Fine condition with some light edge wear and tanning, and a fold crease through "Old Ironsides."
Marilyn Monroe Hand Signed Dye Transfer by Bert Stern. A one-of-a-king image from one of the most important photo sessions ever. Bert Stern, one of the most famous photographers of the 1960s, was the last photographer granted a sitting with Marilyn Monroe -- six weeks before she died. In a three-day session arranged for Vogue magazine in July of 1962 in the Los Angeles Bel-Air Hotel, Stern took nearly 2,700 fashion shots, portraits, and nude studies, of which only a handful were published at the time. This 20" x 20" photographic print is a unique dye transfer, created in a step before the printing of the regular editions whose prints typically sell for thousands of dollars. Made obsolete by computer retouching, they are of a much higher quality than the actual prints themselves. In Excellent condition, this print was signed by Stern in Gold ink on the lower left corner during a 2001 "Today Show" appearance.
Frank and Ralph Morgan Photo. An 11" x 14" 1932 publicity portrait of the Morgan brothers, Frank and Ralph, each settled in Hollywood, smoking cigarettes and looking very dapper indeed. Frank (1890-1949), best remembered as The Wizard of Oz (1939) and Ralph (1883-1956), one of the the movie's finest character actors (and villains), were among the eleven children of the Wupperman family, which manufactured "Angostura Aromatic Bitters" for drinks and cocktails. Each man enjoyed many Broadway successes before "going Hollywood" and were making films back in the teens. Frank became one of the top character actors of MGM (Bombshell, The Shop Around the Corner, The Human Comedy). When Frank died in 1949, he was playing Buffalo Bill in Annie Get Your Gun and was replaced by Louis Calhern. Ralph had a lower profile in Hollywood and made many "B" movies, including 1940s horror films such as Night Monster; he claimed he saw every job offered him as a blessing and was not about to jinx his good fortune by being choosy (even though the Wupperman family fortune reportedly made it possible for both brothers to never work at all!). Stamp on back of picture credits the shot to Jose Reyes of Hollywood, and a seven-line caption snipe attached to the back gives background on the two actors and news of their then-current projects (including that Ralph was about to appear in Rasputin and the Empress). Excellent condition.
Motion Picture Magazine Group of 26 (1925-28). Back in the in early days of Hollywood film-making, even before "talkies", there was Motion Picture a thick magazine chock-full of photos and breathless articles about the movies and the movie stars of the day. A gorgeous color cover portrait enticed fans to gladly shell out 25¢ per copy. Copies this old are difficult to find, but here are some beauties from 1925-28. Most copies are in GD-VG condition unless otherwise noted. With one exception, all are complete, but covers may be detached. Copies with detached cover are marked by an asterisk. Pages show age-tanning, and in some cases, some brittleness. Issues and color cover subjects include: 1925: July* with moderate chunk out of cover (Ester Ralston and Mary Brian), August* with some tape and with pieces out of front cover (Corinne Griffith), November* (Mary McAvoy), and December* with pieces out of front cover (Lillian Gish); 1926: January* (Dorothy Devore), February (Mary Astor), March (Leatrice Joy), June* (Ramon Navarro), August* (Pola Negri), September* (Rudolph Valentino), October (Estelle Taylor), and December* with pieces out of front cover (Corinne Griffith); 1927: January with small pieces out of front cover (Colleen Moore), February* with small pieces out of front cover (Ramon Navarro), March (Norma Shearer), May (Patsy Ruth Miller), June* with some tape and some pieces out of front cover (Gilda Gray), July* with pieces out of front cover (Gloria Lloyd), August (Dolores Costello), September (Betty Bronson), October (Mary Brian), November (Velma Banky), and December (Greta Garbo); 1928: January (coverless), February (Lois Moran), and June (Janet Gaynor).
Ozzy and Harriet Coloring Book. A copy of the "Ozzy and Harriet/David and Ricky Coloring Book," based on the classic '50s sitcom, in Very Good condition with moderate tanning to the pages, some splitting along the spine, light water damage to the right edge, scuffing, wear, and creasing to the cover.
Colonel's Commission to George Reeves 1957. This is a strange one! As many know, a quick way to start an argument among vintage film and TV fans is to debate whether George "Superman" Reeves, shot to death in his Benedict Canyon house on a June night in 1959, was a suicide or a murder victim. If this item could talk, it might provide clues to a definitive answer. This is a "Veteran Confederate States Cavalry" certificate, complete with sketches of Civil War Generals Forrest, Stuart, Morgan and Hampton, presented to Reeves in Kentucky on September 9, 1957, while Reeves was on a Superman publicity tour. (Perhaps Reeves rated the honor because, besides being Superman, he'd played a Tarleton twin in Gone With the Wind!). The honor specifically made him a Colonel in the "Fourth Kentucky Cavalry of the Confederate States of America," and Reeves was so pleased that he adjusted the sign on his Superman dressing room door to read, "Honest George - also known as 'Col.Reeves.'" He also proudly displayed the honor in his home, and the certificate was hanging there June 16, 1959, when Reeves died of a gunshot wound. It gets even stranger. The Confederate Cavalry certificate ended up in the possession of Toni Mannix, allegedly Reeves' lover, whose husband, MGM executive Eddie Mannix, is widely suspected of having shot Reeves (or having engaged a hit man to kill him). The "Colonel's Commission" certificate, after Toni's death, went to Toni's sister and eventually to its cosigner. The name "George Reeves" and the rank "Colonel" are in perfect condition, but water damage has slightly blurred the ink for "Fourth Kentucky Cavalry" and blurred to a greater degree the date and the signatures of the "Adjutant" and the "Major General." (Reeves did not sign it.) The gold seal is also water-damaged. It's an overall fascinating piece, made all the more so by two acccompanying illustrations framed along with it. One shows Reeves, smiling outside his Superman dressing room wit
Roach Studios Photos. The starting place for the likes of Will Rogers, the Our Gang kids, Thelma Todd, Zasu Pitts, Harold Lloyd, Laurel and Hardy, and others, Hal Roach's studios helped define comedy in American cinema. This set of b&w 8" x 10" photos includes signed photos of stunt pilot Hap Hazard and child actor Peter Barton, and numerous stills from the "Taxi" series of comedy shorts, many of which feature Nelson Story (he's easy to spot, most of the photos have an arrow sketched on them pointing him out!). The photos are in overall great condition with mild tanning and the occasional crease, tear, or tack hole. A nice, rare set from a special chapter in American cinema history.
Bill Robinson Photo and Christmas Cards. A collection of items from Bill "Bojangles" Robinson, the tap-dance pioneer best remembered for tap dancing up and down a staircase with Shirley Temple in "The Little Colonel" (1935) -- a routine he invented. Included is an 8" x 10" black-and-white photo of Robinson from the movie, in excellent condition with minor corner wear; and two custom-made Christmas cards, dated 1935, in great condition, although certain portions have come loose due to disintegration of the glue.
Set of Costume Patches from TV Sci-Fi Series. Includes a crew patch for "Quantum Leap"; five costume patches for "Buck Rogers in the 25th Century", including two lozenge-shaped patches that were likely never used; a costume patch for "Airwolf"; and eight costume patches from the original "Battlestar Galactica" series. All are in Excellent condition.
Set of "SCTV" Scripts. Featured are two three-ring binders containing scripts from the 1981-82 season of the influential sketch-comedy series. Included are "Another Bruce Lee Movie," "Hell Can Wait," "Dr. Tongue's 3-D House of Stewardesses," and other skits. The front cover to one binder is extremely loose, and both exhibit moderate wear; the pages themselves are in very good condition with only minor wear and/or discoloration.
Simpsons Production Sketches Group. A set of ten production sketches, each in pencil on paper, from various "Simpsons" episodes. Included are drawings of Homer, Maggie, Lisa, Bart (from the "Simpsons Bible Stories" episode), Grandpa Simpson, Lenny, Professor Frink, Moe the Bartender, and a group sketch of various supporting characters. All are in Excellent condition.
Simpsons Group of Production Sketches. A set of ten pencil-and-paper production sketches from various "Simpsons" episodes. Included are drawings of Homer, Lisa, Bart, Duffman, Krusty the Klown, Mark Hamill (as himself in the "Mayored to the Mob" episode), Moe the Bartender, and Artie Ziff. All are in Excellent condition.
Simpsons Set of Production Sketches. A set of ten production sketches, each in pencil on paper, from various "Simpsons" episodes. Included are drawings of Homer (on hunger strike in "Hungry Hungry Homer"), Lisa (as Joan of Arc in "Tales From the Public Domain"), Cletus, Grandpa Simpson, Andy Warhol, Itchy, Principal Skinner, Fat Tony, and a nice extreme close-up of Krusty the Klown. All are in Excellent condition.
Simpsons Group of Production Sketches. Ten pencil-and-paper production sketches from various "Simpsons" episodes. Included are drawings of Bart, Homer, Nelson Muntz, Mr. Burns, the "Lost in Space Robot" (from the episode "Mayored to the Mob"), Mr. Smithers (in a tense encounter with a stripper), Grandpa Simpson, and Krusty the Klown. All are in Excellent condition.
Simpsons Production Sketches Group. This group of ten pencil-and-paper production sketches from various "Simpsons" episodes includes drawings of Homer, Bart, Lisa, Dr. Nick Riviera, Mr. Burns and Smithers, Barney, Krusty the Klown, and a group sketch of several supporting characters, all in Excellent condition.
Red Skelton Original Drawing. Drawn by Skelton in black marker on heavy paper, featuring a flying saucer, aliens, and the inscription "When they land - pretend they aren't there!". In Excellent condition.
Red Skelton Original Drawing. A very un-P.C. sketch in black marker on heavy paper by Skelton, with "Bob Hope!!!" written in the word balloon. In Excellent condition.
Red Skelton Cartoon Drawing. Drawn by the comedian in black marker on a sheet of paper, featuring two men up to their chests in snow outside Harrah's Casino, with the caption: "My wife's in here somewhere. Could you help me find her? We're to see the Red Skelton show tonite..." In Excellent condition.
Red Skelton Kangaroo Drawing. A cartoon sketch of bouncing kangaroos by comedian Red Skelton, with the captions "Man, last night was the Hoppingest!" and "From the Kangaroo Times..." on heavy paper in black marker. In Excellent condition.
"Star Trek" Scripts. This set of 11 scripts from the production offices of the original series includes first drafts for "The Omega Glory" (dated May 21, 1965), "Return of the Archons" (November 1, 1966), and "The Way to Eden" (November 6, 1968); final drafts of "And the Children Shall Lead" (June 21, 1968), "Let That Be Your Last Battlefield" (October 2, 1968), "The Lights of Zetar" (October 28, 1968), and "The Cloud Minders" (November 7, 1968); a revised final draft of "Errand of Mercy" (January 23, 1967); second revised final drafts for "The Apple" (two copies); and a shooting script for "The Changeling" (June 29, 1967). The scripts are in overall Very Good to Excellent condition, with far less wear than would be expected given their age. Three have series creator Gene Roddenberry's name handwritten on the front cover in an unknown hand.
"Star Trek the Next Generation" Scripts. This set of four scripts from the first season of the series includes a first draft of the episode "Code of Honor" (dated April 28, 1987), and final drafts for the episodes "Coming of Age" (December 30, 1987), "The Arsenal of Freedom" (January 26, 1988), and "The Shroud" (February 1, 1988, broadcast as "Skin of Evil"). Each is in great shape with little to no wear.
Philip K. Dick's "Star Trek" Writer's Guide. An intriguing bit of memorabilia, this 31-page style manual, dated April 17, 1967, issued to writers working on the seminal sci-fi series, was the personal copy of Philip K. Dick, one of the most talented and influential novelists to work in the genre. The guide includes info on script format, major characters, terminology, standing sets, and other details that have since become integral parts of the franchise. Dick ultimately never wrote anything "Trek" related, but many of his best works have been adapted to the big screen, including the films "Blade Runner," "Total Recall," "Minority Report," and the forthcoming "A Scanner Darkly." The guide is in Excellent condition.
"Star Trek" Costume Detail Items. Included is a small Federation costume patch, a prototype Federation brass belt buckle, and piece of Vulcan jewelry cast in resin. All are in Excellent condition.
Anthony Hopkins, Elizabeth Taylor, and Bette Midler Photos by Andy Hanson. Featured in this set are three matted-and-framed sets of contact sheet-style photos of Anthony Hopkins (18" x 26"), Elizabeth Taylor (31" x 25"), and Bette Midler (33" x 29"), each in Excellent condition and signed by photographer Andy Hanson.
Shirley Temple Photo Group. Eight vintage, unsigned black-and-white 8" x 10" photos of Shirley Temple, arguably the most popular child star ever. Two show a fair amount of tanning and one has binder holes along its bottom edge, otherwise all are in excellent condition with some curling and a very minor amount of wear along the edges and corners. From the estate of Shelby Chapman.
Shirley Temple Photo Group. Eight vintage black-and-white 8" x 10" photos of the beloved child star; five from the 1934 comedy movie "Bright Eyes" and three from the 1935 family drama "The Little Colonel." Five of the photos have binder holes along the left edge, otherwise all are in excellent condition some curling and very minor edge and corner wear. From the estate of Shelby Chapman.
"Terminator 2: Judgment Day" Stunt Prop. This prop head and torso are part of device used in the 1991 sequel for a scene in which the villainous T-1000 assumes the form of a hapless security guard and then promptly does him with a spike through the head. Twin actors Don and Dan Stanton were used for portions of the scene, one of several filmed with the use of identical twins (in fact, Linda Hamilton's twin sister Leslie was used as a double in scenes involving two Sarah Connors). A very gruesome, one-of-a-kind prop, in Very Fine condition with a little wear from rigorous use.
After the Thin Man Photos. Myrna Loy: "I read where you were shot five times in the tabloids." William Powell: "It's not true. He didn't come anywhere near my tabloids." Powell and Loy were so scintillatingly attractive in The Thin Man (1934), trading the clever quips with such chemistry that a great film series was born. After the Thin Man (1936) was the first sequel, and this lot features two 14" x 17" publicity portraits of Powell and Loy as Nick and Nora Charles. Shot one (marked # 8 in the bottom right corner ) shows Powell and Loy close together, she playing a ukulele and both apparently singing. Shot two (marked #6) shows Powell, Loy and Asta all peering into an ice box. After the Thin Man A Metro-Goldwyn-Mayer Picture is printed on both photos. The ice box shot has a flaw, a small white streak on Powell's robe, which might have been on the negative. Very Good condition. These are attractive items for two of the most sophisticated stars and one of the most popular series from vintage MGM.
Vamps and Ingenues. Here's a glamour parade of the Virginal and the Wicked, the Good and the Bad (but no Uglies), each captured in all her pulchritude at the New York studio of noted portrait photographer Edward Thayer Monroe. The vamp line-up includes a profile of Mae Busch, best-remembered as Von Stroheim's fake princess mistress in Foolish Wives (1922) and Oliver Hardy's lethal-looking spouse in Sons of the Desert (1933). (Directors prized Ms. Busch for her expertise at "crockery throwing.") Then get ready for Mary Nolan, aka Imogene WIlson, ex-Ziegfeld Follies blonde beauty, who cavorted with Lon Chaney amidst the jungle depravity of West of Zanzibar (1928). (Her real-life nickname was "Bubbles.") Then come two portraits - one profile, one full-face - of Nita Naldi, who aroused the lusts of John Barrymore in Dr. Jekyll and Mr. Hyde (1920) and Rudolph Valentino in Blood and Sand (1922). (Sound and Naldi's New York accent ended her cinema slinking.) As for the ingenues...well, there's Colleen Moore, who played Little Orphan Annie (1918) and was 1927's Top Box office star. (She had one blue eye and one green eye.) Then behold Dennie Moore, in a portrait from the 1926 Broadway play Hush Money. (She's best-remembered as the gossipy manicurist in 1939's The Women). Shirley Mason, silent star who played the title role in Curlytop (1924), poses coyly on profile. (Her real name: Leonie Flugrath.) Finally there's May McAvoy, remembered as Esther in Ben Hur: A Tale of the Christ (1926) and Al Jolson's leading lady in Hollywood's first "Talkie," The Jazz Singer (1927). (Cecil B. DeMille had tried to squash May's career when she refused to appear semi-naked in one of his films.) The Busch, Nolan, Mason and McAvoy portraits are 11" x 14", and the Colleen Moore, Dennie Moore and both Naldi's are 9" x 12". Photographer Edward Thayer Monroe's name is stamped on the back of each portrait and, in the case of Busch, Nolan and Denni
Cigarette Case from Jack Webb. In 1955 actor/director Jack Webb created what some consider one of his finest works, "Pete Kelly's Blues," a hard-hitting drama about a jazz trumpet player fighting gangsters and corruption in 1927 Kansas City. Peggy Lee's performance was nominated for an Oscar, and the film was re-created as a TV series a few years later. Written by Dragnet scribe Dick Breen, the unit production manager on the film was Eric Stacey. In appreciation for his work, Mr. Stacey was given this silver cigarette box inscribed by Mr. Webb and Mr. Breen. It measures 6.25" x 3.25" and is dated 5-20-55. A very rare piece from one of television's most recognized figures. Acquired from Eric Stacey, Jr., son of Mr. Stacey.
Frank Sinatra Golf Gear. Frank Sinatra was an avid golfer who sometimes spent as much as $30,000 on soft goods in the pro shop. In November 1963, golf heavies and showbiz elite joined together at the Canyon Club in Palm Springs to pay tribute to the icon in a five-day swingfest of a different sort. It was the one-time-only, PGA-sanctioned, Frank Sinatra Invitational, followed by a black-tie gala in the ballroom of the Palm Springs Riviera Hotel. This lot includes some of the Chairman's personal golfing gear: a box of three Wilson golf balls bearing the Frank Sinatra Invitational logo, a nice John Byron putter with Frank Sinatra's name stenciled on the grip, and a pair of white golf shorts with beige piping that have Sinatra's name sewn into the waistband. All items are in like new condition.
Dean Martin's First Recording Contract with Capitol Records, Signed (1948). Excellent signed document, one page both sides, 8.5" x 13", Capitol Records Inc. letterhead, August 12, 1948. A significant document in Martin's legendary career, presented here is Dean Martin's first Artist Contract with Capitol in which Martin agrees to record a minimum of eight tracks for Capitol, receiving an advance of $175 per recording and a royalty of 5% for every double-face record sold (2.5% for every single sold). Also included in the agreement is an option (that was obviously excercised) allowing Capitol to retain Martin's services again for a second and third year if they so desired. Initialed by Martin throughout the body of the document a total of eight (8) times and signed in blue ink in full, "Dean Martin," at the conclusion. Document exhibits moderate signs of wear along the top and bottom edges, with a small tear affecting the "M" in Martin's full signature. However, the text of the document is unaffected and remains fully intact. Given the prominence of the document, this item is a "must have" for the ultimate Dean Martin collector! With COA from PSA/DNA.
Dean Martin Rare Recording Contract with Capitol Records (1951). Superb signed document, two pages, both sides (4 sides total), 8.5 x 11, Capitol Records, Inc. letterhead, December 21, 1951. An exclusive artists' contract in which Martin agrees to continue his then well-established musical career with Capitol for an additional five-year period, receiving a total of $10,000 plus 5% of all royalties pertaining to the sale and airing of all his tracks recorded during the contractual period. Initialed by Martin throughout the body of the document a total of twelve (12) times and signed in full, "Dean Martin," at the conclusion in black ink. Multiple rider and amendment slips have been taped onto both pages, leaving some staining as a result of adhesion staining. However, all text remains fully legible and Martin's signature stands bold and unaffected. With COA from PSA/DNA.
Music Memorabilia
Sammy Davis Jr Memorabilia, Group of 3. They call him "Mr. Bojangles: the Ultimate Entertainer" in a current play based on the life of Sammy Davis Jr. This incredibly talented performer entertained millions -- on stage, in recordings, on television, and in feature films. Here are three rare items, all featuring Sammy: a 1960s-era long-sized postcard advertising Sammy's upcoming appearance (as part of the Will Mastin Trio) at Harrah's Tahoe, a circa-1970 tour book loaded with photos, in VG- condition, and a rare Pye Records promo acetate 45 single of "When The Feeling Hits You," from 1965. It's in NM- condition.
Sammy Davis Sr. Autograph. Autograph book page signed by the musician and father of singer-actor Sammy Davis Jr. in black ink, in Excellent condition with tearing along the top edge that does not affect the signature. With COA from PSA/DNA.
Sammy Davis Jr. Signed Contract. William Morris contract rider dated September 16, 1965, and signed by the late "Rat Pack" member. In Very Fine condition with a little wear around the edges. With COA from PSA/DNA.
Movie/TV Memorabilia
John F. Kennedy, the Rat Pack and Oceans 11 - JFK Signature, Photos, and Home Movies. American history and show business coupled colorfully, dynamically and unforgettably in 1960 when John F. Kennedy, in his ultimately victorious bid for the Presidency, joined social forces for a time with Hollywood's "Rat Pack." The glamorous dignity of the handsome young senator who would be President comes together with the showmanly sizzle of the Frank Sinatra gang in this truly fascinating lot. All of the items date from Las Vegas in the spring of 1960, during the shooting of the original Oceans 11.
First of all are seven snapshots, taken by the consignors, a Canadian husband and wife on holiday who indulged their irresistible urge to hang around the Vegas strip site where the dashing Senator Kennedy (around the time of his 43rd birthday) was watching the shooting of the movie. The snapshots include two pictures of a relaxed JFK with Peter Lawford (then married to Kennedy's sister Patricia), as well as shots of Sinatra, Dean Martin, Sammy Davis Jr. and Joey Bishop. Then there's a color home movie taken by the Canadian couple, showing the Rat Pack between scenes, including amazing shots of the modest 1960 Vegas skyline - and terrific footage of Davis going into an impromptu dance just for our vacationers from north of the border! (Kennedy does not appear in the footage.)
Director Lewis Milestone finally offered the determined couple a chance to party with the group that night if they would stay out of their way during the shooting. Although they managed to get snapshots and home movies anyway, they later joined the evening festivities, and took Peter Lawford's table place card as yet another souvenir - with the autographs of Lawford and Kennedy. Additionaly, they had Dean, Frank, Sammy, and Joey sign an additional card! The signed cards are included in this lot, as are the snapshots, the original eight millimeter film, its canister, and a DVD copy of the footage.
First of all are seven snapshots, taken by the consignors, a Canadian husband and wife on holiday who indulged their irresistible urge to hang around the Vegas strip site where the dashing Senator Kennedy (around the time of his 43rd birthday) was watching the shooting of the movie. The snapshots include two pictures of a relaxed JFK with Peter Lawford (then married to Kennedy's sister Patricia), as well as shots of Sinatra, Dean Martin, Sammy Davis Jr. and Joey Bishop. Then there's a color home movie taken by the Canadian couple, showing the Rat Pack between scenes, including amazing shots of the modest 1960 Vegas skyline - and terrific footage of Davis going into an impromptu dance just for our vacationers from north of the border! (Kennedy does not appear in the footage.)
Director Lewis Milestone finally offered the determined couple a chance to party with the group that night if they would stay out of their way during the shooting. Although they managed to get snapshots and home movies anyway, they later joined the evening festivities, and took Peter Lawford's table place card as yet another souvenir - with the autographs of Lawford and Kennedy. Additionaly, they had Dean, Frank, Sammy, and Joey sign an additional card! The signed cards are included in this lot, as are the snapshots, the original eight millimeter film, its canister, and a DVD copy of the footage.
Peter Lawford Passport. He was known as "the man who kept the secrets," be they for the "Rat Pack," Marilyn Monroe or the Kennedy family. Here is Lawford's British passport, covering the late 1940s and very early 1950s. The cover bears his printed name and is stamped Los Angeles, June 10, 1947. The interior provides his vital statistics (including the fact that he had a "V-shaped scar on right upper arm" ) and contains his photograph and signature. The passport features the stamps of the British Consulate of Los Angeles, as well the stamps of New York, London, France, Southampton, South Wales, Honolulu and Mexico. Back inside page has "Cancelled" stamped on it. The handsome leather passport book measures approximately 4" x 6", has an impressive British insignia on the cover. Excellent condition. This is a handsome memento of a very intriguing and colorful man and actor. With COA from PSA/DNA.
Celebrities at Play Photograph Lot. This lot of five black-and-white 8" x 10" photos includes shots of Frank Sinatra, Dean Martin, Bing Crosby, Bob Hope, and Marilyn Monroe in their leisure time. All are in great condition.
Frank Sinatra and Cary Grant Signed Baseball. From the personal collection of Major League umpire David M. Pallone, who obtained the signatures from the two celebrities at a Dodgers game in 1983. A game-used ball in great condition, with bold signatures in blue and black (they each used their personal pens). Accompanied by a COA from Daniel Cohen, noted authograph authenticator.
Music Memorabilia
Frank Sinatra Clown Oil Painting. An avid and skilled, painter, Frank Sinatra produced numerous accomplished artworks during most of his adult life. This 5" x 7" oil painting depicting a melancholy clown was painted by Sinatra during the 1960s and given as a gift to his closest friend, Jilly Rizzo. The clown has many facial characteristics similar to Sinatra himself -- perhaps an unintentional self portrait? Sadly, the untimely death of Rizzo in a car accident in 1992 and Sinatra's vision problems lead to him giving up painting during altogether during the last years of his life. The painting is framed with glass to an overall size of 10.5" x 12.5" and signed by Sinatra in the lower right corner, and is in Excellent condition. With COA from PSA/DNA.
Frank Sinatra Jockey Club Membership Card. Plastic membership card, serial number 137642, issued to Frank Sinatra from the Jockey Club. It is in Excellent condition with only a few very faint scratches. Unfortunately, it is not signed by Sinatra.
Frank Sinatra Novelty $100 Bills. A set of 14 large, 5.5" x 13" novelty $100 bills bearing the likeness of Sinatra rather than Ben Franklin. These are rare as Frank gave these out to personal friends. In Excellent condition.
Leroy Neiman' Designed Tyson Vs. Spinks Poster Signed to Frank Sinatra. One of the most notable fights in Mike Tyson's controversial career, Tyson Vs. Spinks "Once and For All" marked his peak as a boxer. On June 27, 1988, in Atlantic City, three days before his 22nd birthday, Tyson KO'ed Spinks just 91 seconds into the first round. This poster advertising the highly anticipated fight (ticket prices ranged from $100 to $1,500) was designed by artist Leroy Neiman -- known for his screen prints of athletes and sporting events -- and later given as a gift from Neiman to Sinatra, an avid boxing fan. It measures 26" x 33", is mounted on foam backing board, and is inscribed "To Frank Sinatra 'who sets the standard champions are measured by' " in black marker, signed by Neiman and dated 1988. In great condition with a couple of small tears and some uniform discoloration around the edges. With COA from PSA/DNA.
Frank Sinatra Caesars Palace Bronze Medal Invite. This 4" medallion features an engraving of a Sinatra-esque looking Caesar on the front, and is engraved on the reverse with the following: "In commemoration of the inaugural performance of the noblest Roman of them all at Caesar's Palace be it known by this dictum that you are elected one of Caesar's special guests with the request to attend the Frank Sinatra premiere performance November MCMLXVIII." In Excellent condition, with display box.
Frank Sinatra Tribute Plaque. This handsome plaque from Caesar's Palace served as an invite for an unknown guest "to a loving tribute to Frank Sinatra on the occasion of his fortieth year in show business," held on December 12, 1979, at the hotel-casino. The piece is in Fine condition, with the front portion having separated from the back due to adhesive deterioration (easily repaired) and some flaking of the decorative gold paint. A rare and interesting item.
Frank Sinatra Autographed "That's Life" LP. Following the huge success of "Strangers in the Night," Sinatra's 1966 release "That's Life" continued his streak of commercially successful albums that combined traditional and Pop melodies, and yielded a classic single with the title track. This copy of the album is inscribed "To Carol Van Dyke, Warm regards, Frank SInatra" by the late megastar in black ink, and both the album and the cover are VG condition.
Frank Sinatra Signed Greatest Hits LP. This 1965 re-issue of the 1961 release "Frank Sinatra's Greatest Hits!" is inscribed "For Henry, Best wishes and many thanks" and signed by Sinatra in black marker. The cover is in VG condition with a 7" seam split on top, and the record is in VG++ condition.
Frank Sinatra Ultimate Event Tour 1989 Signed Program. The 1988-89 Ultimate Event Tour found Frank Sinatra, Sammy Davis Jr., and Liza Minnelli on a globe-trotting tour across four continents. Featured here is a 64-page, 10" x 14" program book that is signed by Sinatra, Davis, and Minnelli, as well as Frank Sinatra Jr., Barbara Sinatra, Sinatra's best friend Jilly Rizzo, and others to Rizzo's granddaughter on her birthday. In Excellent condition with only very minor wear to the cover. The rarity of having such prized signatures on one item, dedicated to one person, plus the significant connection between the Sinatra and Rizzo families make this a very special item. With COA from PSA/DNA.
Frank Sinatra Unused Concert Tickets. In the 1970s, Frank Sinatra staged a brief retirement followed by a quick comeback, this time recording records and acting in films and television less frequently, but continuing to perform in Las Vegas and around the world. Here are 10 unused tickets for Sinatra's August 17, 1977, performance at the Alpine Valley Music Theatre in East Troy, Wisconsin -- "rain or shine." The tickets are in overall great condition with only some minor wear to a few.
Frank Sinatra Set of Tour Buttons and Pass. An interesting and unique set of memorabilia harkening back to some of the great Vegas shows of the '80s, this lot includes a laminated backstage pass for Frank Sinatra's 1980 performances at the Royal Albert Hall in London, as well as pin-on commemorative buttons for Sinatra and Sammy Davis Jr.'s birthday performances at the MGM Grand, Sinatra at Bally's, Sinatra and Liza Minnelli at an unspecified venue, and Diana Ross at Caesar's Palace. Each is in excellent, like-new condition.
Frank Sinatra Backstage Passes. During the last two decades or so of his career, Sinatra recorded less but spent plenty of time giving live performances all over the world. This set of three backstage passes are from some of those concerts, and include a staff badge for the "Frank, Dean, and Sammy Together Again" Tour, an all access badge for Sinatra at the Sands Copa Room, and a badge for "Jerry Weintraub presents Sinatra." All are in great condition.
Frank Sinatra Engraved Cigarette Lighter. A rare and very desirable collector's piece, this small Barlow brand Zippo-style lighter, measuring 2.25" x 1" and wafer thin, is one of many that Frank Sinatra had made with his signature etched onto one side, which he often gave out as gifts to close friends and relatives. Never used, it is in Excellent condition and shows no signs of wear or tarnishing.
Frank Sinatra Engraved Cigarette Lighter. This small Barlow brand Zippo-style lighter, measuring 2.25" x 1" and wafer thin, is one of many that Frank Sinatra had made with his signature etched onto one side, which he often gave out as gifts to close friends and relatives. Never used, it is in Excellent condition and shows no signs of wear and only very, very faint tarnishing.
Frank Sinatra and Others Photo Collection. This set of 25 b&w and color 8" x 10" glossy photos includes candid shots of Sinatra and/or his close friend Jilly Rizzo at various functions and outings with such fellow celebrities as Grace Kelly, Sophia Loren, Howard Cosell, ex-wife Mia Farrow, then-President Ronald Reagan, Ron Perlman, Robert Wagner, and others. These are private photos not intended for publication and offer an intriguing fly-on-the-wall peek at Frank's personal world. The set is in overall Excellent condition.
Movie/TV Memorabilia
Bud Abbott and Lou Costello Signed Notecards. Two 3" x 5" notecards, one signed by Abbott and the other by Costello. Both are in Excellent condition with an appreciable amount of tanning and some glue stains on the back. With COA from PSA/DNA.
Vintage Actors. Three legendary stars are commemorated in this lot. There's an early snapshot of Abbott and Costello, signed in ink "Bud Abbott;" a tiny Christmas card from academy Award winner Lionel Barrymore, signed in full in blue ink; and an album page signed in blue ink by John Garfield, attached to a larger piece of paper along with two pictures of Garfield and a headline regarding his funeral. The reverse of the Garfield piece has two separate ink signatures - musician Burton Holmes and Academy Award-winning songwriter Sammy Cahn. Impressive trio! With COA from PSA/DNA.
Actress Signed Photos - Group of 10. A group lot of ten signed photos of modern actresses. Included in this group are: Maria Conchita Alonso, Loni Anderson, Susan Anton, Adrienne Barbeau, Emma Caulfield, Laura Dern, Kirsten Dunst, Daryl Hannah, Traci Lords, and Brittany Murphy. A great starter lot of lovely ladies for one autograph collector! With COA from PSA/DNA
Actress Signed Photos - Group of 10. A bevy of beauties awaits you in this group of photos. Included in this lot are signed photos from: Britt Ekland, Honor Blackman, Patty Duke, Linda Evans, Joan Fontaine, Linda Harrison, Anne Francis, Anne Jefferys, Ann Miller, and Melody Patterson. Don't miss out on the chance for these photos. With COA from PSA/DNA
Actress Signed Photos - Group of 7. Vintage and deceased actresses are the focus of this group of photos. Included in this lot are signed photos from: Lauren Bacall, Mia Farrow, Peggy Lipton, Sue Lyon, Virginia Mayo, Dinah Shore, and Lana Wood. All photos are in excellent shape and would make a great addition to any autograph collection. With COA from PSA/DNA
Nick Adams Signed Letter. Featured is an undated one-page, double-sided handwritten letter on personal stationery signed by the popular actor of the 1950s and '60s best remembered as Johnny Yuma on the TV series "The Rebel" (1959-61). Adams was often cast in the same "troubled young man" mold as his good friend, James Dean, whom he mentions in the letter. In part: "The article about Jimmy and Vampira was not true. Jimmy smoked Viceroys most of the time. I'm enclosing a picture of Jimmy from a scene in 'Giant.' I wish I could send you something of his but I only have a few things of his and I would never part with them." The letter is in great condition with mild overall toning and a fold crease. A wonderful James Dean association piece. With COA from PSA/DNA.
Renee Adoree Signed Page. One of the few silent era stars fortunate enough to survive the transition to sound, Renee Adoree's ("The Big Parade," 1925) career was nonetheless cut tragically short by tuberculosis, which took her life at age 35. This 4 1/2" x 6" sheet of personal stationery features Adoree's bold autograph in black ink as well as the inscription "Hollywood Calif, 1928," roughly two years before illness forced her to retire. It is in Excellent condition with only faint wear along the edges and a very minor degree of soiling on the surface. Overall, an exquisite piece. With COA from PSA/DNA.
Jack Albertson Contract for a Show at the New Orleans Superdome. Jack Albertson (1907-1981) was the eighth actor to become a "Triple Crown" award-winner - an Oscar (for 1968's The Subject Was Roses), a Tony (for the Broadway play of The Subject Was Roses) and an Emmy (for his TV series Chico and the Man). This is a contract dated May 19, 1976, signed by Albertson, calling for him to perform "one forty-five minute set" with Freddie Prinze, his Chico and the Man co-star, at the New Orleans Superdome July 3, 1976. This contract was signed at the time of the TV show's great popularity and eight months before Prinze's death by self-inflicted gunshot. The pink copy of the contract on William Morris Agency stationary outlines the terms (including the fact that the New Orleans Symphony would provide musical accompaniment) and compensation, and is signed in full by Albertson in black ink. Excellent condition. Very desirable form for an excellent character star and a fondly-remembered TV series. With COA from PSA/DNA.
Jack Albertson Contract Licensing for Song Used on The Merv Griffin Show. This is an agreement with the Columbia Broadcasting System, signed by Oscar/Emmy/Tony winner Jack Albertson, licensing The Merv Griffin Show the right to include Albertson's song, "No Song Like an Old Song," on its October 22, 1971 broadcast. Obviously composing was another one of Albertson's many talents and he used the song in his own act. Albertson has signed the contract in blue ink. Excellent condition. With COA from PSA/DNA.
Chico and the Man Script, Signed by Jack Albertson. "You'd be surprised how being dead can louse up your day," says "The Man" (Jack Albertson) to Chico (Freddie Prinze) in this final draft script for the Chico and the Man episode "Champs Ain't Chumps," dated November 18, 1976 and signed by Albertson. Ironically, this episode was taped only a little over two months before Prinze's gunshot suicide in January of 1977 (when his son, current star Freddie Prinze, Jr., was ten months old). The script contains the cast list, the rehearsal and taping schedule, and several revised pages dated Nov. 19, 1976 (the taping date), as well as all the dialogue, cues for applause, etc. The popular TV series, which began its run in 1974, won an Emmy for Albertson (who already had a Tony and an Oscar for his performance in the play and film The Subject Was Roses) and made a star of Prinze (who'd scored as a stand-up comic on the Tonight show). Albertson's in-pencil signature is on the orange-and-black script cover, which also includes the series and episode title, writers' names, final draft and taping date, and name of the production company. Excellent condition. Here's a fascinating memento of a very popular TV show of the '70s, a reminder of a grim Hollywood tragedy, and a great autograph of Jack Albertson from the show for which he's best-remembered. With COA from PSA/DNA.
Jack Albertson's Hand-Notated personal Copy of the Willy Wonka and the Chocolate Factory Script. Jack Albertson played "Grandpa Joe" in this beloved 1971 fantasy, based on the Roald Dahl book. (An Albertson line from the movie, regarding the "Wonkamobile" - "..it's got more gas in it than a politician." ) The actor has printed his name in red ink on the brown cover of this script, which is Dahl's third draft screenplay and dated July 10, 1970. Odd that Albertson had co-starred with Patricia Neal, Dahl's wife, in The Subject Was Roses (1968), for which Albertson won a Best Supporting Actor Oscar. Odd, too, that one of Albertson's Academy competitors that year was Gene Wilder of The Producers - who was his Willy Wonka... co-star! The script is 119 pages long with many revised blue pages, has the musical numbers listed in the front and contains some annotation by Albertson on the front and back of two of the revised pages. Albertson's Grandpa Joe has the last line in the script: "Yippeeeeeeee!" Excellent condition. A desirable collectible from a charming musical fantasy and a much-missed character actor. With COA from PSA/DNA.
Desi Arnaz Signed Receipts. Set of five assorted receipts, dated 1955-57, from the Thunderbird Ranch and Country Club in Palm Springs, each signed by singer-actor-comedian Desi Arnaz. In Excellent condition. With COA from PSA/DNA.
Fred Astaire Signed Letter. Fred Astaire was a lifelong horse-racing enthusiast to the extent that his second wife Robyn Smith, an actress turned champion jockey. This handwritten, undated letter in black ink on personal stationery to a friend regarding racing horses, signed "All best wishes/F. A." In Very Good condition with very light tanning around the edges and one horizontal and two vertical folding creases. With COA from PSA/DNA.
Fred Astaire and Ginger Rogers Signed Photo. Fred Astaire was first paired with Ginger Rogers in his second film, "Flying Down to Rio" (1933); the partnership elevated them both to stardom and lasted for ten movies. This 8" x 10" b&w photo is signed by Astaire in black ink and Rogers in blue ink. In Excellent condition. Also included in this lot is The Busby Berkeley Book signed on the title page "Busby Berkeley." The soft cover book is filled with photos from Berkeley's many films. Two wonderful autographs from two pioneers of Hollywood dance. With COA from PSA/DNA.
Group of Celebrity Signed Album Pages. From an autograph album maintained by Thyra Varrick, a hostess at one of the Will Wright's Ice Cream Parlors next to the famous Brown Derby restaurant, this set of nine pages features signatures from scores of celebrities, including Kim Novak, Debbie Reynolds, Connie Stevens, Robert Hutton, Walter Lang, Liza Minnelli, and others. The pages are in Very Good condition with some mild tearing along the edges that were removed from the binding, and the occasional crease or stain. With COA from PSA/DNA.
Cowboy Autographs. Signatures of two of Hollywood's most beloved cowboy stars. Gene Autry has signed an album page, to which the collector had glued a small picture with a few biographical facts. The Roy Rogers and Trigger picture, which appears to have been taken from a book or magazine, is signed "Happy Trails - Roy Rogers- Trigger" while Dale Evans has written on the picture, "God bless you - Dale Evans Rogers." The Rogers picture has two middle creases, one running the width and one the length of the picture, but they do not detract from the overall impressiveness of the tall-in-the-saddle shot. Exciting packet for fans of Saturday matinee action and the late-lamented singing cowboys. With COA from PSA/DNA.
Lauren Bacall and Others Autograph Lot. Included is an autograph album page signed by Bacall as "Lauren Bacall Bogart" in black ink (Excellent with slight tanning), an album page signed by Josephine Hull in black ink (Very Fine with some tearing to one edge and slight smearing of the signature), and a 3.5" x 5" b&w photo (Excellent). With COA from PSA/DNA.
James Bailey of the Barnum and Bailey Circus, 1897. Joining the circus at age 14, James A. Bailey, born James McGinnis, eventually joined with Phineas T. Barnum to create the Barnum and Bailey Circus, which became "The Greatest Show on Earth." After Barnum died in 1891, Bailey managed the circus until his death in 1906, and the circus was then sold to Ringling Brothers. This signed document is six pages long, measure 8x12.5, and is dated June 29, 1897. The agreement between James A. Bailey, Ruth Louisa Bailey and Joseph T. McCaddon reads in part: "James A. Bailey is the sole owner and proprietor of the property and effects of the Barnum and Bailey Greatest Show on Earth, together with all the right, title, interest and property in the name of Phineas Taylor Barnum as a trade mark in connection with the said Circus and Menageries and also all the property and effects belonging to the late copartnership composed of Phineas Taylor Barnum, now deceased, and the said J.A. Bailey...J.A. Bailey has agreed to sell unto Ruth Louisa Bailey and Joseph T. McCaddon, each, an one hundredth interest in the aforesaid Show and property..for one dollar in hand...and also the conduct of other Show interests...such as the Buffalo Bill Wild West Exhibition...this partnership shall continue until the first day of January, 1900.." The document offers excellent signatures of all three parties at the bottom of page six, with red seals affixed beside the signatures of the Baileys. Fine condition, with faint scattered creasing and a horizontal fold through the signature of James Bailey, whose autograph is much rarer than Barnum's. Comes with Certificate of Authenticity. This is a wonderful item for enthusiasts of the circus and the Greatest Show on Earth! Accompanied by a COA from Daniel Cohen, noted authograph authenticator.
Lucille Ball Autograph. Autograph album page signed by the legendary comedienne in blue ink, in Excellent condition with slight tanning to the edges and tearing along one side that does not affect the signature. With COA from PSA/DNA.
Lucille Ball Autograph. Autograph book page with a big, bold signature by the comedienne in black ink, in Excellent condition with a thumbprint-sized stain in the bottom left corner and some tearing along one side, neither of which affects the signature. With COA from PSA/DNA.
John Barrymore Autograph Lot. Often regarded as the greatest actor of his generation, John Barrymore was lauded for his skill as a Shakespearean actor, especially his performances in "Hamlet." Included here are a 3.5" x 5.5" photo and a program for an undated performance of the classic play at the Theatre Royal in London, both of which are signed by Barrymore. The program is also signed by by cast members Malcolm Keen, Herbert Waring, Constance Collier, Fay Compton, George Ralph, and Shayle Gardner. The photo is in Excellent condition with very light wear, and the program is in Very Good condition, with the spine almost completely split, light creasing and aging, and the back page glued to cardboard. With COA from PSA/DNA.
Lionel Barrymore Signed Etching. Both Lionel and John Barrymore had wanted originally to be artists. Here is a "Talio-Crome" reproduction of Lionel's etching of Old Red Bank, signed "To Gerald McDonald Lionel Barrymore." Appealing village-at-dock etching comes with an attached write-up from the "Talio-Crome" company concerning Barrymore's art. Excellent condition. Here is Barrymore's signature in an unusual form, and a charming picture in its own right. With COA from PSA/DNA.
Lionel Barrymore Signed Etching. One of the favorite pastimes of Lionel Barrymore was driving up and down the coast, sketching seaside locales. This "Talio-Crome" reproduction of Barrymore's Point Magu is a fine example of his artistic flair and is signed "To Gerald Lionel Barrymore," beneath his reproduced signature under the picture's right corner. The etching of boat-builders at work nicely displays Barrymore's genuine artistic talent. Comes with a printed note from Talio-Crome regarding Barrymore and his etchings, noting he "was a close student of Whistler." Excellent condition. With COA from PSA/DNA.
Lionel Barrymore Signed Etching. This "Talio-Crome" reproduction of Lionel Barrymore's etching Purdy's Basin provides an attractive dock scene and Barrymore's signature, penned below his printed name under the right corner of the picture. Excellent condition. This a fine example of Barrymore's signature and his impressively diversified talents. With COA from PSA/DNA.
Lionel Barrymore Signed Etching of Himself in Grand Hotel and Clarence Bull Portrait of Barrymore in David Copperfield. Lionel Barrymore was one of Hollywood's all-time brilliant character actors, and many believe his finest and most moving performance was as Otto Kringelein, the dying clerk in MGM's all-star Grand Hotel, the Best Picture Academy Award winner of 1932. Here is an etching Barrymore created of himself in the unforgettable role, holding a glass. Barrymore, whose printed name appears below the etching (numbered 13 of 25) as the artist, has inscribed in black ink, "To Gerald MacDonald Lionel Barrymore." In addition, the lot offers a wonderful 11" x 14" Clarence Sinclair Bull portrait of Barrymore as Dan Peggotty in MGM's classic David Copperfield (1935). The Grand Hotel etching has a small vertical tear in the middle of the top border and the bottom inch of the sheet has been folded. The David Copperfield portrait has an ink spot on the left border and a bit of light staining below it, all of which could be matted out. The back of the still is stamped "Kindly Credit - Photo by CLARENCE SINCLAIR BULL" with the still number penned below it. It also contains the original snipe, with the opening words, "POWERFUL AS HIS OWN ETCHINGS: LIONEL BARRYMORE...," which is fitting, considering the Barrymore etching offered in this lot. The two pictures offer the magic of MGM Studios in its glory years, the artistry of its ace still photographer and the versatility of a man who, for decades, was the lot's top-prized character actor. With COA from PSA/DNA.
"Batman" Heroes and Villains Autograph Group. Set of 11 8" x 10" photos includes a color photo signed by Frank Gorshin and b&w shots signed by Adam West, Burt Ward, Cesar Romero, Vincent Price, Alan Napier, David Wayne, Art Carney, Burgess Meredith, and Neil Hamilton. They are in overall Excellent condition. With COA from PSA/DNA.
"Batman" And Catwoman Autograph Group. This set of five signed 8" x 10" photos includes b&w stills signed by Burt Ward and Adam West; Yvonne Craig; Lee Meriwether (Catwoman in the 1966 feature film, inscribed "You are purrrfectly wonderful!" with a cat doodle); and Julie Newmar (Catwoman on the TV series during seasons one and two); plus a a color 8" x 10" signed by Eartha Kitt, who played Catwoman on the TV series during season three. All are in, ahem, purrfect condition. With COA from PSA/DNA.
Scotty Beckett Signed Notecard. A 3" x 5" notecard inscribed "To Jim/ All good wishes for a very happy future" and signed by the "Our Gang" actor in black ink. In Excellent condition with noticeable browning to the right edge. A rare autograph from a tragic child star. With COA from PSA/DNA.
Noah Beery Handwritten Letter. A respected character actor of the silent era and father of actor Noah Beery Jr., Noah Sr. specialized in playing heavies and cruel villains. Here is a personal letter on stationery from the Hotel Edison in New York, dated December 24, 1945, written and signed in black ink by Beery about three months before he passed away. In great condition with a 1/4" tear and some tanning along the upper edge, and two vertical and one horizontal folding creases. With COA from PSA/DNA.
Group Lot of Two Signed Contracts and One Letter. This lot includes a William Morris exclusive agency contract dated April 23, 1955 and signed by singer-actor George Jessel; a broadcast performance contract dated February 7, 1951 and signed by comedian Ed Wynn; and a letter on Ritz-Carlton Hotel stationery, dated January 4, 1945 and handwritten by actor Noah Beery Sr. All items are in great condition with moderate wear and only slight discoloration. With COA from PSA/DNA.
Milton Berle Signed Contract. An eight-page William Morris contract with cover letter, dated July 17, 1941, and signed twice by Berle on the cover letter and once by him on the last page. In Excellent condition with light wear and tanning. With COA from PSA/DNA.
Sarah Bernhardt Signed Letter With Photograph. Primarily known for her theatrical work, French actress Sarah Bernhardt also appeared in a few films. It was said that the Grande Dame of French theater loathed cinema, and yet she continued to appear in films until her death, though not without some ups and downs. She did not make her film debut until 1900 in "Hamlet's Duel," and reportedly hated her next film, "Tosca" (1908), so much so that she ordered the negative destroyed and it was never released. She did not appear in another film until 1911 with "La Dame aux Camélias," a movie that is credited with helping make cinema a respectable artistic medium in France. Featured is a typed, undated letter signed by Bernhardt and matted and framed along with a picture of the esteemed actress. With COA from PSA/DNA.
"Beverly Hillbillies" Autographs. Here's something sure to make collectors' of TV memorabilia drool: this 8.5" x 11" autograph album page is signed by almost all of the principal actors from "The Beverly Hillbillies." Included are Buddy Ebsen, Donna Douglas, Nancy Kulp, Irene Ryan, and Max Baer. To top it all off, each has included the name of their respective characters, which is unusual for such autographs. As if that weren't enough, actor Paul Newman has signed the reverse side of the page with a large, bold hand in blue ink. In Excellent condition, with minor tearing along the left edge from where it was removed from the album. With COA from PSA/DNA.
"Blue Velvet" Signed Production Script. Released in 1986 following the disaster of working on "Dune," writer-director David Lynch's surreal neo-noir thriller "Blue Velvet" was a huge critical success, earning him his second Academy Award nomination and introducing several common elements that continue to appear in his films. Featured here is a 119-page copy of the revised third draft of the movie's screenplay, dated July 24, 1985 and signed "thanks, David" on the cover page, presumably by the filmmaker. The script is contained in an appropriately blue three-ring binder with the title and an ear (get it?) inscribed on the cover in black marker. In Excellent condition with only faint wear. With COA from PSA/DNA.
Humphrey Bogart Signed Album Page. Humphrey Bogart's is one of the rarest and most sought-after Hollywood autographs. Bogey signed only a few autographs during his career, including this 6" x 4" album page that has been signed in pencil. A great specimen. Accompanied by a COA from Daniel Cohen, noted authograph authenticator.
Humphrey Bogart Signed Photo. One of the finest Bogart signed photos to ever surface, this 7.25" x 9" b&w studio publicity photo is inscribed "To Betty with every good wish" and signed by the actor in black ink in the upper right corner. Autographed Bogart material is rare, and authentically signed photos are even rarer as Bogart had secretaries sign most of his correspondence. This particular photo is in Very Fine condition with minor tape stains to the corners, and a Warner Bros. Pictures stamp and Henry Waxman photographer's credit stamp on the back. Accompanied by a COA from Daniel Cohen, noted authograph authenticator.
Clara Bow and Sam Jaffe Signed Contract. A single-page contract, dated April 12, 1926, signed in black ink by Famous Players-Lasky Corporation production executive Sam Jaffe and silent-era starlet Clara Bow. The contract engaged her services from June 6 to December 6, 1926 during which she made "It," the movie that defined her career and her sex appeal. In very good condition with moderate overall tanning, two horizontal folding creases, and binder holes at the top of the page. With COA from PSA/DNA.
Signed '80s Movie Posters. This set of five autographed posters includes "Down and Out in Beverly Hills" signed by Richard Dreyfuss, "Ladyhawke" signed by Matthew Broderick, "The Journey of Natty Gann" signed by John Cusack, "Fletch" signed by Chevy Chase, and "The Lonely Guy" signed by Steve Martin. Each is folded and in Very Fine condition with minor wear. With COA from PSA/DNA.
Early Hollywood Actors Signed Photos. Includes 8" x 10" b&w photos signed by vaudeville and silent movie actor Elliot Dexter (in great condition with appreciable toning and tack holes in each corner), comedic actor Joe E. Brown (dated June 11, 1936, in great condition with tack holes in the corners, very light soiling, and a stain to the bottom left corner), and leading man William Gargan (tack holes in the corners); plus an 11" x 14" b&w photo dated 1934 and signed by "second lead" Craig Reynolds using his birth name of Hugh Enfield (very good condition with tears and creasing to the corners and light soiling).
Carol Bruce Signed Contracts. A William Morris Agency contract dated February 20, 1952, with supplementary letter dated September 10, 1952, both signed by actress Carol Bruce and in Excellent condition with some mild tanning. With COA from PSA/DNA.
Celebrity Signed Checks Group. Set of ten checks includes Vincent Price (June 7, 1978), Rudy Vallee (August 4, 1947), Cornel Wilde (May 25, 1966), Rory Calhoun (January 14, 1961), Ray Manzarek (February 25, 1986), Goldie Hawn (April 26, 1971), Zeppo Marx (June 23, 1971), Danny Thomas (August 4, 1975), Sammy Cahn (November 8, 1972), and Harry Davenport (May 23, 1983). In overall Excellent condition, with the standard cancellation marks and minor wear. With COA from PSA/DNA.
Leo Carrillo Signed Photos. Two b&w 8" x 10" photos signed by Latino actor Leo Carrillo, including one of him in character as the Cisco Kid's sidekick Pancho, both in Excellent condition. With COA from PSA/DNA.
Charles Chaplin Signed Notecard. A 3" x 5" notecard inscribed "To Jim. Best Wishes," dated 1943, and signed by the silent film comedian in black ink. In Excellent condition with noticeable browning to the top and right edges. With COA from PSA/DNA.
Charlie Chaplin Signed Letter. Typed on personal stationery and dated November 17, 1937, the letter is addressed to Oklahoma State Representative Ewing G. Sadler and reads: "Sir: Thank you for wanting to add my autograph to your collection for the State Society" and is signed by Chaplin in black ink. The letter is in very nice condition with some mild tanning and glue stains to the reverse side, and the envelop is in nice condition with moderate mild tanning and an appreciable amount of adhesive stains on the front and back. With COA from PSA/DNA.
Charlie Chaplin Signature. The first great screen comedian, Charles Chaplin was also one of the most gifted directors in history and a skilled writer and composer. Featured is a cut sample of Chaplin's signature, boldly written in black ink and dated 1928. In Excellent condition. With COA from PSA/DNA.
Maurice Chevalier Signed Contracts. Two live performance agreements, dated September 4, 1962, and August 21, 1967, signed by the French actor and popular entertainer. Both are in Excellent condition with only slight wear. With COA from PSA/DNA.
Mickey Cohen Signed Book. A copy of the memoir "In My Own Words," by Mickey Cohen with John Peer Nugent, inscribed "To Jack James, a friend, and a great interviewer, with all of my good & best wishes. Sincerely & respectfully, Mickey Cohen" in blue ink. A gangster and former bodyguard to Bugsy Siegel, Cohen released his memoirs in 1975, about a year before he died. This copy is in Very Fine condition, with no dust jacket, a slight slant in the spine, and some discoloration along the spine. With COA from PSA/DNA.
Vintage Hollywood Photo Lot. This attractive lot of 42 vintage 8" x 10" b&w publicity photos of classic-era Hollywood stars includes photos of Florence Moore (signed), Jackie Coogan, Louise Lorraine (two), George Arliss, Renee Adoree, Marion Davies, Johnny Mack Brown, Harry Carey (signed), Conrad Nagel, Norma Shearer (two copies), Anita Page, Tom Mix, Alice Terry, Claudette Colbert (two), Bing Crosby (three), Richard Barthelmess, Dolores Costello, Will Rogers, and more. In overall Very Fine condition with mild to moderate wear at most to some. With COA from PSA/DNA.
Gary Cooper Signed Contract. Four-page contract with Samuel Goldwyn, Ltd., dated June 7, 1937, signed by Cooper in black ink on the last page, engaging him for work once his contract with Paramount Pictures ended. During this period with Goldwyn he made "The Adventures of Marco Polo" and "The Cowboy and the Lady." In Excellent condition with virtually no edge wear, very little discoloration, two faint horizontal fold creases, and the usual binder holes at the top of the page. An excellent specimen. With COA from PSA/DNA.
Wally Cox Signed Checks. Two personal checks, one dated February 6, 1968, and the other dated March 27, 1968, signed by actor Wally Cox. Both are in Excellent condition with faint discoloration and the standard bank stamps. With COA from PSA/DNA.
Joan Crawford Signed Photo and Notecard. This 8" x 10" b&w photo of the infamous actress is signed by Crawford in black ink, with a 3" x 5" notecard also signed by the "Mildred Pierce" star in black glued to the lower right corner of the photo. Both are in great condition, with mild tanning to the right side of the card. With COA from PSA/DNA.
Joan Crawford Signed Letters. Three typed letters to a fan, dated February 25, 1963, April 28, 1969, and January 27, 1970; signed by Crawford in blue ink. In the first letter, Crawford apologizes for not having any photos of herself with "Whatever Happened to Baby Jane?" co-star Bette Davis to send out; in reality Crawford and Davis despised each other and feuded for years. The letters are in Very Fine condition with some mild tanning. The envelope for the 1963 letter is not present. With COA from PSA/DNA.
Joan Crawford Signed Photo. This superb 11" x 14" portrait is signed "Gratefully, Joan Crawford" in the upper left corner in blue ink, and is in Very Fine condition with very mild curling, moderate creasing to the corners, and two holes punched in the top edge. With COA from PSA/DNA.
Laird Cregar Signed Notecard. A popular supporting actor during the 1940s, Laird Cregar was best known for playing heavies in movies like "I Wake Up Screaming" and "The Lodger" as well as comedic performances such as "Heaven Can Wait" before his untimely death at age 30. This 3" x 5" notecard is signed by Cregar in green ink and is in Excellent condition with mild tanning to the right edge of the card and some very faint smearing to the signature. The card is glued to a photo album page underneath a 3" x 4.5" b&w headshot of Cregar. With COA from PSA/DNA.
Tony Curtis Signed Agreement. One-page document, dated November 1, 1958, granting director Billy Wilder permission to dub actor Tony Curtis' voice in certain portions of the film "Some Like it Hot." The document is signed by Curtis in blue ink at the bottom of the page, and is in very good condition with very slight wear along the edges, binder holes in the top edge, and a very small tear to the bottom left corner. With COA from PSA/DNA.
Joan Davis Signed Contracts. Two William Morris contracts, dated June 2, 1957 (Very Fine condition with light wear and tanning) and June 22, 1960 (Excellent with fold creases an very mild tanning), both signed by comedic actress Joan Davis. With COA from PSA/DNA.
James Dean Signed Yearbook. Even though he appeared in only three movies before his untimely death at age 24, James Dean's skill as an actor and ability to epitomize youthful angst forever marked him as an icon of the '50s. This copy of the 1948 "Black and Gold" yearbook for Fairmount High School features a Junior class photo of the budding young talent, who would rise to stardom and ultimately cult status in the seven short years that followed. Better still, the book is signed "Jim Dean" in blue ink under his basketball photo in the Sports section, and is in overall Good condition with moderate wear to the cover, which has detached from the the contents of the book. A very rare and desirable item presented in an attractive framed dispaly box. With COA from PSA/DNA.
Cecil B. de Mille and Carl Laemmle Signatures. Here is a set of cut signatures from two of the most influential people of the Hollywood's heyday; one from epic director Cecil B. de Mille in purple ink and one from Universal Pictures studio founder Carl Laemmle in black ink. Both are excellent specimens. With COA from PSA/DNA.
Walt Disney Autograph. Walt Disney often carried around pre-signed sheets of paper to give out to fans and autograph hounds (and legend has it Walt's famous trademark signature was designed for him by one of his animators). This particular sample, however, is a page from an autograph collector's album. The page signed by the founding father of American animation in blue ink, in Excellent condition with no discoloration and tearing along one side that does not affect the signature. With COA from PSA/DNA.
Michael Douglas Signed "Romancing the Stone" Poster. Director Robert Zemeckis ("Forrest Gump") scored a hit with this 1984 adventure comedy, which teamed Michael Douglas, Kathleen Turner, and Danny DeVito for the first of three movies they would do together. Featured is a poster for the movie signed by Douglas. With COA from PSA/DNA.
Jimmy Durante Signed Contracts. A pair of William Morris Agency contracts, dated Mat 22, 1957, and October 12, 1961, signed by the legendary comedian. Both are in Excellent condition with minimal wear and tanning. With COA from PSA/DNA.
Douglas Fairbanks Sr. Signed Photo. A wonderful 11" x 14" sepia-toned photo of the legendary leading man in flamboyant costume inscribed and signed by Fairbanks in black ink and dated 1930. In great condition with minor wear to the edges and corners and a tack hole and 1" tear to the top edge. Includes letter of authenticity. Accompanied by COA from Daniel Cohen, noted autograph authenticator.
Vintage Hollywood Photo Group. This set of nine b&w photos includes a signed 5" 7" photo of H.B. Warner; a 6.5" x 8.5" photo of Douglas Fairbanks; and 8" x 10" photos of John Gilbert (signed), Greta Garbo (two), Buster Keaton, Lon Chaney (two), and child actor Allen "Farina" Hoskins. In Overall Excellent condition with light wear and some mild discoloration. With COA from PSA/DNA.
Douglas Fairbanks and Mary Pickford Signatures Set. The original celebrity power couple, Douglas Fairbanks and Mary Pickford were the most popular -- and profitable -- leading man and sweetheart of the silent era, co-founders of United Artists studios with Charlie Chaplin and D. W. Griffith, and enduring screen legends. (They divorced in 1936 after 16 years of marriage.) Included here are signature cuts from Fairbanks and Pickford, both dated 1928 and in Excellent condition. With COA from PSA/DNA.
"Family Ties" Cast Signed T-Shirt. This light blue t-shirt is emblazoned with the logo for the popular '80s sitcom (which had a healthy seven-year run) and is signed by cast members Michael Gross, Meredith Baxter Birney, Michael J. Fox (twice), Justine Bateman, Tina Yothers, and Brian Bonsall. In Excellent condition, it's framed along with a 5" x 7" color cast photo to an overall size of 18.5" x 30". With COA from PSA/DNA.
W. C. Fields Signed Check With Photograph. A check filled out and signed by the comedian, payable to Wm. Murphy for $69.52, and dated October 26, 1925. The check is double matted and framed along with a portrait of Fields. In fine condition with heavy cancellation holes to the body, none affecting the signature area. With COA from PSA/DNA.
Barry Fitzgerald Signed Photo. A vintage b&w 8" x10" photo of the actor in costume as a priest, signed by him in blue ballpoint. In Excellent condition with tape on the corners and holes punched in the top edge. With COA from PSA/DNA.
Harrison Ford Signed Photo. A color 8" x 10" of Ford as Han Solo, signed by the actor in black marker, and in Excellent condition. Personally signed photos of Ford are rare; this one as Han Solo is as good as it gets! With COA from PSA/DNA.
Hollywood Signed Contracts Group. Set of five assorted signed contracts includes one each for Douglas Fairbanks Jr. (dated April 30, 1964), Glenn Ford (January 1, 1958), David Wayne (March 7, 1957), Dan Dailey Jr. (April 20, 1949), and Frederick Granville (November 15, 1963). In overall Excellent condition with minimal wear. With COA from PSA/DNA.
Clark Gable Signed Check. The biggest box office star of the sound era, Clark Gable set the standard for every leading man who followed. This personal check, written for the amount of $13 to one Olivia Hunter, is dated May 15, 1945 and boldly signed by Gable in black ink. It is in very nice condition with two vertical fold creases and the standard cancellation holes, plus an endorsement signature and bank stamps on the back, and is nicely framed to an overall size of 12" x 7 1/4" with both sides visible. With COA from PSA/DNA.
Clark Gable Signed Check. This personal check, written for the amount of $3.84 to the Reg. Fudge Company of Encino, California, is dated December 12, 1955 and boldly signed by Gable in blue ink. It is in great condition with the standard cancellation holes and bank stamps on the back, and is nicely framed to an overall size of 12" x 7 1/4" with both sides visible. With COA from PSA/DNA.
Clark Gable Signed Photo. This 8" x 10" b&w photo of Gable as Rhett Butler in "Gone With the Wind" is inscribed "To Maria Lavoria/Kindest wishes always" and signed by the actor in black ink in the upper left corner. Ms. Lavoria was friends with a cameraman on the set of "Gone With the Wind" who obtained the photo for her directly from Gable. It is in Excellent condition. With COA from PSA/DNA.
Adventure Movie Actors. Nice lot of album page signatures of five fine actors who won distinction in adventurous Hollywood fare: John Garfield, Sabu, Canada Lee, Lee J. Cobb and John Carradine. All but the Carradine signature have photos attached to the autograph. The Cobb album page on the verso as a Jackie Coogan signature, with attached picture. Good, sharp autographs of five very memorable actors. With COA from PSA/DNA.
Judy Garland Signed Contract. Dated January 12, 1962, engaging Garland to appear in the movie "The Lonely Stage" (released in 1963 as "I Could Go on Singing"), signed by Garland herself in blue ink and matted and framed along with a secretarial 8" x 10" glossy. Both are in great condition. With COA from PSA/DNA.
Sir John Gielgud Signed Photos. Two 8" x 10" b&w photos signed by the legendary actor, one dated 1982 the other 1994. Both are in Excellent condition. With COA from PSA/DNA.
"Gilligan's Island" Autograph Group. An almost-complete set of signed, b&w 8" x 10" cast photos that includes Bob Denver, Jim Backus, Dawn Wells, Tina Louise, Natalie Shafer, and Russell Johnson -- all in Excellent condition. Find an Alan Hale Jr. to go with 'em, and you've got a set! With COA from PSA/DNA.
Samuel Goldwyn and Jesse Lasky Signed Documents. Featured are two documents, each signed by a filmmaking titan: a one-page letter typed on personal stationery, dated October 12, 1927 and signed by producer Samuel Goldwyn, famous for his relentless ambition, bad temper, and genius for publicity; and a three-page agreement securing the services of screenwriter Jane Murfin, dated March 12, 1936 and signed by Jesse Lasky, co-founder of the Famous Players-Lasky Corporation, one of the major studios of the silent era. This letter is from the period when he had formed the short-lived Pickford-Lasky company with actress Mary Pickford. Both are in Very Good condition with only light tanning, the standard binder holes at the top of the pages, rusted paperclip indentations, and no crease. With COA from PSA/DNA.
Lot of Four Signed Contracts. This lot includes an agreement with Samuel Goldwyn, Ltd., dated December 4, 1936 and signed by Miriam Hopkins; a William Morris contract dated May 18, 1938 and signed by Tallulah Bankhead; a William Morris contract dated September 26, 1956 and signed by Gladys Cooper; and a William Morris general services contract dated March 23, 1962 and signed by Joan Fontaine. All are in excellent condition with little to no wear and/or discoloration. With COA from PSA/DNA.
Margaret Mitchell Signed "Gone With the Wind" First Edition. A great American novel that quickly became a great American movie, "Gone With the Wind" won the Pulitzer in 1937; the film version broke all box office records in 1939 and won eight Academy Awards. Here is a wonderful, rare July 1936 printing of the first edition of the book, signed by author Margaret Mitchell on the first end paper in black ink. "Elsie R Bidwell/Blowing Rock, N. C./July 1936" is inscribed on the upper right corner of said end paper in black ink. The volume is in great condition with some mild to moderate discoloration on the spine and back cover, some tanning to the inside cover, mild foxing to the page edges, and overall off-white pages. The binding is in very solid condition. A great collectible. With COA from PSA/DNA.
Charley Grapewin and Clara Blandick Autographs. Popular character actors during the Golden Age of Hollywood, these two are best remembered as Uncle Henry and Auntie Em in "The Wizard of Oz." Included is an autograph album page signed by Grapewin in blue ink in Excellent condition with a moderate amount of staining that does not overtly affect the signature; and a second album page signed by Blandick in blue ink with a newspaper clipping regarding the actress's death attached, in Excellent condition with tearing along one side that does not affect the signature. With COA from PSA/DNA.
Sydney Greenstreet Signed Notecard. This 3" x 5" notecard is inscribed "To: Capt. James R. Warrick/Best of love to you" and signed by the British actor in blue ink, affixed to a photo album page under a photo of the actor. In Excellent condition with slight tanning to the right edge. With COA from PSA/DNA.
Sydney Greenstreet Autograph. Autograph book page is signed by the "Maltese Falcon" and "Casablanca" actor on one side, and by actress Angela Lansbury on the other. Both are bold signatures in blue ink, and the page is in Excellent condition with tearing along one side that does not affect the signatures. With COA from PSA/DNA.
Edmund Gwenn Signed "Miracle on 34th Street" Photo. A vintage b&w 8" x10" photo of Gwenn as Kris Kringle in his best-known performance from the 1947 film, signed by the actor in blue fountain pen. In Excellent condition with tape on the corners and holes punched in the top edge. With COA from PSA/DNA.
Mama Jean Harlow Handwritten Letter. Jean Harlow's mother for whom she was named after and was affectionately known as "Mama Jean," usually autographed her daughter's photos and she also responded to her fan mail for her, though such correspondence rarely surfaces. This is one such letter, handwritten in black ink on hotel stationery and postmarked June 19, 1933. It reads in part: "I hope you will see my last picture 'Hold Your Man' and I am sure you will like it - we have an excellent cast." An unusual and uncommon item, the letter is in Excellent condition with two horizontal fold creases and only very light discoloration, and the envelope is in Very Good condition with mild tanning and wear, torn open on one end.
Jean Harlow Letter Handwritten by Mama Jean. A reply letter to a fan, this missive was actually penned by Harlow's mother. Handwritten in black ink on Hotel Sherman stationery (in Harlow's hometown of Chicago) and postmarked May 24, 1931, it reads in part: "Of course you shall have an autographed photograph - I have only a minute before leaving for the theatre - but want to tell you that as soon as I return to the coast I shall mail you a photograph at once - I have a few with me but I do not care much for them." An unusual and uncommon item, the letter is in Excellent condition with two horizontal fold creases and light discoloration, and the envelope is in Very Good condition with moderate tanning and wear, and some light soiling.
Jean Harlow Typed Letters Signed by Mama Jean. Two typed letters -- one on a folded sheet of paper, the other on personal stationery -- "from" Jean Harlow to a fan that were actually written and signed by her mother. The first is dated July 15, 1933, and reads in part: "We start work on the new picture 'Bombshell' next week. Lee Tracy is to play opposite me, and I think the picture should prove to be quite entertaining." (Tracy almost left the production because he felt his part was too small in comparison to Harlow's.) The second letter is dated December 23, 1933, and reads in part: "May I at this time offer my heartiest congratulations on your new found happiness. Your letter was a joy indeed and I sincerely hope I will have the pleasure of receiving many more of them." Both are signed by Mama Jean in black ink and are in Excellent condition with only a fair amount of tanning. The envelopes are in Very Good condition with light amount of soiling and tanning.
Jean Harlow Typed Letters Signed by Mama Jean. These two typed response letters to a fan were both signed by Harlow's mother rather than by the actress. The first, dated August 12, 1933, ironically reads in part: "You asked me if I answered your letters personally. Indeed I do. I dictate all my personal correspondence to my secretary as I do not have the time to write them myself." The second, dated November 1, 1934, reads in part: "There is no new picture scheduled at the present time but I expect to get the call to work soon and expect that our next picture will be China Seas." Both letters are on personal stationery and in Excellent condition, with a less-than-expected amount of wear and tear.
Jean Harlow Typewritten Letters Signed by Mama Jean Harlow. Two typewritten letters to a fan, dated June 30, 1933 and June 29, 1934, the latter on a sheet of Harlow's personalized stationery, both signed by Harlow's mother and in very good condition with fold creases and light discoloration, and with lightly soiled and tanned envelopes.
Jean Harlow Picture Signed by Mama Jean, With Letter from Secretary. A rare candid photo of screen siren Jean Harlow playing with one of her dogs in slacks and sneakers instead of a glamorous evening gown, this 3.5" x 5.5" b&w photo is inscribed "Oscar is a toy pomeranian - seems to like to pose" and signed "Jean" - not by Harlow, but by her mother. Also included is a typed, signed letter from Harlow's secretary Maydelle Jewell, dated October 25, 1933, that reads: "I have been asked by Miss Harlow, to write and think you for the sweet card and lovely letter you sent her. She is doing Beautifully and expects to leave the hospital the latter part of this week" and is signed by Jewell in black ink. Harlow was ill throughout her life, beginning with a bout of scarlet fever as a child that lead to the kidney disease that ultimately took her life in 1937 at the age of 26. Both items are in Excellent condition.
Jean Harlow Photo Signed by Mama Jean. This 7" x 9" b&w photo, a gorgeous closeup of cinema's first blonde bombshell, is inscribed "To Margaret Ewald/With my kindest thoughts always/Jean Harlow" and signed in black ink by the actress' mom and namesake, known as "Mama Jean" Harlow. The photo is made desirable for its large size; most vintage publicity prints of Harlow were on the small side. It is in Excellent condition, with almost no wear and light toning.
Jean Harlow Photo Signed by Mama Jean Harlow. This gorgeous, almost noirish 8" x 10" b&w photo is inscribed "To Margaret Hamilton/With my best wishes/Jean Harlow" and signed in black ink by Harlow's mother. Most vintage publicity prints of Harlow were on the small side, and larger prints such as this are very uncommon. The photo is in Excellent condition, with only a light amount of wear around the edges and some light overall tanning.
Jean Harlow Photo Signed by Harlow's Mother. The original blonde bombshell, Jean Harlow's life was cut short by by illness at the tender age of 26. This 8" x 10" b&w photo is inscribed "To Margaret Hamilton/Cordially Jean Harlow" and signed in black ink -- not by Harlow, but by her mother, with whom Harlow shared the same name. Although it is not signed by Harlow the younger, the photo is made desirable by its relatively large size; most vintage publicity prints of Harlow were on the small side. The photo is in Excellent condition, with only a light amount of discoloration and wear, and is handsomely matted to an overall size of 8.5" x 11".
Hollywood Starlets Autograph Group. Included is a color 8" x 10" photo signed by Elizabeth Taylor, an 8" x 10" b&w photo signed by Donna Reed, an 8" x 10" b&w photo signed by Olivia de Havilland, and a typewritten letter to a fan, dated March 25, 1969, and signed by de Havilland. The photos are in Excellent condition with slight curling and nice, bold signatures, and the letter is in Excellent condition with one horizontal and one vertical fold crease, yet still bright white. With COA from PSA/DNA.
Isaac Hayes Signed South Park Photo. Isaac Hayes' performance as "Chef" on the TV series "South Park" was supposed to be a one-time event, but audience reaction was so positive that "Chef" became a regular and enduring character. This 7.4" x 10" photo of Chef is signed by Hayes, in Excellent condition, framed and matted to an overall size of 14.5" x 17". With COA from PSA/DNA.
Gabby Hayes Autographs. Two autograph book pages signed by the perennial Western sidekick in blue ink, both in Excellent condition with tearing along one side that does not affect the signature. With COA from PSA/DNA.
Hollywood Beauties Lot. The album page autographs of three beautiful and immensely talented ladies. The alluring lot contains an album page signed by Rita Hayworth, attached to a sheet of paper with her sultry newspaper photo; an album page signed by Jane Fonda, with attached picture from her "sex kitten" era; and - perhaps the most unusual item in the bunch - a signed candid snapshot of Susan Hayward, with Hollywood's Brown Derby Restaurant visible across the street. Material signed by Hayward is especially rare. With COA from PSA/DNA.
Edith Head Signed Receipts. Four meal receipts, for items as varying as cottage cheese, roast beef, and cheese and avocado, signed by legendary costume designer Edith Head, whose decades-long career in Hollywood garnered her more Academy Awards than any other woman in history (35 nominations and eight awards). Each is in Excellent condition with only very, very mild wear. With COA from PSA/DNA.
Katharine Hepburn Signed Letters. Two typed letters to a fan on 6" x 8" sheets of personal stationery. One is dated July 24, 1981, and reads: "I'm sorry but I do not sign photographs - Only send thanks for your nice letter."; the other is dated April 26, 1988, and reads: "Thank you for your nice letter -- If I sign one I must sign all and there will be no end -- I'm sorry -- It's just not possible --". Both are signed by Hepburn in black ink and are in Excellent condition. With COA from PSA/DNA.
Katharine Hepburn Autograph. This 5" x 8.5" sheet of paper has a signature cut of Hepburn's autograph in black ink affixed to it above a clipped photo of the actress. In great condition with with some creasing and staining to the lower right corner and very light overall discoloration. With COA from PSA/DNA.
Rare 1924 Houdini Photograph Signed to Oscar S. Teale Picturing Annie Eva Fay. "Crystal Gazing." A 1984 comedy film brought the term "Ghostbusters" to our language. Back in the 1920s, when the spiritualist movement was still active in the United States, Houdini, Teale and Fay appointed themselves the "phony spiritualist-busters" of the day. Harry Houdini, the most famous magician of all time, took an interest in the movement in the early 1920s and embarked on a serious study of it with the purpose of debunking the many fakes. The incredible item offered here is a 10" x 8" sepia photograph showing Houdini standing and gazing intently into a crystal ball situated on a birdbath in an outdoor garden. He has signed "Aug 29/24. To O.S. Teale Best Wishes Houdini." The woman standing across from him is none other than the famous psychic and spiritualist Annie Eva Fay. She had, for many years, toured Europe performing all sorts of magic tricks. After her retirement in 1924 she told Houdini all her "trade secrets" thus helping him to expose the dozens of frauds preying on unsuspecting believers. Fay died just a few months after Houdini in 1927. The third individual, Oscar S. Teale, to whom Houdini inscribed the photo, was a renowned architect and magician, a former President of the American Society of Magicians (as was Houdini). He became Houdini's assistant and aided in the debunking crusade. Teale was later a pallbearer at Houdini's funeral and the designer of the memorial at his gravesite. You probably wil not be surprised to hear that he also died in 1927! On the verso of this photo Teale has written "Houdini and Annie Fay crystal gazing at Fay's home in Boston."
Any signed photograph of Houdini is rare and desirable but one with such an incredible association to spiritualism and these other two individuals is almost certainly a one-of-a-kind item. Do not be sorry that you did not bid higher when the hammer falls on this unique and historical lot. The phot
Any signed photograph of Houdini is rare and desirable but one with such an incredible association to spiritualism and these other two individuals is almost certainly a one-of-a-kind item. Do not be sorry that you did not bid higher when the hammer falls on this unique and historical lot. The phot
Walter Huston and Walter Brennan Signed Photographs. This lot includes two 8" x 10" black-and-white photos signed by the two Walters, both legendary actors who starred opposite each other in "The North Star" and "Swamp Water." Both are in great condition, with almost no wear and only faint tanning. With COA from PSA/DNA.
Ben Johnson Signed Contract and Photo. Includes a six-page Artist Loanout Agreement for the movie "Let's Get Harry," dated September 17, 1985 and signed by Johnson on the last page in blue ink; and an 8" x 10" b&w photo inscribed "To my good friend Claude. Keep up the good work. Always your friend." and signed by Johnson in black ink. Both are in Excellent condition. With COA from PSA/DNA.
Buster Keaton Autograph. Autograph book page signed by the silent-era legend in blue ink, in Excellent condition with tearing along one side that does not affect the signature. With COA from PSA/DNA.
Buster Keaton Autograph. Autograph book page signed by the silent-era legend in black ink, in Excellent condition with tearing along one side that does not affect the signature. With COA from PSA/DNA.
Ma and Pa Kettle Lot. As the bucolic Ma and Pa Kettle, Marjorie Main and Percy Kilbride aided and abetted the survival of Universal Studios. The two character players made their debut Kettle appearance in The Egg and I (1947), making such a hit as the bumpkin couple (Main received a Best Supporting Actress Academy nomination) that Universal awarded them their own series. This lot contains an album page signed by Kilbride, with photo attached, and two album pages signed by Main, one with an attached picture of her with KiIlbride as the Kettles. Bonus: The Kilbride page has a Regis Toomey autograph on the verso, one of the Mains has a Donald Meek signature on the back, and the other Main has a Jeff Corey autograph on the reverse side. Pictures attached of Toomey, Corey and Meek (which also has an obit headline). Nice souvenirs of a once-upon-a-time very popular film comedy series, which for years was one of Universal Studios' major revenue winners. With COA from PSA/DNA.
Fuzzy Knight Signed Contract. Freelance contract with Samuel Goldwyn Inc., dated June 13, 1938, signed by the perennial B-grade Western sidekick actor in black fountain pen. In Excellent condition with a few fold creases. With COA from PSA/DNA.
Autographed Postcards Signed by Burt Lancaster, Ozzie Nelson, and Others. Included are postcards signed by Ozzie Nelson and Harriet Hilliard; Burt Lancaster; Dorothy Lamour (as "Dottie"); Robert Ryan, Alan Ladd, and Ruth Roman; Danny Thomas; Eleanor Powell and Glenn Ford; Richard Widmark; and Charles Bickford; plus a handbill signed by Thomas and Jimmy Durante (in Fine condition with a moderate amount of creasing and some staining), and a typed CBS studio schedule inscribed in pencil on the back "To Ellie from Jack Norton/Sober?" above a doodle of a champagne bottle -- a nice touch from a teetotaler who often portrayed drunks in various movies (in Fine condition with fold creases, light wear to the edges and corners, and appreciable tanning). All are in Excellent condition unless otherwise noted. With COA from PSA/DNA.
Laurel and Hardy Signed Photo. This 7" x 5" b&w photo of comedy duo Stan Laurel and Oliver Hardy is inscribed "Hello Jimmy!" and signed by both. In Excellent condition with some glue stains on the back. With COA from PSA/DNA.
Laurel and Hardy Signed Notecard. A 3" x 5" notecard inscribed "Our best wishes Jim!" and signed by the comedic duo. In Excellent condition with light overall tanning. With COA from PSA/DNA.
Stan Laurel Signed Letter with Photo. Typed letter with envelope to a acquaintances dated February 3, 1961 and signed by the comedic actor in black ink. Also included is a 5" x 4" b&w photo of Laurel with some friends. Both items are in Excellent condition with very light wear. With COA from PSA/DNA.
Laurel and Hardy Signed Photo. They ranked as the #7 all-time greatest comedy act ever (and highest rated comedy duo) in the 2005 Comedian's Comedian poll, and the number of classic short and feature-length films that Stan Laurel and Oliver Hardy starred in throughout the silent and early sound eras is enormous. This sepia-toned 11" x 14" b&w photo was taken by Stax Graves, the official Hal Roach Studio's photographer who took many portrait shots of Laurel and Hardy, and whose photos are much sought after by collectors. It is inscribed "Here we are again!" and signed by both Laurel (simply as "Stan") and Hardy, as well as by Graves in the lower right corner, and dated 1932. The photo is in very nice condition with a fair amount of tanning, minor soiling, no silvering, and worn corners with a tack hole in each. With COA from PSA/DNA.
Mervin LeRoy and Cecil B. DeMille Signed Notecards. Includes a 3" x 5" notecard signed by LeRoy in black ink and a notecard signed by DeMille in purple ink, both mounted to a photo album page and in Excellent condition with moderate overall tanning. With COA from PSA/DNA.
Hollywood Stars Autographed Champagne Bottle. This large, three-quart champagne bottle (Ayala & Co. 1928, if you're at all curious) is adorned with labels featuring literally dozens of signatures from various celebrities from Hollywood's golden years. Included are autographs from Peter Lorre, Deborah Kerr, Ralph Bellamy, Helen Hayes, Tallulah Bankhead, Henry Hull, Olivia de Havilland, Frank Sinatra, Van Heflin, Al Jolson, Raymond Massey, June Havoc, Claude Rains, Peter Lawford, John Garfield, Ray Bolger, and many more. In great condition with some heaving tanning to many of the labels and fading to some of the signatures, it nevertheless is an astounding item that makes for an ultimate conversation piece. With COA from PSA/DNA.
George Lucas and Peter Mayhew Signed Photo. This 8" x 10" b&w cast photo from "Return of the Jedi" is inscribed "Steve - May the force be with you" and signed by Lucas in gold ink, and is also signed by actor Peter Mayhew in gold ink. Lucas does not like to sign autographs and his signature is quite rare. In Excellent condition. With COA from PSA/DNA.
Hollywood Actors Signature Group. This selection of autographs by acting greats from the Golden Age of Hollywood includes a 5" x 7" b&w photo signed by Fredric March (secretarial) in black ink, plus cut signatures from Ronald Coleman, Richard Barthelmess, Eddie Cantor, Clive Brook, George Fawcett, and Russell Patterson. The items are in overall great condition. With COA from PSA/DNA.
Marx Brothers "Duck Soup" Signed Contract. An employment agreement between Leo, Arthur, Julius H., and Herbert Marx (better known as Chico, Harpo, Groucho, and Zeppo, respectively) and Paramount Pictures, Inc., dated May 16, 1933. the 9" x 11.25" front and back cover contains twenty-one 8.5" x 11" thin printed pages. The contract is for the classic 1933 comedy "Duck Soup" (arguably their best movie), which was untitled at the time this agreement was signed. The contract states that the Marx Brothers were to be paid $200,000 and receive 20 percent of the film's gross. Various pages are signed by Paramount executives and page 15 is signed by the four brothers in blue fountain pen in their birth names, as well as by three Paramount vice presidents. The pages have light aging and handling wear, but the signature page is in Excellent condition with very distinct signatures. The covers are in Fine condition with moderate wear and soiling. The front cover has the titles "Horse Feathers," "Monkey Business," and "Duck Soup" written on the upper right corner in pencil, with the first two crossed out. A great piece of comedy history. With COA from PSA/DNA.
Ray Bolger Signed Photo. Features a color 8" x 10" cast photo from "The Wizard of Oz" signed by Ray Bolger. In Excellent condition with some curling, light wear, and fading of the photo. With COA from PSA/DNA.
Groucho Marx Signed Photo. A wonderful 8" x 10" b&w photo of the Marx Brothers signed by Groucho. In Excellent condition with slight curling and very light wear to the corners. With COA from PSA/DNA.
Ed McMahon and Skitch Henderson Autographs. Includes a 7" x 9" b&w photo signed by "Tonight Show" announcer Ed McMahon in blue ink, and an 8" x 10" b&w photo signed by bandleader Skitch Henderson in red ink. Each has the accompanying signed letter to a fan attached to the back (dated July 26, 1963 and July 17, 1962, respectively). Both are in Excellent condition with some light wear. With COA from PSA/DNA.
Steve McQueen Autographed Photo. An avid car afficianado, Steve McQueen not only performed many of his own driving stunts in movies such as "Bullitt" and "The Great Escape," he also raced cars in his spare time and was expelled from the Carnegie Institute of Technology (now Carnegie Mellon University) for riding his motorcycle through the College of Fine Arts building -- but we digress. Featured here is a b&w 8" x 10" photo of McQueen wearing his racing suit at an unidentified racetrack, signed by the actor in purple ink. The photo is in nice condition with some light to moderate wear and soiling along the edges, staple holes in the top edge, and a crease along the length of the bottom that runs partially through the "S" in the signature. With COA from PSA/DNA.
Ethel Merman Signed Contracts. Two William Morris Agency contracts, one a single page dated April 13, 1954, and signed by the star of stage and screen musicals in blue ink; the other dated February 17, 1965, and initialed by her on the front page and signed by her on the last page. Both are in Excellent condition with minimal wear. With COA from PSA/DNA.
Robert Mitchum Signed Contracts. Two merger contracts, both dated March 31, 1979, one signed by Robert Mitchum on the last page, the other signed by Mitchum and his wife Dorothy on the last page. Each is in Excellent condition with a little bit of tanning to the edges and binder holes along the left side. With COA from PSA/DNA.
Marilyn Monroe Signed Check. A counter check dated October 22, 1951, written to her drama coach, Natasha Lytess, for the amount of $40 and signed by Monroe in blue ink. In great condition with cancellation holes and copious bank stamps. With COA from PSA/DNA.
Marilyn Monroe Signed Check. A personal check written to Marilyn's foster mother, for the sum of $25 and dated April 8, 1952, signed by Marilyn in blue ink and endorsed on back by Goddard. In Very Fine condition with the standard bank cancellation marks and hole punches. With COA from PSA/DNA.
Demi Moore and Jon Cryer Signed Poster. Offered is a poster for the 1984 romantic comedy, "No Small Affair" signed in ballpoint pen by co-stars Demi Moore and Jon Cryer. It has some fold creases but is in otherwise great condition. With COA from PSA/DNA.
Leading Ladies of the '80s Signed Posters. This set of six autographed posters includes "Young Doctors in Love" signed by Sean Young, "Sheena" signed by Tanya Roberts, "Crimes of Passion" (video release) signed by Kathleen Turner, "No Small Affair" signed by Demi Moore, "Mike's Murder" signed by Debra Winger, and "The Razor's Edge" signed by Theresa Russell. Each is folded and in Very Fine condition with minor wear. With COA from PSA/DNA.
Frank Morgan Autograph. Autograph album page signed by the "Wizard of Oz" actor in blue ink, in Excellent condition with a newspaper clipping about Morgan's death glued to the page and tearing along one side that does not affect the signature. With COA from PSA/DNA.
Michele Morgan Autographed Photos and Three Publicity Shots. A very alluring 11" x 14" portrait of Michele Morgan, circa 1941, signed "To Evelyn Van Horn - Thank you for being so nice to me Michele Morgan." The beautiful French actress with her Garbo-like quality came to Hollywood in 1941 after success in her native country. Her U.S work included star roles opposite Paul Henreid in Joan of Paris (1942), Frank Sinatra in Higher and Higher and Humphrey Bogart in Passage to Marseilles, but she would find her greatest success back in Europe - winning the Cannes Film Festival Award for playing the blind heroine of Symphonie Pastorale, La (1946) and maintaining her stardom to this day. The lot also includes three RKO publicity 11" x 14" shots of Ms. Morgan - one of her posing on profile with statuary of dogs, and two of the lady costumed for ice-skating. The autograph has a few very slight smudge/smear marks, notably on the "l" in "Michele" and the PR shot with the dog statues has a crease in the right corner above the actress's head - otherwise the four items are in Excellent condition. A lovely package and a charming tribute to a star of both Hollywood and European cinema. With COA from PSA/DNA.
Nita Naldi Autographed Portrait and Publicity Portrait. The silent screen had no more lethal a vamp than Nita Naldi (1897-1961), whose dark beauty tormented two great stars in two classic films: John Barrymore in Dr. Jekyll and Mr. Hyde (1920) and Rudolph Valentino in Blood and Sand (1922). Giving every impression of emerging from some haven of European debauchery, Nita was actually Anita Donna Dooley of New York City, a Ziegfeld showgirl whose cinema image slinked its wicked way into male fantasies and wives' nightmares. Then came the Sound era - and Nita's New York accent put her out of the movie business. This lot incudes a wonderful 11" x 14" autographed portrait of Nita, signed twelve years after her final film - "To Allan Brock My most most and Bestest Etc. Nita Naldi." Also included is an 11" x 14" close-up of Nita in Egyptian headdress from Lawful Larceny (1923). The autographed portrait has the photographer's stamp on the back, and the publicity photo has the original snipe and is stamped "A .William Eglinton Photograph. Courtesy of Paramount Pictures." The autographed portrait as a small crease at the top of the left corner, far from the image - otherwise both items are in Excellent condition. Here's an evocative silent film name at her deliriously seductive best! With COA from PSA/DNA.
Nita Naldi Autographed Portrait and Publicity Photo. The Silent era had no more alluring a femme fatale than Nita Naldi - best-remembered as Gina, the "bad girl" who fired up John Barrymore's base passions in Dr. Jekyll and Mr. Hyde (1920), and as Dona Sol, who lured Rudolph Valentino to the decadent depths in Blood and Sand (1922). This exquisite 11" x 14" signed portrait, autographed when the actress was at the apex of her fame, reveals Naldi in all her vampy splendor, and the inscription reads, "To J. Thomas Wiling Sincerely Nita Naldi -1922-." Also included is an 11" x 14" publicity portrait of Naldi, with the photography studio "Pach Bros. NY" embossed in the lower right corner. The autographed portrait has the stamped credit "Photograph by Edward Thayer Monroe, N.Y" on the back, and some writing in pencil. A tiny piece is missing from the upper left edge, otherwise in Excellent condition. The publicity photo has the original snipe, noting Naldi as "a member of the Paramount Stock Company", a few scribbles in color pencil, stamps from Motion Play and The Post Standard and the stamp of Pach Bros. It too is in Excellent condition. Wonderful items on an actress who sensually epitomized the dark passions in 1920s cinema. With COA from PSA/DNA.
Mabel Normand Signed Photograph, Autographed in the Wake of the William Desmond Taylor Murder Scandal. 8" x 10" matte finish portrait of legendary silent screen star Mabel Normand, inscribed "To Mr. J. Thompson Willing Sincerely Mabel Normand June-1922-." Winsome pose presents Normand wearing a straw hat and smiling charmingly at the camera. Normand is a major name in 1920s Hollywood lore, for a variety of reasons - her love affair with Mack Sennett, her reputedly "wild parties" and cocaine addiction, her infamy as a suspect in the William Desmond Taylor murder, her career downfall as the public turned against her and her early death from tuberculosis in 1930 at the age of only 37. Yet she was primarily a triple-threat star/director/writer who was one of the cinema's most endearing all-time great comedy talents. This very rare photo, signed four months after Taylor's murder, is set inside a wide-margin border and movingly captures both Mabel Normand's comic appeal and, in her eyes, a sense of tragedy. Excellent condition. With COA from PSA/DNA.
Autographed "Our Gang" Photograph. A terrific 11" x 13" posed shot of some of Hal Roach's "Our Gang" kids, inscribed "To Mr. W.W. Clark Best Wishes" and signed by Mary Ann Jackson, Bobby "Wheezer" Hutchins (signed "Wheezer") and Jean Darling (all seated) and Joe Cobb, Allen "Farina" Hoskins (signed "Farina") and Harry Spear (all standing). Also posing with them (with paw extended) is Pete the dog, with "Pete" penned in small ink upon him (and presumably signed by proxy!). Farina and Harry Spear signed in white ink, the others in black. The shot (which, judging by the members present, is circa 1929) has two small creases on the left border, just above Pete's image, and a larger crease on the bottom border that slightly extends into the image but is hardly perceptible. The "Our Gang" kids (later known on TV as "The Little Rascals") are among comedy's most beloved performers and this piece, in near-Excellent condition, is a delight. With COA from PSA/DNA.
George Pal Signed Christmas Card. Blue and gold, card with dove design on front and inscribed "Dear Tom! I want to wish you an extra special Merry Christmas and a Happy 1965!' on the inside in red and green ink and signed by the "Time Machine" director. In great condition with minimal wear. With COA from PSA/DNA.
Trey Parker Autographed Guitar. This cream-colored Fender Squire Stratocaster guitar is signed on the body by "South Park" co-creator Trey Parker in black marker below a hand-drawn sketch of Eric Cartman, one of the characters he voices on the series. In Excellent condition with some chipping to the body near the top strap button. With COA from PSA/DNA.
Vintage Autographed Photo Album. This blue leather bound photo album contains 30 b&w publicity photos of various sizes (as well as a couple of postcards), signed by a selection of silent era movie stars that includes Mary Pickford, Snub Pollard, Buddy Rogers, Irene Rich, Dorothy Phillips (as well as a typed, signed letter from her, dated May 8, 1923), Anita Page, Vera Reynolds, and others. All are in exceptional condition.
Early Starlets Signed Photos. This group of three b&w photos from the collection of husband-and-wife actors/entertainers Nelson Story and Elsie Clark includes an 8" x 10" inscribed "To Nelson/Good luck!" and signed; an 8" x 10" inscribed "To Elsie Clark: To California, and home!" and signed by early character actress Vera Gordon and dated January 8, 1927; and an 11" x 14" inscribed "To Elsie and Nelson/My best wishes always" and signed by comedic actress Zasu Pitts as well as Roach Studios photographer Stax Graves. The photos are in overall very nice condition with moderate amounts of tanning and a fair amount of wear and tear to the edges and corners. With COA from PSA/DNA.
Directors Autographs. Four legendary directors are represented in this lot. Included are a snapshot of Cecil B. DeMille (with his characteristic "Greetings" in the inscription), and album pages signed by Otto Preminger, Michael Todd (attached to a larger paper with newspaper photo attached) and Alfred Hitchcock. Bonuses: the verso of the Todd has the autograph of MGM starlet Jay Merrill and musician Victor Lombardo (Guy's brother), the back of the Hitchcock has the signature of actor Monty Collins, and the flip side of the Preminger has the autograph of Kirk Douglas (with small picture attached). There's an awesome sum total of Hollywood history and talent in this lot. With COA from PSA/DNA.
Basil Rathbone and Nigel Bruce Signed Notecards. Includes a 3" x 5" notecard signed by Basil Rathbone in black ink and an album page with a notecard signed by Nigel Bruce in black ink and dated 1943 affixed under a photo of Bruce. The reverse side of the page also features a card signed by Ann Harding in blue ink affixed under a photo of the actress. All are in Excellent condition with some mild tanning to the edges of the cards. With COA from PSA/DNA.
Postcard Signed by Ronald Reagan, Nancy Davis, and Others. This 3.5" x 5.5" postcard features a photo of the Beverly Wilshire Hotel swimming pool on the front and -- more importantly -- the signatures of future President and First Lady Ronald Reagan and Nancy Davis, Bob Hope, James Mason, and Jane Russell on the reverse side. In Excellent condition with blunted corners, no discoloration, and nice, bold autographs. With COA from PSA/DNA.
Stars of Republic Pictures Signed Poster (1977). A 24" x 30" lithograph of the Republic eagle logo, signed by Rex Allen, Yakima Canutt, Dale Evans, Monte Hale, Slim Pickens, Roy Rogers, Marie Windsor, Vera Ralston, Rovert Livingston, Kirk Allyn, Tommy Steele, Don "Red" Berry, Bob Nolan, Adrian Booth, I. Stanford Jolley, Jane Frazee, Tris Coffin, Rod Cameron, Spencer Gordon Bennett, Bob Steele, Theodore Lydecker, Peggy Stewart, Penny Edwards, William Witney, George J. Lewis, Harry Lauter, Sloan Nibley, and Linda Stirling. Rolled but in Near mint condition with a couple of light corner dings. With COA from PSA/DNA.
Edward G. Robinson and Jean Hersholt Signed Photographs. Set of two 8" x 10" b&w photos, both in Excellent condition. Each is signed in black ink and inscribed to the late former State Representative of Oklahoma and autograph collector Ewing G. Sadler. With COA from PSA/DNA.
Roy Rogers -- King of the Cowboys Signed Poster (1977). A 24" x 30" lithograph, number 94 in a limited series of 1,600, signed by the legendary singing cowboy. In Near Mint condition with minor corner dings and 90ono discoloration. With COA from PSA/DNA.
S. Z. Sakall Signed Contract. A William Morris Agency contract dated March 1, 1953 and signed by the character actor on both sides in blue ink. In Very Fine condition with mild tanning, a horizontal fold crease, and binder holes to the top edge. With COA from PSA/DNA.
"The Searchers" Signed First Edition (Curtis Publishing, 1954). Deemed "culturally significant" by the Library of Congress and selected for preservation in the U. S. National Film Registry, director John Ford's "The Searchers" is hands down one of the greatest American films ever made, and often named as a source of inspiration by the likes of Martin Scorsese, Steven Spielberg, Sam Peckinpah, and George Lucas (who made numerous visual and narrative references to it in his Star Wars films). This first edition copy of Alan LeMay's novel was kept handy on the set during filming by an extra, and was signed by the virtually the entire cast and crew. Included are signatures from Ford, actors John Wayne, Vera Miles, Natalie Wood, Harry Carey Jr., Ward Bond, and Ken Curtis -- each of whom signed their character names as well as their own, making this exceedingly rare and unique. Producer Patrick Ford, art director James Basevi, production manager Lowell Farrell, stunt double Terry Wilson, and the Native American actors (many including thumbprints) have also signed. For the disscriminating film collector, it does not get better than this! A one-of-a-kind piece of Hollywood history, the book is in overall Very Good condition with some light wear to the spine, no dustjacket, and some separation starting to show on the inside back cover, none of which detracts from this very desirable item. With COA from PSA/DNA.
Sea Trek '93 - Signed souvenir print (Sea Trek Ltd., 1993) Since 1987 the folks at Sea Trek Ltd have been promoting week long cruises with cast members of the various Star Trek series. Part of the fun of these trips are the photo-ops and the chances to get autographs. If you didn't want to just get an 8" x 10" photo signed you could purchase one of these matted prints to get signed while onboard. This fully signed print has the following signatures: John DeLancie (Q), James Doohan (Scotty), Majel Barret (Nurse Chapel), George Takei (Sulu), Mark Leonard (Sarek), William Campbell (Trelane), Robert O'Reilly (Gowron), Robin Curtis (Savvik), Jerry Hardin (Mark Twain), Diana Muldaur (Dr. Kathrine Pulaski), Eric Menyuk (The Traveler), and Daniel Davis (Professor Moriarty). On top of the stars signatures it has also been signed by the artist, giving you a total of 13 signatures! This print has been matted to an overall size of 14" x 18", with an image area of 10.5" x 13". Send a message to Starfleet, it's time to bid on this lot! With COA from PSA/DNA
Jerry Seinfeld Handwritten "Seinfeld" Joke. A handwritten monologue by Jerry Seinfeld for his eponymous sitcom, arguably the most popular show of the 1990s, in blue ink on a sheet of yellow 8" x 14" legal pad paper. The gag is the closing monologue for the finale to season six, "The Understudy," and riffs on how believable or unbelievable stage plays are, and features a couple of crossed-out sections from where Jerry revised the joke. An superb insight into a brilliant comedian's mind. In Excellent condition with a horizontal fold crease. Accompanied by a COA from Daniel Cohen, noted authograph authenticator.
"Seinfeld" Cast Signed Cap. This one-size-fits-all "Seinfeld" crew cap is signed by Jerry Seinfeld, Julia Louis-Dreyfuss, Jason Alexander, Michael Richards, Wayne Knight, John O'Hurley, and Bryan Cranston. In Excellent condition. With COA from PSA/DNA.
David O. Selznick Signed Document. The offspring of a film-producing family, David O. Selznick was one of the forerunners of the modern independent producer. As a studio executive during the first half of the 1930s, he was responsible for the making of such classics as "King Kong" and "A Tale of Two Cities." As an independent producer from 1936 to 1957, Selznick made a small but substantial body of dramas, comedies, and thrillers, 18 in all, many of which are cited among the best films of their era in their respective genres. Featured is a thank you letter from Selznick to reporter Jimmy Starr, dated September 25, 1930, and signed by the movie mogul in bold script. The letter is matted and framed along with a photo of Selznick sitting in front of a portrait of Vivien Leigh as Scarlett O'Hara in "Gone With the Wind," which earned him an Oscar for Best Picture. A great collector's item. With COA from PSA/DNA.
Elisabeth Schumann Signed Photo. A 6" x 8.5" b&w photo signed by the German opera star and dated September 22, 1926. In great condition with discoloration and mild wear around the edges.
Very Rare Benjamin "Bugsy" Siegel Signed Photo. An entrepreneur of the more questionable type, Benjamin "Bugsy" Siegel is popularly thought to be the impetus behind large-scale development of Las Vegas. According to legend, Bugsy envisioned building a large casino and hotel to which gamblers would flock by the hundreds, fueled by the fact that Nevada had legalized gambling in 1931. Back in the East, Siegel captivated his fellow mobsters with the idea of building a gambling mecca in the middle of the desert, complete with a casino, hotel, and live entertainment. Siegel returned to the West Coast and began working on his dream to construct a hotel-casino complex on what later would become known as the Las Vegas Strip, an establishment called the "Flamingo." The fact is the Mafia had had a presence in Las Vegas casinos dating back to at least 1941, and the swank Flamingo was actually conceived and started by Los Angeles businessman and Hollywood Reporter publisher Billy Wilkerson, who turned the project over to Siegel after running short of funds. Siegel subsequently mismanaged the project and earned the ire of his mob cohorts. They in turn had Siegel killed. This handsome 8" x 10" b&w portrait of Siegel has an added touch -- the inscription "To my pal Julius" and the gangsters signature in black fountain pen. Items signed by Siegel are very rare, especially items in condition this good; the photo is in Excellent condition, marred only by the tiniest of creases to the lower left corner and very, very faint tanning. An exceptional item. With COA from PSA/DNA.
Red Skelton Signed Birthday Letter to His Son. A touching handwritten letter from comedian Red Skelton to his newborn son, Richard, whose birth he had missed while on the road. It reads: "Happy Birthday son. Sure wish I were there to offer congratulations -- but remember while I am away you are the man of the house so take good care of your mother and sister. I'll be home for your big to do 11 months from now when we celebrate your first year with us. Oh by the way when you have your formula today make it a double and give an extra burp for your Dad, and give your mother and Valentina my love and let them know I miss you all so much. Love, Dad." Sadly, Richard died of leukemia at age three, and his loss devastated the Skelton household. Included with the letter are three color 3" x 5" photos of Skelton and family members, circa Christmas 1959, in Excellent condition. The Letter is in Very Fine Condition with some fold creases, a little wear to the edges, and some areas of mild discoloration. With COA from PSA/DNA.
Barbara Stanwyck Signed Contract. William Morris Agency contract dated June 20, 1962, and signed by the actress in blue ink. In Excellent condition with very light wear and tanning. With COA from PSA/DNA.
Star Trek the Next Generation Limited Edition Cast Signed Photo. Number 722 from a limited edition of 2,500, this cast photo of the senior crew of the starship Enterprise is signed by Patrick Stewart, Marina Sirtis, Gates McFadden, Levar Burton, Brent Spiner, Michael Dorn, and Jonathan Frakes. In Excellent condition, it has been matted and framed with a descriptive plaque, to an overall size of 20.25" x 20.25". With COA from PSA/DNA.
Patrick Stewart Signed "Star Trek the Next Generation" Limited Edition Display. This color photo of Patrick Stewart as Captain Jean-Luc Picard is #1,038 of a limited edition of 5,000 signed by the actor and handsomely mounted on a wood plaque with faux-marble design. It measures 12" x 15", and is in Excellent condition. With COA from PSA/DNA.
Patrick Stewart Framed Signature Ensemble. Included is a copy of Playbill from an off-Broadway production of "The Christmas Carol" and a dinner theatre handbill, both signed by actor Patrick Stewart and matted and framed along with a "Christmas Carol" ticket stub to an overall size of 11" x 25.5". Items are in overall Excellent condition. With COA from PSA/DNA.
James Stewart "Harvey" Sketch and Autograph. This pink sheet of construction paper bears a rabbit doodle labelled "Harvey" and the autograph of James Stewart, both in black ink. Stewart's performance in the 1950 comedy, about an eccentric whose best friend is a 6' 7.5" imaginary rabbit, stands as one of his greatest roles. Also included is a siged photo of Stewart. In Excellent condition with a little discoloration along the top and bottom edges. The photo is from Rear Window. With COA from PSA/DNA.
Vintage Actor Signed Photos. Set of four b&w photos includes an 11" x 14" signed by Pat O'Brien (in Very Fine condition with some corner creases and punch holes to the top edge), and 8" x 10" photos signed by James Stewart (Very Fine with tack holes in the corners and punch holes along the top edge), Nelson Eddy (Very Fine with punch holes along the left edge and tape on the corners), and Dana Andrews (Very Fine with punch holes to the top edge and tape on the corners). With COA from PSA/DNA.
Nelson Story, Elsie Clark, and Others Signed Photos and Documents. This collection of signed items from the estate of entertainers Nelson Story and Elsie Clark includes a b&w publicity photo advertising the duo as "The Two Stooges" (in Very Good condition with moderate overall tanning, soiling along the top edge, and a large stain and tearing along the right edge); a typed letter from a family friend dated July 20, 1937 (great with light tanning and horizontal fold creases); a letter to Nelson from Monte Howard of 20th Century-Fox, dated August 6, 1937, regarding songwriting (Very Good with several fold creases, light tanning, and some tears, creases and discoloration to the edges and corners); and a three-page contract dated July, 1933, regarding the sale of the original song "Ireland and You," signed by Story, Howard, and B-movie cowboy actor Buck Jones (great condition with fold creases and minimal wear and discoloration). Also included are 8" x 10" photos inscribed to Elsie and Nelson and signed by actors Jones (color-tinted, light soiling and wear to the edges), Will Mahoney (color-tinted, light soiling and wear to the edges, tack holes to the corners), and Rosco Ates (b&w, mild creasing to corners). With COA from PSA/DNA.
Erich Von Stroheim Signed Document. A single-page salary statement ($30,000 in the first two-and-a-half months of the year), dated March 12, 1943, signed by the famous actor-director in black ink. In excellent condition with the standard staple and binder holes, a paperclip indentation, very faint tanning, and no creases. With COA from PSA/DNA.
Preston Sturges and Ernst Laemmle Signed Check. Dated August 19, 1941, and made payable to fellow director Ernst Laemmle -- who endorsed the check on the back -- for the sum of $200. A notation in the upper left corner reads "2 ideas for scenes, 'Sullivan's Travels' ." In Very Fine condition with two vertical fold creases and the usual cancellation marks. With COA from PSA/DNA.
Vintage Contract Signed by the Parents of Elizabeth Taylor. It didn't take long for her to knock critics out of their socks as a serious adult actress, possibly because Elizabeth Taylor got an early start, becoming a leading child star by the age of 12. This lot features a guardianship agreement with Loews Incorporated signed by Taylor's parents and dated December 14, 1945, (after "National Velvet" but before "Courage of Lassie"). The document is in excellent condition. With COA from PSA/DNA.
Shirley Temple Signed Photograph. This b&w 8" x 10" photo of child star Shirley Temple is signed by the actress and in great condition. With COA from PSA/DNA.
"Titanic" Cast-Signed Photo. A 27" x 39" poster for the record-breaking film signed by actors Leonardo DiCaprio, Kate Winslet, Gloria Stuart, Billy Zane, Kathy Bates, Bill Paxton, Elsa Raven, and 11 other cast members. Acquired from Raven, it is rolled but has never been displayed, and is in Excellent condition. With COA from PSA/DNA.
Cartoon Legends Signed Notecards Group. A very cool set of 3" x 5" notecards, collected during the 1940s, featuring signatures from (and in most cases, artwork by) from 48 great cartoonists, such as caricaturist Al Hirschfeld, Raeburn Van Buren ("Abbie and Slats"), Bob Schoenke ("Jack Armstrong -- All American Boy"), Bob Montana ("Archie"), Warren Tufts ("Casey Ruggles"), Dan Spiegle ("Hopalong Cassidy"), Carl Anderson ("Henry"), Harold Gray ("Little Orphan Annie"), Mort Walker ("Beetle Bailey" and "Hi and Lois"), and Pulitzer Prize-winner Lute Pease. Each is enclosed in a protective mylar sleeve, and the set is in overall Excellent condition with the occasional instance of very light tanning. Very cool.
Famous Cartoonists Signed Notecards Group. A wonderful set of 3" x 5" notecards, collected during the 1940s, featuring signatures from (and in most cases, artwork by) from 48 great cartoonists, including Will Eisner ("The Spirit"); Chester Gould ("Dick Tracy"), artist Ray Prohaska, Ed Dodd ("Mark Trail"), artist author Waldo Pierce, Charles Flanders ("The Lone Ranger" comic strip), J. Striebel (:Dixie Dugan"), Carl Ed ("Harold Teen"), Pulitzer-Prize winning cartoonist Rube Goldberg, H. H. Knerr ("The Katzenjammer Kids"), and Ham Fisher ("Joe Palooka"). Each is enclosed in a protective mylar sleeve, and the set is in overall Excellent condition with the occasional instance of very light tanning.
Cartoonists Autograph Group. This astounding set of 3" x 5" notecards, collected during the 1940s, features signatures from (and in most cases, artwork by) from 48 great cartoonists, including Marge Buell ("Little Lulu"), Dorothy Bond ("The Ladies"), Paul Norris ("Jungle Jim"), Gus Edson ("The Gumps"), George Baker ("Sad Sack"), Denys Wortman ("Everyday Movies"), William Ferguson ("This Curious World"), and Kreigh Collins ("Mitzi McCoy"), as well as one featuring a signature and self-portrait by legendary magician Harry Blackstone Sr. Each is enclosed in a protective mylar sleeve, and the set is in overall Excellent condition with the occasional instance of very light tanning. A fantastic set of collectibles.
Great Cartoonists Signed Notecards Group. An impressive set of 3" x 5" notecards, collected during the 1940s, features signatures from (and in most cases, artwork by) from 48 great cartoonists, among them Lee Falk (creator of "The Phantom"), Mike Roy ("The Saint"), Robert L. Ripley ("Believe It or Not"), Frank O. King ("Gasoline Alley"), Pulitzer-Prize winner Bill Mauldin ("Up Front with Mauldin"), Bud Fisher ("Mutt and Jeff"), Walter Lantz ("Woody Woodpecker"), and Frank Martinek ("Don Winslow"). Each is enclosed in a protective mylar sleeve, and the set is in overall Excellent condition with the occasional instance of very light tanning. A fantastic set of collectibles.
Spencer Tracy Signed Notecard. A 3" x 5" notecard signed by Spencer Tracy in black ink, affixed to an album page under a photo of the actor. In Excellent condition with slight tanning to the edges. With COA from PSA/DNA.
Andy Warhol Signed Magazine Cover. This copy of the March 16, 1980 Houston Chronicle Magazine was signed by the subject of its cover feature, painter, filmmaker, publisher, and Pop art pioneer Andy Warhol, in black marker along the right edge. In great condition with some mild creasing to the top edge and corners, it has been framed and matted to an overall size of 18.5" x 20". With COA from PSA/DNA.
Rare Character Actors. Album page signatures of three hard-to-find Golden Age players: H. B. Warner (who played Christ in 1927's The King of Kings and was memorable in such films as Five Star Final and It's a Wonderful Life), Andy Clyde (best remembered as "California Carson," grizzled sidekick to Hopalong Cassidy), and Harry Langdon (considered by many to be the fourth great silent comedy actor, after Chaplin, Keaton and Harold Lloyd, and who suffered a devastating career downfall). The Clyde page as a picture attached, and the Langdon has both a picture and a newspaper obituary headline. There's plenty of Hollywood history in this grouping. With COA from PSA/DNA.
John Wayne Signed Yearbook. A very rare and highly desirable item: A copy of the Glendale Union High School 1924 "Stylus" yearbook autographed by junior class vice-president John Wayne using his birth name, Marion Morrison. The yearbook is signed by Wayne in black ink on pages 121 (junior class intro page), and his football team photo can be found on page 159. The book is in Very Good condition with a fair amount of soiling of and appreciable edge wear to the covers, but with pages that are in great condition. With COA from PSA/DNA.
Jack Webb Signed Letter. A handwritten letter to a fan, dated October 2, 1968 and on personal stationery with envelope. It reads: "Dear Mary Martin -- Thank you so much for your selection of "Friday" for the "Bravo". He is flattered and so am I!" and is signed by Webb in black ink. In Excellent condition with very light discoloration. With COA from PSA/DNA.
Johnny Weissmuller Autographed Lithographic Poster (Nostalgia Merchant, 1977). Olympic swimmer and movie star Johnny Weissmuller made history when he became the first person to swim 100 meters in less than one minute, but he's mostly remembered as the star of the 12 Tarzan movies made by MGM between 1932 and 1948. Featured here is a Near Mint condition color montage poster of characters from the Tarzan movies, number 41 of a limited edition of 1,500, signed in black felt pen by Weismuller. With COA from PSA/DNA.
Senor Wences Signed Contract. Two contracts, dated January 21, 1964, and April 22, 1965, signed by ventriloquist Wenceslao "Senor Wences" Moreno, in Excellent condition with fold creases and very mild wear. With COA from PSA/DNA.
Adam West Signed Letter to Vincent Price. Here's a nifty little item, written by the "Batman" actor to one of his onscreen arch-enemies. Dated May 8, 1990, it reads: "Dear Vincent: Congratulations on another illustrious year. Your wit, your intelligence and your artistry are fortunately on record and a precious Gift to the World. Since I live next door to Smokey the Bear in the woods of Idaho, I cannot be there for this tribute. Except in my warm thoughts of you. Tell me, How did Egghead lose his hair? You brought eggsactly the right flavor to Batman with a character we will always love. Happy Birthday, Vincent! Affectionately, Adam West." Signed by West in black ink, it is in Excellent condition. With COA from PSA/DNA.
Mae West Signed Check with Photo. "It's better to be looked over than overlooked" once quipped actress Mae West, whose frank and open sexuality was an almost constant source of controversy. Featured here is a personal check dated May 5, 1978 written for $60 in cash and signed by West in black ink. It is in great condition with an approximately 1" tear near the bottom edge, and has been matted and framed along with a b&w 8" x 10" photo of the gorgeous actress, to an overall size of 16" x 21". With COA from PSA/DNA.
Esther Williams Signed Contract. An Olympic-level swimmer and diver as well as a skilled actress, Williams' movies often found various plots to get her into a pool for elaborately staged swimming scenes, often at a physical cost to the performer. She broke her neck filming a 50-foot dive off a tower during a climactic musical number for the 1952 release "Million Dollar Mermaid," putting her in a body cast for six months, and her many hours spent submerged more than once resulted in ruptured eardrums. On several other occasions she nearly drowned shooting her oxygen-defying stunts. These William Morris contracts, dated September 30, 1948 and June 2, 1964, placed her in arguably safer environments -- on the radio for three years and on an off-Broadway Stage for one year in the play "Once More With Feeling," respectively. Both are in Excellent condition with rusted staples and the usual staple and binder holes along the top edge. With COA from PSA/DNA.
Paul Winchell Signed Contracts. Two standard William Morris Agency contracts, dated September 26, 1963, and signed by ventriloquist and voice actor Paul Winchell. Both are in Excellent condition with horizontal fold creases. With COA from PSA/DNA.
Fred Astaire Sends Clifton Webb Condolences on the death of his mother in this one page Autograph Note Signed "Fred", on personal letterhead, 6.5" x 8.5", dated "Tues." and postmarked October 19, 1960. In full: "Dear Clifton- Just a line to express my deepest heartfelt sympathy. As ever sincerely-" Excellent condition, one mailing fold, hand-addressed envelope included with an additional "F Astaire" signature on the flap. With COA from PSA/DNA.
Basil Rathbone Autograph Letter Signed "Basil & Ouida" to Clifton Webb, one page, plain stationery, 6.75" x 10", New York, January 9, 1963. It begins: "Dear Cliffy. We heard you were in hospital in Houston Texas. How could you desert the Great State of California for the Greater State of Texas!..." He goes on to talk about their long friendship, the NY newspaper strike, Mabel's passing, and he asks Clifton to get in touch with them. Also in this lot are two 10" x 8" B&W photos showing the Rathbones, David Niven, Mabelle Webb and others at a dinner party. All three items are in excellent condition. A portion of the letter's original mailing envelope is included. With COA from PSA/DNA.
Collection of Clifton Webb Checks Offered here are five checks signed by Webb. Four were written and signed by him as payer and one endorsed as payee. Two are from Lloyds Bank Limited in London and are dated 1922 and two are from Manufacturers Trust Company in New York, dated 1925. The fifth is made out to Webb and is dated 1947. It would be interesting to research these. With COA from PSA/DNA.
The Webbs Host Varied Guests. Two sheets from the guest books of Clifton Webb and his mother Mabel. Page one (undated) offers a real curio - the dramatic signature of Mercedes de Acosta, whose name will be familiar to anyone acquainted with the legend and lore of Greta Garbo. Other signers include Syrie Maughm (Somerset Maughm's wife), Evelyn Laye (who added the word "Boo" between her first and last name) and Mary Gordon, who was drowned by Karloff's Monster in Bride of Frankenstein and later played Mrs. Hudson, the housekeeper in Basil Rathbone's Sherlock Holmes film series. The sheet features a cartoon of a dinosaur and a chicken (?), the latter apparently drawn by Elsa Maxwell, who has signed her first name. Sheet two, dated June 23, 1947 at 240 Bentley Circle in Los Angeles, features Janet Gaynor, Adrian, Theresa Helburn and Laurence Langner (directors of the Theatre Guild), and Cole Porter. Clifton's friends were wide-ranging - and an incredibly talented crowd. With COA from PSA/DNA.
Amos and Andy Visit the Webbs. A two-page lot from the guest books of Clifton Webb and his mother Mabel. The January 22, 1933 sheet is especially notable for the signatures of Freeman Gosden and Charles Correll, who were immensely popular as Amos and Andy on radio. (The characters were black - the actors were white.) The incredibly diversified gathering also included Ethel Barrymore and Glenn Anders (a stage star later memorable in Orson Welles' 1948 Lady from Shanghai). The second page, dated February 2, 1931, includes movie dramatic powerhouse Ruth Chatterton, perhaps most memorable in 1929's Madame X and 1936's Dodsworth, who signs "Ruthie," as well as her husband of that time, actor Ralph Forbes, who appeared in such films as Twentieth Century (1934) and Romeo and Juliet (1936). Quite a variety of famous and long-ago talent on these vintage pages. With COA from PSA/DNA.
Clifton Webb Signed Guest Book Pages. A two-page lot of signatures from the guest book of Webb and his mother Mabel. Sheet one is perhaps most notable for the signature of Richard Barthelmess (1895-1963). "He had the most beautiful face of any man who ever went before the camera," said Lillian Gish, who joined Barthelmess acting for D.W.Griffith in Broken Blossoms (1919) and Way Down East (1940), which featured the classic scene of Barthelmess leaping across the racing ice floes to save the imperiled Gish. Primarily a star in Silents, Barthelmess still scored in films such as The Dawn Patrol (1930), and signed this page using his nickname, writing "Corey Barthelmess." His wife Jessica has signed it too, as have such celebrities as Beatrice Lillie and Richard Rodgers. The second page, dated Sept. 21 (no year) famed theatre director George Abbott, Broadway musical star Libby Holman and Millicent Hearst, wife of William Randolph Hearst. A fine assortment of vintage signatures. With COA from PSA/DNA.
Clifton Webb Hosts Bogey. Humphrey Bogart was playing in the Broadway comedy hit t's a Wise Child, at the time he attended this Clifton Webb-hosted party March 9, 1930. The pre-Hollywood actor added his fountain pen signature to this guest book page, along with famed Ziegfeld beauty Marilyn Miller, fated for a tragic early death, and actor Michael Farmer, fated to marry Gloria Swanson (1932 to 1934) - although he's added on this page beside his name, "Rights reserved by Tashman" (presumably actress Lilyan Tashman). It's the first sheet in a two-page packet, the second page (undated, but presumably 1937) offering the signatures of Janet Gaynor (signed "Janet Gaynor Adrian"), her famed designer husband Adrian, actress Constance Collier (remember her in Hitchcock's Rope?) and actor/interior decorator William Haines and his partner Jimmie Shields - whose openly homosexual union raised so many eyebrows in that era. The back of this page, dated January 19, 1937, includes the signature of Ina Claire, the great stage star (and a former Mrs. John Gilbert). A fascinating collection, especially due to the signature of New York stage comedy actor Bogart. With COA from PSA/DNA.
Clifton Webb Autographs. Two pages from the guest books of Clifton Webb and his mother Mabel. Prominent on the first page is the large ink signature of Humphrey Bogart. The page is undated, but the reverse is dated December 15, 1936, which indicates Bogart signed this page after his first year at Warner Bros., where he reprised his Broadway role of "Duke Mantee" in The Petrified Forest and carried on his big parade of gangsters in films such as Bullets and Ballots. His second wife, actress Mary Philips, has signed the page as "Mary Bogart" and the page also features Kay Francis (who adds "Pet" beside her name), actor Don Alvarado and socialite Elsa Maxwell. The second included page, dated August 5, 1931, features an excellent signature by Gary Cooper, who visited the Webbs with his mother, Alice Cooper. She also signed the book ("To more happy days with the Webbs"). Two screen superstars available in this one lot! With COA from PSA/DNA.
If They Could Only Talk! Three of the most exciting pages (five sides) from the If-they-could-only-talk guest book pages of Clifton Webb and his beloved mother Mabel. The January 24, 1935 page, signed in New York, offers a stunner: a wonderful Humphrey Bogart signature, signed less than three weeks after he opened in The Petrified Forest on Broadway. This was the play in which Bogart played gangster Duke Mantee, reprising his role in the 1936 film as he began his legendary stay at Warner Bros. The guests also included Basil Rathbone (then starring on Broadway in Romeo and Juliet,)Katharine Cornell (who was Rathbone's s Juliet), Noel Coward (whose play Point Valaine had just opened in New York), Libby Holman (then starring in Broadway's Revenge with Music,) Beatrice Lillie, Louis Bromfield, and Bogart's actress wife Mary Philips. Flip the page, and see signatures from Webb's home in Brentwood California April 26, 1936, including Warners star Kay Francis. Page Two, signed May 29, 1935, at Webb's Brentwood Heights home, offers a colorful lot: "Marlene" (who usually saw no need to add or detail her last name), Mary Pickford, Richard Barthelmess (signing is nickname "Corey"), Brian Aherne, screen cowboy (and future movie mummy) Tom Tyler, The Countess do Frasso, Ria Gable (then wed to Clark), and Dietrich's protegee of the time, MGM actress Elizabeth Allan (whose film Mark of the Vampire had just been released). The reverse, dated June 14, 1935, features, among others, another splendid "Marlene." The third sheet, dated May 24, 1931, includes a signature from the great movie composer Dimitri Tiomkin. An incredible array of Golden Age Hollywood and Broadway signatures! With COA from PSA/DNA.
Clifton Webb Hosts Guests in Chicago. On March 10, 1940, Ray Bolger - fresh from his classic performance as the Scarecrow in The Wizard of Oz (1939), signed Clifton Webb's guest book page sheet in Chicago. The same page features the signatures of such theatrical personalities as Helen Hayes, Charles MacArthur, Katharine Cornell, Louis Bromfield, Margalo Gillmore and socialite Elsa Maxwell. There are three additional pages as well - January 2, 1937, January 17, 1937 and September 22, 1929 - including the autographs of Beatrice Laye, Frank Lawton, Phillips Holmes, Beatrice Lillie, Constance Collier and Jo Mielzner. Excellent assortment and a reminder that Bolger's primary success was in the theatre. With COA from PSA/DNA.
Two Pages from Webb's Celebrity-Studded Guest Books. "Christmas Eve 1936" contains the signatures of such theatre greats as Katharine Cornell, Alfred Lunt and Lynn Fontanne. The second page, from 1930, next page, is signed by celebrants of Webb's birthday in 1930, and boasts the names of such famed stage writers/directors as Moss Hart, Monty Woolley, George S. Kaufman and George Abbott. A most impressive lot of major names from the American Theatre. With COA from PSA/DNA.
Joan Crawford Visits the Webbs. .A three-page lot from Clifton Webb's stellar social life crowd of the late 1940s. The December 8, 1946 guest book page is dominated by the sweeping full signature of Joan Crawford, who'd recently won the Oscar for Mildred Pierce (1945). "My dearest love to my darlings from Joan Crawford," she wrote. Her lawyer beau Greg Bautzer signed below her name. Among the other luminaries who autographed this page: Helen Hayes, Alfred Lunt and Lynn Fontanne, Lillian Gish, Ruth Gordon and Garson Kanin. Page two is dated October 29, 1946, and is from the Opening Night party for Noel Coward's play Present Laughter, which was Webb's final Broadway play . Among the signers on the front side are Alfred Lunt and Lynne Fontanne; the back side has the boldly flamboyant signature of Tyrone Power, dated November 17, 1946, and features a cartoon of a cigarette-smoking devil, apparently related to Sartre's play No Exit, which was then about to open on Broadway. The undated page three has the signatures of Rouben Mamoulian, Otto Preminger, John Emery, Sylvia Fine Kaye and the Countess di Frasso. Webb should have written his memoirs! With COA from PSA/DNA.
Clifton Webb Autographs. A two-page lot. First is an undated guest page from Clifton Webb's Hollywood home, presumably late 1940s. Perhaps the top star signature here is on the back of sheet one, with Joan Crawford providing an expansively signed "Joan;"her beau of the time, lawyer Gregory Bautzer, provides a significantly less flamboyant signature below Ms. Crawford's. A great celebrity roster fills the front of the page, including Tyrone Power, Ronald Colman, Irene Dunne, Hedda Hopper, and producers Darryl Zanuck and Arthur Hornblow Jr. Page two is dated February 14, 1948, and the the Valentine's Day signers at Webb's home at 1005 N. Rexford Drive in Beverly Hills include Gene Kelly and his wife Betsy. Desirable autographs in excellent form. With COA from PSA/DNA.
Joan Crawford Visits Clifton Webb. It was always hard to miss Joan Crawford - in life, onscreen and on this autograph page from the guest book of Clifton Webb and his mother Mabel. Crawford signs, as was her custom, expansively, inscribing "Clifton you are such a great artist - Profound admiration." The undated page apparently was signed after a stage performance by Webb, , and other admirers include Helen Hayes, her husband writer Charles MacArthur (who writes "Clifton s the best actor I ever saw") and Allen Vincent (whose credits include the 1933 Mystery of the Wax Museum). The back of the sheet includes ALfred Lunt and Lynn Fontanne. Two additional sheets are in this lot: one dated November 14, 1943, that includes Gloria Swanson (with a reverse side dated at various times in 1942, and including Ray Bolger, Libby Holman and Mildred Natwick) and a third sheet including Grace Moore's signature from Easter of 1940. With COA from PSA/DNA.
Marlene Dietrich Attends a Cocktail Party in Her Honor on February 5, 1937 and signs her name at the top of Clifton Webb's Guest Book page as "Marlene" adding "Maria Magdalene to you" next to her name -- a very rare form of her autograph. Also attending this little get-together was Gladys Cooper, Reginald Gardiner, Valentina (Schlee), Frank Chapman, Joyce Carey, and Fritz Lang. In very good condition with slight toning around the edges. With COA from PSA/DNA.
Clifton Webb's Thanksgiving. Pass the cranberries, Marlene! It's Thanksgiving of 1937 at the home of Clifton Webb and his mother Mabel, and the first signature atop this guest book page is Dietrich's - signed , as usual, "Marlene." (Either La Dietrich or someone else felt obliged to print "Marlene" in parentheses after her flamboyant scrawl of a signature.) Also present: Rouben Mamoulian, who had directed Dietrich in The Song of Songs (1933) and has signed "Rouben." It's only page one of a fascinating four-page lot. Page two, dated January 30, 1937, offers such luminaries as actresses Judith Anderson, Ina Claire, Beatrice Lillie, and Cobina Wright, composer Richard Rodgers and designer Cecil Beaton. Page three, dated February 21, 1937, relates to a party for singer Grace Moore, signed by (among others) Ms. Moore, actresses Gladys Swarthout, Cobina Wright and Beatrice Lillie, and actor Reginald Gardiner. A remarkable cross-section of historic talent from this halcyon era. With COA from PSA/DNA.
Marlene Dietrich Photos from Clifton Webb Estate. Included in this striking lot is an alluring 9.5" x 11.5" portrait inscribed "Remember Me?" and signed by the screen legend; an elegant 8" x 10" photo of Dietrich and Webb; a 7" x 9" photo of Dietrich Webb, and Constance Bennett; a 7" x 9" photo of Dietrich, Carole Lombard, and Webb's mother, Mabel; and a snapshot of Marlene in here "Leda and the Swan" costume at a 1935 party. A great lot devoted to one of Webb's most legendary fans, in overall Very Fine condition with light wear and tanning. With COA from PSA/DNA.
Marlene Dietrich Photo Group from the Clifton Webb Estate. Selection of three b&w 8' x 10" photos includes a shot of an ultra-chic Dietrich with friend Webb, a photo of Webb and Dietrich with Constance Bennett, and a shot from a 1935 costume party, with Webb dressed as a Mandarin, Dietrich as Leda (with her swan, showcasing one of her famous legs), and Elizabeth Allan as Dietrich in Marlene's trademark top hat and tuxedo. In Very Fine condition with light wear and tanning.
Marlene Dietrich-Clifton Webb Photos. Ten remarkable snapshots of La Dietrich enjoying the California lifestyle with Clifton Webb and cronies. See Marlene on the tennis court, at the studio, with beau Brian Aherne, and so on, all circa 1935. Each is 2.5" x 3.5" and in Very Fine condition with some mild curving, wear, and tanning.
Clark Gable Pays a Visit to the Webbs. Clark Gable has recently won the Academy award for It Happened One Night and was soon to be sen in Mutiny on the Bounty when his autograph topped the page at an August 18, 1935 Clifton Webb party. Webb, after the Broadway hit As Thousands Cheer, had come west wit his mother Mabel and had settled in Brentwood, California. Gable wrote in their book, "To Clifton and Mabel - With Love N'everything - Always Clark." Gable's 17-years-older wife wrote "Me too Ria Gable" below her husband's name; the page is also signed by Mr. and Mrs. Richard Barthelmess ("Dick & Jessica"), actress Mady Christians, and John Gilbert - the "Talkies" greatest casualty, who signed "Jack Gilbert" and who died less than five months later. The verso, dated July 31, 1935 and also signed at the Webb's Brentwood home, is a treasure of Golden Age autographs - Ronald Colman, Basil Rathbone and his wife Ouida, Frank Lawton (the grown David of David Copperfield) and his noted British actress wife Evelyn Laye-Lawton, Constance Collier, directors Rouben Mamoulian, Edmund Goulding and George Cukor, designer Oliver Messel and more. Sheet two in this lot is dated March 6, 1936 and headed as "Marlene's Dinner." Yes, it was that Marlene, whose signed first name tops an autograph list including actor Richard Cromwell, composer Cole Porter and a gentleman named Howard Hughes. And the verso of this page, dated July 17, 1935, bears the autographs of writer Charles Brackett, as well as, once again, "Marlene" - along with "Liz Allan," aka Elizabeth Allan, MGM star who was Marlene's protegee in 1935. A remarkable collection of autographs from a variety of Hollywood's greatest stars, all of whom were then at their personal apex. With COA from PSA/DNA.
Happy Valentine's Day from the Webbs!. This two-page lot from the guest books of Clifton Webb and his mother Mabel opens with a sheet from a Valentine's Day Eve party, February 13, 1934, with a splendid full signature from Clark Gable - just as t Happened One Night, for which he'd win an Academy Award, was going into release. Gable's fellow revellers include Raymond Massey and Gladys Cooper (both of whom who had opened that night in Broadway's The Shining Hour), Helen Hayes (then starring in Broadway's Mary of Scotland), Roland Young (then in the New York play Her Master's Voice), Ina Claire (then in Broadway's Biogrpahy), Judith Anderson and Gable's wife Ria. Clifton Webb himself was then starring in Broadway's As Thousands Cheer. The reverse side (which one of the signers has dated January of 1934) includes Laurence Olivier, Moss Hart, Frank Lawton and John Beal. Sheet two, dated March 21, 1933, features (among others) opera star Laurence Tibbett and playwright George Kaufman. The reverse of this sheet incudes Grace Moore, Beatrice Lillie and composer Vincent Youmans. A wonderful Clark Gable item, with great accompanying signatures. With COA from PSA/DNA.
Clifton Webb Autograph Collection. An incredible two-sided page of signatures from the guest book of Clifton Webb and his mother Mabel, in which the highlight is a beautiful green-ink signature of Judy Garland. Dated June 17, 1944, and marked as "Party for Elsa" (Maxwell, presumably), the Garland signature literally comes at the very end of a remarkable collection of Who's Who in Hollywood signatures - including Joan Crawford, Jack L. Warner, Darryl F. Zanuck, Basil Rathbone (and his wife Ouida), Otto Preminger, Edmund Goulding, Oleg Cassini, Dana Andrews, Virginia Bruce, George Sanders, Irene Selznick, Gilbert Roland, Judith Anderson, Phillip Terry (then married to Crawford), Jean Feldman and more. An incredible collection of Hollywood history on a single sheet of paper! With COA from PSA/DNA.
Stars Party with the Webbs. One of the most truly-star-studded pages from the guest book pages of Clifton Webb and his mother Mabel. Undated (likely late 1940s), but noted as "Party for Noel Coward" and signed at Webb's home at 1005 N. Rexford Drive in Beverly Hills. Perhaps the real eye-catcher here is a splendid Katharine Hepburn, signed in full just under the signature of her friend and frequent director George Cukor. The awesome lot includes Guest of honor Noel Coward, Ronald Colman, Claudette Colbert, Irene Dunne, David Niven, Douglas Fairbanks Jr., Annabella, and Beatrice Lillie. For years the word has been that Webb haunts his Beverly Hills house. After hosting parties like this one at that locale, no wonder his ghost wants to return! Terrific variety of legendary Hollywood names. With COA from PSA/DNA.
Christmas Eve With the Webbs. It's Christmas Eve of 1933, Clifton Webb is starring on Broadway in As Thousands Cheer and the famous assemblage signing the guest book of Webb and his mother includes Leslie Howard, soon fated for such classic film roles as The Scarlet Pimpernel and Ashley Wilkes in Gone With the Wind. Howard is in very celebrated company - the page is actually headed "Noel's Christmas Party," and the Noel is Noel Coward, who has signed the sheet along with such major names as Laurence Olivier, Irving Berlin, Edna Ferber, Marilyn Miller. The back of the sheet is signed by Cole Porter. All that talent partying at Yuletide - can't you just hear them all caroling? Wonderful autographs, some very rare - including Leslie Howard, who died in 1943, shot down by the Luftwaffe over the Bay of Biscay. With COA from PSA/DNA.
Clifton Webb Autographs. Clifton Webb, after many years as a major stage star, finally made his name in Hollywood (and won a Best Supporting Actor Academy nomination) as the acid-tongued murderer Waldo Lydecker in Laura (1944). The elegantly stylish noir mystery, based on the Vera Caspary novel, dates marvelously - its wit, sophistication, Oscar-winning Black and White Cinematography (by Joseph LaShelle), haunting musical theme (by David Raksin) and surprise climactic twist are all still sparkingly entertaining. This May 6, 1944 page from Webb's guest book, signed by several of the film's major figures, is a striking piece of memorabilia from this film, signed during its production. Among the signers: Gene Tierney, who was Laura; Dana Andrews, who played Det. Mark McPherson, who falls in love with Laura (and who wrote on the page to Webb's mother, "Strictly for Mabel - Can't I be up in your room sometime - question mark? - Dana Andrews"), Vincent Price, who oozed charm as gigolo Shelby Carpenter; and Rouben Mamoulian, who was the film's original director (and was replaced by Otto Preminger). Also present at the party and signing the page were Basil Rathbone and his wife Ouida, actresses Gladys Cooper and Lillian Gish, director George Cukor, Dana Andrews' wife Mary, and - a very happy surprise - Judy Garland, who signed the page "Love darling Judy." The book was signed at Webb's home at 280 Carolwood Drive, in Los Angeles. A fascinating memento, both for its wonderful autographs and its connection to one of the 1940s' best-remembered films. With COA from PSA/DNA.
Marilyn Monroe and Clifton Webb in Original LIFE Magazine Photo. publicizing the 1948 film Sitting Pretty, first in the hilarious "Mr. Belvedere" series. Though not credited in this film, one photo in this lot of ten images by Loomis Dean for a Life Magazine spread, pictures the curvaceous future superstar. She is seen sitting on the floor, eating a chocolate, next to Webb as Lynn Belvedere, babysitter of the three troublesome children of Robert Young and Maureen O'Hara. Monroe was under contract to Fox, the producer of this film, from August 1946 until August 1947. We theorize that she was possibly on the set the day LIFE came to do the photo story and posed for a picture. This group of ten photos range in size from 10" x 11" to 10.5" x 13" and show Webb in various scenes with the three young children under his care. All are back-stamped "Not for Publication Except by Permission Time Inc" and "Life Photo by Loomis Dean" on the verso. This Monroe photo is possibly unpublished.
Clifton Webb Celebrates His Birthday with a Few Friends. This lot contains three sheets of guest book signatures from Clifton Webb's November 19, 1937 birthday. Among the signers is Mary Pickford - "America's Sweetheart," possibly the most popular movie star of all time, the first star (along with Douglas Fairbanks Sr.) to place her hand and feet prints in the forecourt of Grauman's Chinese Theatre, a founder of United Artists Studio and the Motion Picture Academy, and the recipient of a special 1976 Oscar for Lifetime Achievement. Among the other famous folk on the three sheets: directors Moss Hart and George Cukor, actors William Powell (signed "BIll Powell"), Alfred Lunt, Lynn Fontanne, Libby Holman, Helen Gahagan, Phillips Holmes and Ina Claire, playwrights Robert Sherwood and Terence Ratigan, and many more. With COA from PSA/DNA.
The Webbs Entertain On Bentley Circle. Cole Porter's signature is distinctive in this first page, dated August 2, 1947, at Webb's home, 240 Bentley Circle in California on one of two pages from the guest books of Webb and his mother Mabel. Also featured: the very rare autograph of Rex Evans, whom horror fans might remember as the raving villager "Vazec," who blows up the dam in Frankenstein Meets the Wolf Man. The reverse has the autograph of opera star Dorothy Kirsten, who later appeared in the 1951 film The Great Caruso. The second page, dated December 18, 1946, has the autograph of Danny Kaye, then a major attraction for Samuel Goldwyn, who's noted, "This is the day after my daughter's birthday." Nice variety. With COA from PSA/DNA.
Clifton Webb Hosts Basil Rathbone on Long Island. A two-page lot. Basil Rathbone was only 38 years old, with all those movie sword fights and Sherlock Holmes sleuthings years ahead of him when he signed this page in the guest book of Clifton Webb and Webb's mother Mabel on May 10, 1931. Rathbone was starring in the Broadway play Melo and took some time to unwind that Sunday at Webb's retreat at Port Washington, Long Island. Basil's wife Ouida also signed the page, saluting Mabel's cuisine, joking about her own "prowess" at the croquet game and signing the page "Love and kisses." A second page, dated at Port Washington the previous Sunday, May 3, 1931, is also included in this lot, with the star signature that of Tallulah Bankhead. With COA from PSA/DNA.
Three Pages of Clifton Webb's Guest Book. A three-page lot from the Clifton Webb guest books. The November 19, 1939 page boasts the signature of Gloria Swanson, eleven years away from playing the deliriously and gloriously mad Norma Desmond of Sunset Boulevard. This sheet also includes Broadway producer Sam Harris and composer Richard Rodgers (signed "Dick Rodgers") among many more. An April 13, 1939 sheet includes actresses Adrianne Allen and Beatrice Lillie and playwright Robert Sherwood, while an October 6, 1937 page features Libby Holman, Phillips Holmes, Terence Ratigan and more. With COA from PSA/DNA.
Movie Star Photos from Clifton Webb's Estate. Candid shots of some of the most legendary stars of Hollywood, including Clark Gable (with two of his four wives), June Allyson, John Wayne (without his toupee), Dick Powell, and Humphrey Bogart (also without his hairpiece) and Lauren Bacall. A great set of original photos from the personal collection of one of the most social stars in Tinseltown
Clifton Webb Photos Group. A nice selection of Webb photos with a "legs" motif. Included are a 4" x 5" snapshot of Webb showing his legs at a costume party with Elsa Maxwell; a 3.5" x 4.5" snapshot of Webb, Marlene Dietrich, and Elizabeth Allan (dressed as Dietrich sometimes would in a tux) at a 1935 costume party, with Dietrich showing one leg; and an 8' x 10" still of Webb onstage in "The Man Who Came to Dinner" in 1940, with actress Doris Dalton showing off her gams. There's also a 5" x 7" of Webb in top hat and tux at the peak of his Broadway acclaim, alas with no legs in sight. Overall condition is Excellent.
Richard Nixon Items and Autograph from Clifton Webb Estate. Clifton Webb was a huge Richard Nixon supporter, as evidenced by this lot. Included is a letter on Nixon's personal stationery, dated November 8, 1961, that thanks Webb "for all that you did for our cause...No candidate for the Presidency could have had a more dedicated and loyal group of supporters. Pat joins me in sending our best wishes." The Letter is signed "Dick Nixon" in black ink, with the original envelope included. Also in the lot are two unsigned, undated Christmas cards, one printed "Pat and Dick Nixon" and the other "The Richard Nixon Family." Finally, there's a letter typed on "Office of Dwight D. Eisenhower" stationery, dated September 30, 1952, thanking Webb for "your deep faith in Richard Nixon," This apparently followed Nixon's famous "Checkers" speech, and Ike insists that his "personal confidence" in Nixon"was never shaken." A very desirable lot in overall great condition. With COA from PSA/DNA.
Clifton Webb's Pass to the Funeral of Rudolph Valentino. The death of Rudolph Valentino in August of 1926 created morbid fascination throughout the world and hysteria among his female fans. From Webb's estate comes this pass to Valentino's "Solemn High Funeral Mass," conducted at St. Malachy's Church in New York, August 30, 1926. The impressively engraved card gives the location and time for the funeral, adding "This card must be presented for admission to the Church it is also necessary for the passage of Automobile through Police Traffic Lines." The New York funeral attracted 80,000 mourners and nearly became a riot, and one wonders how the gentlemanly Webb regarded the sad spectacle. The card is 3.5" x 5.5" and is in Excellent condition. This is a truly fascinating item from a very grim day in film history.
Sophia Loren Candid Shots from Clifton Webb's Estate. Webb co-starred with Sophia Loren in "Boy on a Dolphin" (1957), and featured here are 11 original photos from Webb's personal collection showing him at work and (mainly) at play with the Beautiful Sophia. The movie was Loren's first U. S. film, and there are shots of an April 1957 studio cocktail party that introduced her, as well as shots on a boat, on location, etc. Two of the best include Jayne Mansfield paying her respect to Sophia as Clifton sits bemused, and he and Sophia dancing "cheek to cheek." In overall Excellent condition with mild wear.
Clifton Webb's January 30, 1937 Party Guests included John Gielgud, Fredric March, Dorothy Parker, Elsa Maxwell, Gloria Swanson, Gladys Cooper and Reginald Gardiner. All these and many more have signed this leaf from Webb's guest book- what an interesting party that must have been. In very good condition with slight toning from age. With COA from PSA/DNA.
Swashbuckler Basil Rathbone and His Screenwriter Wife. Signing Clifton Webb's guest book on October 7, 1938 was English actor Basil Rathbone, just months before his first screen appearance as the legendary Sherlock Holmes. His wife, the former Ouida Bergere, a writer, signed also as "Ouida Rathbone." Actress Ruth Donnelly was Mr. Webb's guest a few days later on October 18th, signing on this same sheet. In very good condition with only very mild toning. With COA from PSA/DNA.
Laurence Olivier Celebrates Shakespeare's Birthday. Having already appeared as Orlando in As You Like It and destined to star in Hamlet, Richard III, and Henry VIII," who better to celebrate the Bard's birthday than Laurence Olivier himself. Of course, his wife, Vivien Leigh, still basking in the success of Gone With the Wind, accompanied him, also signing this page from the Clifton Webb guest book dated April 23, 1940. Two days later, George Cukor, stopped by for a visit and spelled April as "Aprile," adding the remark "It's the French in me." May 14th was the day that Noel Coward and Katharine Hepburn were Webb's guests, both signing boldly and adding the date next to their signatures. In very good condition with only very mild toning. With COA from PSA/DNA.
A Star-Studded Party for the "Hostess with the Mostest" Elsa Maxwell who once described herself as "... a short, fat, homely piano player from Keokuk, Iowa, with no money or background, [who] decided to become a legend and did just that." Though an actress, writer and composer, she was best known for the parties she threw (and attended). Maxwell was the first to sign this page from Clifton Webb's guest book as the guest of honor on June 17, 1944. The other signatures on the front and back of this page reads like a "Who's Who" of Hollywood and society of the day and includes (just to drop a few names): Basil Rathbone, Otto Preminger, Darryl F. Zanuck, Samuel Goldwyn Jr., Jack L. Warner, Gene Tierney, Judith Anderson, Gilbert Roland, Oleg Cassini, John Houseman, Joan Fontaine, Dana Andrews, Virginia Bruce, Joan Crawford and her third husband Phillip Terry, as well as Judy Garland. In very good condition with only very slight toning and wear to the edges. With COA from PSA/DNA.
Ethel Barrymore Signs as Clifton Webb's "Permanent Guest" on this page from his guest book dated June 23, 1945, and headed "864 Stradella Road - Bel Air - Calif." Other guests over the next few days would include Joan Crawford (who added "We really broke in the new house- didn't we?"), Crawford's husband Phillip Terry, Anita Loos, Elsa Maxwell, and George Cukor. On July 1, 1945, Webb's visitors include actress Mary Gish and her two daughters Lillian and Dorothy Gish as well as Ethel Barrymore (again). In very good condition with slight toning from age. With COA from PSA/DNA.
Clifton Webb Entertains. Sam Wood was the director of several outstanding Hollywood films, including A Night at the Opera (1935), Goodbye Mr. Chips (1939) and Kings Row (1942) - although perhaps his most famous work was subbing for an emotionally and physically exhausted Victor Fleming on Gone With the Wind (1939). Wood's signature is on the undated lead-off page of this three-page lot. This page also features Mary Pickford, George Cukor, William ("Bill") Powell, Phillips Holmes, Libby Holman and more. Page two, dated November 19, 1937 and headed "Clifton's Birthday," includes Moss Hart, Alfred Lunt and Lynn Fontanne. A third, undated page offers the signatures of Lewis Milestone (Academy Award winning director for 1930's All Quiet on the Western Front), actor John Emery, the Countess di Frasso and Sylvia Fine Kaye, wife of Danny Kaye, who wrote much of his specialty material. Unusual and diversified assortment. With COA from PSA/DNA.
Horror Actors Autograph Lot. Five crisp album page signatures of four gentlemen and one lady with horror film celebrity/notoriety. They include David Bruce, who skulked as The Mad Ghoul (1943); Bruce Cabot, who strutted in King Kong (1933); Susan Cabot, who buzzed as The Wasp Woman (1959); Henry Hull, who snarled as the Werewolf of London (1935); and Charles Middleton, who leered as Ming the Merciless in the Flash Gordon serials. The David Bruce, Bruce Cabot and Henry Hull pages have pictures attached; Middleton added to his autograph his own screen-image self-description "an old meanie." Bonuses: The verso of the Hull has the signature of Danish actress Shan Elise, the back of the Susan Cabot has a Spring Byington autograph and attached picture, the David Bruce has a Hopalong Cassidy signature ("BiIl Boyd - Hoppy") with picture, and the verso of the Bruce Cabot has Janet Gaynor's autograph, with attached picture. Quite an eclectic lot! With COA from PSA/DNA.
John Carradine Funeral Program. "I am a Ham!" John Carradine would proudly proclaim, and audiences loved it. Passionately devoted to Shakespeare, Carradine could (and did) play in anything - from John Ford classics such as Stagecoach and The Grapes of Wrath to the Universal monster rallies (as a very stylish Count Dracula) to such late-in-life drek as Vampire Hookers. How did Carradine really die? Did he actually collapse (as reported) after climbing the 300-plus tower steps of the Duomo Cathedral in Milan? Or did he die (as some have confided) from malnutrition? Stories vary as we offer the program from Carradine's funeral, held December 2, 1988 at the St. Thomas the Apostle Episcopal Church in Hollywood. The four-page program features a religious art cover, contains a picture of Carradine on page two, has a listing of the prayers and hymns (the recessional was Onward Christian Soldiers,) provides an invitation from family and friends to a patio reception after the service and notes that memorial gifts have been designated for the Motion Picture Country Home. The back of the program features a profound poem about Death by Thomas Wolfe, whose work Carradine enjoyed and read in his one-man shows. The number "31%" has been penciled and circled at the bottom of page three, presumably for a reproduction of part of this program in a book. A moving memorial memento for one of the greatest Hollywood character actors of all time.
Helen Chandler Portrait. In Dracula, Bela Lugosi's vampire intoned the lines, "There are far worse things awaiting man - than death!" He might have been prophesying the future of his leading lady, Helen Chandler, who played Mina, the Count's great desire. Blonde, cat-eyed and ethereal, Chandler was tragically fated for real life horror - alcohol addiction, a fire that scarred her face, years in an asylum and a forlorn death (her ashes have never been claimed). Yet there was a strange magic about her as an actress, and one can see it in this 8x12 theatre profile portrait, taken in 1925, when the 19-year old Chandler was was playing on Broadway in Ibsen's The Wild Duck. The portrait, which has "White Studio New York" embossed in the lower left area, has crop marks at the top and a few surface streaks and smudges, but is still very impressive and creates a stunning impact. The verso has typed information about Chandler playing in The Wild Duck and the special matinee production of The Servant in the House at the 48th Street Theatre. The White Studio had added its stamp to the back and the actress's name has been written in pencil, along with the words "City Desk." Helen Chandler was a very popular and versatile Broadway star in the 1920s, and this piece celebrates her haunting charm and beauty before Dracula and her sad years in Hollywood.
Helen Chandler Broadway Portrait. Helen Chandler was one of the New York theatre's most popular attractions during the Roaring '20s. She had the look of an angelic flapper, and her unique beauty is here to behold in this charming 8x13 theatre portrait, taken circa late 1920s. The White Studio of New York took the picture, and has written its name on the bottom margin (slighty edging into the picture) and stamped the back of the portrait. A victim of a cruel "theatre mother" (and other real-life villains), Chandler had a fragile loveliness that's startlingly evident in this striking portrait. Rare and desirable.
Helen Chandler Broadway Portrait. Here's a wistful pose of Helen Chandler, New York stage actress of the 1920s and 1930s, best-remembered as the leading lady of Hollywood's Dracula. The 1925 8x12 portrait was for First Flight, a play by Maxwell Anderson and Laurence Stallings, who had enjoyed great success with their 1924 play What Price Glory. First Flight was not so successful, lasting only 12 performances. The portrait has a small piece missing from the upper right margin; the back has Chandler's name and the play's penciled on it, as well as the White Studio stamp. Helen Chandler always dreamed (in vain) of playing Alice in Wonderland, and you can see how charmingly she would have suited the role in this portrait from her glory nights of theatre fame.
Lon Chaney Jr. Autograph. The son of the legendary "Man of a Thousand Faces," Lon Chaney Jr., is the only person to have played all four of the classic Universal movie monsters in "The Wolf Man" (1941), "The Ghost of Frankenstein" (1942), "The Mummy's Tomb" (1942), and "Son of Dracula" (1943). Featured here is an index card signed by the actor in blue ink, in excellent condition and enclosed in a protective plastic casing. With COA from PSA/DNA.
Lon Chaney Book From MGM. This book, Wild Youth and Another, by Gilbert Parker, was once in the library of Metro-Goldwyn-Mayer Studios and was signed out to Lon Chaney, one of MGM's major stars. Inside the front of the book are library circulation papers marked "Metro-Goldwyn-Mayer Studios", with the lion and the "Ars Gratia Artis" motto. A check-out card is marked "Mr. Chaney" and has a stamped return date of April 1, 1930 - which, by the way, was Chaney's 47th birthday. Unfortunately, Chaney didn't live to see another birthday, dying August 26, 1930, shortly after the release of his only "Talkie," MGM's The Unholy Three. The book's frontispiece illustration is paper-clipped inside and pages 286 and 287 are stained by an old newspaper clipping that is still inside the book - otherwise it's in good condition. "Metro-Goldwyn-Mayer Library, Culver City, Calif." is stamped a number of times throughout the inside of the book. A nice memento from the MGM Studios in an era when the Lion truly roared, with a desirable connection to "The Man of a Thousand Faces."
Lon Chaney in Bits of Life. An evocative, sinister shot from the lost 1921 Chaney classic Bits of Life, directed by Marshall Neilan. The scene is full of menace and atmosphere and has the still photographer's name in white in the lower left corner. The back of the still has the Motion Play stamp with Oct. 30, 1921 penciled in and also has the title, director's name and First National Studios penned and penciled. Excellent condition and very rare.
Lon Chaney Still from Bits of Life. A dramatic 11x14 photo of Lon Chaney as "Chin Chow" and Anna May Wong as "Chin Chow's wife" in the 1921 film Bits of Life. The film, of which no copy is currently known to exist, was directed by Marshall Neilan.The still has a small chip out of the lower left corner and some border wear, and has the still photographer's name in white at the lower left corner. The back of the picture has a Motion Play stamp with a penciled-in date of Oct. 30, 1921 and names of the players, film, director and studio (First National) added in pen and pencil. Overall Excellent condition. A great piece of Chaney material and a fine example of "The Man of a Thousand Faces" in his masterful makeup, pre-The Hunchback of Notre Dame or The Phantom of the Opera.
Samuel Goldwyn Contract with Frances Dade, Beauty of Dracula. She was the beautiful "Lucy" of Dracula, the exquisitely blonde companion of Helen Chandler's Mina, who fell under the spell of Bela Lugosi's demon lover in Hollywood's most famous vampire thriller. Here is a pre-Dracula contract signed by Frances Dade (1910-1968) dated January 2, 1930, in which Samuel Goldwyn Inc. signs Frances to play "Ethel" in Raffles(1930), a romantic comedy that starred Ronald Colman and Kay Francis. Boldly signed in full in black ink by Frances; also signed by Goldwyn's secretary James Mulvey. A tear in the upper left margin of the contract does not interfere with the terms, signatures or overall impact of the piece. Frances Dade made only 11 films, retired from the screen in 1932, and her ethereal loveliness in Dracula while Lugosi hovers over her in her boudoir still haunts vintage horror fans. A very rare autograph in truly desirable form. With COA from PSA/DNA.
Count Dracula Society Award. Painted ceramic statuette, 14" tall, presented to horror movie historian Philip J. Riley, editor of "Dracula: The Original 1931 Shooting Script" and "Magicimage Filmbooks Presents House of Dracula ," by the Count Dracula Society. In excellent condition.
Alfred Hitchcock 2-Page Contract for North by Northwest. Dated January 9, 1961, on Metro-Goldwyn-Mayer letterhead, this agreement relates to Hitchcock's original December 18, 1957 contract for North by Northwest, which had been released in 1958 to great acclaim and popularity. This letter addresses the subject of his compensation for this box office smash and provides the terms. Signed by Hitchcock in full on the second page. Excellent form and content for this autograph of "The Master of Suspense," associated with one of his all-time most popular films. With COA from PSA/DNA.
Female Horror Stars. Here's a stunning collection of five vintage signatures from heroines, vamps and female monsters who gave slinky charm and/or menace to some of Hollywood's greatest horror films. First, there's Fay Wray, the Beauty who killed the Beast in King Kong. Then there's Olga Baclanova, the evil Cleopatra of Freaks, transformed from glamorous circus star to pathetic "Chicken Woman" in that film's horrific climax; the collector pasted the actress's picture below her name. Then - "She's alive!" - Elsa Lanchester, the hissing Bride of Frankenstein herself; the collector has attached a picture of Elsa below her signature. The blonde and bounteous Ilona Massey, a member of the infamous Frankenstein family in Frankenstein Meets the Wolf Man, receives a special tribute - her pencil autograph on a green album page is pasted to a magazine picture of this great beauty, with a tiny ad for an Ilona "in person" appearance glued below her signed name. Finally, there's a candid snapshot of Terry Moore, who charmed Mighty Joe Young and who signed the snapshot in purple ink. Every one of them a Scream Queen! A marvelous collection of autographs of five of the greatest actresses and beauties of Classic Horror. With COA from PSA/DNA.
Cast of The Wolf Man Autographs. For the many horror fans who can rattle off Curt Siodmak's "Even a man who is pure of heart..." poem by heart, here's a Trick-or-Treat bag of album page autographs of some of the major movers and shakers (and one howler) from the 1941 Universal classic The Wolf Man. First is the Wolf Man himself, Lon Chaney, Jr.(including the "Jr".which he rarely provided in autographs). Then there's Claude Rains, character actor supreme (and portrayer of Universal's 1933 The Invisible Man and 1943 Phantom of the Opera) , who played The Wolf Man's Sir John Talbot, tragically fated to kill his werewolf son in the foggy forest climax. The lot boasts Maria Ouspenskaya, the mystical Maleva, who offers the moving "The way you walked as thorny..." prayer over two dead werewolves in this film, and finally there's Warren William, urbane Barrymore-look-alike who played The Wolf Man's Dr.Lloyd, who joins in the werewolf hunt. The William autograph has a headline regarding the actor's 1948 death pasted below his name, and offers a bonus: on the reverse is the green ink signature of actor Ian Keith, Bela Lugosi's primary competitor for the role of Dracula in the 1931 film (and who played a vampire in 1946's Valley of the Zombies.) This is one-stop shopping for several very desirable autographs, all from actors who joined together for one of the greatest melodramas of Hollywood history. With COA from PSA/DNA.
Invisible Man Lot. "Even the moon's frightened of me! Frightened to death! The whole word's frightened to death!" ranted Claude Rains as he won cinema immortality as Universal's The Invisible Man in 1933. Director James Whale, who cast Rains because of his dynamic voice, didn't tell Rains that he'd never be seen in the film (except in the final shot of his corpse) until the actor had arrived to make the film and his Hollywood debut. Rains' ego bristled, but he came through with a brilliant performance filled with pathos, theatricality and star-making passion. Perfectly complementing Rains in The Invisible Man was Una O'Connor, Irish character actress, as Mrs. Hall, the curious-as-a-cat landlady. "He's homey-cidal!" she wails of the Invisible One, unleashing a caterwauling scream that is itself a classic. As a bonus, the Rains page has on the verso the autograph of actress Cobina Wright, while the O'Connor on the flip side has the signature of actor John Calvert. Each of these boldly signed album pages contains pasted-on pictures of the players. For The Invisible Man fans, these vintage autographs nicely evoke the magic of this beloved classic horror film. With COA from PSA/DNA.
Boris Karloff Signed Notecard. A 3" x 5" notecard signed by one of the icons of classic horror cinema in blue ink. In Excellent condition with slight tanning to the right edge. With COA from PSA/DNA.
Boris Karloff Signed Contract. Rare contract signed by horror king Boris Karloff (1887-1969) for a proposed publication Boris Karloff Monthly Fictional Magazine. The nine-page agreement between Karloff (represented by the MCA Corporation) and Great American Publications, dated February 17, 1960, outlines all details of the proposed magazine (to be of "a substantially similar quality as The Saint Mystery Magazine"), including financial compensation. The contract amply gives evidence of the clout the venerable Karloff enjoyed at this time, including promises of quality material and assurances of no advertising of "Laxative, depletives, deodorants and personal hygiene products." Excellent Karloff signature in blue ink. A striking piece with insight into the value of the Boris Karloff star name. With COA from PSA/DNA.
Boris Karloff Signed Photo. A very nice 8" x 10" b&w photo inscribed "Best Wishes to Mattawa High" and signed by the horror movie icon in blue ink. In Excellent condition with tape on the corners and holes punched in the top edge. With COA from PSA/DNA.
Contract Rider for Frederick Kerr, who played the Old Baron in Frankenstein. "Pretty sort of experiments these must be!" harumphed Frederick Kerr (1858-1933) as the crotchety old baron Frankenstein, father of Colin Clive's Monster Maker in the 1931 all-time classic horror film. This is a rider from a contract Kerr had signed July 22, 1930 with Samuel Goldwyn for the film Raffles (1930), regarding transportation "from Hollywood to London." Initialed in ink, "F Kerr." Kerr had also acted for director James Whale prior to Frankenstein in the director's tragic romance Waterloo Bridge(1931). A colorful, eccentric Golden Age horror performer and a very rare autograph. With COA from PSA/DNA.
Arthur Edeson Signed Photo from The Lost World. It's a pity that cinematographer Arthur Edeson (1891-1970) never wrote his memoirs. Beginning his career in 1914, he was cameraman on such silent classics as Douglas Fairbanks' The Thief of Baghdad (1924). At Universal, it was Edeson who filmed such timeless scenes as the German Army joyously marching in All Quiet on the Western Front (1930), the blasphemous "birth" of Karloff's Monster in Frankenstein (1931) and the maniacal mischief of Claude Rains' The Maltese Falcon (1941) and Casablanca (1942). This wonderful portrait of Edeson shows the man at age 33, posing with his camera on an exterior of The Lost World, one of his major credits of the silent era. He has signed on the mount of the picture "For Sir Arthur Conan Doyle May the 'Lost World' be your greatest success Sincerely Arthur Edeson." The 8x10 picture is set within borders to create an 11x14 effect, and has the name of the picture's photographer, James N. Doolittle, on the picture's lower right border. Considering Edeson's career, the great man to whom this is inscribed, and the film with which it's associated, this is truly a Hollywood relic that - as Edeson filmed Bogart saying on The Maltese Falcon - is truly "the stuff that dreams are made of." Excellent condition and very desirable.
Willis O'Brien Signed Photo from The Lost World . A fascinating portrait of Willis O'Brien, posing a model stegosaurus before a camera and against a scale backdrop for 1925's The Lost World. O'Brien has written "To my friend Sir Arthur Conan Doyle Success to 'The Lost World' Willis H. O'Brien." In the world of Hollywood special effects, O'Brien, of course, is peerless - the man who gave life to King Kong and Son of Kong (both 1933) and won a Special Effects Oscar for Mighty Joe Young (1949). Mastering special effects in movies since 1915, O'Brien truly made Hollywood and all the world sit up and take notice with his work on The Lost World, which eventually led to the challenge of making King Kong the Eighth Wonder of the World. O'Brien would continue his superb effects for such films as The Black Scorpion (1957) and, of course, worked his magic again on the 1960 version of The Lost World. The 8x10 photo has larger borders to create an 11 x14 effect, with the name of the photographer, James N. Doolittle, on the lower right border. The image of a young O'Brien, doing what he did so brilliantly and with so much Hollywood history in his future, is spellbinding, and the Conan Doyle connection contributes to the overall impact. This one's a stunner! Excellent condition.
Autographs from Fred Jackman and Milton Menasco on The Lost World. For 1925's The Lost World, Fred Jackman served as Chief Technician, and Milton Mensaco was the art director of architecture and settings, as well as assistant director. Jackman, posing before an impressive temple setting, flanked by a dinosaur model and holding a reel of film, has written, "To Sir Arthur Conan Doyle Here's to your wildest dreams. May we get them on the film. Sincerely Fred Jackman." Menasco, posing with drawings of jungle sets from The Lost World, has written, 'Sir Arthur Conan Doyle Here's hoping you enjoy 'The Lost World' as much as I did 'The Hound of the Baskervilles' twenty years ago. Sincerely Milton Menasco." As with the other pictures from The Lost World, the stills are 8x10 size with large borders to create an 11x14 effect, have photographer James N. Doolittle's name on the lower right margin and are very impressive indeed. Excellent curios from a landmark film.
Bull Montana Autographed Photo from The Lost World. Terrific menacing shot of Bull Montana, who played "Ape-Man" in 1925's The Lost World, based on Sir Arthur Conan Doyle's novel. Montana, a professional wrestler who was personally managed by Douglas Fairbanks, often displayed his strength and roughhouse look in films of the 1920 and 1930s (e.g., he was a "Monkey-Man" in the 1936 Flash Gordon serial). He has signed on the mount, "To Sir Arthur Conan Doyle Best Wishes from Bull Montana 1924." 8X10 still of Montana, set within large borders to create the 11x14 effect, has photographer James N. Doolittle's name on the lower right margin. It's a grimly powerful display, and Montana looks ready to pounce. Grrr! Striking piece of a unique actor from a classic silent film with a Conan Doyle connection.
Autographs of Lloyd Hughes and Virginia Brown Faire from The Lost World . Even in 1925, a movie thriller such as The Lost World required sex symbols, and the film indeed had one of each gender. Lloyd Hughes played Edward E. Malone, and in this strapping study, with pipe and boots, he writes, "To Sir Arthur Conan Doyle Hardly in the trappings of a Fleet St. journalist, but 'Ed' Malone just the same Sincerely Lloyd Hughes." Then there was Virginia Brown Faire as Marquette, the "half-caste girl," who poses in exotic splendor with bracelets, guitar and flowers in her hair, writing, "To Sir Arthur Conan Doyle: In appreciation for being connected with so great a drama as 'The Lost World." Sincerely Virginia Brown Faire." Hughes' last film was in 1939, Faire's in 1935, so these long-lost players receive a proper tribute here. The 8x10 stills are set inside large borders for 11x14 presentation and are very attractive, with photographer James N. Doolittle's name in the lower right margin. "They had faces then," and these shots prove it, making both (with their inscriptions to Conan Doyle) desirable relics from a major silent film.
Arthur Hoyt and Jules Cowles. Two great character actors from 1925's The Lost World - Arthur Hoyt, who played "Prof. Summerlee," and Jules Cowles, who portrayed "Zambo," servant to Sir John Roxton (played by Lewis Stone). Hoyt, pictured in his deerstalker hat and with his magnifying glass, writes, "To Sir Arthur Conan Doyle Most sincerely Arthur Hoyt 1924." Cowles, who appears to be black or in blackface, writes, "To Sir Arthur Conan Doyle. I hope this is 'Zambo' as you visualized him. Jules Cowles." Hoyt, one of Hollywood's most prolific character actors, played in over 270 films! 8x10 stills with borders make an 11x14 presentation, with photographer James N. Doolittle's name appearing in lower right margin. These are unusual souvenirs from Hollywood's first great dinosaur movie, in fascinating format.
Autographed photographs of Alma Bennett and Frank Finch-Smiles from The Lost World. In 1925's The Lost World, Alma Bennett played Gladys Hungerford, and Frank Finch-Smiles portrayed Austin, Prof. Challenger's butler. The picture of Ms. Bennettt is a delight, showing her in 1924 finery, coyly playing with a cat by a fireplace. The actress has signed, "To Sir Arthur Conan Doyle Hoping I am the Gladys of your dreams. With best wishes Alma Bennett." Ms. Bennett had misspelled "hoping" and has neatly crossed out an "e" she had placed in the middle of the word. Finch-Smiles, pictured looking directly at the camera in his safari garb, has written "To Sir Arthur Conan Doyle With regards of 'Austin' F Finch-Smiles." Finch-Smiles' career ended in 1929, Ms. Bennett's ended in 1930. 8x10 stills are set within an 11x14 bordered presentation, with photographer's name, James N. Doolittle, on the bottom right margin.Sentiments written to Conan-Doyle add to the desirability of these ultra-rare pieces.
Lewis Stone Autographed Picture fro The Lost World. Lewis Stone was one of Hollywood's most venerable character stars, best-remembered for his films with Garbo and (especially) his role as Judge Hardy in MGM's Andy Hardy series.Here he is as Sir John Roxton, one of the imperiled principals of The Lost World, the 1925 stop-motion dinosaur classic based on Sir Arthur Conan Doyle's novel. Stone, looking perfectly heroic in his hunting-for-big-game togs and pith helmet, has signed to Conan-Doyle (who appeared as himself in the film), "To Sir Arthur, respectfully Lewis J. Stone 1924." 8x10 picture with exotic background, set inside border to create an 11x14 presentation, with photographer James N.Doolittle's name on lower right margin. Hard to imagine "Judge Hardy" taking on prehistoric monsters, but as this dynamic shot proves, Stone acted it (and everything else) with aplomb and credibility. This is a marvelous piece from very early Hollywood Fantasy movie-making, an excellent format for one of the movie's major character players, and a most desirable connection to one of the world's renowned authors.
Dinosaurs Bones Photo with Cast and Crew of The Lost World. Sir Arthur Conan-Doyle's novel The Lost World served as the basis for this classic 1925 dinosaur thriller, complete with Willis O'Brien special effects and an appearance by Conan-Doyle himself. Here are three wonderful behind-the-scene cast and company shots. The first, taken outside a soundstage, shows stars Lewis Stone, Wallace Beery, Bessie Love, Virginia Brown Faire, et al with director Harry Hoyt, cinematographer Arthur Edeson, and more all posing with the skeleton of a giant dinosaur - with actor Lloyd Hughes atop the skeleton's back. Shot number two is also of the company, taken farther back to show the entire dinosaur skeleton, and here Bessie Love is seated on the on the creature's neck. Shot three shows stars Beery, Stone, Love, Brown-Faire et al, seated by a little bridge and lagoon, all gathered about director Hoyt and his crew. The shots are not signed. A small piece is torn from the upper right border of shot three. Behind-the-scene shots are always fascinating, these especially so, considering the stars and company and the magnificent dinosaur skeleton. Wonderful mementos from a milestone of cinema special effects magic.
Autographed Picture of director Harry O. Hoyt on The Lost World . Harry O. Hoyt, who began his directing career in 1915, had the daunting task of supervising the massive challenge of shooting The Lost World. In this 8x10 portrait, set into a large border to create an 11x14 effect, Hoyt writes, "To Sir Arthur Conan Doyle Humbly approaching a great work that we may have a picture novel that will live forever and a novel picture that will make you ? Harry O. Hoyt." Latter part of inscription is slighty faded. Hoyt left directing after 1933 and continued hs career as a writer, mainly scripts for "B" westerns and action potboilers. He died in 1961. Striking photo has the photographer's name, James B. Doolittle on the bottom right margin. Here's a fine piece on the largely forgotten "megaphoner" of this early special effects classic.
Wallace Beery. Here's a terrific portrait of Wallace Beery in one of the most colorful roles of his career - Prof. Challenger, the famed dinosaur hunter of Sir Arthur Conan Doyle's The Lost World. Doyle's novel became Hollywood's first stop-motion photography miracle movie, unleashing prehistoric beasts via Willis O'Brien's pioneering special effects.The bewhiskered Beery is glaring at the camera, holding "Jocko" the money and appearing as if he's ready to pull his pistol on you. The 8x10 photo, dynamically framed by a border to create an 11 x 14 overall effect, is signed to no less than Doyle himself (who appeared as himself in the film). Beery writes: "Sir Arthur you should have played the part of 'Challenger' - it might have been good. Sincerely, Wallie Beery." (The actor probably intended the sentiment more politely than it sounds!). The photographer's name, James N. Doolittle, appears on lower right margin of the photograph. A wonderful portrait and autograph from one of the screen's top character stars, signed to one of the world's most famous authors - and connected to one of Hollywood's landmark silent films.
Bela Lugosi Signed Notecard. This 3" x 5" notecard is signed in black ink by Bela Lugosi, one of the of the giants of early horror cinema, and has been glued to a photo album page with a photo clipping of the "Dracula" star. On the reverse side is a card signed by actress Ruth Hussey affixed to the page under a color magazine clipping. Both cards are in Excellent condition with mild tanning along the right edges. With COA from PSA/DNA.
The Bela Lugosi Funeral Book and Pallbearers Card with a Custom Leather Case. On August 18, 1956, Utter McKinley's Strother Hollywood Mortuary hosted the funeral of Bela Lugosi, the cinema's legendary Count Dracula. Lugosi had fallen-in-flames as few stars have before or since, cursed by alcoholism, drug addiction, marital miseries, near-poverty and a haunting fear of death itself. Yet, in his typical and touching passion, Lugosi went to his grave as a star - laid out, as he had wished, in his Dracula cape, tuxedo and medallion. It was a morbidly poetic flourish that blended legend, fantasy and reality - a touching finale to Lugosi's life and a powerful part of his mythos. Now, on the 50th anniversary of Bela Lugosi's demise, Heritage proudly offers Lugosi's funeral book, signed by the mourners who attended his wake - a number of them colorful key players in Lugosi legend and lore. There's Edward D. Wood, Jr., director of Lugosi's Glen or Glenda (1953), Bride of the Monster (1955) and the infamous "Worst Film of All Time" Plan 9 from Outer Space , released after Lugosi's death in 1959. (Wood, of course, was the subject of the 1994 film Ed Wood, starring Johnny Depp in the title role and Martin Landau in his Oscar-winning portrayal of Lugosi, and the film dramatized Lugosi's funeral and burial in his cape.) There's Tor Johnson, the bald, behemothic horror cult figure of such Wood films as Bride of the Monster and Plan 9 from Outer Space, who signed both his wife's name and his own - adding after his signature "Lobo," his role in Bride of the Monster. (Johnson, as Lugosi's widow remembered, "blubbered like a baby" at the funeral.) Others of the Ed Wood colony include Paul Marco ("Kelton the Cop"), George Weiss (producer of Glen or Glenda), Conrad Brooks ( policeman Jamie in Plan 9... ), Dudley Manlove ("Eros" of Plan 9...), "L. King" (presumably Loretta King, leading lady of Bride of the Monster), Kathleen Wood (Ed's
Painting of Bela Lugosi's Ownership. Among the few possessions Bela Lugosi was able to maintain throughout the dizzying ups-and-downs of his career was his prized collection of art. This dramatic painting, Bridge at Scerabaya, is dated 1919 in the lower right corner and was created in the Impressionistic style, which was then just coming into favor. Lugosi owned this striking artwork at least as far back as 1930 - it's visible in one of the publicity shots taken of Lugosi in his Hudson Avenue house in Hollywood at the time of the release of Dracula. Bela cherished Bridge at Scerabaya, which he owned for at least 26 years and possibly considerably longer (he might even have brought it with him from Europe). It accompanied him to his lavish homes in the Hollywood Hills, his "Dracula House" in North Hollywood, and all the way to his final and humble Hollywood apartment where he died in 1956. Lugosi's widow Hope kept this picture long after she had parted with the famous Lugosi-in-Prince Albert attire portrait (sold in a recent Heritage auction) and Bela's painting of a nude Clara Bow. She presented Bridge at Scerabaya to the cosigner, who was her personal friend, shortly before her 1997 death. The impressive frame, with a small plaque that reads, "Bridge at Scerabaya - collection of Bela Lugosi," has been recently provided. This is a personal belonging that Bela Lugosi proudly displayed, an obvious pleasure for him during all the triumphs and tragedies of his stardom - and a very impressive work of art in its own right.
Bela Lugosi July 12, 1930 Letter, mentioning the upcoming film Dracula, with Fulton Theatre Dracula program. An incredible two-part piece of Hollywood horror history, with the rarest and most desirable "Dracula" content of any Lugosi correspondence known to exist. First, there's a typed letter on the stationary of The Leamington Hotel of Oakland, California, dated July 12, 1930. Bela Lugosi writes to Mr. Harold Freedman of the Brandt & Brandt Dramatic Dept. of New York, expressing his gratitude to Freedman for "suggesting that I play the part in Dracula when it is filmed." Lugosi, who had created the vampire role on the New York stage in 1927, was desperately campaigning to reprise the demonic Count in the Universal film, against all odds - the studio initially expressed disinterest in securing his services. Lugosi boldly signs and underlines his name in black ink with the characteristic early accent mark over the "e." He also adds a typed footnote, providing Freedman with his Hollywood address "If you have plays in which there are great character parts suitable to my kind of ability..." Also included is a four-page Dracula play program from Oakland's Fulton Theatre, where Lugosi was then appearing as Dracula, dated July 13, 1930 - the day after Lugosi wrote the letter! Letter and program have a few small tears, and a tiny bit of paper has flaked off the margins of this 76-year old letter, but the two items have been carefully and respectfully preserved and together create a truly startling impact. This letter was featured in David Skal's Hollywood Gothic and quoted in Arthur Lennig's The Immortal Count. Lugosi's dignified, gentlemanly tone as he hopes for a job that will ultimately establish him as one of cinema's great icons is charming, touching, and - considering what he know now about his stardom and his tragedy - a bit spine-tingling. Very desirable form and content. With COA from PSA/DNA.
8" x 10" Signed Photo of Bela Lugosi, circa 1926. Remarkably striking, matte finish original portrait of a dynamic Bela Lugosi, probably from the late 1920s. Boldly and cleanly inscribed in black ink, "To Gertrude Locust sincerely Bela Lugosi." The signature, which the actor has sharply underlined, features the characteristic accent mark that Lugosi placed over the "e" in his name when signing his early autographs. Light crease about one inch into the right margin of portrait runs its length, but is almost imperceptible and in no way distracts from the almost hypnotic handsomeness Lugosi exudes in this portrait. Back of picture has stamped names/addresses of two former owners and some long-ago price information.This portrait appeared in the 1974 biography The Count by Arthur Lennig. A breathtaking piece of memorabilia, showing in a glance why the actor who will forever personify Count Dracula was a star (and a heartbreaker!) in both Europe and America. With COA from PSA/DNA.
David Manners Signed Book and Signed Photo. "I hated doing those things!" said David Manners of his legendary horror films, Dracula, Frankenstein and The Mummy. "I never dreamed they would become classics." Besides being horror's perfect storybook-style hero, Manners was a serviceable and self-effacing leading man to such ladies as Katharine Hepburn, Carole Lombard, Claudette Colbert, and Loretta Young - but gave it all up in 1936. He never appeared in another Hollywood film, eventually came back to the stage, but left acting entirely by the early 1950s and concentrated on writing about spiritual topics. This lot celebrates both Manners the actor and Manners the author. There's an 8x10 still from Dracula, showing Manners with the tragic leading lady Helen Chandler (his favorite co-star - he later claimed he'd have married her is she had been available) and waving away a flapping bat. The still is boldly inscribed in black ink, "To Phil + Marisa - David Manners." The second item is the 82-page paperback book Look Through, a 1978 updated version of his 1971 book, covering Manners' metaphysical beliefs. It's inscribed in blue ink on the title page, "For Phil + Marisa - David Manners." Manners outlived most of his old Hollywood compatriots, dying in 1998 at age 98. He's a major player in Golden Age Horror, whose autograph is desirable - especially on Dracula pictures. With COA from PSA/DNA.
Vincent Price and Vincent Sardi Autographed Sketch. This color sketch of actor Vincent Price, one of the hundreds of caricatures that have graced the walls of Vincent Sardi's legendary, eponymous restaurant over the years, is signed by both Vincents as well as artist Alex Gard, who drew more than 700 caricatures for the restaurant before passing away in 1948. Matted and framed to an overall size of 16.5" x 19". In Excellent condition. With COA from PSA/DNA.
Vincent Price Signed Baseball Bat. Although he was typically associated with bats of an entirely different sort, Vincent Price was apparently more than willing to sign this "Personal Vincent Price Model" baseball bat, made from Northern White Ash wood by McLaughlin-Millard Inc. of Dolgeville, New York. It is in Excellent, pristine condition and offers moderate protection from vampires, werewolves, and other sundry creatures of the night. With COA from PSA/DNA.
Vincent Price Birthday Lot . Here are three items from Vincent Price's 79th birthday in 1990. There is a Western Union mailgram dated May 7, 1990 from Gene Tierney, Price's co-star in Hudson's Bay (1941), Laura (1944), Leave Her to Heaven (1945) and Dragonwyck (1946); a note from actor Roddy McDowall to Starlog editor Tony Timpone, stating his hope to be in attendance at a May 12 ceremony honoring Price if his work schedule allowed ("...as I deeply respect and love Vincent"); and a May 10, 1990 letter from the White House, wishing Price a Happy Birthday and signed by George Bush. Price died October 25, 1993. The star, Boris Karloff's heir to the cinema horror throne and a much interested (and interesting man), was a truly beloved figure, as these unique items attest. With COA from PSA/DNA.
Vincent Price Photo Group. Includes 8" x 10" b&w stills of Price in "The Long Night" and "Champagne for Caesar," an 8" x 10" b&w photo signed to Price from Ava Gardner, and a press pass for the 1967 World Exhibition held in Montreal that lists Price as an actor and columnist for the Chicago Tribune. The photos are in Very Fine condition with a slight amount of wear, and the press pass is in Fine condition with a fair amount of wear. With COA from PSA/DNA.
"House of the Long Shadows" Autograph Group. Released in 1983, the horror comedy "House of the Long Shadows" is notable for being the only teaming of horror movie icons Vincent Price, Peter Cushing, Christopher Lee, and John Carradine in a Gothic romp. This set of b&w photos includes an 8" x 10" promo still for the movie signed by Carradine, a 3.5" x 5.5" signed headshot of Cushing, and 8" x 10" portraits signed by Price and Lee. A perfect group of four masters of the macabre! All are in Excellent condition. With COA from PSA/DNA.
Vincent Price Signed Photo. This nice 5" x 7" b&w photo of the actor as a young man during his early stage career is inscribed "To Helen Sommer, with much thanks, Regards Vincent Price" in black ink on the front, and a handwritten message on the back that reads: "Dear Helen Sommer, I can never tell you how proud I am that you should want this. It was taken in London in 1935, and I think it's the best of Albert. Again thanks ever, Vincent Price, 1939, 'Outward Bound'." In great condition with light overall discoloration and some mild creasing across the center. With COA from PSA/DNA.
Horror Hall of Fame Award. Impressive, ominous statue of a faceless Grim Reaper, presented to Philip J. Riley for his work on The Horror Hall of Fame 1991 TV special. This award show celebrating the Horror genre aired in 1990 and 1991, with awards to such recipients as Vincent Price (presented him at his home by Roddy McDowall), Forrest J Ackerman (who joked that the award should be caled "the Grimmy"), Boris Karloff (whose award was accepted by his daughter Sara) and Bela Lugosi (whose statue was accepted by one of his grandsons). This award went to Philip J. Riley, a film historian whose work has included editing the MagicImage Filmbook series and who served on the 1991 show as Technical Advisor. The statue itself stands about nine inches tall, the faceles Reaper looming over a small cauldron and standing atop two-tiers of "stone." The base is over an inch tall and reads, "Presented to Philip J. Riley - Technical Advisor- The Horror Hall of Fame - October 5, 1991." Originally The Horror Hall of Fame was conceived as an annual TV special, was hosted by Robert "Freddy Krueger" Englund and populated by such presenters as Roger Corman, Joe Dante, Elvira, John Landis, Janet Leigh and Anthony Perkins. Unfortunately it only aired for two years. As such these Grim Reaper prizes are indeed rare. Small nick on front of base next the name "Philip" - otherwise in excellent condition. Impressive and eerie!
Rod Serling Signed Check. Personal check dated December 6, 1967 and made payable to Matteo's Italian Restaurant for the amount of $66.33. In Very Fine condition with with a vertical fold crease and the standard cancellation holes and stamps, none of which affect the signature. With COA from PSA/DNA.
Ken Strickfaden Watercolor. A vividly colorful watercolor sketch by Strickfaden, showing a fixture of his awesome electrical apparati -- this one in colors of brown, green, blue, red and yellow. Created by Strickfaden on lightweight paper, this sketch helps one conjure up the image of what Strickfaden's "mad laboratories" of the black-and-white Golden Age must have looked like in real-life color. An especially unique piece of memorabilia by one of Horror Cinema's most creative pioneers.
Ken Strickfaden Watercolor. Vivid sketch by the indefatigable Strickfaden, this one in colors of purple, brown, black, green, orange, blue, yellow -- he had fun with this one! It appears to be a diabolical instrument of mad science and exemplifies the man's remarkable creativity and imagination.
Ken Strickfaden Sketch. A pencil and crayon sketch by the legendary special effects master, showing a piece of electrical wizardry worthy of Dr. Frankenstein's laboratory.
Ken Strickfaden Original Pencil Sketch. Dynamic, evocative pencil illustration by the legendary Strickfaden of what appears to be a lethal electrical ray gun. Evokes fond memories of both Chandu the Magician (1932), in which Bela Lugosi aimed his diabolical death ray, and the Karloff and Lugosi melodrama The Invisible Ray (1936), in which Karloff unleashed "Radium X." Strickfaden provided the electrical effects for both films! A dramatic "whimsy" from one of Hollywood's all-time special effects giants.
Ken Strickfaden Original VIntage Sketch. Pencil drawing by the great master of electrical special effects, the middle area shaded in by yellow crayon. What would Frankenstein's laboratory have been without Strickfaden's vision, and without mad lab machinery such as the one captured in this sketch?
Ken Strickfaden Original Vintage Sketch. Pencil sketch by Strickfaden, showing an example of the electrical paraphernalia that sparked, buzzed and hummed so memorably in Universal's Frankenstein series. This sketch is on notebook paper which Strickfaden has effectively stained brown -- looks as if it might have been found in an abandoned watchtower laboratory!
Ken Strickfaden Original Vintage Sketch. Pencil sketch by Strickfaden of one of his unholy instruments of mad science. Middle area shaded in yellow crayon. The type of prop that inspired Colin Clive in Frankenstein to shout "It's alive!"
Ken Strickfaden Original Vintage Sketch. An actual pencil and crayon sketch by Hollywood's master electrical wizard, who created the pyrotechnics for Frankenstein and all his descendants.
Edward Van Sloan, Actor in Dracula, Frankenstein and The Mummy, Personal Letter. Edward Van Sloan (1881-1964), revered for his powerful force-for-good performances as Prof. Van Helsing in Dracula(1931), Dr. Waldman in Frankenstein(1931) and Prof. Muller in The Mummy(1932), signs this birthday greeting (dated March 1, 1963) to his niece as "Uncle Van." He briefly inscribes the card and proceeds to "misquote" (as he puts it) Shakespeare - "I should be as old as you - If like a crab - I could go backward." The inside of the card opens up to a full letter, in which Van Sloan writes about his sister's poor health, his love of history, and other personal matters. The letter, written a year before his death, charmingly reveals the gracious and eloquent personality of this actor, who made an indelible impression in three of Hollywood's most legendary horror films and whose autograph in indeed rare in any form. With COA from PSA/DNA.
Session 2
Music Memorabilia
Aerosmith - "Walk This Way" Signed Copy (2003). The story of one of America's greatest Rock and Roll bands. Aerosmith has been partying, loving, and rocking out for more than 35 years. This first edition of their story has been boldly signed by all five members! Let the "Sweet Emotion" overtake you and bid on this incredible book. With COA from PSA/DNA.
Big Band Autograph Lot. Included are signatures from Count Basie, Glen Miller, Peg Leg Bates, Buddy Rich, Pearl White, Hal McIntyre, Gene Krupa, Tex Beneke, Lucky Millinder, Ben Pollack, Eddy Duchin, Franky Masters, and Charlie Barnet. Overall condition of the autographs ranges from Very Fine to Excellent. With COA from PSA/DNA.
Bee Gees "Main Course" Signed Album Cover. One of the most popular acts of the '70s, the Bee Gees helped define the Disco era -- and were often pilloried for it in later years. Nevertheless, Rock's most successful brother act has secured a place in music history as one of the most memorable groups of all time. This copy of their 1975 release "Main Course," a breakthrough album that marked the group's first foray into Disco, is signed by the Brothers Gibb -- Barry, Robin, and the late Maurice. It is in great condition with some minor wear around the edges, and has been framed to an overall size of 14" x 17.5". With COA from PSA/DNA.
Bee Gees Signed Photo and Drumhead. A Remo drumhead and color 8" x 10" glossy photo, both signed by Barry, Robin, and Maurice Gibb. Each is in Excellent condition. With COA from PSA/DNA.
Bee Gees Signed Album with Andy Gibb Tour Jacket. This nice pairing of Bee Gees collectibles includes a copy of their 1979 album "Spirits Having Flown" signed by Barry, Robin, and Maurice Gibb (VG/VG+ condition), along with a blue nylon "Andy Gibb World Tour '78" jacket, from a period that represents the Brothers Gibb at the respective height of their popularity. The jacket is in Very Good condition with very faint wear to the lettering. The record is in Very Good condition as well. With COA from PSA/DNA.
Bee Gees Signed "Spirits Having Flown" LP RSO 3042 (1979). Released at the tail-end of the period that marked the Bee Gees greatest success, this copy of "Spirits Having Flown" is signed on the front cover by Barry, Robin, and Maurice Gibb and is in VG/VG+ condition. With COA from PSA/DNA.
Bee Gees Signed Grammy Book and Autographed Page. Includes a program for 43rd Annual Grammy Awards signed on page 125 by Barry, Robin, and Maurice Gibb (in Excellent condition with some minor wear to the edges and corners), plus a 5" x 7" lined album page signed by the three brothers, in Excellent condition with minor tanning. With COA from PSA/DNA.
Leonard Bernstein Signed Music Quote with Photograph. A composer, conductor, and educator, Leonard Bernstein was one of a handful of figures in the 20th century who truly changed the face of music. Bernstein's legacy includes three symphonies, a film score of singular distinction, "On the Town," and an important body of stage works that includes a cornerstone of American musical theater, "West Side Story." This lot features a handwritten music quote (along with the lyrics for "Tonight" from "West Side Story") signed by Bernstein, framed and matted along with a photo of the legendary composer. With COA from PSA/DNA.
Sonny Bono Signed Contract. This leasing contract with attached rider, between Go Records and Vee Jay Records for the master recordings of "Duchess of Earl" and "Every Day" by the Pearlettes, is dated March 9, 1962 -- shortly before he met future partner and wife Cher -- and is signed "Salvador Bono" in bold blue ink on the front page. In Excellent condition with almost no discoloration or wear. With COA from PSA/DNA.
Betty Everett and Jerry Butler Signed Documents and Telegrams. Included are a letter Vee-Jay Records from the accountant of soul singer Jerry "The Ice Man" Butler, dated March 25, 1963 and signed by Butler; an employment contract dated December 16, 1963 signed by R&B singer Betty Everett; and six telegrams dated from October 3, 1963 to August 28, 1964, related to the explosive popularity of Everett's classic single, "The Shoop Shoop Song (It's In His Kiss)." In overall Fine condition with mild wear. With COA from PSA/DNA.
Sam Cooke Signed Contract. Smooth Soulster Sam Cooke played a leading role in shaping the music scene with songs like "Chain Gang" and "A Change is Gonna Come," and was poised for superstardom when he died under mysterious circumstances during a confrontation at a seedy L.A. motel. Featured is a one-page document with rider, dated November 18, 1960 signed twice by Cooke in blue ink. In Good condition with the usual staple and binder holes, a horizontal fold crease, and only very faint discoloration. With COA from PSA/DNA.
Sam Cooke Signed Soul Stirrers Photo. One of the premier Gospel groups of the modern era, the Soul Stirrers were pioneers of the quartet style of Gospel. This b&w 8" x 10" photo of the group is signed by founder Sam Cooke in blue ink. What makes this particular autograph so special is that Cooke signed his last name with its original spelling, minus the "E" at the end which he later added because he felt it gave his name "more class." The photo is framed to an overall size of 9" x 12" and in Excellent condition with very mild discoloration. With COA from PSA/DNA.
Spade Cooley Autograph. Autograph book page signed by the self-proclaimed King of Western Swing in blue ink, in Excellent condition with some faint staining and light tearing along one side that does not affect the signature. With COA from PSA/DNA.
The Dells and Their Parents Signed Contract. One of the finest Soul vocal groups ever, the Dells are also one of the longest-lived -- they haven't even had a personnel change since the '60s. Featured here is a one-page Vee Jay Records recording artist contract dated September 29, 1956 (around the time they hit the top five on the R&B charts with "Oh What a Nite"), and signed by members Verne Allison, Michael McGill, Marvin Junior, Chuck Barksdale (as "Charles"), and Johnny Funches, as well as parents Allie Allison, Odessa McGill, and Jessie Dabon. In Excellent condition with almost no discoloration, no creases, a very, very faint rust stain from a paperclip, and very minor wear to the edges. With COA from PSA/DNA.
Cass Elliott Signed Mamas & Papas Contract. Widely considered to be the most charismatic member of the Mamas & the Papas, Cass Elliott later embarked on a successful solo career before dying of heart failure at age 32. This William Morris Agency Standard AFTRA Contract, dated June 29, 1973, is signed by Elliot in black ink, and has been matted and framed along with a copy of the "16 of Their Greatest Hits" LP to an overall size of 27" x 18". Mama Cass signatures are rare, and this is a wonderful presentation piece. In Excellent condition. Includes a COA from PSA/DNA.
Everly Brothers Autographed Handbill. A Handbill for a series of performances at the Bronco Bowl's Pit Club in Dallas, signed by Don Everly in black ink and Phil Everly in blue ink, framed to an overall size of 10" x 12.25" and in Excellent condition with some very mild tanning. With COA from PSA/DNA.
George Gershwin Signed Letter and List of Work. This fascinating set of items features a list of shows and compositions written by the famous composer, as well as a handwritten note to a writer -- a young freelancer named Kathleen Hurst -- who had requested the info for an entry on Gershwin in "Grove's Dictionary of Music and Musicians," and both documents are signed by Gershwin and dated May 7, 1926. The letter reads in part: "Please forgive my tardiness in answering your letter. I had every intention of giving you the information you wanted much sooner but your letter got lost in a pile of papers & I only recently found it. I should love to see the article you have written on me for 'Groves.' Would you be good enough to send it along to me?" Both items were glued to sheets of cardboard, and attached to the back of the piece featuring the letter are two letters to Hurst from the editor of "Grove's," one regarding the supplemental info, and the other regarding her payment for the piece, as well as a copy of page 371 from the volume, featuring Hurt's entry on Gershwin. The items are in Fine overall condition, with some fold creases to the letters and moderate overall aging to and some mild tanning to the edges of each item. With COA from PSA/DNA.
Ira Gershwin Signed First Day Cover. Featured in this lot is a first day cover of a stamp honoring composer George Gershwin, postmarked February 28, 1973, and signed by his songwriter brother Ira. A very rare item. With COA from PSA/DNA.
Famous Composers Autograph Group. This set of three signed b&w photos includes Benny Goodman, Henry Mancini, and Stephen Sondheim. All are in Excellent condition. With COA from PSA/DNA.
Bill Haley Signed Card. This 5" x 3" card is inscribed "To Bill/Thank you for being a loyal fan/Sincerely, Bill Haley" with the postscript "Watch for us on the Dick Cavett Show Feb 3 -- Wed." and signed by the early rock legend in black ink. In Excellent condition with a minimum of wear or discoloration. With COA from PSA/DNA.
Great Composers Autograph Group. Included are signatures from Oscar Hammerstein, Hoagy Carmichael, and Irving Berlin. Overall condition of the autographs ranges from Very Fine to Excellent. With COA from PSA/DNA.
John Lee Hooker Signed Items and Telegrams. Known worldwide as the king of the endless boogie, John Lee Hooker's impressive and influential career covered roughly half a century. This great mini-archive of items related to the blues legend features an American Federation of Musicians contract dated January 26, 1959 and signed by Hooker in blue ink; cashier's voucher dated November 29, 1962 and signed in red ink; two pages of session notes dated January 22, 1959, and three Western Union telegrams regarding payment that are dated February 12, May 26, and September 3, 1959. All are in overall Very Fine condition with slight wear and discoloration. With COA from PSA/DNA.
Big Band Autograph Group. Included are signatures from Lena Horne, Tommy Dorsey, Jimmy Dorsey, Muggsy Spanier, Ina Ray Hutton, Roy Eldridge, Anita O'Day, Glen Miller, Woody Herman, Glen Gray, and Nellie Lutcher. Overall condition of the autographs ranges from Very Fine to Excellent. With COA from PSA/DNA.
Elton John Incredible Signed Document Regarding His Name Change (1972). Superb document signed "Elton Hercules John," one page, 8" x 13", dated February 9, 1972. An official Notification of Change form for John's publishing company, William A. Bong, Ltd., the form formerly recognizes John's legal name change. In part, "On 7th January Reginald Kenneth Dwight changed his name by Deed Poll and is hereforth to be known as Elton Hercules John." Some vertical fold lines from previous folding, otherwise in Fine condition. In addition to the document's prominence in relation to John's career, this stands as the only document we have ever seen that is signed in full with his middle name. An exceedingly rare and unique document for the serious Elton John collector! With COA from PSA/DNA.
Janis Joplin Handwritten Letter. An intriguing six-page handwritten letter from Joplin to her fiancee, Peter de Blanc, dated August 25 (no year given), apparently written after an argument between the two. The six-page letter reads in part: "Wow I have a lot that I want to say to you. Tonight was the night of the Great Phone Call and I just want to apologize." In Excellent condition. With COA from PSA/DNA.
Janis Joplin Letter. A one-page, double-sided letter from Joplin to fiance Peter de Blanc, handwritten by her in black ink. Dated August 22 (no year given), it covers minor details ranging from candles to quilts before concluding: "Just wanted to say I love you -- I do. XXX/ Write to me. All of my love, Janis." In Excellent condition with a fold crease and very minor wear and discoloration to the edges. With COA from PSA/DNA.
Janis Joplin Handwritten Letter A "pre-fame" letter October 31, 1965, the year that was pretty much the last "normal" period of Joplin's short and tragic life. At the time, she was living with her parents in her hometown of Port Arthur, Texas and attending school at Lamar Tech. Her fiancé, Peter de Blanc, was in New York and she obviously wrote him often as this letter is numbered "39" on the envelope. It contains seven full pages pages of Joplin writing about various topics, but mostly about how much she missed Peter (who was in New York at the time) and his troubling health problems. It reads in part: "...I tend to get a little desperate down here you know, with you so far away & when I don't know what/if anything is happening. God, Peter, you're the only thing that means anything to me you're the only thing I've got! I'm doing fine here, sure, but damn if I didn't have you, wow I don't know what I'd be doing." A fantastic letter from a true musical legend. In Excellent condition. With COA from PSA/DNA.
Jerome Kern Signed Letter with Photograph. Arguably the father of modern American musical theater, Jerome Kern entered the scene with the classic musical "Show Boat" in 1927. In this lot is a typed letter, dated August 6, 1931, signed by Kern. It reads, in part: "I regret that my work is keeping me very close to the theatre these days; and I fear that neither Mrs. Kern nor myself will be able to reach Lenox this season." The letter is matted and framed along with a picture of the composer. With COA from PSA/DNA.
KISS "KISStory" Limited Signed Edition. A copy of the 428-page limited edition "KISStory," a lavish, definitive history of the band, numbered 13,621 of a limited edition, and signed by Gene Simmons, and Paul Stanley, and two substitute band members. This hardbound volume and accompanying slipcase are in Excellent condition with minimal shelf wear. With COA from PSA/DNA.
Huddie "Leadbelly" Ledbetter Mini-Archive. A musician who highly influenced American roots music, Huddie "Leadbelly" Ledbetter was a larger-than-life folk singer experienced in the oral tradition of music who helped shape Blues, Country, and other genres. Included in a rare note written byb "Leadbelly" on promotional letterhead. This mini-archive, dating from November 6, 1941 to March 26, 1953, features correspondence between Alan Lomax and various entities -- MacMillan Books, the BBC, and others -- regarding the reprinting of Leadbelly's music in a book titled "Negro Folk Songs as Sung by Leadbelly," among other details. Most are typewritten and in Good condition, with varying degrees of tanning and the occasional crease, paperclip indentation, and/or tear. With COA from PSA/DNA.
Oscar Levant Signed Contract. Performance contract dated February 18, 1948 and signed by Levant. In Excellent condition with very light wear and discoloration. With COA from PSA/DNA.
Lollapalooza 1991 Tour Signed Guitar. Probably the most notable music festival of the 1990s, during its heyday Lollapalooza boasted early performances by cult faves and budding artists who have since become megastars, and helped bring Alternative Rock, Rap, Heavy Metal, and Punk Rock into the mainstream. This cream-colored Squire Fender Stratocaster is signed by musicians who were part of the line-up for the festival's ground-breaking 1991 debut tour, including members of Rollins Band, Living Colour, and the Violent Femmes, as well as Ice T (and other members of his controversial Heavy Metal project Body Count), as well as those of future tours, such as Nick Cave and members of Fishbone, the Breeders (including Kim Deal), and many others. An exciting piece of Rock history, and in Excellent condition. With COA from PSA/DNA.
Nick Mason - Signed Drumsticks In the entire history of Rock and Roll few bands have had the impact that Pink Floyd has. The one member of the band that has been there from the beginning to the present is drummer Nick Mason. Thanks to his releasing a history of the band titled "Inside Out" he embarked on a four city book signing tour of the U.S. One of his tour stops included a bookstore in San Francisco's "Haight-Ashbury" district. Included in this lot is a pair of drumsticks from the Haight-Ashbury Music Center, one has been signed, a promotional postcard for the signing, and a "baseball card" that was made for the bookstores "author's series". Don't let the chance pass you by to add these signed sticks to your collection! All three items are in Near Mint condition. With COA from PSA/DNA.
Clyde McPhatter Signed Letter. A handwritten, undated, signed letter on a 5 1/2" x 8 1/2" sheet of personal stationery, from the R&B legend to an admirer. It reads in part: "Sorry for this long delay. What do you think of my latest album 'Song of the Big City'? I hope you like it." In Fine condition with two fold creases. With COA from PSA/DNA.
Moody Blues - Signed Promo Photo One of the enduring acts of British Rock are the Moody Blues, known for combining Rock, Electronica, and Orchestral sounds to create some of the most progressive music of their time. Their hits "Tuesday Afternoon" and "Nights in White Satin" are still staples on both FM and AM radio! This black and white promotional photo has been boldly signed by all four members. With COA from PSA/DNA
Ricky Nelson Signed Program. A concert program for a late '70s performance inscribed "To Lavern/Love Ricky Nelson" by the late singer in black ink. in Very Good condition with some minor wear and soiling and a large piece missing from the back cover. With COA from PSA/DNA.
Ricky Nelson Signed Album. A copy of the very hard-to-find "The Ricky Nelson Story" three-disk LP Arista 10003 (1976), inscribed "To Lavern/Love, Ricky Nelson" on the front cover in black ink and in VG+/VG++ condition. With COA from PSA/DNA.
Olivia Newton-John Signed Poster. Five years after they hit it big with the big-screen version of "Grease," John Travolta and Australian singer-actress Olivia Newton-John re-teamed for the romantic fantasy "Two of a Kind." This lot features a poster from the movie signed by Newton-John. With COA from PSA/DNA.
Ramones Autographed CD. A new record deal, the return of longtime producer Ed Stasium, and the addition of an enthusiastic new bassist (C. J. Ramone) revitalized the Ramones, making 1992's "Mondo Bizarro" the band's strongest release in years. Here is a copy of the CD signed by Joey, Johnny, C. J., and Marky. This combination of signatures is rare. With COA from PSA/DNA.
Jimmy Reed Signed Contract and Lyrics. This two-part lot includes a sales contract for a 1957 Mercury sedan, dated February 20, 1957, and signed "James Reed" by the Blues great in -- appropriately enough -- blue ink in the lower right corner. The contract is in Very Good condition with a fair amount of wear with some small tears to the edges and corners. Also included is a sheet of notebook paper with song lyrics handwritten by Reed in pencil, in Very Good to Excellent condition with some mild staining and discoloration. With COA from PSA/DNA.
Scorpions Signed Jacket and Photo. The German hard Rock band the Scorpions reached their career peak during their 1990-91 "Crazy World Tour," fueled in part by the popularity of the single "Winds of Change," a fin de Cold War power ballad that mused over the socio-political changes occurring in Eastern Europe and other parts of the world at the time. Artifacts of that tour include this black cotton "Crazy World Tour 1991" jacket signed by bandmates guitarist Rudolf Schenker and vocalist Klaus Meine, as well as a color 8" x 10" photo of the band with former Soviet leader Mikhail Gorbachev, also signed by Meine and Schenker -- both in Excellent condition. In an interesting footnote to said tour, the Scorpions had become the first Western group to be invited to perform at the Moscow Music Festival not long after the fall of the Berlin Wall in 1989, and Meine drew upon the experience when writing "Winds of Change." In 1991, the band was invited to the Kremlin to meet Gorbachev, a fan of the group; later that year, on December 25, after months of political turmoil, Gorbachev resigned his position and the U. S. S. R. was officially dissolved. Coincidence? You be the judge... With COA from PSA/DNA.
Stephen Sondheim Signed LP with Sheldon Harnick Signed Sheet Music. Featured is a copy of the album "Merrily We Roll Along" signed by Broadway composer Stephen Sondheim, along with the sheet music to the song "If I Were a Rich Man" from the musical "Fiddler on the Roof" signed by lyricist Sheldon Harnick. With COA from PSA/DNA.
Phil Spector Handwritten Sheet Music. Four pieces of sheet music written by legendary producer Phil Spector for two of his first bands, the Teddy Bears and the Spectors Three. (The Teddy Bears became the Spectors Three after a label change and other legalities.) Included are one page each for the Teddy Bears songs "Oh Why" and "I Don't Need You Anymore," and pages for the Spectors Three songs "I Know Why" (four pages) and "I Really Do" (three pages). The pages are in overall Excellent condition with light tanning and some tearing to the left side of the Spectors Three pages from where the were removed from their binding. With COA from PSA/DNA. From the GRT Collection
Phil Spector Mini-Archive. This lot of letters, contracts, sheet music, and other documents was obtained from Phil Spector's mother, Bertha. Included is an acceptance letter to Spector from the American Guild of Authors and Composers; a post office receipt in Spector's handwriting; signed management contracts for each member of Spector's first band, the Teddy Bears; an unsigned Artist Royalty for "Harvey Phillip Spector"; a power of attorney contract for for the Teddy Bears as a group; a printed copy of the music for "Don't You Worry My Little Pet"; an envelope addressed to Spector from the Selective Service (letter not included); a songwriters royalty scale contract (specimen copy); A "Perry Como Show" rehearsal schedule for the Teddy Bears' January 3, 1959 appearance on the show; an envelope addressed to Spector from Dore Records (no letter); an unused Dore label for "To Know Him Is To Love Him" with a small center hole; typewritten lyrics to "To Know Him Is To Love Him"; a Hearings Daily work sheet signed by Spector; an envelope labelled "The Teddy Bears Paid Bills, Cancelled Checks, Etc. Year 1958" which includes said items plus used tram tickets from a trip to Toronto in December 1959; a flyer from ERA Records promoting Tony and Joe; a group of four legal letters; and a letter dated 1989 to Spector from American Express thanking him for the use of the Ronette's "Be My Baby" in a commercial. Items are in overall great condition with light to moderate amounts of wear. With COA from PSA/DNA. From the GRT Collection
Musical Instruments
Tiny Tim and James Taylor Signed Ukele. The signature instrument of the late folk musician Tiny Tim, this ukele is inscribed "To Doug, Happy playing, Tiny Tim" and dated October 27, 1984 along one side, and is also signed by singer-songwriter James Taylor on the other side. Lacking strings, but in otherwise Very FIne condition. Carrying case included. With COA from PSA/DNA.
Music Memorabilia
Tommy Tune Signature Ensemble. Featured is a dinner theatre handbill signed by singer-dancer Tommy Tune and matted and framed along with a ticket stub and Playbill for "Tommy Tune Tonight" to an overall size of 11" x 25.5". Also included in this lot is an autographed poster signed by Tune in black marker and framed to an overall size of 24" x 29". All items are in Excellent condition. With COA from PSA/DNA.
Ritchie Valens Signed Agreement with Song Titles. Dated November 12, 1958, this one-page, typed agreement reads: "Dear Gail, I accept the invitation to perform at a benefit assembly for your school publication on December 5, 1958, at Pacoima Junior High School, and plan to sing or perform the following songs:" with the titles "Come On, Let's Go," "Donna," and "La Bomba" handwritten by Valens and his signature near the bottom in blue ink. Valens had been a student at the school, where he gave regular performances during his lunch breaks, and word of the talented young singer eventually reached Del-Fi Records owner and president Bob Keane, who quickly signed and recorded the future star. Sadly, it wasn't long after this show when Valens, age 17, died in the February 3, 1959 plane crash that also claimed the lives of J. P. "Big Bopper" Richardson and Buddy Holly. In Very Fine condition with mild tanning, several fold creases, very faint soiling and a few tape stains. With COA from PSA/DNA.
Richie Valens Junior High Performance Lot. Dated November 12, 1958, this one-page, typed agreement for a performance at Pacoima Junior High School, with his signature near the bottom in blue ink. Valens had been a student at the school, where he gave regular performances during his lunch breaks, and word of the talented young singer eventually reached Del-Fi Records owner and president Bob Keane, who quickly signed and recorded the future star. Also included are five photos of Valens from the event and a script and outline for the performance. The items are in overall Very Fine condition with mild tanning, several fold creases, very faint soiling and a few tape stains to the documents. With COA from PSA/DNA.
Signed Piano Top From NBC Radio. Consigned by NBC's former Director of Creative Services, this autographed piano top came from a small upright piano from NBC Radio's Green Room, where it had been since the late '20s. It's adorned with hundreds of signatures from well-known -- and not-so-well-known -- celebrities, some of which were lost when an overzealous cleaning crew got a little too efficient. (Among the casualties were Babe Ruth, Cardinal Hayes, Ed Wynn. Ed Sullivan, and Jerome Kern.) The top was salvaged when the piano was about to be done away with during a spell of corporate turnover. The solid walnut top measures 40" x 14", and among the numerous autographs adorning it are those of Walter Winchell, Red Skelton, Archduke Franz Josef, David Sarnoff, Rudy Vallee, Ty Cobb, Billie Burke, Mary Pickford, James Montgomery Flagg, Capt. Eddie Rickenbacker, Walter Johnson, Amos & Andy, Eleanor Roosevelt, Rudolph Bing, Bill "Bojangles" Robinson, Ring Lardner, and many, many more. A great piece of entertainment history, with a great story behind it. With COA from PSA/DNA.
1963 Rock and Roll Autograph Book. This vintage autograph book features the signatures of a number of British and American performers, including Bobby Vee, Bo Diddley, Little Richard, the Everly Brothers, Johnny Kidd, the Troggs, and others. The front cover is detached and some pages are loose, but it's still a fine collector's item nonetheless. With COA from PSA/DNA.
Famous Songwriters Autograph Lot. Included is a b&w 8" x 10" photo signed by Aaron Copeland, plus a first day cover, postmarked May 17, 1969, signed by Ira Gershwin, Richard Rogers, Leonard Bernstein, Alan Jay Lerner, and Frederick Loewe. Both are in Excellent condition. With COA from PSA/DNA.
Gene Vincent Signed "A Gene Vincent Record Date" Mono LP Capitol 1059 (1959). A copy of Vincent's fourth album has been signed on the back cover, "To Chuck Sumerall. Thanks for the spins. Gene Vincent." (Chuck was a Los Angeles DJ in the late fifties.) Vincent has also autographed the front cover, "Best Wishes Gene Vincent". Also included is #54 in the Topps "Hit Stars" card series of 62, which honors Vincent. The cover is in Very Good condition with tape on the top and bottom seams. The record is not an original pressing; it's a black label with a rainbow circle - 1959. Condition: VG 5/ VG 5. With COA from PSA/DNA.
Hank Williams Sr. Signed Songbook. The father of contemporary country music, Hank Williams was a star by the age of 25, and dead at the age of 29. During the course of those four short years, he established the rules of the game for Pop and Country musicians alike, up to and including his outlaw image and passion for excess. This copy of the "Hank Williams' Country Music Folio" songbook (1948) is inscribed "Best Wishes" and signed by the singer on the cover in blue ink. Samples of Williams' autograph are notoriously hard to come by, and this is a very nice one, unaffected by the moderate wear to the cover, which has split completely along the spine and detached from the contents. Also included in the book is a vintage 8" x 10" color glossy of Williams and a page of newspaper clippings regarding his untimely death. With COA from PSA/DNA.
Meredith Willson Autographs. A program for a performance of "The Music Man" starring Robert Preston, signed by composer Meredith Willson in blue ink and date November 16, 1959, in excellent condition with a coupe of very small tears and faint discoloration; also included is an autograph album page signed by the composer in blue ink, with musical notes drawn underneath, in Excellent condition with some staining near the left edge that overlaps but does not affect the signature, and tearing along one side that does not affect the signature. With COA from PSA/DNA.
Victor Young Autographs. Three great specimens of the composer's autograph, each with with handwritten music and each in Excellent condition with only some minor instances of discoloration. With COA from PSA/DNA.
Fred Astaire Signed Limited Edition "The Astaire Story" Album Set Mercury MG C-1001/4 (1953). A very nice copy of a most rare Jazz collectable, the four-disk limited edition set titled The Astaire Story, which found singer-dancer Fred Astaire in the recording studio with a gang of top jazzmen led by Oscar Peterson to see where their mutual inspiration would lead. The resulting 38 tracks -- mostly Jazz versions of standards associated with Astaire -- were pressed on four blue-vinyl records with special labels and issued in a suspension-styled oversize album in red cloth with dancer logo on the front cover, plus liner notes on pebbled paper, color and b&w photographs (by Gjon Mili), and a portfolio of drawings by collectable Jazz artist David Stone Martin. His signature initials appear on one drawing, and Astaire himself numbered and signed all copies. This particular copy is #520 from a limited edition of 1,384, in Good condition with some mild soiling and fading to the cover. The records are in Very Good condition with some minor surface noise. With COA from PSA/DNA.
Count Basie Signed Contract. Single-page, 8 1/2" x 11" document, dated April 27, 1948, in which bandleader Count Basie signed over several savings bonds to the William Morris Agency to repay a loan, signed by Basie in black ink. In great condition, with two binder holes at the top of the page, two horizontal fold creases, and very light overall tanning. With COA from PSA/DNA.
Count Basie Signed Contract. William Morris Agency contract dated January 24, 1949, and signed by Basie in black ink. In Very Fine condition with light tanning and rusted paperclip marks. With COA from PSA/DNA.
Hoagy Carmichael Signed Contract. Standard AFTRA agreement dated September 11, 1962, and signed by the singer-actor-composer. In Excellent condition with minimal wear. With COA from PSA/DNA.
Cozy Cole and Jack Teagarden Signed Photograph, Group of 2. This lot showcases a vintage 8" x 10" photo of Cozy Cole behind his drums, signed and inscribed to Ken, in fountain pen. Also included in this lot is a vintage 8" x 10" photo of Jack Teagarden after a performance, signed and inscribed in blue ink. Both photos are in Very Good condition, with an obituary of Cole included in the frame. With COA from R&R Enterprises Autograph Auctions.
Jazz Greats Autograph Group. Included are signatures from Jimmy Dorsey, Ella Fitzgerald, Buddy Rich, Dick Haymes, Dizzy Gillespie, Jack Teagarden, Roy Eldridge, Les Elgart, Johnny Desmond, Les Brown, Ziggy Elman, and Guy Lombardo. Overall condition of the autographs ranges from Very Fine to Excellent.
Dizzy Gillespie, Coleman Hawkins, Benny Carter, Art Davis, and Chuck Lampkin, Signed "Jazz at the Philharmonic" Card, London (1960). This superb lot spotlights a rare combination of signatures from five of the greatest names in Jazz. This wonderful card also has the annotation, in an unidentified hand, "Jazz at the Philharmonic, 1960, London, The Autographs of ..., on a 3.5" x 4.5" white card. In Fine condition, with an adhesive residue on the reverse, from a previous mounting. With COA from R&R Enterprises Autograph Auctions.
Lionel Hampton and Stan Kenton Signed Items. Included is a b&w 8" x 10" photo inscribed "To Mattawa High School, best wishes from Lionel Hampton" by the great jazz percussionist and bandleader in blue ink; and a typed letter on personal stationery, dated December 28, 1947, signed by band leader Stan Kenton in black fountain pen. The letter reads: "Dear Mr. Parkinson: This Letter is meant to be an apology, because somehow your letter of November 4th, in which you asked for a picture for your carnival, was mislaid and not brought to my attention until now. I see we have missed terribly by letting this mix-up take place. I sincerely apologize and if you still wish pictures, please let us know and we will comply." The photo is in Very Fine condition with three holes punched in the top edge. The letter is also Very Fine, with some creases and a medium-sized water stain. With COA from PSA/DNA.
Charles Mingus, Signed Card (1976). Charles Mingus was an innovative jazz musician who was a virtuoso bassist and composer. Mingus worked as a sideman with Louis Armstrong, Lionel Hampton, and Red Norvo, among others. He was also a passionate campaigner for civil rights. Mingus passed away in 1979, at the age of 54. This card is in Fine condition, with a date stamp of "Apr. 16, 1976" in the lower right corner, and a collector's notations on the reverse side. A very rare autograph. With COA from PSA/DNA and R&R Enterprises Autograph Auctions.
Buddy Rich Signed Contract. A William Morris Agency contract, dated December 14, 1948, initialed by the Jazz drummer on the lower left corner of the front page and signed by him on the second page in black ink. In Very Fine condition with slight tanning and the usual binder holes at the top edge. With COA from PSA/DNA.
Howard Alden, Harry Allen, Joe Ascione, Bucky Pizzarelli, and Bill Allred, Autographed Al White "Jazz Party" Silver Prints, Group of 4 (1982-1995).
Howard Alden (guitar, page 4) -- The vigor of Howard's playing is reflected in Al White's photo taken at the Indianapolis jazz party in 1994.
Harry Allen (sax) and Joe Ascione (drums, page 6) -- Harry Allen continually fools with his tenor sax in an effort to make it sound better.
John "Bucky" Pizzarelli (guitar) and Harry Allen (sax, page 7) -- Bucky Pizzarelli accompanies Harry Allen on one of the ballads they play together so beautifully.
Bill Allred (trombone, page 8) -- Bill Allred performs at many jazz parties as the leader of the Classic Jazz Band, in central Florida.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Howard Alden (guitar, page 4) -- The vigor of Howard's playing is reflected in Al White's photo taken at the Indianapolis jazz party in 1994.
Harry Allen (sax) and Joe Ascione (drums, page 6) -- Harry Allen continually fools with his tenor sax in an effort to make it sound better.
John "Bucky" Pizzarelli (guitar) and Harry Allen (sax, page 7) -- Bucky Pizzarelli accompanies Harry Allen on one of the ballads they play together so beautifully.
Bill Allred (trombone, page 8) -- Bill Allred performs at many jazz parties as the leader of the Classic Jazz Band, in central Florida.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Dan Barrett, Howard Alden, Ruby Braff, Scott Hamilton, Wild Bill Davidson, Kenny Davern, Jack Lesberg, and Flip Phillips, Autographed Al White "Jazz Party" Silver Prints, Group of 4 (1972-1988).
Dan Barrett (trombone) and Howard Alden (guitar, page 4) -- Not to be outdone by the mustache of his pal Dan Barrett, Howard drew one on this picture taken at the jazz party in Wilmington, North Carolina, 1988.
Ruby Braff and Scott Hamilton (sax, page 22) -- Jazz doesn't get much better than the duo of Ruby Braff and Scott Hamilton, seen here at the jazz party in Minneapolis, Minnesota, 1987.
Milt Hinton (bass) and "Wild" Bill Davidson (coronet, page 48) -- This Al White photo captured the exuberant drive of Bill Davidson's coronet when he was almost eighty.
Kenny Davern (clarinet), Jack Lesberg (bass), "Wild" Bill Davidson (coronet), Joseph "Flip" Phillips (sax), and Cliff Leeman (drums, page 49) - Wild Bill Davidson blasts away at the 1972 Odessa, Texas jazz party.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Dan Barrett (trombone) and Howard Alden (guitar, page 4) -- Not to be outdone by the mustache of his pal Dan Barrett, Howard drew one on this picture taken at the jazz party in Wilmington, North Carolina, 1988.
Ruby Braff and Scott Hamilton (sax, page 22) -- Jazz doesn't get much better than the duo of Ruby Braff and Scott Hamilton, seen here at the jazz party in Minneapolis, Minnesota, 1987.
Milt Hinton (bass) and "Wild" Bill Davidson (coronet, page 48) -- This Al White photo captured the exuberant drive of Bill Davidson's coronet when he was almost eighty.
Kenny Davern (clarinet), Jack Lesberg (bass), "Wild" Bill Davidson (coronet), Joseph "Flip" Phillips (sax), and Cliff Leeman (drums, page 49) - Wild Bill Davidson blasts away at the 1972 Odessa, Texas jazz party.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Ruby Braff, John Bunch, Scott Hamilton, Yank Lawson, Billy Butterfield, and Benny Carter, Autographed Al White "Jazz Party" Silver Prints, Group of 4 (1973-1987).
Ruby Braff (coronet) and Benny Carter (alto sax, page 22) -- Ruby Braff's compelling coronet sound ranges from a soft whisper to a clean, brassy shout.
John Bunch (piano) and Scott Hamilton (alto sax, page 24) -- John Bunch has been musical director for Benny Goodman and Tony Bennett, and has made some superb recordings with Scott Hamilton's quintet.
John "Yank" Lawson (trumpet) and Billy Butterfield (trumpet, page 26) -- Yank Lawson and Billy Butterfield were original members of the World's Greatest Jazz Band and two of the top trumpet players from the halcyon days of the Big Band Era.
Benny Carter (alto sax, page 28) -- Benny Carter was a giant of the alto sax. He and Johnny Hodges were the major influences on alto players during the thirties.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Ruby Braff (coronet) and Benny Carter (alto sax, page 22) -- Ruby Braff's compelling coronet sound ranges from a soft whisper to a clean, brassy shout.
John Bunch (piano) and Scott Hamilton (alto sax, page 24) -- John Bunch has been musical director for Benny Goodman and Tony Bennett, and has made some superb recordings with Scott Hamilton's quintet.
John "Yank" Lawson (trumpet) and Billy Butterfield (trumpet, page 26) -- Yank Lawson and Billy Butterfield were original members of the World's Greatest Jazz Band and two of the top trumpet players from the halcyon days of the Big Band Era.
Benny Carter (alto sax, page 28) -- Benny Carter was a giant of the alto sax. He and Johnny Hodges were the major influences on alto players during the thirties.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Al Cohn, Jess Stacy, Maxine Sullivan, Pee Wee Erwin, Cliff Leeman, and Warren Vache Jr., Autographed Al White "Jazz Party" Silver Prints, Group of 4 (1974-1995).
Johnny Mince (clarinet and saxophone), Al Cohn (saxophone), and Oliver Jackson (drums, page 36) -- Johnny Mince, another veteran of the big bands, watches Al Cohn approvingly at the 1974 Colorado Springs jazz party.
Jess Stacy (piano, page 192) -- Jess Stacy played on riverboats and then in Chicago before joining Benny Goodman's band. He also played with Bob Crosby's band and the Bob Cats.
Maxine Sullivan (vocalist, page 196) -- Maxine Sullivan sang the blues with Louis Armstrong at the Cotton Club.
George "Pee Wee" Erwin (trumpet), Cliff Leeman (drums), and Warren Vache Jr. (coronet, page 208) -- Warren Vache. Jr. had an incomparable coronet teacher, Pee Wee Erwin, and the two of them belt out a duet in Jackson, Mississippi, in 1978.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Johnny Mince (clarinet and saxophone), Al Cohn (saxophone), and Oliver Jackson (drums, page 36) -- Johnny Mince, another veteran of the big bands, watches Al Cohn approvingly at the 1974 Colorado Springs jazz party.
Jess Stacy (piano, page 192) -- Jess Stacy played on riverboats and then in Chicago before joining Benny Goodman's band. He also played with Bob Crosby's band and the Bob Cats.
Maxine Sullivan (vocalist, page 196) -- Maxine Sullivan sang the blues with Louis Armstrong at the Cotton Club.
George "Pee Wee" Erwin (trumpet), Cliff Leeman (drums), and Warren Vache Jr. (coronet, page 208) -- Warren Vache. Jr. had an incomparable coronet teacher, Pee Wee Erwin, and the two of them belt out a duet in Jackson, Mississippi, in 1978.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Vic Dickenson, George Duvivier, Bucky Pizzarelli, and Herb Ellis, Autographed Al White "Jazz Party" Silver Prints, Group of 3 (1974-1979).
Vic Dickenson (trombone, page 50) -- Vic Dickenson's unique trombone playing featured little grunts, groans, and growls that were always in good taste and in just the right places.
George Duvivier (bass, page 52) -- George Duvivier was one of the most widely respected and popular jazz musicians in New York from the early forties until his untimely passing in 1985.
John "Bucky" Pizzarelli and Herb Ellis (guitar, page 56) -- These two world-class guitarists got a kick at playing an afternoon gig at an Odessa, Texas school in 1977.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Vic Dickenson (trombone, page 50) -- Vic Dickenson's unique trombone playing featured little grunts, groans, and growls that were always in good taste and in just the right places.
George Duvivier (bass, page 52) -- George Duvivier was one of the most widely respected and popular jazz musicians in New York from the early forties until his untimely passing in 1985.
John "Bucky" Pizzarelli and Herb Ellis (guitar, page 56) -- These two world-class guitarists got a kick at playing an afternoon gig at an Odessa, Texas school in 1977.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Pee Wee Erwin, Bob Wilber, Kenny Davern, Flip Phillips, Johnny Best, Ed Polcer, Carl Fontana, and Bob Havens, Autographed Al White Silver Print, Group of 2 (undated).
Pee Wee Erwin takes center stage in these two photos. Al White typed this note on a manila envelope for the photos, "I thought these two pictures of the great trumpet player, Pee Wee Erwin, were interesting because on the 'out chorus' of a tune, he had a way of getting the band to modulate into another key by using a hand signal. In the picture with Kenny Davern (clarinet) and Bob Havens (trombone), he is holding up five fingers which means to go into the key of D-flat. In the picture with Bob Wilber (clarinet), Kenny Davern (soprano sax), Flip Phillips (tenor sax), John Best (trumpet), Ed Polcer (trumpet), and Carl Fontana (trombone), the four fingers mean to go into A-flat." Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Pee Wee Erwin takes center stage in these two photos. Al White typed this note on a manila envelope for the photos, "I thought these two pictures of the great trumpet player, Pee Wee Erwin, were interesting because on the 'out chorus' of a tune, he had a way of getting the band to modulate into another key by using a hand signal. In the picture with Kenny Davern (clarinet) and Bob Havens (trombone), he is holding up five fingers which means to go into the key of D-flat. In the picture with Bob Wilber (clarinet), Kenny Davern (soprano sax), Flip Phillips (tenor sax), John Best (trumpet), Ed Polcer (trumpet), and Carl Fontana (trombone), the four fingers mean to go into A-flat." Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Pee Wee Erwin, Marty Napoleon, Bob Wilber, Joe Bushkin, Flip Phillips, Dave Frishberg, Bob Haggart and Dick Hyman, Autographed Al White "Jazz Party" Silver Prints, Group of 3 (1975-1995).
George "Pee Wee" Erwin (trumpet) and Marty Napoleon (piano, page 158) -- Pee Wee Erwin and Marty Napoleon find a few of their tunes on this jukebox during a 1978 road trip.
Kenneth "Red" Norvo (vibes, page 160) -- Red Norvo called his large felt-covered mallets "Idahos on a stick."
Bob Wilber (clarinet), Joe Bushkin (piano), Joseph "Flip" Phillips (tenor sax), Dave Frishberg (piano), Bob Haggart (bass), Dick Hyman (piano), and Kenneth "Red" Norvo (vibes, page 161) -- The giants of jazz celebrate their March birthdays at the 1996 "March of Jazz" party in Clearwater. The whole back row had March birthdays!
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
George "Pee Wee" Erwin (trumpet) and Marty Napoleon (piano, page 158) -- Pee Wee Erwin and Marty Napoleon find a few of their tunes on this jukebox during a 1978 road trip.
Kenneth "Red" Norvo (vibes, page 160) -- Red Norvo called his large felt-covered mallets "Idahos on a stick."
Bob Wilber (clarinet), Joe Bushkin (piano), Joseph "Flip" Phillips (tenor sax), Dave Frishberg (piano), Bob Haggart (bass), Dick Hyman (piano), and Kenneth "Red" Norvo (vibes, page 161) -- The giants of jazz celebrate their March birthdays at the 1996 "March of Jazz" party in Clearwater. The whole back row had March birthdays!
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Carl Fontana, Bud Freeman, Dave Frishberg, and Urbie Green, Autographed Al White "Jazz Party" Silver Prints, Group of 4 (1983-1996).
Carl Fontana (trombone, page 64) -- Carl Fontana cuts loose, playing Lou McGarrity's old trombone, a small-bore horn he termed a "peashooter."
Lawrence "Bud" Freeman (sax, page 66) -- Saxophone legend Bud Freeman solos at the 1985 Conneaut Lake jazz party.
Dave Frishberg (piano, page 68) -- Dave Frishberg has written many witty songs, such as "I Want to Be a Sideman," that he sings to his own piano accompaniment.
Urbie Green (trombone, page 74) -- Urbie Green is a trombonist with great range. His high notes are especially beautiful.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Carl Fontana (trombone, page 64) -- Carl Fontana cuts loose, playing Lou McGarrity's old trombone, a small-bore horn he termed a "peashooter."
Lawrence "Bud" Freeman (sax, page 66) -- Saxophone legend Bud Freeman solos at the 1985 Conneaut Lake jazz party.
Dave Frishberg (piano, page 68) -- Dave Frishberg has written many witty songs, such as "I Want to Be a Sideman," that he sings to his own piano accompaniment.
Urbie Green (trombone, page 74) -- Urbie Green is a trombonist with great range. His high notes are especially beautiful.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Urbie Green, Slam Stewart, Joe Wilder, Al Grey, Bob Haggart, and Scott Hamilton, Autographed Al White "Jazz Party" Silver Prints, Group of 4 (1972-1987).
Urbie Green (trombone), Slam Stewart (bass), and Joe Wilder (trumpet, page 75) -- Urbie Green plays a set with Slam Stewart and Joe Wilder at a 1972 Colorado Springs jazz party.
Al Grey and Bill Watrous (trombone, page 77) -- Al Grey was one of Count Basie's top sidemen during the fifties and sixties.
Bob Haggart (bass) and Ray Baudic (drums, page 82) -- Bob Haggart and Ray Baudic play their novelty tune "Big Noise From Winnetka," which they wrote in Chicago's Blackhawk Restaurant in 1937.
Scott Hamilton (sax, page 84) -- Scott Hamilton carries on the Coleman Hawkins tradition and Hamilton first appeared on the jazz scene in the early seventies.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Urbie Green (trombone), Slam Stewart (bass), and Joe Wilder (trumpet, page 75) -- Urbie Green plays a set with Slam Stewart and Joe Wilder at a 1972 Colorado Springs jazz party.
Al Grey and Bill Watrous (trombone, page 77) -- Al Grey was one of Count Basie's top sidemen during the fifties and sixties.
Bob Haggart (bass) and Ray Baudic (drums, page 82) -- Bob Haggart and Ray Baudic play their novelty tune "Big Noise From Winnetka," which they wrote in Chicago's Blackhawk Restaurant in 1937.
Scott Hamilton (sax, page 84) -- Scott Hamilton carries on the Coleman Hawkins tradition and Hamilton first appeared on the jazz scene in the early seventies.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Bobby Hackett, Al Cohn, Connie Kay, George Duvivier, Kenny Davern, Bob Wilber, and Marty Grosz, Autographed Al White "Jazz Party" Silver Prints, Group of 3 (1970-1978).
Al Cohn (tenor sax) and Jimmy Knepper (trombone, page 36) -- Al Cohn was a straight-ahead tenor sax man from the Big Band Era who was also a top arranger and composer.
Connie Kay (drums), George Duvivier (bass), Kenny Davern (trumpet), Bob Wilber (clarinet), Marty Grosz (guitar), and Robert Nixon (Al White's friend, page 53) -- The Soprano Summit musicians are snapped at the Little Rock, Arkansas Airport in 1975.
Bobby Hackett (trumpet, page 80) -- Bobby Hacket insisted on having his mouthpiece in his horn before Al White snapped this picture in 1970.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Al Cohn (tenor sax) and Jimmy Knepper (trombone, page 36) -- Al Cohn was a straight-ahead tenor sax man from the Big Band Era who was also a top arranger and composer.
Connie Kay (drums), George Duvivier (bass), Kenny Davern (trumpet), Bob Wilber (clarinet), Marty Grosz (guitar), and Robert Nixon (Al White's friend, page 53) -- The Soprano Summit musicians are snapped at the Little Rock, Arkansas Airport in 1975.
Bobby Hackett (trumpet, page 80) -- Bobby Hacket insisted on having his mouthpiece in his horn before Al White snapped this picture in 1970.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Bobby Hackett, Vic Dickensen, Buddy Tate, Al Grey, Kenny Davern, and Bob Wilber, Autographed Al White "Jazz Party" Silver Prints, Group of 3 (1970-1994).
Bobby Hackett (trumpet) and Vic Dickenson (trombone, page 81) -- Bob Hackett and Vic Dickenson had tremendous respect in musicians and great love for each other as individuals.
Buddy Tate (saxophone) and Al Grey (trombone, page 200) -- Buddy Tate and Al Grey were two of Count Basie's key sidemen.
Kenny Davern (clarinet) and Bob Wilber (clarinet, page 217) -- In 1973, Bob Wilber and Kenny Davern formed Soprano Summit, a five-piece band. The two masters play together producing an incomparable blend of sound that is magnificent.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Bobby Hackett (trumpet) and Vic Dickenson (trombone, page 81) -- Bob Hackett and Vic Dickenson had tremendous respect in musicians and great love for each other as individuals.
Buddy Tate (saxophone) and Al Grey (trombone, page 200) -- Buddy Tate and Al Grey were two of Count Basie's key sidemen.
Kenny Davern (clarinet) and Bob Wilber (clarinet, page 217) -- In 1973, Bob Wilber and Kenny Davern formed Soprano Summit, a five-piece band. The two masters play together producing an incomparable blend of sound that is magnificent.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Bobby Hackett, Benny Carter, Doc Cheatham, and Kenny Davern, Autographed Al White "Jazz Party" Silver Prints, Group of 3 (1973-1990).
Benny Carter (alto sax) and Bobby Hackett (trumpet, page 29) -- While the band swings at the 1973 Colorado Springs party, Benny Carter and Bobby Hackett work out what they're going to do next.
Adolphus "Doc" Cheatham (trumpet, page 32) -- Doc Cheatham at the Sweet Basil Club in New York, where he played on Sunday afternoons for the last fifteen years of his life.
Kenny Davern (clarinet, page 46) -- Kenny Davern coaxes high notes out of a clarinet that are not actually on the horn, and he is a master at playing beautiful slow ballads.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Benny Carter (alto sax) and Bobby Hackett (trumpet, page 29) -- While the band swings at the 1973 Colorado Springs party, Benny Carter and Bobby Hackett work out what they're going to do next.
Adolphus "Doc" Cheatham (trumpet, page 32) -- Doc Cheatham at the Sweet Basil Club in New York, where he played on Sunday afternoons for the last fifteen years of his life.
Kenny Davern (clarinet, page 46) -- Kenny Davern coaxes high notes out of a clarinet that are not actually on the horn, and he is a master at playing beautiful slow ballads.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Milt Hinton, Doc Cheatham, Alan Dawson and Benny Carter, Autographed Al White "Jazz Party" Silver Prints, Group of 2 (1976-1995).
Alan Dawson (drums) and Benny Carter (on trumpet, page 28) -- Benny Carter not only plays alto sax, but also trumpet, and he was also a top arranger, composer, and band leader.
Milt Hinton (bass) and Adolphus "Doc" Cheatham (trumpet, page 32) -- Milt Hinton and Doc Cheatham starred with the great Cab Calloway band of the thirties and forties.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Alan Dawson (drums) and Benny Carter (on trumpet, page 28) -- Benny Carter not only plays alto sax, but also trumpet, and he was also a top arranger, composer, and band leader.
Milt Hinton (bass) and Adolphus "Doc" Cheatham (trumpet, page 32) -- Milt Hinton and Doc Cheatham starred with the great Cab Calloway band of the thirties and forties.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Art Hodes - "Jazz Record" Magazine Collection, with Al White Silver Print of Art Hodes (Signed), and Letter From Art Hodes to Al White (Signed), Group of 30 (1943-1976). Fans of traditional jazz will love this lot. Al White has collected 27 of the 51 published issues of The Jazz Record, Voice of the Jazz Musician, edited by pianist Art Hodes from 1943-47. Hodes grew up in Chicago in the twenties, played with Wingy Manone, had a radio show, and became involved in the infamous "moldy fig vs. bebop wars" with jazz critics Leonard Feather and Barry Ulanov. The Jazz Record issues offered here include #1 Kaiser Marshall (drums; signed by editor Art Hodes), #5 Edmond Hall (clarinet), #7 Tommy Ladnier (trumpet), #10 Sidney DeParis (trumpet), Kansas Fields (drums), and Mezz Mezzrow (clarinet), #15 Lester Young (sax), #22 Vic Dickenson (trombone; signed by Dickenson), #23 Bud Freeman (sax; signed by Freeman), #24 Stuff Smith, (violin) and Jonah Jones (trumpet), #25 Wingy Manone (trumpet), #26 Barney Bigard (clarinet), #27 Jess Stacy (piano), #28 Lips Page (trumpet), #29 George Wettling (drums), #30 Meade "Lux" Lewis (piano), #31 Brad Gowans (trombone), #32 James P. Johnson (piano), #35 Danny Alvin (drums), #39 Joe Marsala (clarinet) and Joe Bushkin (piano), #40 Sidney Bechet (sax), #41 "Wild Bill" Davidson (trumpet), #42 Fate Marable (piano), #43 Gene Krupa (drums), #44 Baby Dodds (drums), #46 Frankie Newton (trumpet), #47 Ray Baudic (drums), #50 Albert Nicholas (clarinet), and #51 Wingy Manone (trumpet). Also included in this lot are a 1974 letter from Art Hodes to Al White, written on Holiday Inn stationary, and a signed flyer for an Art Hodes 1976 stint at Freedom Hall, Park Forest, Illinois. The entire collection is stored in plastic sleeves, in a 3-ring black vinyl binder. The magazines average Very Fine condition. From the Al White Jazz autograph archive.
Art Hodes, Peanuts Hucko, Al Klink, and Yank Lawson, Autographed Al White "Jazz Party" Silver Prints, Group of 4 (1973-1991).
Art Hodes (piano, page 100) -- Art Hodes was one of the great blues pianists. He cut his teeth playing in South Side Chicago joints in the twenties.
Michael "Peanuts" Hucko (clarinet, page 106) -- Peanuts Hucko can thrill crowds with both up-tempo tunes or ballads. Here he is at the 1979 Colorado Springs jazz party.
Al Klink (tenor sax, page 122) -- Al Klink solos with the World's Greatest Jazz Band in a 1974 Pine Bluff, Arkansas concert.
John "Yank" Lawson (trumpet, page 124) -- Yank Lawson kept his distinctive trumpet sound to the end, and was a true free spirit.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Art Hodes (piano, page 100) -- Art Hodes was one of the great blues pianists. He cut his teeth playing in South Side Chicago joints in the twenties.
Michael "Peanuts" Hucko (clarinet, page 106) -- Peanuts Hucko can thrill crowds with both up-tempo tunes or ballads. Here he is at the 1979 Colorado Springs jazz party.
Al Klink (tenor sax, page 122) -- Al Klink solos with the World's Greatest Jazz Band in a 1974 Pine Bluff, Arkansas concert.
John "Yank" Lawson (trumpet, page 124) -- Yank Lawson kept his distinctive trumpet sound to the end, and was a true free spirit.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Jerry Jerome, Bob Haggart, Max Kaminsky, Bob Wilber, Al Klink, and Yank Lawson, Autographed Al White "Jazz Party" Silver Prints, Group of 4 (1974-1996).
Jerry Jerome (tenor sax) and Bob Haggart (bass, page 112) -- These two jazz veterans did a lot of studio recording together in the forties and fifties and they teamed again in 1996 to record a "Something Old, Something New" double-CD.
Orange Kellen (clarinet), Father Al Lewis (banjo), and Max Kaminsky (trumpet, page 116) -- "Little Maxie's" career began in the twenties when he was a kid trumpet player out of Boston. His life changed completely and forever after he went to Chicago and heard Bix Biderbecke. Here he is in Kerrville, Texas in 1974.
Bob Wilber (clarinet), Al Klink (tenor sax), Bob Haggart (bass) and John "Yank" Lawson (trumpet, page 123) -- Al Klink replaced Bud Freeman in the World's Greatest Jazz Band in 1974, and is celebrated for his solo part in Glenn Miller's hit, "In the Mood."
Ray McKinley (drums, page 140) -- Ray McKinley did the vocal on "Beat Me Daddy, Eight to the Bar," his own composition and one of the Will Bradley band's most famous hits.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Jerry Jerome (tenor sax) and Bob Haggart (bass, page 112) -- These two jazz veterans did a lot of studio recording together in the forties and fifties and they teamed again in 1996 to record a "Something Old, Something New" double-CD.
Orange Kellen (clarinet), Father Al Lewis (banjo), and Max Kaminsky (trumpet, page 116) -- "Little Maxie's" career began in the twenties when he was a kid trumpet player out of Boston. His life changed completely and forever after he went to Chicago and heard Bix Biderbecke. Here he is in Kerrville, Texas in 1974.
Bob Wilber (clarinet), Al Klink (tenor sax), Bob Haggart (bass) and John "Yank" Lawson (trumpet, page 123) -- Al Klink replaced Bud Freeman in the World's Greatest Jazz Band in 1974, and is celebrated for his solo part in Glenn Miller's hit, "In the Mood."
Ray McKinley (drums, page 140) -- Ray McKinley did the vocal on "Beat Me Daddy, Eight to the Bar," his own composition and one of the Will Bradley band's most famous hits.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Gus Johnson, Zoot Sims, Frank Rosolino, and Benny Carter, Autographed Al White "Jazz Party" Silver Print (1976).
Milt Hinton (bass), Clark Terry (trumpet), Gus Johnson (vocals), John "Zoot" Sims (sitting in on drums), Frank Rosolino (trombone), and Benny Carter (alto sax, page 115) -- Gus Johnson was a fine singer, especially on "Sweet Lorraine." He did a vocal at the Colorado Springs party in 1976, with Zoot Sims sitting in for him on drums.
This 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Milt Hinton (bass), Clark Terry (trumpet), Gus Johnson (vocals), John "Zoot" Sims (sitting in on drums), Frank Rosolino (trombone), and Benny Carter (alto sax, page 115) -- Gus Johnson was a fine singer, especially on "Sweet Lorraine." He did a vocal at the Colorado Springs party in 1976, with Zoot Sims sitting in for him on drums.
This 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Yank Lawson, Eddie Miller, Bud Freeman, Bennie Morton, Benny Carter, and Flip Phillips, Autographed Al White "Jazz Party" Silver Prints, Group of 3 (1972-1995).
John "Yank" Lawson (trumpet), Eddie Miller (sax), and Lawrence "Bud" Freeman (sax., page 147) -- Eddie Miller enjoyed a reunion with Yank Lawson and Bud Freeman when the World's Greatest Jazz Band played a New Orleans club in 1974.
Bennie Morton (trombone) and Benny Carter (alto sax, page 152) -- Bennie Morton was noted for his playing in the Fletcher Henderson, Don Redman, and Count Basie bands in the twenties and thirties.
Rachel Domber (producer), Matt Domber (producer, Arbor Records), and Joseph "Flip" Phillips (tenor sax, page 164) -- Rachel and Matt Domber celebrate Flip Phillips' 80th birthday at the 1995 "March of Jazz" in Deerfield Beach.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
John "Yank" Lawson (trumpet), Eddie Miller (sax), and Lawrence "Bud" Freeman (sax., page 147) -- Eddie Miller enjoyed a reunion with Yank Lawson and Bud Freeman when the World's Greatest Jazz Band played a New Orleans club in 1974.
Bennie Morton (trombone) and Benny Carter (alto sax, page 152) -- Bennie Morton was noted for his playing in the Fletcher Henderson, Don Redman, and Count Basie bands in the twenties and thirties.
Rachel Domber (producer), Matt Domber (producer, Arbor Records), and Joseph "Flip" Phillips (tenor sax, page 164) -- Rachel and Matt Domber celebrate Flip Phillips' 80th birthday at the 1995 "March of Jazz" in Deerfield Beach.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Dave McKenna, Teddy Wilson, Milt Hinton, Flip Phillips, Bucky Pizzarelli, and Herb Ellis, Autographed Al White "Jazz Party" Silver Prints, Group of 2 (1975-1983).
Dave McKenna (piano), Teddy Wilson (piano), Milt Hinton (bass), and Joseph "Flip Phillips" (tenor saxophone, page 224) -- Four great jazzmen pose for Al White at the 1983 Odessa, Texas jazz party.
Kai Winding (trombone), John "Bucky" Pizzarelli (guitar) and Herb Ellis (guitar, page 227) -- Kai Winding was one of the great jazz soloists from the Big Band Era, especially with Stan Kenton. He is backed by two of the top jazz guitarists, Bucky Pizzarelli and Herb Ellis.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Dave McKenna (piano), Teddy Wilson (piano), Milt Hinton (bass), and Joseph "Flip Phillips" (tenor saxophone, page 224) -- Four great jazzmen pose for Al White at the 1983 Odessa, Texas jazz party.
Kai Winding (trombone), John "Bucky" Pizzarelli (guitar) and Herb Ellis (guitar, page 227) -- Kai Winding was one of the great jazz soloists from the Big Band Era, especially with Stan Kenton. He is backed by two of the top jazz guitarists, Bucky Pizzarelli and Herb Ellis.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Ray McKinley, Bob Haggart, Jay McShann, and Butch Miles, Autographed Al White "Jazz Party" Silver Prints, Group of 3 (1984-1994).
Ray McKinley (drums) and Bob Haggart (bass, page 140) -- At the 1984 Conneault Lake party, Ray McKinley teamed with Bob Haggart on Bob's "Big Noise From Winnetka." Ray was present in a New York hotel room when George Van Eps gave Bob his first lesson -- on guitar.
Jay McShann (piano, page 142) -- In addition to being a great jazz pianist, Jay McShann is a matchless blues singer. Like Count Basie, he brought a fine band from Kansas City to New York in the late thirties.
John "Yank" Lawson (trumpet), Butch Miles (drums), and Bob Haggart (bass, page 145) -- Butch Miles performs his take on Bob Haggart's "Big Noise from Winnetka" in the 1994 Indianapolis jazz party.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Ray McKinley (drums) and Bob Haggart (bass, page 140) -- At the 1984 Conneault Lake party, Ray McKinley teamed with Bob Haggart on Bob's "Big Noise From Winnetka." Ray was present in a New York hotel room when George Van Eps gave Bob his first lesson -- on guitar.
Jay McShann (piano, page 142) -- In addition to being a great jazz pianist, Jay McShann is a matchless blues singer. Like Count Basie, he brought a fine band from Kansas City to New York in the late thirties.
John "Yank" Lawson (trumpet), Butch Miles (drums), and Bob Haggart (bass, page 145) -- Butch Miles performs his take on Bob Haggart's "Big Noise from Winnetka" in the 1994 Indianapolis jazz party.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Jay McShann, Buddy Tate, Trummy Young, Ray Brown, and Vic Dickenson, Autographed Al White "Jazz Party" Silver Prints, Group of 2 (1973-1977).
Jackie Williams (drums), Buddy Tate (tenor sax), Milt Hinton (bass), and Jay McShann (piano, page 201) -- Buddy Tate cuts loose on "Cherokee" at this gig in Michael's Pub in New York in 1977.
Tyree Glenn (trombone), Ray Brown (bass), Trummy Young (trombone), and Vic Dickenson (trombone, page 229) -- Three of the greatest trombonists from the big bands played together at the 1973 Colorado Springs jazz party.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Jackie Williams (drums), Buddy Tate (tenor sax), Milt Hinton (bass), and Jay McShann (piano, page 201) -- Buddy Tate cuts loose on "Cherokee" at this gig in Michael's Pub in New York in 1977.
Tyree Glenn (trombone), Ray Brown (bass), Trummy Young (trombone), and Vic Dickenson (trombone, page 229) -- Three of the greatest trombonists from the big bands played together at the 1973 Colorado Springs jazz party.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Butch Miles, Tom Artin, Jake Hanna, Jackie Williams, Joe Ascione, Johnny Mince, Johnny Best, and Ralph Sutton, Autographed Al White "Jazz Party" Silver Prints, Group of 4 (1979-1994).
Butch Miles (drums) and Tom Artin (trombone, page 13) -- When Tom Artin leads a set, he not only chooses great old tunes, but also thinks up arrangements for them on the spot.
Jake Hanna (drums), Jackie Williams (drums), and Joe Ascione (drums, page 14) -- The 1992 Odessa, Texas jazz party featured three brilliant drummers.
Johnny Mince (clarinet) and Johnny Best (trumpet, page 18) - Two veterans of the Big Band Era team up on a chorus at the 1979 Odessa, Texas gig.
Ralph Sutton (piano) and Johnny Best (trumpet, page 19) - Ralph Sutton and Johnny Best enjoy a refreshing beverage together between sets.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Butch Miles (drums) and Tom Artin (trombone, page 13) -- When Tom Artin leads a set, he not only chooses great old tunes, but also thinks up arrangements for them on the spot.
Jake Hanna (drums), Jackie Williams (drums), and Joe Ascione (drums, page 14) -- The 1992 Odessa, Texas jazz party featured three brilliant drummers.
Johnny Mince (clarinet) and Johnny Best (trumpet, page 18) - Two veterans of the Big Band Era team up on a chorus at the 1979 Odessa, Texas gig.
Ralph Sutton (piano) and Johnny Best (trumpet, page 19) - Ralph Sutton and Johnny Best enjoy a refreshing beverage together between sets.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Eddie Miller, Bob Wilber, Bob Haggart, Yank Lawson, Bennie Morton, Gus Johnson, Roy Eldridge, Joe Muranyi, and Bobby Pratt, Autographed Al White "Jazz Party" Silver Prints, Group of 3 (1974-1978).
Eddie Miller (tenor sax, page 146) -- Eddie Miller cuts loose at this 1976 gig by Pete Fountain's band at the jazz club in Jackson, Mississippi.
Bob Wilber (clarinet), Lawrence "Bud" Freeman (tenor sax), Bob Haggart (bass), John "Yank" Lawson (trumpet), Bennie Morton (trombone), and Gus Johnson (drums, page 153) -- Bennie Morton jams with the World's Greatest Jazz Band on Bourbon Street.
Roy Eldridge (trumpet), Joe Muranyi (clarinet), and Bobby Pratt (trombone, page 155) -- Roy Eldridge, Joe Muranyi, and Bobby Pratt cook at this 1978 Jimmy Ryan's gig in New York.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Eddie Miller (tenor sax, page 146) -- Eddie Miller cuts loose at this 1976 gig by Pete Fountain's band at the jazz club in Jackson, Mississippi.
Bob Wilber (clarinet), Lawrence "Bud" Freeman (tenor sax), Bob Haggart (bass), John "Yank" Lawson (trumpet), Bennie Morton (trombone), and Gus Johnson (drums, page 153) -- Bennie Morton jams with the World's Greatest Jazz Band on Bourbon Street.
Roy Eldridge (trumpet), Joe Muranyi (clarinet), and Bobby Pratt (trombone, page 155) -- Roy Eldridge, Joe Muranyi, and Bobby Pratt cook at this 1978 Jimmy Ryan's gig in New York.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Flip Phillips, Buddy Tate, Clark Terry, Carl Fontana, Joe Venuti, and Vic Dickenson, Autographed Al White "Jazz Party" Silver Prints, Group of 3 (1970-1978).
Joseph "Flip" Phillips (tenor sax) and Buddy Tate (tenor sax, page 200) -- Two tenor sax giants, Flip Phillips and Buddy Tate, try to top each other during this 1974 Colorado Springs party.
Clark Terry (trumpet, page 204) -- Clark Terry plays his trumpet with his left hand and his flugelhorn with his right on his blues tune, "Mumbles."
Carl Fontana (trombone), Lou McGarity (trombone and violin), Joe Venuti (violin), Jean "Toots" Thielman (guitar and harmonica), and Vic Dickenson (trombone, page 212) -- Infamous prankster, violinist Joe Venuti, poses with three trombonists and a harmonica legend -- there's got to be a gag brewing in his mind!
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Joseph "Flip" Phillips (tenor sax) and Buddy Tate (tenor sax, page 200) -- Two tenor sax giants, Flip Phillips and Buddy Tate, try to top each other during this 1974 Colorado Springs party.
Clark Terry (trumpet, page 204) -- Clark Terry plays his trumpet with his left hand and his flugelhorn with his right on his blues tune, "Mumbles."
Carl Fontana (trombone), Lou McGarity (trombone and violin), Joe Venuti (violin), Jean "Toots" Thielman (guitar and harmonica), and Vic Dickenson (trombone, page 212) -- Infamous prankster, violinist Joe Venuti, poses with three trombonists and a harmonica legend -- there's got to be a gag brewing in his mind!
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Flip Phillips, Scott Hamilton, Jake Hanna, Milt Hinton, Pee Wee Erwin, and Dick Hyman, Autographed Al White "Jazz Party" Silver Prints, Group of 4 (1977-1988).
Joseph "Flip" Phillips (sax) and Scott Hamilton (sax, page 85) -- Flip Phillips and Scott Hamilton take a chorus on "Maria Elens" at the 1987 Minneapolis jazz party.
Jake Hanna (drums, page 89) -- Al White's shot of Jake Hanna playing a four-bar break on the out chorus of a swinging jazz tune is sensational.
Milt Hinton (bass), George "Pee Wee" Erwin (trumpet) and Al White Jr. (page 98) -- Milt Hinton and Pee Wee Erwin were among photographer Al White's closest friends.
Dick Hyman (piano, page 108) -- Despite a steady schedule of gigs, Dick Hyman played finger exercises before almost every performance. Al White took this shot at the 1988 Wilmington jazz party.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Joseph "Flip" Phillips (sax) and Scott Hamilton (sax, page 85) -- Flip Phillips and Scott Hamilton take a chorus on "Maria Elens" at the 1987 Minneapolis jazz party.
Jake Hanna (drums, page 89) -- Al White's shot of Jake Hanna playing a four-bar break on the out chorus of a swinging jazz tune is sensational.
Milt Hinton (bass), George "Pee Wee" Erwin (trumpet) and Al White Jr. (page 98) -- Milt Hinton and Pee Wee Erwin were among photographer Al White's closest friends.
Dick Hyman (piano, page 108) -- Despite a steady schedule of gigs, Dick Hyman played finger exercises before almost every performance. Al White took this shot at the 1988 Wilmington jazz party.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Bucky Pizzarelli, Bobby Rosengarden, Gray Sargent, Ralph Sutton and Jay McShann, Autographed Al White "Jazz Party" Silver Prints, Group of 4 (1973-1996).
John "Bucky" Pizzarelli (guitar, page 166) -- Bucky Pizzarelli plays a seven-string guitar, enabling him to hit lovely low notes that most guitarists can't reach.
Bobby Rosengarden (drums, page 174) -- Bobby Rosengarden worked on the "Tonight Show" and later became musical director of the "Dick Cavett Show."
Gray Sargent (guitar, page 178) -- Gray Sargent, a world-class guitarist and a native of New England has spent most of his career in the Boston area.
Ralph Sutton (piano) and Jay McShann (piano, page 198) -- These two great "stride" players got a real kick out of playing together on two pianos.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
John "Bucky" Pizzarelli (guitar, page 166) -- Bucky Pizzarelli plays a seven-string guitar, enabling him to hit lovely low notes that most guitarists can't reach.
Bobby Rosengarden (drums, page 174) -- Bobby Rosengarden worked on the "Tonight Show" and later became musical director of the "Dick Cavett Show."
Gray Sargent (guitar, page 178) -- Gray Sargent, a world-class guitarist and a native of New England has spent most of his career in the Boston area.
Ralph Sutton (piano) and Jay McShann (piano, page 198) -- These two great "stride" players got a real kick out of playing together on two pianos.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Frank Rosolino, and Buddy Tate, Autographed Al White Silver Print (undated).
Frank Rosolino (trombone) and Buddy Tate (sax) made for a dynamic duet.
This 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Frank Rosolino (trombone) and Buddy Tate (sax) made for a dynamic duet.
This 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Bobby Hackett, Vic Dickenson, Benny Carter, Scott Hamilton, Flip Phillips, and Zoot Sims, Autographed Al White "Jazz Party" Silver Prints, Group of 3 (1973-1981).
Michael "Peanuts" Hucko (clarinet), Bobby Hackett (trumpet), Major Holley (bass), Vic Dickenson (trombone), Oliver Jackson (drums), and Benny Carter (saxophone, page 80) -- Peanuts Hucko and Benny Carter watch as Bobby Hackett and Vic Dickenson play one of their inimitable duets.
Scott Hamilton (tenor sax), Ann White, and Joseph "Flip" Phillips (tenor sax, page 84) -- Scott Hamilton and Flip Phillips take a break from their twin-tenor gig to visit with Ann, Al White's wife.
John "Zoot" Sims (tenor sax, page 188) -- Zoot Sims was one of America's greatest tenor players. His saxophone had no lacquer left on it after being played for years on the road.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Michael "Peanuts" Hucko (clarinet), Bobby Hackett (trumpet), Major Holley (bass), Vic Dickenson (trombone), Oliver Jackson (drums), and Benny Carter (saxophone, page 80) -- Peanuts Hucko and Benny Carter watch as Bobby Hackett and Vic Dickenson play one of their inimitable duets.
Scott Hamilton (tenor sax), Ann White, and Joseph "Flip" Phillips (tenor sax, page 84) -- Scott Hamilton and Flip Phillips take a break from their twin-tenor gig to visit with Ann, Al White's wife.
John "Zoot" Sims (tenor sax, page 188) -- Zoot Sims was one of America's greatest tenor players. His saxophone had no lacquer left on it after being played for years on the road.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Joe Venuti, Larry Ridley, Flip Phillips, Bobby Rosengarden, Peanuts Hucko, Red Norvo, and Bob Wilber, Autographed Al White "Jazz Party" Silver Prints, Group of 2 (1973-1975).
Joe Venuti (violin), Larry Ridley (bass), Joseph "Flip" Phillips (tenor sax), Michael "Peanuts" Hucko (clarinet), Bobby Rosengarden (drums), and Kenneth "Red" Norvo (vibes, page 213) -- This all-star ensemble brings the crowd to it's feet for at standing ovation at the 1975 Colorado Springs jazz party.
Bob Wilber (clarinet, page 216) -- As a teenager, clarinetist Bob Wilber lived in the home of his teacher, the great Sidney Bechet.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Joe Venuti (violin), Larry Ridley (bass), Joseph "Flip" Phillips (tenor sax), Michael "Peanuts" Hucko (clarinet), Bobby Rosengarden (drums), and Kenneth "Red" Norvo (vibes, page 213) -- This all-star ensemble brings the crowd to it's feet for at standing ovation at the 1975 Colorado Springs jazz party.
Bob Wilber (clarinet, page 216) -- As a teenager, clarinetist Bob Wilber lived in the home of his teacher, the great Sidney Bechet.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Flip Phillips, Joe Venuti, Zoot Sims, Teddy Wilson, and Trummy Young, Autographed Al White "Jazz Party" Silver Prints, Group of 4 (1976-1985).
Joseph "Flip" Phillips (tenor sax, page 164) -- Flip Phillips gives it all he's got in every performance.
Joe Venuti (violin) and John "Zoot" Sims (soprano saxophone, page 188) -- Zoot Sims played soprano sax in this set with Joe Venuti at the 1976 Colorado Springs jazz party.
Teddy Wilson (piano, page 224) -- Teddy Wilson plays solo piano in Bemelman's Bar in New York's Carlyle Hotel, in 1978.
Trummy Young (trombone, page 228) -- Trummy Young was one of the great straight-ahead trombone players from the Big Band Era. He rose to stardom with Jimmie Lunceford's band in the late thirties and early forties.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
Joseph "Flip" Phillips (tenor sax, page 164) -- Flip Phillips gives it all he's got in every performance.
Joe Venuti (violin) and John "Zoot" Sims (soprano saxophone, page 188) -- Zoot Sims played soprano sax in this set with Joe Venuti at the 1976 Colorado Springs jazz party.
Teddy Wilson (piano, page 224) -- Teddy Wilson plays solo piano in Bemelman's Bar in New York's Carlyle Hotel, in 1978.
Trummy Young (trombone, page 228) -- Trummy Young was one of the great straight-ahead trombone players from the Big Band Era. He rose to stardom with Jimmie Lunceford's band in the late thirties and early forties.
Each 8" x 10" silver print is in Excellent condition. From the Al White Jazz autograph archive.
John Bunch, Buck Clayton, Gus Johnson Jr., and Jack Lesberg, Autographed Al White Silver Prints and Signed Jazz Party Sketches, Group of 7 (Various). John Bunch (piano) signed photo and signed sketch, Buck Clayton (trumpet) signed sketch, Gus Johnson Jr. (drums) signed photo and signed sketch, and Jack Lesberg (bass) signed photo and signed sketch. Each Al White silver print measures 8" x 10"; each sketch measures 9" x 12". Each piece is in Excellent condition. From the Al White Jazz autograph archive.
John Falter Hand Written Letter and Autographed Al White Silver Print of John Falter and Pee Wee Erwin (1973-74). Artist John Falter wrote Al White on November 3, 1974 to discuss his visit to an upcoming jazz party in Pine Bluff, Arkansas. Falter's travel plans were altered when he had a falling out with an art gallery in the Southwest, and a show there was canceled. In the two-page letter, Falter mentions working on his well-known historical paintings for the 3M company. Meanwhile, in Al White's photograph, Pee Wee Erwin holds court at a 1973 Odessa, Texas jazz party dinner which included John Falter. Erwin signed this photo, "To Al, my favorite photographer -- Pee Wee Erwin." Al White's silver print measures 8" x 10", and it is in Excellent condition. From the Al White Jazz autograph archive.
Al Grey, Yank Lawson, Peanuts Hucko, and Kai Winding Autographed Al White Silver Prints and Signed Jazz Party Sketches, Group of 8 (Various). Al Grey (trombone) signed photo and signed sketch, Yank Lawson (trumpet) signed photo and signed sketch, Peanuts Hucko (clarinet) signed photo and signed sketch, and Kai Winding (trombone) signed photo and signed sketch. Each Al White silver print measures 8" x 10"; each sketch measures 9" x 12". Each piece is in Excellent condition. From the Al White Jazz autograph archive.
Bob Haggart, Scott Hamilton, and Jake Hanna, Autographed Al White Silver Prints and Signed Jazz Party Sketches, Group of 6 (Various). Bob Haggart (bass) signed photo and signed sketch, Scott Hamilton (sax) signed photo and signed sketch, and Jake Hanna (drums) signed photo and signed sketch. Each Al White silver print measures 8" x 10"; each sketch measures 9" x 12". Each piece is in Excellent condition. From the Al White Jazz autograph archive.
Milt Hinton, Bob Wilber, and Dick Gibson, Autographed Al White Silver Prints and Signed Jazz Party Sketches, Group of 6 (Various). Milt Hinton (bass) signed photo (1984) and signed sketch (1970), Bob Wilber (clarinet) signed photo and signed sketch, and Dick Gibson ("jazz party" promoter) photo and signed sketch. Each Al White silver print measures 8" x 10"; each sketch measures 9" x 12". Each piece is in Excellent condition. From the Al White Jazz autograph archive.
Peanuts Hucko, Joe Venuti, Marty Grosz, and Bud Freeman, Autographed Al White Silver Prints and Signed Jazz Party Sketches, Group of 6 (various). Peanuts Hucko (clarinet) signed photo and signed sketch, Joe Venuti (violin) and Marty Grosz (guitar) signed photo (both) and signed Joe Venuti sketch, and Bud Freeman (sax) signed photo and signed sketch. Each Al White silver print measures 8" x 10"; each sketch measures 9" x 12". Each piece is in Excellent condition. From the Al White Jazz autograph archive.
Bob Haggart, Gus Johnson Jr., Cliff Leeman, and Bucky Pizzarelli, Autographed Al White Silver Prints and Signed Jazz Party Sketches, Group of 6 (Various). Bob Haggart (bass) and Gus Johnson, Jr. (drums) signed photo (both) and Bob Haggart signed sketch, Cliff Leeman (drums) signed photo and signed sketch, and Bucky Pizzarelli (guitar) signed photo and signed sketch. Each Al White silver print measures 8" x 10"; each sketch measures 9" x 12". Each piece is in Excellent condition. From the Al White Jazz autograph archive.
Yank Lawson, Ralph Sutton, Billy Butterfield, and Buck Clayton, Autographed Al White Silver Prints and Signed Jazz Party Sketches, Group of 8 (Various). Yank Lawson (trumpet) signed photo and signed sketch, Ralph Sutton (piano) signed photo and signed sketch, Billy Butterfield (trumpet) signed photo and signed sketch, and Buck Clayton (trumpet) signed photo and signed sketch. Each Al White silver print measures 8" x 10"; each sketch measures 9" x 12". Each piece is in Excellent condition. From the Al White Jazz autograph archive.
Cliff Leeman, Carl Fontana, Bob Walker, and Bob Haggart, Autographed Al White Silver Prints and Signed Jazz Party Sketches, Group of 9 (Various). Cliff Leeman (drums) two signed photos and two signed sketches, Carl Fontana signed photo and signed sketch, Bob Walker (sax) signed photo and signed sketch, and Bob Haggart (bass) signed photo. Each Al White silver print measures 8" x 10"; each sketch measures 9" x 12". Each piece is in Excellent condition. From the Al White Jazz autograph archive.
George Masso, Lou Stein, Bucky Pizzarelli, John Pizzarelli, and Warren Vache Jr., Autographed Al White Silver Prints and Signed Jazz Party Sketches, Group of 8 (Various). George Masso (trombone) signed photo and signed sketch, Lou Stein (piano) signed photo and signed sketch, Bucky and John Pizzarelli (guitar) signed photo and John Pizzarelli signed sketch (1987), and Warren Vache Jr. (trumpet) signed photo and signed sketch. Each Al White silver print measures 8" x 10"; each sketch measures 9" x 12". Each piece is in Excellent condition. From the Al White Jazz autograph archive.
Jack Lesberg, Butch Miles, and Bucky Pizzarelli, Autographed Al White Silver Prints and Signed Jazz Party Sketches, Group of 6 (Various). Jack Lesberg (bass) and Butch Miles (drums) signed photo and signed sketch, Bucky Pizzarelli (guitar) signed photo and signed sketch, and Butch Miles (drums) signed photo and signed sketch. Each Al White silver print measures 8" x 10"; each sketch measures 9" x 12". Each piece is in Excellent condition. From the Al White Jazz autograph archive.
Ralph Sutton, Al Stein, Ed Polcer, Johnny Mince, and Michael Moore, Autographed Al White Silver Prints and Signed Jazz Party Sketches, Group of 8 (Various). Ralph Sutton (piano) and Al Stein (piano) signed photo (both) and Ralph Sutton signed sketch, Ed Polcer (trumpet) signed photo and signed sketch, Johnny Mince (clarinet) signed photo and signed sketch, and Michael Moore (bass) signed photo and signed sketch. Each Al White silver print measures 8" x 10"; each sketch measures 9" x 12". Each piece is in Excellent condition. From the Al White Jazz autograph archive.
Teddy Wilson, Lou McGarity, Vic Dickenson, and Lou Stein, Autographed Al White Silver Prints and Signed Jazz Party Sketches, Group of 8 (Various). Teddy Wilson (piano) signed photo (1977) and signed sketch, Lou McGarity (trombone) signed photo and signed sketch, Vic Dickenson (trombone) signed photo and signed sketch, and Lou Stein (piano) signed photo and signed sketch. Each Al White silver print measures 8" x 10"; each sketch measures 9" x 12". Each piece is in Excellent condition. From the Al White Jazz autograph archive.
Johnny Best, Benny Carter, Bucky Pizzarelli - John Falter Lithographs and Autographed Al White Silver Prints, Group of 6 (Various). From the Al White Jazz autograph archive.
Vic Dickenson, Ralph Sutton, and Ed Hubble - John Falter Lithographs and Autographed Al White Silver Prints, Group of 6 (Various). Artist John Falter showcased Vic Dickenson (trombone), Ralph Sutton (piano), and Ed Hubble (trombone) in three expressive lithographs (each was signed by John Falter). Al White's three photographs (autographed by the musicians) present alternate views of these top-notch jazz players. John Falter's lithographs each have an overall size of 11" x 15", and they average Very Good condition. Al White's silver prints each measure 8" x 10", and they are in Excellent condition. From the Al White Jazz autograph archive.
Cliff Leeman, Ross Tompkins, and Pee Wee Erwin - John Falter Lithographs and Autographed Al White Silver Prints, Group of 6 (Various). Cliff Leeman (drums), Ross Tompkins (piano), and Pee Wee Erwin (trumpet) are the focus of artist John Falter's three lithographs (each signed by Falter). Al White was at the same jazz parties and shot three photographs of the very same musicians, and each signed his image. John Falter's lithographs each have an overall size of 11" x 15", and they average Very Good condition. Al White's silver prints each measure 8" x 10", and they are in Excellent condition. From the Al White Jazz autograph archive.
Bob Haggart, Barney Bigard, Wild Bill Davidson, Skeets Herfurt, Herb Hall, Ralph Sutton, and Stan Wrightsman - John Falter Lithographs and Autographed Al White Silver Prints, Group of 6 (Various). Bob Haggart (bass), Barney Bigard (clarinet), Wild Bill Davidson (trumpet), Skeets Herfurt (sax), and Stan Wrightsman (piano) are the subjects of two John Falter montage scenes (each lithograph was signed by Falter). Al White's four photographs were autographed by those musicians, and also by Ralph Sutton (piano) and Herb Hall (clarinet). John Falter's lithographs each have an overall size of 11" x 15", and they average Very Good condition, while Al White's silver prints each measure 8" x 10", and they are in Excellent condition. From the Al White Jazz autograph archive.
Peanuts Hucko, Bob Wilber, Bud Freeman, and Dick Hyman - John Falter Lithographs and Autographed Al White Silver Prints, Group of 6 (Various). The joint is jumping -- in three great prints by former Saturday Evening Post cover artist John Falter. His subjects include Peanuts Hucko (clarinet), Bob Wilber (clarinet) and Bud Freeman (sax), and Dick Hyman (piano). Al White's three photo portraits present different takes on the same jazz talents. Two of these prints were signed (by Peanuts Hucko and Dick Hyman). John Falter's lithographs each have an overall size of 11" x 15", and they average Very Good condition. Al White's silver prints each measure 8" x 10", and they are in Excellent condition. From the Al White Jazz autograph archive.
Lou Stein, Carl Fontana, Budd Johnson, and Gus Johnson Jr. - John Falter Lithographs and Autographed Al White Silver Prints, Group of 6 (Various). Lou Stein (piano), Carl Fontana (trombone), Budd Johnson (sax), and Gus Johnson Jr. (drums) headline two John Falter lithographs (each signed by Falter). Al White snapped four photographs of these jazz artists and had them autograph each silver print. John Falter's lithographs each have an overall size of 11" x 15", and they average Very Good condition. Al White's silver prints each measure 8" x 10", and they are in Excellent condition. From the Al White Jazz autograph archive.
Jack Lesberg, Bobby Rosengarden, Yank Lawson, and Billy Butterfield - John Falter Lithographs and Autographed Al White Silver Prints, Group of 6 (Various). Bass player Jack Lesberg, drummer Bobby Rosengarden, and trumpeters Yank Lawson and Billy Butterfield star in three lithographs drawn by world-class illustrator and jazz aficionado John Falter. Al White adds three photographs of the same subjects to this lot. Two of the prints were signed by Jack Lesberg and Bobby Rosengarden. John Falter's lithographs each have an overall size of 11" x 15", and they average Very Good condition. Al White's silver prints each measure 8" x 10", and they are in Excellent condition. From the Al White Jazz autograph archive.
Clark Terry, Zoot Sims, and Al Cohn - John Falter Lithographs and Autographed Al White Silver Prints, Group of 3 (Various). Sax man Zoot Sims joins trumpet king Clark Terry in this lustrous lithograph by celebrated illustrator John Falter. Al White snapped two photographs at the same jazz parties. One print features two of the famous "Four Brothers" from the Woody Herman herd -- Zoot Sims and Al Cohn, while the other print catches Clark Terry in a quiet moment. Each jazz artist signed his own image. John Falter's lithographs each have an overall size of 11" x 15", and they average Very Good condition. Al White's silver prints each measure 8" x 10", and they are in Excellent condition. From the Al White Jazz autograph archive.
Teddy Wilson, John Mince, and Willie "the Lion" Smith - John Falter Lithographs and Autographed Al White Silver Prints, Group of 5 (Various). Piano greats Teddy Wilson and Willie "the Lion" Smith are joined by clarinet player Johnny Mince as the subjects of these three superb John Falter prints (each signed by Falter). Al White lensed Teddy Wilson and Johnny Mince at a jazz party, and they have each signed their image. Also included in this lot is a page cut from a book with a biography of Willie "the Lion " Smith, signed by Smith in brown pen, at the bottom of the page. John Falter's lithographs each have an overall size of 11" x 15", and they average Very Good condition. Al White's silver prints each measure 8" x 10", and they are in Excellent condition. From the Al White Jazz autograph archive.
Signed "After Hours - Joe Bushkin" Columbia CL 6201 10-inch LP, with Autographed Al White Silver Print (1952). Pianist Joe Bushkin is joined by Buck Clayton (bass), Eddie Safranski (bass), Sid Weiss (bass) and Jo Jones (drums) for six standards and a Bushkin original. The album cover was signed by Bushkin. Also included in this lot is an Al White "jazz party" silver print, also autographed by Bushkin. Condition: VG+/VG-. From the Al White Jazz autograph archive.
Signed "Jazz at the New School" Chiaroscuro CR110 Stereo LP, with Autographed Al White Silver Print (undated). It was Old School at the New School as Eddie Condon, Wild Bill Davidson, Kenny Davern, Dick Wellstood, and Gene Krupa swung together. The front of the album cover was signed by Wellstood, Davern, and Davidson. Also included in this lot are two Al White "jazz party" silver prints, autographed by Wellstood and Davidson, and a publicity photograph autographed by Gene Krupa. Condition: VG+/VG-. From the Al White Jazz autograph archive.
Signed "Bixieland - Eddie Condon" Columbia CL719 Mono LP, with Autographed Photograph (undated). Eddie Condon leads an all-star group that pays homage to trumpeter Bix Beiderbecke. The front album cover was signed by Eddie Condon (the signature has faded), and on the back, the cover was signed by Pete Pesci (guitar), Wild Bill Davidson (trumpet), and Dick Cary (sax). Also included in this lot is a photograph, autographed by Condon. Price sticker on back cover. Condition: VG-/G. From the Al White Jazz autograph archive.
Signed "Stomp Off Let's Go - Bob Crosby and His Orchestra" Ace of Hearts (UK issue) AH 29 Mono LP, with Autographed Photograph (1962). Bob Crosby cooks with Orchestra members Ray Baudic (drums), Bob Haggart (bass), Eddie Miller (sax), and Yank Lawson (trumpet). The album cover was autographed by Baudic, Haggart, and Lawson. Also included in this lot is a photograph, autographed by Baudic, Haggart, Lawson, Miller, and Nappy Lamare (guitar). Condition: VG++/VG++. From the Al White Jazz autograph archive.
Signed "With Strings Attached - Wild Bill Davidson" Columbia CL 983 Mono LP, with Autographed Al White Silver Print (undated). Wild Bill's trumpet playing cooks like a flamethrower! The album cover was autographed by Davidson and his sidemen Jack Lesberg (bass), and Bob Wilber (clarinet). Also included in this lot is an Al White "jazz party" silver print, autographed by Davidson. Price sticker on back cover. Condition: VG/G. From the Al White Jazz autograph archive.
Signed "Soft Shoe - Herb Ellis and Ray Brown" Concord records CJ-3 Stereo LP, with Autographed Al White Silver Print (1974). Trumpeter Harry "Sweets" Edison brings some fire to this album featuring Herb Ellis (guitar) and Ray Brown (bass). The album cover was signed by Ellis, Brown, and drummer Jake Hanna. Also included in this lot are two Al White "jazz party" silver prints, autographed by Ellis and Brown. Condition: VG++/VG+. From the Al White Jazz autograph archive.
Signed "Something Tender - Bud Freeman" United Artists Jazz 15033 Stereo LP, with Autographed Al White Silver Print (1963). Tenor sax player Bud Freeman is joined by two great guitarists, George Barnes and Carl Kress for this album. The front cover was signed by Freeman. Also included in this lot is an Al White "jazz party" silver print, autographed by Freeman and guitarist Howard Alden. Price sticker on back cover. Condition: VG/VG. From the Al White Jazz autograph archive.
Signed "B. G. in Hi-Fi - Benny Goodman" Capitol W565 Mono LP, with Autographed Photograph (1954). The "King of Swing" does his thing, in these fifties sessions. Also included in this lot is a photograph, autographed by Benny Goodman. Price sticker on back cover. Condition: VG/VG. From the Al White Jazz autograph archive.
Signed "Scott Hamilton - Buddy Tate - Scott's Buddy" Concord Records CJ-148 Stereo LP, with Autographed Al White Silver Print (1981). Sax players Scott Hamilton and Buddy Tate are joined by sidemen Cal Collins (guitar), Jake Hanna (drums), Bob Maize (bass) and Nat Pierce (drums) in these sides. The album cover was autographed by Hamilton and Tate, on the back. Also included in this lot are two Al White "jazz party" silver prints, autographed by Hamilton and Tate. Condition: VG+/VG++. From the Al White Jazz autograph archive.
Signed "Teddy Wilson and His All-Stars" Columbia KG 3167 Mono LP, with Autographed Al White Silver Print (1973). Piano giant Teddy Wilson shines on this re-issued double-album LP set. The album cover was autographed by Wilson. Also included in this lot is an Al White "jazz party" silver print, autographed by Wilson in 1977. Condition: VG+/VG+. From the Al White Jazz autograph archive.
Signed "Satchmo Remembered - Dick Hyman with the New York Jazz Repertory Company" Atlantic SD1671 Stereo LP, with Autographed Al White Silver Print (1975). Dick Hyman conducts an all-star jazz band as they pay tribute to Louis Armstrong. The album cover was signed by Pee Wee Erwin (trumpet), Kenny Davern (clarinet), Vic Dickenson (trombone), Milt Hinton (bass), Ruby Braff (trumpet), Bobby Rosengarden (drums), and Dick Hyman (piano). Also included in this lot is an Al White "jazz party" silver print, autographed by Hyman. Condition: VG++/VG+. From the Al White Jazz autograph archive.
Signed "The Second Time Around - The Red Norvo Combo" Famous Door HL-108 Stereo LP, with Autographed Al White Silver Print (1975). Vibes legend Red Norvo swings with sidemen Dave McKenna (piano), Kenny Davern (sax), Milt Hinton (bass) , and Mousey Alexander (drums). The album cover was signed by the whole crew. Also included in this lot is an Al White "jazz party" silver print, autographed by Norvo. Condition: VG++/VG+. From the Al White Jazz autograph archive.
Signed "Flip Phillips - Scott Hamilton - A Sound Investment" Concord Records CJ-334 Stereo LP, with Autographed Al White Silver Print (1987). Tenor sax men Flip Phillips and Scott Hamilton team with sidemen John Bunch (piano), Phil Flanagan (bass), Chris Flory (guitar) and Chuck Riggs (drums) for a hot-cooking session. The album cover was autographed by Hamilton on the front and Bunch, Phillips, and Flanagan, on the back. Also included in this lot is an Al White "jazz party" silver print, autographed by Phillips and Hamilton. Condition: VG++/VG++. From the Al White Jazz autograph archive.
Signed "Shut Yo' Mouth! - Slam Stewart and Major Holley" P. M. Records (Canadian issue) PMR-024 Stereo LP, with Autographed Al White Silver Print (1987). Bassists Slam Stewart and Major Holley link up with Dick Hyman (piano) and Oliver Jackson (drums) to lay down a solid beat. The back of the album cover was signed by Holley. Also included in this lot are two Al White "jazz party" silver prints, autographed by Holley and Stewart. Condition: VG++/VG++. From the Al White Jazz autograph archive.
Signed "George Van Eps - Mellow Guitar" Corinthian COR-121 Stereo LP, with Autographed Al White Silver Print (undated). George Van Eps coaxes beautiful harmonies out of his seven-string guitar on this relaxing album. The album cover was signed by Van Eps. Also included in this lot is an Al White "jazz party" silver print, autographed by Van Eps. Condition: VG++/VG++. From the Al White Jazz autograph archive.
Signed "Van Eps-Miller-Wrightsman" Jump J12-6 LP, with Autographed Al White Silver Print (1976). Seven-string guitar master George Van Eps is joined by Eddie Miller (sax) and Stan Wrightsman (bass) on this seventies album, and this album's cover was signed by Miller (on the front), and Van Eps (on the back). Also included in this lot is an Al White "jazz party" silver print, autographed by George Van Eps, and Bob Haggart (bass). Condition: VG+/VG++. From the Al White Jazz autograph archive.
Signed "The Jazz Violin of Joe Venuti - Once More With Feeling" Ovation Records OV/14-04 Stereo LP, with Autographed Al White Silver Print (1969). Jazz legend Joe Venuti (violin) is joined by sidemen Lou Stein (piano), Jack Lesberg (bass), Cliff Leeman (drums), Bobby Christian (percussion), and Ron Steele (guitar). The album cover was signed by Venuti, Stein, Lesberg, and Leeman. Also included in this lot is an Al White "jazz party" silver print, autographed by Venuti and pianist Ralph Sutton. Condition: VG++/VG++. From the Al White Jazz autograph archive.
Signed "The Joe Venuti Four" Chiaroscuro CR134 Stereo LP with Autographed Al White Silver Print (1974). Jazz violinist Joe Venuti is joined by sidemen Spencer Clark (sax), Milt Hinton (bass), Dick Hyman (piano), Dill Jones (piano), Cliff Leeman (drums), Bucky Pizzarelli (guitar), and Zoot Sims (sax). The album cover was autographed by Venuti, Sims, Hinton, and Leeman. Also included in this lot is an Al White "jazz party" silver print, autographed by Venuti and Sims. Condition: VG+/VG+. From the Al White Jazz autograph archive.
Signed "Joe and Zoot - Joe Venuti and Zoot Sims" Chiaroscuro Records CR 128 Stereo LP, with Autographed Al White Silver Print (1974). This album has to swing, with a group that features Joe Venuti (violin), Zoot Sims (sax), George Duvivier (bass), Cliff Leeman (drums), and Dick Wellstood (piano)! The album cover was signed by Venuti, Sims, and Leeman. Also included in this lot is an Al White "jazz party" silver print, autographed by Venuti, Sims, and pianist Ralph Sutton. Condition: VG+/VG+. From the Al White Jazz autograph archive.
Signed "Night in Manhattan - Lee Wiley, Bobby Hackett, and Joe Bushkin" Columbia CL 6169 Mono 10-Inch LP, with Autographed Al White Silver Print (1951). Lee Wiley and Bobby Hackett team with Joe Bushkin to create some relaxed jazz. The front of the album cover was signed by Bushkin. Also included in this lot is an Al White "jazz party" silver print, autographed by Hackett and a publicity photograph, autographed by Lee Wiley. Condition: VG/G. From the Al White Jazz autograph archive.
Signed "Lee Wiley - Back Home Again" Monmouth-Evergreen Records MES/7041 Stereo LP, with Autographed Al White Silver Print (1971). Singer Lee Wiley interprets the standards with sidemen Rusty Dedrick (trumpet), Johnny Mince (clarinet), Buddy Morrow (trombone), Dick Hyman (piano), Bucky Pizzarelli (guitar), George Duvivier (bass), and Don Lamond (drums). The album cover was signed by all of the sidemen. Also included in this lot are an Al White "jazz party" silver print, autographed by Dedrick, and a publicity photograph, autographed by Lee Wiley. Condition: VG+/VG. From the Al White Jazz autograph archive.
Signed "Teddy Wilson and His All-Stars" Columbia KG 3167 Mono LP, with Autographed Al White Silver Print (1973). Piano giant Teddy Wilson shines on this re-issued double-album LP set. The album cover was autographed by Wilson. Also included in this lot is an Al White "jazz party" silver print, autographed by Wilson in 1977. Condition: VG+/VG+. From the Al White Jazz autograph archive.
Musical Instruments
Jonah Jones Trumpet. A talented and flashy trumpeter skilled at playing with orchestras, big bands, and small Jazz ensembles, Jonah Jones became a major attraction at home and abroad in the '50s and '60s playing concise versions of melodic Swing standards and show tunes with a quartet. This beautiful French-made LeBlanc trumpet, serial #14380, was owned and used by Jones, and is in Excellent condition. "Jonah Jones" is inscribed in the bell of the trumpet. It comes with a carrying case that is slightly dinged but in overall great condition.
Music Memorabilia
Mercer Ellington -- Hand Written "Set List" of Songs (undated). In the 1940s Mercer Ellington (1919-1996) wrote several notable songs, such as " Things Ain't What They Used to Be," "Jumpin' Punkins," "Moon Mist," and "Blue Serge." After stints as the road manager for Cootie Williams Orchestra, and musical director for Della Reese, Mercer joined his father's band as the road manager and a player in the trumpet section. After Duke Ellington's death in 1974, Mercer led the band for several years, and in the eighties the "Duke Ellington Orchestra" recorded several previously unrecorded compositions. Mercer penned a biography, "Duke Ellington in Person," published in 1978, and also directed the musical, "Sophisticated Lady," from 1981-1983. Offered in this lot is his "set list" of 18 Duke Ellington classics in the order that they were to be played at a performance. The envelope measures an overall 13" x 10".
Mercer Ellington -- Key to the City of Birmingham, Alabama and a Certificate of Appreciation from the Governor of Alabama (1980). The state of Alabama recognized the musical contributions of Mercer Ellington, Duke Ellington's son, with a handsome Certificate of Appreciation, issued on October 3rd, 1980, and signed by the Governor of Alabama, Fob James. The certificate measures 11" x 14". Also included in this lot is a ceremonial key to the city of Birmingham, Alabama, with the name of Mayor Richard Arrington, Jr. engraved on the key. The key is approximately 3" long and retains its original red, white, and blue ribbon. Both awards were presented to Mercer Ellington at the 36th Anniversary dinner of the United Negro College Fund.
Duke Ellington - "Farmer in the Dell" Hand Written Score (undated). One of America's greatest composers, Edward Kennedy "Duke" Ellington (1899-1974) was also a superb pianist, arranger, and band leader. As jazz historian Scott Yanow has written, "Duke Ellington's contributions to jazz and American music were simply enormous. As a composer, Ellington ranked with George Gershwin, Cole Porter, Irving Berlin, and their contemporaries. He wrote literally thousands of songs (the exact number is not known) of which hundreds became standards." Written in Duke Ellington's own hand, this lot features the musical score for Duke's swinging version of the nursery rhyme, "Farmer in the Dell." This chart features one page with the main melody, and four half-page parts which lay down a trombone part, Cootie Williams' trumpet part, Johnny Hodges' alto sax part (noted as "Rab" for Rabbit, Hodges' nick-name), and a part with the notation "Bar," for the baritone saxophone. This lot also includes a letter of provenance from a former librarian of the Duke Ellington Orchestra.
Duke Ellington - "Million Years," 2-page Hand Written Score (undated). For the true jazz aficionado, few pieces would make a more treasured showpiece than an actual hand-written Duke Ellington score! Most of Duke Ellington's scores are housed in the Smithsonian Institution in Washington D.C., so don't miss out this chance to win this original Duke Ellington chart for "Million Years." This lot also includes a letter of provenance from a former librarian of the Duke Ellington Orchestra.
Duke Ellington - "You Turned the Tables On Me," 4-page Hand Written Score (undated). Duke Ellington wrote and arranged his songs, and tailored them for the specific talents of his band members rather than for an anonymous horn section. In this score for "You Turned the Table on Me," baritone saxophone player Harry Carney's name is noted next to a portion of the saxophone part. Not content to perform his pieces the same way every outing, Ellington often reworked his charts to keep them fresh. As a result, the performances never grew stale, and they sounded different in the thirties than they did in the fifties, or the sixties. This score is written on the front and back of a double-paged sheet of score paper. Four lines outline the parts for sax, baritone sax, coronet, and trombone. Swingin'! This lot also includes a letter of provenance from a former librarian of the Duke Ellington Orchestra.
Louis Armstrong Tickets and Memorabilia (1961-64). The great Satchmo is represented by the following items: three unused concert tickets for the April 27, 1961 show at Pittsburgh's Syria Mosque (all NM); a 4" x 5" showcard promoting Armstrong's June 14, 1963 show at the Moulin Rouge (also listed: Liberace, who appeared the following week) in GD, and finally, a 1964 tour book featuring Louis and Trini Lopez in Australia, in VG. Wonderful -- oh, yeah!
Count Basie Pablo Jazz Festival Poster (1978). Honolulu's lovely Neal S. Blaisdell Center (named for a former mayor) was the setting for an incredible night of jazz with Count Basie and his band, on June 7, 1978. This attractive poster, printed in rainbow hues, celebrates that event, originally part of a Pablo Records "Jazz Festival" series of concerts. The poster measures 17" x 24", and is in VG+ condition, with the chief flaws being a tiny bug chew near the central design, some very light bending at the top, and a small ink mark along the lower right edge. It's still a beauty, though -- sure to be a prized possesion for one lucky jazz-loving bidder! To sweeten the pot, we've tossed in a colorful VG+ Bill Graham Fillmore concert postcard (BG78), with a line-up featuring Chuck Berry, Charles Lloyd, the Young Rascals, and Basie, dated 1967.
Charles Mingus Paradiso Concert Poster (circa early 1970s). One of the true giants of jazz, Charles Mingus has played bass with the biggest names of his time, including Louis Armstrong, Duke Ellington, Billie Holiday, Charlie Parker, Bud Powell, Red Norvo, Miles Davis -- this list goes on and on. This beautifully designed 16.75" x 24" poster for a show at Amsterdam's Paradiso Club is a must for any jazz aficionado or fan of the man. Mingus stopped touring in 1977, two years before his untimely death in '79; we believe this poster dates from the early '70s. Outside of a small bit of chipping and minor discoloration along the outside edges, this poster rates a strong VG++.
Charles Mingus and Mose Allison Concert Posters and Ticket (1973-79) Two giants of Jazz are featured in this interesting lot. First up, a November 25, 1973 Charles Mingus performance at the Berkeley Community Theatre, with opening act the Art Ensemble of Chicago, is advertised in this 9.75" x 14" poster, printed in brown ink on beige paper (VG+); plus a June 15, 1974 Austin, Texas performance by Mose Allison at the Armadillo World Headquarters with guest Alex Moore 11" x 17" poster, printed in black ink on textured beige stock (NM-). An unused ticket for another Armadillo Allison show (with Passenger as the opening act) from June 15, 1979 is also included.
Stuff Smith and Cozy Cole Signed Jazz Window Card, plus Claude Hopkins Signed Jazz Window Card. Stuff Smith was one of the first great Jazz violinists, and he was a brilliant musician who has been tremendously underrated. Cozy Cole, who has also signed this window display card, is regarded as one of the greatest drummers Jazz has ever produced. He helped propel such bands as Cab Calloway, Lionel Hampton, and Louis Armstrong to fame. Cozy Cole recorded a million-selling record, Topsy, in 1958. This card is signed by both Stuff Smith (twice) and Cozy Cole, and it should be noted that Cole has signed "Cosy Cole", making this his rarer, earlier signature. Pinholes at corners do not detract from this rare piece. Claude Hopkins led one of the best swing bands of the early 1930s. All the white bands that came through New York City envied his ensemble. Hopkins, born in 1903, got his first taste of fame as the intermission pianist at the well-known 52nd Street Jazz Club, Jimmy Ryan's. The innovative pianist had a long and successful career. This card, done over a purple background, shows the leader as well as an artist's rendition of his whole band, and Claude has signed the card on his image. Pinholes at corners would matte or frame out. A rare signature.
Little Richard "It Ain't Whatcha Do" Color Keys. Color keys for album covers, or in this case picture sleeve, don't come around very often, especially ones that are 40 years old or more. This set is for the picture sleeve of Vee-Jay Records' 1965 release of the single "It Ain't Whatcha Do." A great item for fans of the early days of Rock and Roll.
Santana Unused First Album Slick and Photo Sheet (1969). Carlos Santana and his namesake band were a popular act in the San Francisco-Bay Area throughout the late 1960s, playing often at venues like the Fillmore. In 1969, they released their classic first album on Columbia; for the cover art, they chose popular poster artist Lee Conklin, who adapted the "Lion's Head" design first used on poster #BG134. The result was spectacular. This lot includes an unused album slick, which has been signed by Conklin. Also included in this lot is a large photo proof sheet, featuring shots of Carlos wailing on his Les Paul, from those first album sessions (that's Dave Brown on bass in the background). The pictures are by well-known Rock photographer Jim Marshall, and he has signed the sheet. Both items are in NM- condition; the slick measures 13.5" x 15", and the photo sheet measures 24" x 20".
Early '60s Tour Books Group. Set of nine tour books includes one each for Music Au-G-Go, the Johnny Rivers Memphis Special, the Animals, Gary Lewis and the Playboys, and Johnny Mathis, plus four Dick Clark Caravan of Stars tour books. In overall Very Fine condition with mild wear and tanning.
Bobby "Blue" Bland Pennant. A vintage blue-and-yellow pennant, 30" x 12", touting "The Crown Prince of the Blues." In Very Fine condition with some minor soiling and wear, and thumbtack marks near each corner.
Jimmie Davis Personal Scrapbook. During a long and truly eclectic career, Jimmie Davis was successful as both a singer-songwriter of Country and Gospel tunes, as well as Governor of Louisiana -- and he often combined the two, performing music during his campaigns. Collected in this leather-bound scrapbook by Davis himself are numerous newspaper clippings, photos, and handbills dating from 1948-53 that detail some of his time spent as a singer, a governor, and a singing governor. Especially noteworthy is a 9.5" x 6.5" handbill advertising Davis on a double bill with Harpo Marx at the Flamingo Room. The scrapbook is in great condition with only a light amount of wear to the covers, and a light to moderate amount of tanning to the pages and contents, to be expected with the age of the material.
Jerry Garcia photo Signed by Artist. A very nice 11" x 14" b&w photo of the late Grateful Dead frontman, signed by legendary Jazz photographer Jeffrey Kliman in black ink at the lower right corner. In Excellent condition, framed to an overall size of 13" x 16".
Jerry Garcia photo Signed by Artist. A very nice 11" x 14" b&w photo of the late Grateful Dead frontman, signed by world-famous Jazz photographer Jeffrey Kliman in black ink at the lower right corner. In Excellent condition.
Grateful Dead Highway Sign. This heavy, vinyl, billboard-size (roughly 14' x 48') banner from the Dead's 2004 summer tour hung on the New Jersey Turnpike to promote their stop at the PNC Center in New Jersey. The banner, from the "Wave That Flag" tour, features Uncle Sam. In Excellent condition with virtually no wear.
Woody Guthrie Painting with Inscription. One of the most influential and prolific of American folk musicians, Woody Guthrie was also an accomplished painter, as evidenced by this piece titled "Pressed In," depicting a snowbound cabin. A cut-out space in the back area of the frame reveals a poignant inscription by Guthrie to a friend: "Hello Nick: These are two awful cold pictures for such a warm friend -- was Florida very much like this? I never been there. Woody Guthrie 1-4-42 New York City." The artwork is in great condition, with the lower right corner torn loose but still present, and is matted and framed to an overall size of 18.5" x 16.5". A unique item and extremely rare.
Al Jolson #8 Jigger. A rare 1920s MacGregor Go-Sum #8 jigger, owned and used by legendary jazz singer Al Jolson, kept in the family for decades by Jolson's nephew. In great condition, with some rust to the head and only relatively light wear and scuffing to the wood and leather handle. A great item for both fans of Jolson and collectors of golf memorabilia.
Al Jolson White House Pass With Photo. Small, 4" x 2.5" pass card written to Jolson for the date of Franklin D. Roosevelt's 61st birthday party, along with a 5" x 7" b&w photo of the singer-actor. Both items are in Excellent condition with only small amounts of discoloration.
Madonna "Sex" Japanese Edition. A copy of the Japanese first edition of this infamous book that is still sealed in its original box container. The text is in English and Japanese, but otherwise the contents are the same as other editions. The unopened box is in Excellent condition with mild surface wear, and the contents are assumed to be "Like a Virgin."
Madonna "Sex" Sealed First Edition. A source of instant controversy when it was published in 1992, Madonna's erotic coffee table book touched off instant debate about the artist, her music and image, and erotica in general. Featured here is a copy of the limited first edition of the book with a special edition CD enclosed, still sealed in its original mylar packaging. In Excellent condition with a few scratches to the mylar.
Madonna "Sex" Sealed First Edition. A copy of Madonna's notorious coffee table work of erotica. Featured here is a copy of the limited first edition the book with a special edition CD enclosed, still sealed in its original mylar packaging. In Excellent condition with a few scratches to the mylar.
Madonna "Sex" Sealed First Edition. Madonna's controversial work of erotica. Featured here is a copy of the limited first edition the book with a special edition CD enclosed, still sealed in its original mylar packaging. In Excellent condition with a few scratches to the mylar.
Rolf and Aimee Semple McPherson Signed Hymnal and Photograph. Featured is a copy of the "Foursquare Hymnal of Standard Songs of Evangelism" signed by evangelist and 1920s and '30s media sensation Aimee Semple McPherson, and a photo of Semple McPherson and her son Rolf, signed by the latter in black ink. The book is in very good condition with only minor wear to the cover and some foxing of the pages; the photo is in Very Good condition, with some edge wear and discoloration. With COA from PSA/DNA.
Rolling Stone Bound Volumes. Founded in San Francisco in 1967 by Jann Wenner (who is still editor and publisher) and music critic Ralph J. Gleason, Rolling Stone began covering music and pop culture at a time when both were experiencing a legendary period of flux, and in the process helped shape the country's cultural landscape and launched the careers of the likes of Hunter S. Thompson, Cameron Crowe, and Kurt Loder. Featured here are two sets of Rolling Stone back issues that have been trimmed and bound into hardcover volumes. The first features issues 31 through 45 (April 19, 1967 to November 1, 1969), and the second includes issues 46 through 60 (November 15, 1969 to June 11, 1970); together they included coverage of the fall-out from the Rolling Stone's infamous Altamont concert, the final days of the Beatles, the antics of Ken Kesey, and other events. The volumes are in Excellent condition, with some very mild wear to the covers and light to moderate tanning of the pages.
Ritchie Valens Shirt. A striking short-sleeved button up shirt, white with elaborate red-and-white striping on the front and on the collar, owned and worn by the late, great musician. In Very Fine condition with some small stains and very mild discoloration from age.
Ritchie Valens Cufflinks with Vintage Photos. A talented musician whose career was cut short in its prime, Ritchie Valens nevertheless managed to record some of the greatest and most influential songs of the 1950s. Featured here is a pair of silver cufflinks with a matching tie clip, each decorated with musical notes and in Excellent condition. Included with them is a b&w 8" x 10" photo with a printed signature, also in Excellent condition, as well as two other vintage photos of the singer (Fine to Excellent). Finally, the real treasure in this lot is an early tattered photo that our conisgnor, one of Ritchie's best friends in junior high, kept in her purse for years after his death, and a green album page signed by Ritchie when he was in junior high school. This could be the earliest known Ritchie Valens signature ever offered. Even at this early age, Ritchie's friend knew he was destined to become a star.
Ritchie Valens Bowtie with Card. Includes a black clip-on bowtie owned and worn by Ritchie Valens, in Excellent condition, along with a 4" x 5" Christmas card featuring a photo of Valens with his guitar (and wearing the bowtie) inscribed "Mr. & Mrs. Bill Smith & daughter Gail with love, Best of luck - from Ritchie's mother" in blue ink (Excellent condition with some small tape stains). The card was a Christmas card Mrs. Valens sent to friends and relatives the year after Ritchie was killed in a tragic plane crash. Two very unique items.
Ritchie Valens Pacoima Jr. High School Performance Reel-to-Reel Recording. Possibly Rock's earliest live album, padded with narration and unfinished studio tracks, "In Concert at Pacoima Jr. High" was released about a year after Valens' death. While attending school, Valens gave almost daily concerts during his lunch breaks, which in part lead to his discovery by Del-Fi Records owner Bob Keane. This 7" reel-to-reel tape recording of his December 10, 1958 professional performance begins with renditions of "Whole Lotta Shakin' Going On" and "Bye Bye Love" by opening act John & Judy, followed by Ritchie performing "Let's Go" and "Donna," two more songs by John and Judy, and then Ritchie performing "Summertime Blues" and "From Beyond." There's a short break for a raffle drawing, and then Valens closes the show with "La Bamba" and an onstage interview. The tape was recorded over the school intercom and portions of it were released on the subsequent album. An exciting and extremely rare recording, in great condition. Please note, Ritchie was in high school at the time this concert was recorded. The contract for this performance is also an item in this auction, number 21049.
Ritchie Valens Funeral Lot. In the early morning hours following a February 2, 1959 performance at the Surf Ballroom in Clear Lake, Iowa, a small four-passenger Beechcraft Bonanza aircraft departed into a blinding snowstorm and crashed into a cornfield several miles after takeoff. The crash killed Ritchie Valens, Buddy Holly, J. P. "The Big Bopper" Richardson, and pilot Roger Peterson, and later became immortalized as "The Day the Music Died." This lot includes a copy of the nine-page report on the accident filed by the Civil Aeronautics Board, a receipt and hand-drawn design for Valens headstone, receipts for the funeral arrangements, and a program for the May 13, 1989 memorial "Richie Valens Night" celebration. All items are in overall Very Good to Excellent condition.
Rudy Vallee Archive. One of the most popular entertainers of the 1930s, singer-saxophonist Rudy Vallee had a career that spanned decades. Featured are a car plate and door plate inscribed with Rudy's name; a program for a 1941 charity tennis event in which Vallee and actor-strongman Nat Pendleton squared off against actor Gilbert Roland and vocalist George Murphy; and two songbooks that belonged to him, "Rudy Vallee's Collection of World Famous Love Songs" and "Rudy Wiedoeft's Complete Modern Method for the Saxophone." Wiedoeft was a huge influence on Vallee, and his death by cirrhosis of the liver in 1940 was sudden and tragic, a fact mentioned in the March 26, 1940 letter to Vallee from music publisher J.J. Robbins, also included in this lot. All items are in Superb condition, with only a modest amount of wear and tear due to age.
Blind Faith - Santa Barbara ticket (1969). From there only U.S. tour comes this NM Blind Faith ticket. These tickets are very hard to find, in any condition, as the show sold out. In this condition it will thrill the lucky bidder that wins it!
Bill Graham Concert Tickets, Group of 8 (Bill Graham Presents, 1967-68). Bill Graham was an originator of many things in rock; one was his use of tickets. Instead of generic tickets with just a name on them, he made them mini reproductions of the posters. Offered here are tickets for the following bands: The Move, Yardbirds, Taj Mahal, Electric Flag, John Mayall, Janis Joplin, Led Zeppelin, and Mike Bloomfield. Most of the tickets are Near Mint or better condition, centering being the only problem for two of the tickets. A great grouping of legendary '60s acts, so don't wait too long to place your bid.
Grateful Dead - Southern California ticket (1968). A really "grate" ticket from Santa Barbara, California. This was a ticket to see not just the Grateful Dead but also The Doors, UFO, and Captain Speed. In NM condition this ticket will thrill one lucky bidder!
Grateful Dead Boston Garden Concert "Puzzle" Backstage Passes (1992). Here's a set of passes for the Dead's week-long run at the Boston Garden. When put together in order, they form an image of hippie skeletons rocking out in a broken down van. All eight backstage passes are in Near Mint condition.
Grateful Dead Concert Backstage Pass "Puzzle" Group (1992). A really nice batch of passes here for shows in NYC and Philadelphia. When put together the picture shows skeleton astronauts with a space shuttle and a satellite. All eight passes are in Near Mint condition and will make a great addition to one lucky "Deadheads" collection!
Grateful Dead Concert Passes Group. This group of ten assorted Grateful Dead concert passes includes a back stage pass from the band's March 27, 1993 concert in Albany New York, September 8, 1993 concert in Richfield, Ohio, and September 16, 1993 show at Madison Square Garden in New York; plus guest passes from the following shows: July 20 and 21, 1994 in Noblesville, Indiana; August 1, 1994 in Auburn Hills, Michigan; October 6, 1994 in Philadelphia; December 15, 1994 in Los Angeles; and March 22 and 23, 1995 in Charlotte, North Carolina. Each is enclosed in a protective plastic sleeve and is in Excellent condition.
Grateful Dead Next-to-Last Concert Ticket. This ticket for the Dead's July 8, 1995 show at Soldier Field in Chicago -- their next-to-last performance, was pre-ordered directly from the band, which is why it features the snazzy embossment. In Excellent condition and enclosed in a 6" x 4" protective plastic display.
Grateful Dead Final Concert Ticket. This ticket is for the Dead's final concert performance on July 9, 1995 show at Soldier Field in Chicago (a full month before Jerry Garcia died). It was pre-ordered directly from the band, which is why it has a dancing bear embossed on it. In Excellent condition and enclosed in a 6" x 4" protective plastic display.
Led Zeppelin - Group of 3 (1968). A groovy grouping from the band that was called the "Hammer of the Gods." In this group you will receive: a ticket from the Civic Auditorium in Portland, Or. (1968), a postcard from the Fillmore West (BG-155, 1969), and a postcard from Winterland (BG-170, 1969). All three items are in NM- condition.
Phish Backstage Passes, Group of 8. One of the greats of the modern "Jam Band" groups is Vermont's Phish. Although the members have since splintered into many groups, their following is still huge, selling hundreds of thousands of CDs each year. This group includes eight of their inventive backstage passes featuring pictures of Muhammad Ali, Kojak, Dirty Harry, and Starsky & Hutch. All passes are in Mint condition and will thrill one lucky bidder!
The Who - Group of 7 (1982). A great little batch of stuff from the loudest band in the world. At one time, with amplifiers, The Who were louder than a 747 jet at takeoff, more than 130 decibels. Offered here are four unused tickets from their 1982 U.S. tour, two backstage passes from their 1982 U.S. tour, and to mix things up a little a program from their 1968 U.S. tour. All items in this lot grade VG or better.
Music Flyer and Tickets Lot. Featured here is an unused ticket for a June 6, 1949 performances by the Nat King Cole Trio and Hal Singer and His Orchestra in Roanoke, Virginia (with a hefty admission price of $1.75); an unused October 9, 1965 ticket for a performance by Ike and Tina Turner and Their All-Star Revue at the 2 Plus 2 Club in St. Louis; and a flyer for a January 28, 1968 performance by the Temptations, Gladys Knight and the Pips, and Brenda Holloway in San Francisco. All items are in Excellent condition. From the GRT Collection
Backstage Passes - Group of 10 (1980-97). 10 different backstage passes that will appeal to the rock collector in anyone! This group includes: Van Morrison (1995), Kiss ('96 - '97), Bruce Springsteen (1980), David Lee Roth (1992), Tom Petty and the Heartbreakers (1987), ZZ Top ('90 - '91), Ringo Starr and his All Starr Band (1992), Bon Jovi (1993), Steely Dan (1994), and The Black Crowes (1995). Don't miss out on a chance to add these to your collection!
Woodstock Ticket - Unused. The most famous music festival ever, Woodstock has come to symbolize the climax of the '60s and everything that decade has come to represent. A detail that is often forgotten is that Woodstock began as a profit-making venture (unlike the Monterey Pop Festival in 1967, whose profits were intended for charity) and that it only became a free festival after it became obvious that the concert was drawing hundreds of thousands more people than the organizers had prepared for, and that the entry gates erected had been torn down by eager arrivals. Still, tickets were sold, and featured here is an unused three-day ticket for the legendary festival, in Mint condition. Cost of three-day pass: $18. Cultural and collectibility value: Priceless.
Butthole Surfers Gibby Haynes' Autographed Jacket w/Personal Effects. Texan Gibby Haynes went from Rock Underground cult hero overnight to Pop star in 1996 with the release of the single "Pepper". Well, it actually wasn't overnight -- Haynes had been sowing his musical seeds for two decades and plying his trade under a myriad of band guises, like Ashtray Baby Heads, Nine Foot Worm Makes Home Food, and Brown Reason to Live. Shock, Texas Psychedelia, Hardcore, Punk, angry, and confrontational are only a few adjectives used to describe the band and its music, but the Surfers did score a surprise Top 40 hit in 1996 with "Pepper" after signing their first big label deal with Capitol. This lot includes a well-worn (and we think on stage) Gibby Haynes-autographed Harley motorcycle jean jacket (Wrangler - Size 42) and several personal effects the consignor obtained directly from the Surfers' leader. Check out the photos online of the personal items which include correspondence related to the music video for "Pepper", and older correspondence (1990) from a fan requesting permission to use a phrase Haynes had used in a song. Finally there's the calendar from one of Gibby's favorite haunts in Austin, The New Yellow Rose, an upscale men's club. It's a 15-month calendar for 1994-95, featuring Yellow Rose dancers in provocative poses, each of whom has autographed her picture for Gibby. An unusual mix for the diehard Butthole Surfers fan!
Marvin Gaye Stage-Worn Pajamas. This pair of white silk pajamas with matching robe was worn onstage by Gaye when he would perform the song "Sexual Healing," the hit single from his 1982 comeback album "Midnight Love." Also included is a 12" x 6" sheet metal "Key to Harlem" presented to Gaye. All items are in Excellent condition.
Sammy Hagar Stage-Worn Jumpsuit. The long-running debate between fans of Van Halen is a simple one: Which frontman rocked more, David Lee Roth or Sammy Hagar? (The brief tenure of Gary Cherone, the Dick Sargent of Van Halen, doesn't even factor in, and is best left forgotten.) Here is the opportunity for one lucky bidder from the "Van Hagar" camp to own one of Hagar's signature stage costumes from the early-'80s stretch of his substantial pre-Halen solo career. This sleeveless yellow cotton-and-nylon, padded jumpsuit is festooned with red belts and snaps. It is in Excellent condition, virtually stain free, and ready for a night on the town. Dry clean only.
"Like a Virgin" Wedding Dress. The title track to her 1984 sophomore release, "Like a Virgin" was Madonna's first #1 hit song, and remained her biggest hit until "Vogue" hit the airwaves in 1990. The title and lyrics were enough to raise eyebrows in 1984, and Madonna's performance of the song at the 1984 MTV Video Music Awards -- considered by many to be her "arrival" -- raised a few more: Wearing the white wedding dress from the music video, Madonna rolled around onstage and simulated masturbation with the veil, making it one of the most famous performances of her career. Featured is one of the bridal gowns Madonna wore on tour, minus the "Boy Toy" belt buckle, but nonetheless in Excellent condition.
Jim Reeves Suit. Included is a striped suit coat, black slacks, white shirt, and a monogrammed red tie previously owned and worn by country singer Jim Reeves. Also included is an image of Reeves in the outfit. The shirt shows faint yellowing; all other items are in Excellent condition.
Johnny Rotten Signed Suit. The iconoclastic lead singer of the Sex Pistols and Public Image Ltd., godfather of British Punk and post-Punk, and a participant in the Alternative Rock scene, Johnny Rotten (born John Joseph Lydon) is easily one of the most influential and revered figures in Rock history. This lime green suit with red lining was worn by Rotten and is inscribed "A true star was here!" and signed by the ex-Sex Pistol in black marker on the breast. It is in Excellent condition, mounted and enclosed in clear plastic to an overall size of 75" x 45.5" x 4". Johnny Rotten memorabilia is rarely offered -- don't miss your chance to own a definitive piece of Sex Pistols history. With COA from PSA/DNA.
Britney Spears Stage Worn Dress. This flowing, two-piece sapphire and silver-blue costume was worn onstage by the teen-Pop idol Britney Spears during her 2000 "Crazy 2K" Tour, In Excellent condition the lot includes an LOA from the Britney Spears Foundation.
TLC Tour Worn Outfits. Featured here are three ivory-and-silver outfits worn by TLC members Lisa "Left Eye" Lopes, Tionne "T-Boz" Watkins, and Rozonda "Chili" Thomas during their 1994-95 CrazySexyCool breakthrough tour. All are in fantastic condition.
Tracy Chapman Platinum Album Award. Commemorating the sale of one million copies of Chapman's eponymous 1988 debut LP, in Excellent condition and framed to a size of 17" x 21".
"Chicago XI" Platinum Record Award. Presented to L.A. Uptown Music Corp. to commemorate the sale of more than 1,000,000 copies of the fusion band's 1977 release, the last to feature the original line-up. In great condition with moderate wear to the frame.
Broadcast Music, Inc. Certificate. Citation of Achievement issued to the Ace publishing Company in 1958 "in recognition of the great national popularity attained by 'Just a Dream,' " a song made popular by teen idol Jimmy Clanton. In Very Fine condition with moderate tanning, a horizontal fold crease across the center and some chipping and wear to the edges and corners.
Jimmie Davis Country Music Hall of Fame Plaque. Presented to Country/Gospel singer-songwriter-former Louisiana governor Jimmie Davis in 1972, this plaque reads in part: "His humility, deep-felt responsibility to his audience, and winning way with a song has brought much 'Sunshine' to Gospel and Country." Although the plaque lists his birthday as September 11, 1904, Davis was actually born in 1899 -- he often listed it as 1902, before eventually coming clean on the matter. This heavy wood plaque is in Very Good condition with only one small bit of surface wear on the lower front left corner.
Jimmie Davis Hall of Fame Medal and Handwritten Lyrics. Jimmie Davis' biggest success as a songwriter came with the haunting "You Are My Sunshine." First recorded by Davis in 1940, the song quickly entered the top tier of Popular and Country music standards, has been covered many times, and popped up on the soundtrack of the movie "O Brother, Where Art Thou?" which is one of the finest compilations of American roots music. Featured here is a copy of the song's lyrics, handwritten and signed by Davis in blue ink on a sheet of personal stationary, in Excellent condition with light overall tanning and staple holes to the top right corner. Also included is Davis' 1997 Southern Gospel Music Association Hall of Fame inductee medal, also in Excellent condition.
BMI Award to Jimmie Davis. A "Special Citation of Appreciation...presented to Governor Jimmie Davis on the occasion of his ninety-eighth birthday BMI acknowledges his many contributions to the world of music." Dated September 11, 1997, and in Excellent condition in a 21.5" x 19.5" frame.
Jimmie Davis Hall of Fame Award. With a performing career spanning eight decades of the 20th century (you read that right, he died in 2000 at the tender age of 101), Jimmie Davis cranked out countless Country-Blues and traditional Gospel classics (chiefly "You Are My Sunshine" and "Nobody's Darling But Mine") while maintaining a political career that included two terms as governor of Louisiana on a segregationist platform that he later denounced. In fact, his greatest musical successes came during those terms, in the mid-'40s and the early '60s. Now that's multi-tasking. Featured here is Davis' well-deserved bronze-and-wood Nashville Songwriters Association Hall of Fame Award, dated October 11, 1971. It measures 9" x 5 1/2" and is in pristine condition.
Delaney and Bonnie Gold Record Award. Gold album award representing their contribution to the "In the Aid of the World's Refugees 20 Dynamic Hits" double-LP, presented to husband-and-wife duo "on the occasion of the sale of the first millionth copy, Autumn 1972." Matted and framed to an overall size of 16.5" x 18.5", and in Excellent condition.
Delaney Bramlett Achievement Award. Issued in 1972 to Bramlett, one half of the husband-and-wife duo Delaney and Bonnie, by BMI "in recognition of popularity in the Country Music field, as measured by broadcast performances, attained by 'Never Ending Songo of Love.' " In great condition, framed to an overall size of 13" x 17".
Delaney Bramlett BMI Award. A citation of achievement presented by BMI to Delaney Bramlett "in recognition of the great national popularity as measured by over 1 million broadcast performances attained by 'Never Ending Song of Love.' " In Excellent condition, framed to an overall size of 16.5" x 13.5".
Fats Domino "Goin' Home" Imperial Gold Record Award (1958). This rare Imperial gold record award was produced in-house and only in duplicate, one for the company and one for Fats. This is the Imperial copy from the archives of the label's founder Lew Chudd. One of the most desirable of all from the in-house awards collection, the single was Fats' first #1 hit, spending 20 weeks on the R&B charts in 1952. It's also considered one of the most valuable of Fats' charting singles.
Grateful Dead "Built to Last" Gold Sales Award. Presented to Steven Shmerler to commemorate the RIAA certified sale of more than 500,000 copies of the Dead's 1989 LP. In Excellent condition.
Janet Jackson "Rhythm Nation 1814" Platinum Album Award. The best selling album of 1990, "Rhythm Nation 1814" yielded a total of seven hit singles and is also the only album in history to score #1 singles on the Billboard Hot 100 singles chart in three different calendar years (1989-1991). This award acknowledges the album's triple-platinum status, and is in Excellent condition. Framed to a size of 17" x 21".
The Kinks "Give the People What They Want" Gold Album Award. Presented to KEGL in acknowledgement of the sale of 500,000 copies of the 1981 LP. In Excellent condition, framed to an overall size of 17" x 20.5".
Lenny Kravitz "Are You Gonna Go My Way" Platinum Album Award. Platinum sales award presented in acknowledgement of 1 million copies of Kravitz's 1993 retro-rock classic. In Excellent condition, framed to an overall size of 17" x 21".
Looking Glass "Brandy" Gold Record Award. Matte-style RIAA award presented to Columbia Sales -- Houston "to commemorate the sale of more than one million copies of the Epic Records pop single record 'Brandy'." The song was certified gold on August 9, 1972, and the single proved to be a breakout hit for the aspiring group, putting New jersey on the musical map a good three years before Bruce Springsteen arrived on the scene. (They ultimately disbanded about years later, though.) Framed to an overall size of 13" x 17", and in Excellent condition with some minor scrapes to the wooden frame.
Tim McGraw Platinum Album Award. Double platinum award presented to Keith Greer "to commemorate RIAA certified multi-platinum sales of More than 2,000,000 copies of the Curb Records cassette and CD 'Tim McGraw and the Dancehall Doctors'." In Excellent condition, framed to an overall size of 18.5" x 23".
Milli Vanilli "Girl You Know It's True" Platinum Album Award. In one of the biggest scandals in Pop music history, it was publicly revealed in 1990 that Fabrice Morvan and Rob Pilatus -- the two halves of the group Milli Vanilli -- did not actually sing on the group's records and their voices had been dubbed. Milli Vanilli's Grammy award for Best New Artist was withdrawn four days later (a first), and Arista Records dropped the act from its roster and deleted their album and its masters from their catalog, making "Girl You Know It's True" the largest-selling album to ever be taken out of print. A court ruling later allowed anyone who had bought the album to get a refund., a great deal of lost money, since this initially popular album had gone platinum six times, as evidenced by this sales award given to Arista records by the RIAA. Pilatus committed suicide eight years later, the sad tale become the subject of the first episode of VH-1's "Behind the Music," and the rest, as they say, is history. The award is framed to an overall size of 17" x 25", and is in Excellent condition.
Robert Plant "Principle of Movements" Platinum Album Award. Presented to Frank Gravin in acknowledgement of the sale of more than 1 million copies of Plant's 1983 LP. In Excellent condition with noticeable wear to the top edge of the frame, framed to an overall size of 16.5" x 21".
Ratt "Out of the Cellar" Double-Platinum Award. Presented to Rainbow Bar and Grill (on the Sunset Strip) to commemorate the sale of more than two million copies of Ratt's 1984 debut album. In Good condition with significant wear to the frame and plexiglass.
Huey Smith Cash Box Award. A 14" x 18" certificate dated 1958 an warded to Huey Smith, "voted the most promising R&B male vocalist in the Cash Box Disk Jockey Poll." Ironically, despite a few modest hits around this time, Smith's career fizzled in the '60s and he eventually converted to the Jehovah's Witnesses and left the music industry entirely. In great condition with a horizontal fold crease across the center and slight wear to the corners.
Sting "Nothing Like the Sun" Platinum Album Award. Commemorating the sale of 1 million copies of Sting's 1987 LP, his second solo album, in Excellent condition, framed to an overall size of 15" x 20".
Slim Whitman "Indian Love Call" Imperial Gold Record Award (1958). If Slim hadn't recorded another song, he would have been assured a place in Pop music annals with this signature song. "Indian Love Call" reached #9 on the Pop charts and #2 on the Country charts, staying around on the latter for 24 weeks. Originally a #3 hit for Paul Whiteman way back in 1925, Slim made the song his own 27 years later. This is a gorgeous Gold record that will spruce up any musically-decorated wall.
Slim Whitman "Secret Love" Imperial Gold Record Award (1958). Doris Day took the song to #1 on the Pop charts in 1954, but Slim also had a big hit with it on the Country charts later the same year, climbing to #2 and enjoying his second biggest hit ever. The man known as "The Smilin' Star Duster" charted 37 times on the Country charts, 11 times achieving Top 10 status. The Gold record here is one of the more attractive in our set from the archives of Imperial Records founder Lew Chudd.
Slim Whitman "Rose-Marie" Imperial Gold Record Award (1958). The third Gold Record for Slim Whitman in less than two years was also his last, climbing to a peak of #4 on the Country charts in 1954. Imperial honored the artist with this award some years later when founder Lew Chudd began celebrating his label's million-selling hits. It may have been his last Gold Record, but Whitman's career flourished - he charted hits in every decade from the '50s through the '80s.
The Who "Quadrophenia" Silver Album Award. While composing "Quadrophenia" for The Who, Pete Townshend revisited the rock opera concept with another double-album opus, this time with the story of a young man's coming-of-age in the mid-'60s. Arguably a more ambitious project than "Tommy," it allowed the band the opportunity to re-examining the roots of their birth in mod culture through the four-way split personality (hence the title) of a young mod whose split personalities represented the band's members. This silver album award was presented to "The Who Group Ltd. to recognize sales in the United Kingdom of more than 60,000 copies of the Polydor album 'Quadrophenia' " and is dated 1979, the same year the movie based on the album was released. This specific award was Pete Townsend's own copy. Matted and framed to an overall size of 16" x 20", and in Excellent condition.
Bee Gees Signed Guitar. This black 20th anniversary edition Fender Squire Telecaster guitar is signed on the white pick guard by Barry, Robin, and Maurice Gibb. In Excellent condition. With COA from PSA/DNA.
Musical Instruments
Nirvana: Kurt Cobain's 1960s Mosrite Gospel Guitar. This instrument is unusual in a couple of ways. First, it is one of only two known examples of a Mark V style Mosrite Gospel model. While Kurt owned and smashed many cheaper (usually Univox) copies of Mosrite guitars during his career, this was one of only two actual Mosrites he owned. (The other was damaged and given away.) It was also one of his favorite guitars, which saved it from the usual fate of the instruments he used for live performances. Kurt purchased the guitar in San Francisco in 1990. "According to Earnie [Bailey], 'Kurt had only one Gospel, and this is beyond a rare guitar. At the time Kurt died, I was secretly working with Loretta Mosley to build Kurt a lefty Gospel... in some cool color.' Unfortunately, Kurt passed away as Earnie was gathering photos to send to Mosrite of Kurt's original. 'Loretta sent me a nice letter after it ended, as she had recently lost Semie (husband, founder of Mosrite) and was now running Mosrite on her own... she had sent me some sales literature of another Gospel, but could find no history of ever having made one based on the Mark V guitar.'" (Quote reprinted from www.kurtsequipment.com.) Kurt had painted the very small Mosrite dot markers with white-out to make them more visible in a live setting. Although the previous owner removed this simple modification, residue is still visible on the instrument. This is a factory right handed instrument, so it was modified for Kurt with a strap button added to the treble side horn, and the original metal string guide has been flipped to allow it to be strung left handed. The original case bears the words 'NIRVANA' and 'F... Elvis' (colorful expletive deleted here but preserved on the case) in white paint which, while painted over with the same white paint, are still visible on inspection. This lot also includes a hand-written letter from Chris Cobb, owner of Real Guitars in San Francisco, who sold Cobain the guitar in the fal
Motown Bassist James Jamerson's German Upright Bass.
"As time went on, James Jamerson became my hero..." - Paul McCartney
No bassist has done more for and with popular music than James Jamerson. While his name may not always be known by the countless millions of fans of his playing, his sound and style have influenced every player to pick up the instrument since Motown's first hit record. For years Jamerson was the only bassist at Motown, and the studio was known to plan sessions around his schedule.
This instrument was James Jamerson's only upright bass, and the only instrument not stolen from him. He purchased it in 1957 and used it in Detroit's jazz clubs while honing his style, on tour with Smokey Robinson, and on classic Motown recordings that are playing somewhere in the world every second of every day. Enduring hits by Stevie Wonder, The Supremes, Martha Reeves, Mary Wells, Smokey Robinson & The Miracles, Marvin Gaye, and others were created using this instrument. My Guy, The One Who Really Loves You, Where Did Our Love Go, Baby Love, Heat Wave, Jimmy Mack, Can I Get A Witness, It Takes Two, Mickey's Monkey, Too Many Fish In The Sea, Fingertips (Part 2), A Place In The Sun, and many, many others feature James Jamerson on this bass.
James Jamerson passed away in 1983. That year James gave the bass to his son, James Jamerson, III (known professionally as James Jamerson, Jr.,) who continued to use it with Tina Marie, Chaka Khan and Natalie Cole. It was last used in the film documentary 'Standing in the Shadows of Motown.' The bass is in the same condition as when James Jamerson last used it, including the same set of strings. The bass comes with the gig bag Jamerson got with the bass, and a letter of authenticity from James Jamerson, Jr.
James Jamerson was inducted into the Rock and Roll Hall of Fame in 2000, the first year they honored session players. In February 2004, he received the Lifetime Achievement Grammy Award along with his
"As time went on, James Jamerson became my hero..." - Paul McCartney
No bassist has done more for and with popular music than James Jamerson. While his name may not always be known by the countless millions of fans of his playing, his sound and style have influenced every player to pick up the instrument since Motown's first hit record. For years Jamerson was the only bassist at Motown, and the studio was known to plan sessions around his schedule.
This instrument was James Jamerson's only upright bass, and the only instrument not stolen from him. He purchased it in 1957 and used it in Detroit's jazz clubs while honing his style, on tour with Smokey Robinson, and on classic Motown recordings that are playing somewhere in the world every second of every day. Enduring hits by Stevie Wonder, The Supremes, Martha Reeves, Mary Wells, Smokey Robinson & The Miracles, Marvin Gaye, and others were created using this instrument. My Guy, The One Who Really Loves You, Where Did Our Love Go, Baby Love, Heat Wave, Jimmy Mack, Can I Get A Witness, It Takes Two, Mickey's Monkey, Too Many Fish In The Sea, Fingertips (Part 2), A Place In The Sun, and many, many others feature James Jamerson on this bass.
James Jamerson passed away in 1983. That year James gave the bass to his son, James Jamerson, III (known professionally as James Jamerson, Jr.,) who continued to use it with Tina Marie, Chaka Khan and Natalie Cole. It was last used in the film documentary 'Standing in the Shadows of Motown.' The bass is in the same condition as when James Jamerson last used it, including the same set of strings. The bass comes with the gig bag Jamerson got with the bass, and a letter of authenticity from James Jamerson, Jr.
James Jamerson was inducted into the Rock and Roll Hall of Fame in 2000, the first year they honored session players. In February 2004, he received the Lifetime Achievement Grammy Award along with his
The Mamas and the Papas: Papa John Phillips' Vintage Martin Ukelele. John owned this uke for many years. His wife told us that he liked to sit in bed in the evening and play songs on this uke. Martin ukeleles do not have serial numbers, so dating this instrument to a specific year is impossible. It is likely from the late 1930s to early 1940s.
Music Memorabilia
Lemmy Kilmister Signed Bass. A red wood-bodied Chandler bass guitar inscribed succinctly: "luck" and signed by Motorhead frontman Lemmy Kilmister. In great condition with some uniform chipping to the front and back of the body. With COA from PSA/DNA.
Musical Instruments
Jim Reeves Baby Martin Guitar. Here is a pint-sized Martin & Co. model number 5-18 acoustic guitar once owned by country singer Jim Reeves to compose many of his songs. The instrument is in Excellent condition with numerous small dings and scratches to the body, none of which detract from the desirability of this item.
Paul Stanley Signed Guitar. One of Rock's quintessential frontmen, guitarist Paul Stanley has helped keep KISS rocking on for more than three decades. This black-with-ivory trim Ibanez PS10 Iceman model guitar -- a 20th anniversary re-issue -- is signed by Stanley on the back in silver marker. Also included is a silk KISS necktie featuring the classic line-up of the band sporting their signature face paint. A must-have for any self-respecting member of the KISS Army. With COA from PSA/DNA.
Joe Walsh Used Guitar. Featured is a stage-used guitar built by Roger Giffin for Joe Walsh in the 1980s. It has a flamed ash finish, and its original neck was replaced with a Fender Telecaster neck and a white pick guard was added, both at Walsh's request. The guitar was used by Walsh at various appearances throughout the late '80s and early '90s. Included is a handwritten letter of authenticity from Eagles/Walsh guitar tech Todd Bowie, as well as a November 1988 copy of Musiker Gitarre & Bass magazine that features a photo of Walsh playing the instrument. In great condition with only minor wear to the back side of the body.
Music Memorabilia
The Big Bopper "Chantilly Lace" 45 "D" 1008 (1958). The Bopper's signature song was first released on the small "D" label, and subsequently re-recorded for Mercury in the version that became a Top Ten sensation in 1958. Tough, tough, tough to find, and this one's perfect. Condition: NM-8 with small writing on label.
Eddie Cochran "Mean When I'm Mad"/ "One Kiss" Picture Sleeve Liberty 55070 (1957). One of the '50s rarest picture sleeves, and what a nice copy this one is! One of the Rock 'n Roll innovators, Cochran is better known for other songs, but this is the one U.S. 45 picture sleeve that Liberty issued, and was for his second single. How influential was Cochran? Just listen to Led Zeppelin wail "C'mon Everybody" or "Something Else," and, of course any number of bands (The Who, Blue Cheer, etc.) do "Summertime Blues." For the most serious of Rock 'n Roll memorabilia collectors! Condition (picture sleeve only - no record): EX 7. From the GRT Collection
The Crests "Sweetest One" 45 Joyce 103 (1957). The highly successful doo-wop group's first release, this is also the rarer variation that displays an oversized "Y" on the label. Condition: NM 8. From the GRT Collection
The Crows and The Dells Group (1953-56). The Crows never crossed over to the Pop charts, but scored a #2 on the R&B charts with "Gee" (Rama 5) in 1953. This is the rare red vinyl variation and a scintillating copy at that! Also included is a copy of the Dells' "Oh What A Nite" (Vee-Jay 204), the original release that hit #4 on the R&B charts in 1956. The song was later re-released on Cadet in 1969 and made it to #10 on the Pop charts. Both records are in NM 8. From the GRT Collection
The Crystals Test Pressing Group of 2 (1963). The test pressing of "He's A Rebel" in EX 7 has a blank label, and has a written-on piece of masking tape attached. Also included is a one-sided test pressing of "Little Boy" (Philles 119) in GM-MT 10.
The Kinks "Long Tall Sally" Promo 45 Cameo 345 (1964). Promo copy in amazing condition. Condition: GM-MT 10.
Led Zeppelin "Gallows Pole" Promo 7" 33 1/3 rpm Stereo and Mono Atlantic 157 (1971). This two-sided promo was the first of only three promo singles from the legendary band. Both sides clock in at 5:11, and this is the only way to get this recording in mono. Very rare. Condition: NM 8.
Robin Luke "Susie Darlin" 45 w/Picture Sleeve Bertram International 206 (1958). It's a mystery why Robin Luke became just a One-Hit Wonder. This was his first single, and once Dot picked it up from the original small label, "Susie Darlin" became a Top 5 hit on Billboard's Hot 100 in 1958. The flipside, "Living's Loving You," was also a good tune, and the 16-year old Luke had written both songs himself! He had the music, the looks, a big label... and no other chart hit! He did leave us with this rare piece, the original release on Bertram International and its rarer picture sleeve. Condition: NM 8/ VG 5. From the GRT Collection
Loretta Lynn "New Rainbow"/ "Heartaches Meet Mr. Blues" 45 Zero 110 (1960). The Coal Miner's Daughter cut three singles on the tiny Zero label before being picked up in 1962 by Decca. This was her second release, still in its original sleeve, and in brilliant shape. Condition: MT 9.
Loretta Lynn "The Darkest Day"/ "Gonna Pack My Troubles" 45 Zero 112 (1961). Loretta's third and final single for her first label, and, like the others on Zero, this one's hard to find. Condition: VG-EX 6.
Madonna White Vinyl Test Pressings Group of 2 (U.K. 1990). These way cool orbs are test pressings of UK picture discs, one of "Justify My Love," the other of "Vogue." The 45 rpm 12" discs have the Sire identification numbers in the dead wax. Not that old -- but they're scarce. Condition of both records: NM 8. From the GRT Collection
Nazz "Lay Down And Die, Goodbye"/ "Wonder Who's Loving Her Now?" 45 Very Record S-001 (1967). Say what? A Nazz song you don't recognize? More like a Nazz band you don't recognize! This Nazz was Alice Cooper's first band. Lots of fuzz guitar on this psychedelic release, and it's so rare you may never see another copy. The record looks only about VG 5, with some "fog" on the vinyl, but it plays a fantastic NM 8.
Roy Orbison (as The Teen Kings) "Ooby Dooby"/ "Trying to Get to You" 45 Je-wel 101 (1956). Before Monument, even before Sun, Roy recorded on this small Texas label. The Teen Kings featured "Vocal Roy Orbison"...er, we mean "Vocal Roy Oribson"... well, one side (''Ooby Dooby") says one ("Oribson"), the other side another. It's a variation on a very rare record. Condition: VG-EX 6.
The Ronettes 45 Group of 4 (1960s). This unique grouping is highlighted by a test pressing of "I Can Hear Music," with an alternate take on the flipside. Phil Spector's writing ("This side music") is on the otherwise blank label of this EX 7 disc. Other records include two white label promo copies of "Do I Love You?" (Philles 121), both in MT 9, and a white label promo copy of "You Came, You Saw, You Conquered" (A&M 1040) in GM-MT 10.
Warren Smith "Rock 'N' Roll Ruby"/ "I'd Rather Be Safe Than Sorry" 45 Sun 239 (1956). Prototypical Sun Rockabilly artist's first release was a Johnny Cash penned tune, but not a big hit -- Smith charted just one of his five Sun releases, and this one wasn't it! Here's a nugget in Near Mint condition that came out just a few months after Elvis' run, and this Sun won't set you back nearly as much! Condition: NM 8.
R&B 45 Group of 2 (1954-60). Rare early labels for two big names of 1960s Soul/R&B. Sam and Dave's hits at Stax were preceded by "No More Pain" (Marlin 6104 - 1960), their first recording, here in EX 7. The legendary Ike Turner recorded for many labels in the 1950s. One of his earliest was "Cubano Jump" (Flair 1040 - 1954), here in MT 9.
Stevie Ray Vaughan (Paul Ray and the Cobras) "Other Days"/ "Texas Clover" 45 w/Picture Sleeve Viper 30322 (1973). We've inserted this rarity here for obvious reasons -- only the diehard SRV fan would be looking under the "R"s for Paul Ray, or even under the "C"s for Cobras! From his earliest days in Dallas to this performance as an 18-year old with the Austin band, Stevie had begun a journey that would eventually lead to his universal recognition as one of Rock's all-time greatest guitarists. Only a few copies of this small label gem turn up, and this one's signed on the back by bassist Alex Napier. The sleeve is in great shape; the record pristine. Condition: NM 8/ GM-MT 10.
Johnny Ace "Memorial Album" EP Duke 80 (1955). Johnny Ace had six Top Ten R&B hits from 1952-54 prior to his tragic death in late 1954. His biggest hit, "Pledging My Love," debuted on both the R&B and Pop charts just afterwards. That one and two of his earlier hits, "Saving My Love For You" and "Please Forgive Me" are included on his first EP, along with "Angel". A real find in this grade. Condition: MT 9/ EX 7. From the GRT Collection
Johnny Ace "A Tribute Album" EP Duke 81 (1955). Johnny Ace's second EP showcased two of his #1 R&B hits, "My Song" and "The Clock," plus the #3 hit "Cross My Heart" and #9 hit "Never Let Me Go." Condition: NM 8/ EX 7. From the GRT Collection
"La Vern Baker" EP Atlantic 588 (1957). Baker's second EP was anchored by the classic "Jim Dandy" a #1 R&B hit that also hit big on the Pop charts in the early days of Rock. Also included are "Still," "Play It Fair," and "Tra La La." This sealed copy should thrill even the most persnickety collector! Condition: Sealed. From the GRT Collection
Hank Ballard and the Midnighters/Sammy Turner EP Group of 2 (1959-60). Two EPs in this lot, one from the Father of The Twist, Hank Ballard, the other from Sammy Turner, best known for his 1959 cover of the forties tune "Lavendar Blue." Ballard's "Singin' and Swingin," in fact, included his version of "The Twist," plus "Teardrops On Your Letter," "Cute Little Ways," and "House With No Windows." The Turner EP is a white label promo copy of "Lavendar Blue Moods," which includes "Honey," "Falling," "The Things I Love," and "I Want To Be Loved" - but not his signature recording, "Lavendar Blue!" And what copies! The Ballard EP is still sealed, while the Turner EP is EX 7/ NM 8 and comes with its original white promo sleeve, pictured at our website. From the GRT Collection
Chuck Berry "Sweet Little Sixteen" and "Sweet Little Rock and Roller" EP Group of 2 (Chess 1958). When was the last time you saw an EP from this icon of Rock and Roll? Even if you have seen one, we bet it wasn't as nice as either of these records, both in NM 8. The former includes Berry's biggest fifties hit, "Sweet Little Sixteen," plus its 45 flipside, "Reelin' and Rockin," "Rock at the Philharmonic," and "Guitar Boogie." The cover is as nice as the record - NM 8. The second EP includes another all-time smash, "Johnny B. Goode," "Around and Around," "Jo Jo Gunne," and "Sweet Little Rock and Roller." The sleeve has some stains, but still rates a VG-EX 6. Sweet! From the GRT Collection
James Brown "Please Please Please" EP King 430 (1959). On Brown's first King EP, he included two of the early hits, originally released on the Federal label, the title song and "Try Me." Also included here are "That's When I Lost My Heart" and "Tell Me What I Did Wrong." Brilliant cover, the same as on his album of the same name, but we've seen this EP less frequently, and never in this condition. Condition: NM 8/ EX 7 (plays better). From the GRT Collection
Johnny Burnette Trio German EP Group of 3 (1957). When you add up the tunes on these rare German EP pressings, you'll have the equivalent the ultra-rare Johnny Burnette Trio album that went for over $10,000.00 in our November auction.The first EP has "Tear It Up," "You're Undecided," "Oh, Baby Babe," and signature "Train Kept A-rollin" The second EP has "Rock Billy Boogie," "Chain Of Love," "Lonesome Tears in My Eyes," and "Your Baby Blue Eyes." The third EP has "Drinking Wine Spo-Dee-O-Dee," "I Just Found Out," "I Love You," and "All By Myself." We have never seen these three EPs in such amazing condition. All three EP covers and records are NM 8. From the GRT Collection
Johnny Cash EP Group of 2 Sun (1958). Johnny Cash's first EP, "Johnny Cash Sings Hank Williams" (Sun 111 1958) included classics "I Can't Help It," "You Win Again," "Hey, Good Lookin," and "I Could Never Be Ashamed Of You." Later the same year came his second EP, "Country Boy" (Sun 112) which included two original selections, the title song and "The Rock Island Line" to go along with "If The Good Lord's Willing" and another Hank-penned tune, "I Heard That Lonesome Whistle." Both copies are so nice, they appear to have been released yesterday. We've never seen a nicer copy of either! Both covers: MT 9, and both records: NM 8. From the GRT Collection
"Jimmy Clanton" EP Ace 101 (1959). The teenage idol's first EP featured songs from Hal Roach's "Go, Johnny, Go" including "It Takes A Long Long Time," "Ship On A Stormy Sea," "Angel Face," and "My Love Is Strong." The movie also starred the legendary DJ, Alan Freed. Condition: NM 8 (there's a $1.29 price sticker on the back)/ NM 8. From the GRT Collection
Jimmy Clanton "Thinking Of You" EP Ace 102 (1959). Clanton's two biggest hits, "Just A Dream" and "Go, Jimmy, Go" are featured on his second EP. The other selections, "Another Sleepless Night" and "My Own True Love" also made the Top 40 in 1959 and 1960, all before the talented Louisianan turned 20! This is a GM-MT copy of a tough-to-find EP. Condition: Still sealed From the GRT Collection
"The Coasters' Top Hits" EP Atco 4507 (1959). Actually, the Coaster's fourth and final EP for Atco contained just one hit in the Billboard sense -- "Along Came Jones" -- but since all four of the selections here were from the famed songwriting team of Leiber and Stoller, we'll not fuss over semantics! Gorgeous copy is still in the original shrink wrap, with the record having been played a few times at most. Condition: MT 9/ NM 8. From the GRT Collection
Sam Cooke EP Group of 4 (1957-60). Here's a fine sampling of the range and power of one of the most distinctive voices in Gospel/R&B/Rock/Pop history. Sam Cooke was all of these and demonstrates it on these selections. "Songs By Sam Cooke - Vol. 2" (Keen 2002) showcases his first and greatest Pop hit "You Send Me," and also includes "The Lonesome Road," "That Lucky Old Sun," and "Canadian Sunset." On the two volume "A Tribute To The Lady" (Keen 2013 and 2014), Cooke covers Billie Holiday in extraordinary fashion, but then why would that be a surprise -- the silky smooth singer practically defined what a Soul singer was, greatly influencing the likes of Marvin Gaye, Smokey Robinson, and countless others. But the real treasure here might just be the 1960 release (SAR 105) of a live church performance of the early 1950s Gospel group, the Soul Stirrers, with whom the youthful Cooke honed his skills from 1950-56 before his hugely successful secular career. Condition of the four EPs: EX 7/ MT 9; VG-EX 6/ MT 9; VG-EX 6/ GM-MT 10; and EX 7/ NM 8 respectively. From the GRT Collection
Crests "The Angels Listened In" EP Coed 101 (1959). 1959 was the Crests' year, with five songs making Billboard's Hot 100, led by one of Pop Rock's classics, "16 Candles," which peaked at #2. The other songs on this EP, the only EP issued in the U.S. by the group, also charted: "Six Nights A Week," "Flower of Love," and the title song. The cover of this rare EP pictures lead singer Johnny Maestro, still a teenager when the EP was released. A real find! Condition: NM 8/ EX 7 (with some writing on the label both sides). From the GRT Collection
Dick Dale "Open-End Interview" Promo Compact 33 Capitol PRO 2320-2321 (1963). We've never seen this one before! Capitol provided radio stations with this interview to promote his first two releases for the label, the classic "Misirlou" and "Peppermint Man," which are included on the disc. Condition: NM 8/ NM 8. From the GRT Collection
Dell-Vikings "Come Go With Us" EP Dot 1058 (1957). The group's first EP and only one for Dot included their two Top Ten hits from 1957, "Come Go With Me" (#4 hit) and "Whispering Bells" (#9). Finding this EP is cool enough, but this copy is still sealed in its original loose plastic! Condition: Still sealed. From the GRT Collection
"Bo Diddley" Mono EP Chess 5125 (1958). It's hard to believe that one of Rock's most influential songwriters/vocalists/guitarists only had one EP released in the U.S. It's a beaut, featuring two of his best, "I'm A Man" and "Bo Diddley". "Willie and Lillie" and "Bo Meets the Monster" round out Side 2. The record is in superb condition: Condition: EX 7 (back has age staining around the edges)/ MT 9. From the GRT Collection
Fats Domino Mono EP Group of 3 Imperial 139/145/146 (1956). Imperial capitalized on Fats' immense popularity in 1956 by releasing 10 EPs in addition to six singles. Obviously in many cases, no one EP included many hits, but most did include more songs in the legendary Fats style, written by him and his usual collaborator, Dave Bartholomew. In this case much of a good thing wasn't too much! Included are these EPs: "Rock And Rollin With Fats Domino," and two volumes (the second and third) of "This Is Fats Domino." Of note is that the second volume of the latter included one of Fats' biggest hits "Blue Monday" and its singles flipside, minor hit "What's the Reason I'm Not Pleasing You." All three covers have the penciled-in price ($1.29) written at the top left of the back. The first two EPs are still in their original loose plastic wraps, but have been opened and played, but only minimally. These exceptionally nice copies are hard to come by. Condition of all covers is MT 9. Records are also MT 9, except #145 is NM 8. From the GRT Collection
Fats Domino EP Group of 2 Imperial 147 and 148 (1957). It took Fats several years to successfully cross over from R&B onto the Pop charts, but when he did, he literally exploded upon the scene, a hit-producing and record-releasing juggernaut. For the two-year period 1956-57 he had 16 Billboard hit singles and released 16 EPs, including these two in 1957: "Here Comes Fats" and the first volume of "Here Stands Fats Domino." The classic songwriting of Fats (Antoine Domino) and Dave Bartholomew is featured on both, and on "Here Comes Fats" he puts his unique spin on two oft-covered standards, "As Time Goes By" and "My Happiness." The covers for both EPs are still in the original loose plastic wrap, although not sealed. Condition: "Here Comes Fats" - NM 8/ MT 9; "Here Stands Fats Domino" - NM 8/ NM 8. From the GRT Collection
Duane Eddy EP Group of 2 Jamie 100 and 302 (1958-59). Rock's all-time #1 instrumentalist and a member of the Rock and Roll Hall of Fame, Eddy released five EPs on Jamie, including these his first and third releases. All but one of the eight songs here were written by Eddy and his long-time collaborator and co-songwriter, Lee Hazlewood. Three of his first charting singles are on the self-titled first EP: "Moovin' and Groovin," "Ramrod," and "Cannonball" ("Mason Dixon Lion" rounds out the EP). On the third EP, titled "Yep!" are "Three-30-Blues," "Anytime," "Stalkin," and the title tune. Brilliant copies of both EP. Condition of both: NM 8/ NM 8. From the GRT Collection
"Esquerita" Mono EP Capitol 1-20754 (France 1960s). Only one of our crack(ed) staff of experts knew of Esquerita, and he only knew of him because of travels in Europe. Eskew Reeder Jr. was born in 1935, three years after Little Richard, who credits Reeder as one of the greatest pianists ever, and as one who influenced his own playing. Recording as "Esquerita" and as "The Magnificent Malochi" over the decades, commercial success eluded him, although he played with or was sponsored by the likes of Little Richard, Big Joe Turner, Allen Toussaint, Barry Gordy, Jimi Hendrix, Dr. John, and Paul Peek (Gene Vincent's rhythm guitarist). We know of no U.S. released EP; this one's from France circa 1960s. See and hear what the hub-bub is all about! Condition: EX 7/ NM 8. From the GRT Collection
"Everly Brothers, Vol. 2" Sealed EP Cadence CEP 105 (1957). If only the best will do, this one qualifies on two counts; it's the Everlys ('nuff said about the quality of the music!) and it's still sealed! The second EP by the guys (ages 18 and 20 at the time) included their double-sided hit "This Little Girl of Mine" and "Should We Tell Him," plus "Be Bop A Lula" (covering Gene Vincent's smash and charting themselves) and "Leave My Woman Alone." Condition: Sealed. From the GRT Collection
"The Falcons" Mono EP United Artists 10010 (1959). The only EP for this pedigree group included their big hit, "You're So Fine," a #2 R&B hit and #17 Pop hit from 1959. The group also had four other R&B Top Twenty hits, one of which was "The Teacher" (#18), also included here. 1960s Soul great Eddie Floyd was the lead singer in 1959 (replaced by even greater Soulman Wilson Pickett in 1961). You won't find a nicer copy of this rarity. Condition: MT 9/ NM 8. From the GRT Collection
"The Best of Frankie Ford" EP Ace 105 (1959). The nineteen year-old (real name Frank Guzzo) had one of the catchiest singles of 1959 in "Sea Cruise" and a sure-fire formula for success -- at least according to Sam Phillips! -- a young white male who sang like an R&B singer. As Frankie Ford, he charted four other singles over the next two years, including a version of fellow Louisianan Joe Jones' "You Talk Too Much" -- Jones took the tune to #3, Ford only to #87 despite almost simultaneous Billboard chart debuts. His other releases peaked between #72 and 97. But "Sea Cruise" is a classic! And this copy is classic, possibly the nicest in existence! Condition: MT 9/ NM 8. From the GRT Collection
Bill Haley and the Comets EP Group of 2 Essex 102 and 117 (1954). Before the group literally kicked off the Rock 'n Roll era in 1955 with "Rock Around the Clock" on Decca, they had recorded for Essex in the early 1950s, and the label had continued to release previously recorded singles after the boys had moved to Decca. These two EPs were their first for Essex (or any other label!) and most difficult to find in this condition. "For Your Dance Party," Condition: VG-EX 6 (with taped split spine at top/ NM 8. "Rock With Bill Haley - Vol. 1," Condition: EX 7/ EX 7. From the GRT Collection
Bill Haley "Shake, Rattle and Roll" and Others EP Group of 5 Decca (1954-67). This great lot has Haley's first three Decca EPs, his seventh Decca EP, and a rare Swedish EP from 1967. The Decca EPs contain many of his charted hits from 1954-56, while the Swedish import ("Rock Around The Clock") came out later when the Rock 'n Roll movie classic was released in Europe. The EPs in chronological order: 1) "Shake, Rattle and Roll" (Decca 2168), 2) "Dim, Dim the Lights" (Decca 2209), 3) "Rock 'N' Roll" (Decca 2322), 4) "Rock 'n Roll Stage Show Part 3" (Decca 2418), and 5) "Rock Around The Clock" (Decca BME 9272 - with Brunswick label, Sweden). Check out the fantastic covers at our website. All are in NM 8, except 1) is EX 7 with 1.5" split at lower right front, and 4) is EX 7 with 1" tape along top center. The records are superfine -- all NM 8, except 2) is MT 9! From the GRT Collection
Ivory Joe Hunter EP Group of 2 (1957-58). Legendary singer/songwriter/pianist began recording way back in 1933, and was a staple on Billboards' R&B charts from 1945 to 1958, with 16 Top Ten hits in that period. At age 42, he finally got his crossover hit, "Since I Met You Baby," which peaked at #12 on the Pop charts and hit #1 on the R&B charts in early 1957. Pat Boone, the McGuire Sisters, and Teresa Brewer also had hits covering the smooth singer's tunes in the fifties. Included here are the EPs: 1) "I Get That Lonesome Feeling," Vol. 2 of a three volume EP set (MGM 1377, 1957), which includes the title song, the R&B hit "I Need You So," "I Found My Baby," and "If You See Me"; and 2) "Rock With Ivory Joe Hunter" (Atlantic 608, 1958) with the R&B hits "Empty Arms" and "Love's A Hurting Game," plus "Every Time I Hear That Song" and "She's Gone." Condition: 1) NM 8/ EX 7 and 2) Still sealed! From the GRT Collection
Jerry Lee Lewis Sun EP Group of 2 (1958). From mid-1957 to mid-1958 there were few bigger Rock stars than Jerry Lee, and none more dynamic in performance. That's captured in these two EPs that show off the Killer's range of style, and his prowess both as a vocalist and as a pianist. "Jerry Lee Lewis" (Sun EPA-108) includes "Don't Be Cruel", "Goodnight Irene", "Put Me Down", and "It All Depends". "Jerry Lee Lewis" (his ego or Sun's lack of imagination?) (Sun EPA-109) contained "Ubangi Stomp", "Crazy Arms", "Jambalaya", and "Fools Like Me". Once again the Good Rockin' Tonight Collection provides the finest copies we've ever seen of both EPs. Condition: MT 9/ MT 9. From the GRT Collection
Little Richard EP Group of 3 Specialty 400/402/404 (1957-58). Jump start your Little Richard EP collection with superfine copies of his first, third, and fifth EPs: "Here's Little Richard" Vol. 1 featuring "Long Tall Sally", "Miss Ann", "She's Got It", and "Can't Believe You Wanna Leave", and Vol. 3 with "Tutti-Frutti", "True, Fine Mama", "Rip It Up", and "Jenny, Jenny"; and "Little Richard" featuring "Ooh! My Soul", "All Around the World", "Good Golly, Miss Molly", and "Baby Face". These EPs look to have been played once and put away. Condition: for 400 -- NM 8/ NM 8; for 402 -- NM 8/ MT 9; and for 404 -- MT 9/ MT 9. From the GRT Collection
Robin Luke "Susie Darlin" EP Dot 1092 (1958). Just 16 when the title song made Billboard's Top 5 in 1958, Robin seemed like the next big teen idol. It turned out to be his only hit, and this his only EP. Just try to find a nicer copy of this rarity! Condition: EX 7/ NM 8. From the GRT Collection
"Clyde McPhatter" Sealed EP Atlantic 584 (1958). This was the first EP, one of only three commercial EPs from one of the most distinctive and influential voices of the 1950s. The songs here had been recorded two years previously, and two of them were hits on both the R&B and Pop charts -- "Treasure of Love" and "Without Love". The other tunes included on the EP are "Thirty Days" and "I Make Believe" (an Ivory Joe Hunter composition). Condition: Sealed (cover appears NM 8). From the GRT Collection
"The Fabulous Mello-Kings" EP Herald 451 (1957). The white doo-woppers charted twice with "Tonite, Tonite", once in 1957 and again in 1961. The group released 11 singles in the late '50s and early '60s, but only one EP, and it's a tough find. Looking sharp, boys! Condition: EX 7/ EX 7. From the GRT Collection
Mickey and Sylvia "Love Is Strange" EP Groove 18 (1956). The title song was one of the '50s Rock/ R&B classics, a #11 Pop hit for the 31-year-old McHouston "Mickey" Baker and the 20-year-old Sylvia Vanderpool. It was their only Top 40 Pop hit, but they did have two other Top 30 R&B hits in 1957 and 1961. Both partners were accomplished musicians and a striking couple on stage. Mickey enjoyed a long career as a top session musician, and is considered one of the all-time great Rock guitarists. Sylvia had a solo career in the '70s. This is a terrific copy, both cover and record. Condition: NM 8/ NM 8. From the GRT Collection
"Mickey & Sylvia" Sealed EP Vik 262 (1957). The sensational duo followed up "Love Is Strange" with the double-side-charting single, "Dearest" and "There Oughta Be A Law", both of which are included on their only EP for Vik. This copy is still sealed in its original loose plastic wrap! Condition: Sealed. From the GRT Collection
"The Monkees" and "More of the Monkees" Jukebox Mini-Albums -- EPs Colgems 101 and 102 (1966-67). Way cool, still sealed copies of for-jukebox-distribution-only EPs excerpted from the Monkees' first two albums. Each EP contains six tunes, three to a side, but that's not all! You also get three mini-covers and song strips for jukebox display with each. Hey, hey, it's the Monkees! Condition: Sealed (both EPs). From the GRT Collection
Moonglows "Look! It's the Moonglows" EP Chess 5122 (1959). The group's first of only two EPs came years after they had blazed onto the R&B hit scene in 1954 with "Sincerely", co-written by group leader Harvey Fuqua and legendary Cleveland DJ Alan Freed. It was #1 on the R&B charts, and #20 on the Pop charts (a version released about the same time by the McGuire Sisters was a 10-week #1 Pop smash). A hard-to-find record, this copy is in tip-top shape! Condition: NM 8/ MT 9. From the GRT Collection
Ricky Nelson EP Group of 5 (1957-59). For a few years after the teenager broke onto the recording scene in 1957, only Elvis was a more popular Rock idol. His EP releases were prolific, 13 in the two years of 1957-59 alone, mirroring his rapid fire releases of Top Ten singles, several of which appear on these EPs. Ricky also recorded older standards for inclusion on his EPs and albums, no doubt an influence of his father, Ozzie, a big-band leader in the '30s and '40s. Included in this lot is the rarest of his EPs, the only one released by his original label Verve. The EPs and grades: "Ricky" (Verve 5048) -- EX 7/ NM 8; "Ricky (Vol. 1)" (Imperial 153) -- NM 8/ MT 9; "Ricky Nelson" (Imperial 156) -- NM 8/ NM 8; "Ricky Sings Again (Vol. 2)" (Imperial 160) -- MT 9/ NM 8; and "Songs By Ricky (Vol. 3)" (Imperial 164) -- NM 8/ GM-MT 10. Great tunes and the EP covers are super! From the GRT Collection
"The Nutmegs" EP Herald 452 (1960). The Nutmegs are one of several great '50s R&B groups who recorded on the Herald label and are now collector favorites. The group's heyday was 1955 when they had a #2 hit on Billboard's R&B charts with "Story Untold," included here. The other tunes on the EP were also recorded in '55, or in '56. You won't find a nicer copy of this rarity. Condition: MT 9/ NM 8. From the GRT Collection
Olympics "Doin' the Hully Gully" EP Arvee 423 (1960). The slick Los Angeles group had an early Pop Top Ten record with "Western Movies" in 1958, and charted 13 other times over the next eight years. One of those hits, "(Baby) Hully Gully," is on their only EP. The typical EP format was four songs, two to a side, but this EP consisted of just three songs, owing to the length of one of the selections, a 'long' version (3:54 was a long song in 1960!) of the Ray Charles' classic, "What'd I Say." "Boo-Dee Green" (say what?) rounds out the record. Beautiful, near perfect cover with record to match! Condition: MT 9/ MT 9. From the GRT Collection
The Original Casuals "Three Kisses Past Midnight" EP Back Beat Records EP-40 (1958). When these Dallas teenagers hit with "So Tough" in 1958, it appeared the sky was the limit. The infectious tune, was a Top 5 hit locally and charted for 12 weeks nationally, competing with a later-breaking version by the Kuf-Linx for several weeks. But this was the group's only hit among four singles, and this their only EP. "So Tough", "Ju-Judy", and "I Love My Darling" were included along with the title track. With their hit becoming more and more a forgotten nugget from the 1950s, this EP has also become scarce. Condition: EX 7/ NM 8. From the GRT Collection
"The Penguins" EP Dootone 101 (1955). The classic "Earth Angel" was the second R&B/doo-wop record to cross over to Billboard's Pop charts, peaking at #8 in 1955. Even without another Pop hit and only one other R&B chart hit, the Penguin's status in the early days of the Rock and Roll era is assured. Also included on their first EP are "I Ain't Gonna Cry No More," "Love Will Make Your Mind Go Wild," and "Baby, Let's Make Some Love." At first glance the cover appears to be at least EX 7, but further review reveals some touch up with a red felt pen along the top and bottom edges and the spine. The record is Near Mint. Condition: VG-EX 6/ NM 8. From the GRT Collection
Carl Perkins "Blue Suede Shoes" EP Sun 115 (1957). One of the rarest of the Sun EPs, the title song was also one of the label's biggest all-time singles. Other Perkins' originals included are his first Sun single,"Sure To Fall," and his third, "Gone Gone Gone," plus "Movie Magg," a cut from his Sun album. Beautiful, glossy cover would be at least NM 8, except for a light crease near top left corner of the front. The record is Near Mint. Condition: EX 7/ NM 8. From the GRT Collection
Philles Artists "Christmas EP" Promo EP Philles 4005 (1963). This rare EP was produced only as a promo for the "A Christmas Gift For You" LP, which featured the Phil Spector groups the Ronettes, the Crystals, and Bob B. Soxx and Blue Jeans, plus solo efforts by Darlene Love, who was associated with the two latter groups. The EP excerpts one song by each. Comes with a special paper sleeve, which, because it's predominantly white, is extremely difficult to find in this condition. Condition: EX 7/ NM 8. From the GRT Collection
"The Skyliners" Mono EP Disque Vogue 18039 (France 1965). Quick! Name a tune by this group that's not "Since I Don't Have You"! You might be surprised then by how good the group is on other songs, like the four here: "Who Do You Love", "Everything Is Fine", "Get Yourself A Baby", and "The Loser". Beautiful cover and record -- check 'em out online! Condition: MT 9/ MT 9. From the GRT Collection
"Having Fun With Huey 'Piano' Smith" Sealed EP Ace 104 (1959). One of the major practitioners of the New Orleans Sound in the the mid- to late fifties, Smith was a session man on many recordings of his peers. But when you listen to his own "Rockin' Pneumonia" and "Don't You Just Know It", you wonder why he didn't have more hit singles himself. Our copy of this hard to find EP, Smith's first, is still sealed in its original loose plastic, complete with the pre-stamped price of "$1.29". Condition: Sealed. From the GRT Collection
"Joe Turner" EP Atlantic 586 (1956). Big Joe's second self-titled EP release in 1956 included his R&B hits "Corrine Corrina", "The Chicken and the Hawk", and "Hide and Seek", plus "Feeling Happy". Condition: NM 8/ EX 7. From the GRT Collection
Various Artists "Rhythm and Blues -- Volume 1" EP Savoy 8049 (1951). Four songs include Paul Williams' "The Hucklebuck" and "35-30", Bill Moore's "Bubbles", and Hal Singer's "Corn Bread". Very desirable label and genre from the early '50s. There is a sticker tear at top right corner of front cover, but the disc is remarkably fresh. Condition: EX 7/ NM 8. From the GRT Collection
Various Artists EP Group of 11 (1955-60s). Here's an interesting batch o' EPs to add spice to your collection or give you an instant start. Included are: 1) Les Elgart "The Band of the Year" 2-disc Columbia B-480 (1955) -- Condition: VG-EX 6/ VG-EX 6; 2) Harry Belafonte "Calypso" RCA EPA-768 (1956); 3) Lou Monte "Elvis Presley For President" white label promo EP DJ-18 (no cover - 1958); 4) Prez Prado "Patricia" RCA EPA-4322 (1957); 5) Teresa Brewer "'Till I Waltz Again With You" Coral EC-81034 (1957) -- Condition: NM 8/ EX 7; 6) "The Devine Sarah Vaughan" Mercury 3396 (1957) -- Condition: NM 8/ MT 9; 7) Roy Hamilton "Don't Let Go" Epic 7200 (1958) -- Condition: EX 7/ MT 9; 8) Brook Benton "Golden Hits" Mercury 4031 (1961); 9) Della Reese "Don't You Know" RCA EPA-4349 (1961) -- Condition: EX 7/ EX 7; 10) "Jimmie Rodgers Sings Folk Songs -- Vol. 3" Roulette 317 (1963) -- Condition: GM-MT 10/ EX 7; and an Australian release from the mid-sixties by Roy Orbison, "Lana" Monument 11276. All are in NM 8/ NM 8 unless otherwise noted. From the GRT Collection
Country/Pop EP Group of 13 (1955-61). Potpourri includes: 1) and 2) two EPs from Slim Whitman, Imperial 106 and 137, both titled "Slim Whitman", both in EX 7/ EX 7 from 1955; 3), 4), 5), and 6) four EPs from Jimmie Rodgers: "Jimmie Rodgers" (Roulette 303, 1957), graded NM 8/ VG-EX 6 with minor defect on track 1, with a few pops; plus all three volumes of "Jimmie Rodgers Sings Folk Songs (Roulette 315-317, 1963), all in MT 9/ NM 8; 7), 8), and 9) Various Groups on the "Battle of the Groups" series (End 4, 9, and 10, 1960) in VG 5 (track 1 skip), MT 9, and NM 8 (no covers on these EPs); 10), 11), and 12) "The Unforgettable Hank Williams" Volumes 1-3 (MGM 1637-39, 1959), all in NM 8/ NM 8; and 13) Della Reese "Don't You Know" (RCA 4349, 1961) in NM 8/ GM-MT 10. From the GRT Collection
Various RCA Country Artists Promo EP Group of 10 (1956). RCA sent special boxes of promotional EPs to radio stations, record shops, and some reviewers to push their new artists and/or new releases by their established stars. This box, titled "Great Country/Western Hits," is mostly of established stars, with the exception of a new artist, name of Presley. Included are EPs from Eddy Arnold, Chet Atkins, the Browns, Homer and Jethro, Johnnie and Jack, Pee Wee King, Elvis Presley, Jim Reeves, Hank Snow, Sons of the Pioneers, Porter Wagoner, and Del Wood. The Elvis EP includes "Mystery Train," "Milkcow Boogie Blues," "Blue Moon of Kentucky," and "Love Me Tender." The colorful box was designed to open on three sides, with the spine side acting as a hinge. The spine has been cut, or possibly just weakened with age, and can no longer act as a hinge. The box still closes securely. The records are all Near Mint. Condition: EX 7/ NM 8. From the GRT Collection
Various Artists "Rock'n Roll Special EP Davis 211 (1956). Super rare EP features The Crickets (no, not Buddy Holly's group), Otis Blackwell, The Mellows, and Deep River Boys. Some wear along the right edges and a small seam split at top right keep the cover condition to VG-EX 6, but the record is fantastic. Condition: VG-EX 6/ NM 8 From the GRT Collection
Various Artists "Rock'n Roll Special" EP Davis 211 (1956). In the previous description we called this EP "super rare", and we meant it -- it blows our minds that we have two copies of it in our sale! Actually this copy doesn't have the cover, so should be more affordable, but the record is just as Near Mint as the other! Artists represented on the four song EP include The Crickets (black group, not Buddy Holly's), Otis Blackwell, The Mellows, and Deep River Boys. Condition: NM 8. From the GRT Collection
R&B EP Group of 2 (1957). Two EPs in this group, including a rare promotional EP on the Vik label featuring the Heartbreakers on one side ("Without A Cause" and "One, Two, I Love You") and the Sharps on the other ("Sweet Sweetheart" and "Come One"). As far as we know neither group had a commercial EP released. There is no cover for this promo, which is numbered "Vik 6" and was released in 1957. "The Five Keys On Stage!" is the other EP in this lot (Capitol 828). There are two cover versions for this EP and for the associated LP, an original version and an airbrush-revised second version. This one is the second version. Condition for the Vik EP: NM 8. Condition for the Five Keys: EX 7 (with some minor stains on the back)/ NM 8. From the GRT Collection
Gene Vincent and His Blue Caps "Bluejean Bop! Part 3" EP Capitol EAP 3-764 Part 3 of Vincent's first commercial EP for Capitol, excerpted from his first LP. Tunes included on this volume are "Jump Back, Honey, Jump Back", "I Flipped", "Waltz of the Wind", and "Peg O' My Heart". Condition: EX 7 (with some minor rub-stains on back and 3/4" seam split at top)/ NM 8. From the GRT Collection
"Gene Vincent and His Blue Caps -- Part 3" EP Capitol 811 (1957). RCA had Elvis; Capitol had Gene Vincent, and the cat could flat rock! His second commercial EP was a three-parter, and this is Part 3. Included songs are "Pink Thunderbird", "Pretty, Pretty Baby", "Cat Man", and "I Sure Miss You". As nice a copy as you're likely to find. Condition: MT 9/ NM 8. From the GRT Collection
"Billy Ward and His Dominoes -- Vol. 1" EP Federal 212 (1955). Legendary R&B group helped launch the careers of two Rock and Roll Hall of Famers, Clyde McPhatter, who was with the group from 1951-53, and Jackie Wilson who replaced McPhatter in 1953 and stayed until 1957. This first EP, released in 1955, featured earlier songs that had charted big on Billboard's R&B charts; "Sixty Minute Man" (#1 for 14 weeks in 1951), "Do Something For Me" (#6 in '51), "Have Mercy Baby" (#1 for 10 weeks in '52), and "Don't Leave Me This Way". Condition: EX 7/ EX 7. From the GRT Collection
"Billy Ward and His Dominoes -- Vol. 3" EP Federal 269 (1955). Ward's third EP for Federal spotlighted familiar standards, two of which the group had previously taken to lofty positions on Billboard's R&B charts. "These Foolish Things Remind Me of You" reached #5, and "Rags To Riches" went to #2 in 1953. All of the Federal releases are rare in this grade. This EP also was unique in that it was a "top-loader" -- the record slit was at the top of the cover! Condition: EX 7/ NM 8. From the GRT Collection
"Rock With Chuck Willis" EP Atlantic 609 (1958). Willis had already had seven Top Ten hits on the R&B charts from 1952-57 before "C. C. Rider" became his first crossover hit in 1957, launching the "Stroll" dance craze. He managed just one other hit on the Pop charts before he died suddenly, although he had recorded three other singles that eventually charted in 1958. Included here are "C. C. Rider", "Ease The Pain", "That Train Has Gone", and "Love Me Cherry". The cover is striking, with minimal edge wear, and the record is close to perfect, a real gem. Condition: EX 7/ MT 9. From the GRT Collection
Chuck Willis "What Am I Living For" EP Atlantic 612 (1958). The title cut of Willis' third EP was his biggest hit, debuting on Billboard's Pop chart barely a month after his tragic death at age 30 from a bleeding ulcer. The flipside of that single, the rockin "Hang Up My Rock and Roll Shoes", had actually debuted two weeks earlier and was also a hit. Both are included on this great EP, as is Willis' earlier hit "Betty and Dupree" and the later released "My Life". This is a stunning copy, still in its original shrink wrap and barely played. Condition: MT 9/ MT 9. From the GRT Collection
Johnny Burnette Trio "Tear It Up"/ "You're Undecided" 78 Coral 61651 (1956). This was the first single for the trailblazing rockers. Not to be confused with Burnette's later, gentler hits like "You're Sixteen" and "Dreamin", his early style fit the name of the title song here. Incredible early Rock 'n Roll on a beautiful copy. Condition: NM 8. From the GRT Collection
Drifters "There Goes My Baby" 78 Atlantic 2025 (1959). The great vocal group had been scoring R&B chart hits since 1953, but this was their first big Pop hit, going all the way to #2 in 1959. By this time a relatively few 78s were being pressed along with the dominant 45 single configuration, and that makes this a rare record. Condition: EX 7. From the GRT Collection
Falcons "You're So Fine" 78 Unart 2013 (1959). Toward the late '50s fewer and fewer 78s were being pressed, and in this case, very few, which makes this a real rarity. The song, released as a 45 first on the Flick label, then on Unart, was released as a 78 only on Unart. One of the more enduring songs from 1959 had quite a pedigree. Both Eddie Floyd ("Knock On Wood") and Joe Stubbs (brother of Levi Stubbs of the Four Tops) sang, and the backup band eventually became the Ohio Players. The record's condition is close to perfect. Condition: MT 9. From the GRT Collection
The Teen Kings (Roy Orbison) "Ooby Dooby" 78 Je-wel 101 (1956). Pre-Monument recordings by Orbison are scarce, but probably none more so than a Mint copy on 78 of Orbison's first single. A true blast from the past is this je-wel from '56 of the 20-year old Orbison. Condition: GM-MT 10. From the GRT Collection
Prisonaires "There Is Love In You"/ "What'll You Do Next" 78 Sun 207. Legendary R&B group's fourth and final 78 single, it's also their rarest. It's hard to imagine a finer copy of a record issued more than 50 years ago. Condition: NM 8. From the GRT Collection
"Wildcountry" (became Alabama) Sealed Stereo LP LSI 275 (1975). Before "Alabama" there was "Wildcountry". The band had actually formed in 1969 as "Young Country", and it took six years before this first album emerged, and another five years before the band from Fort Payne, Alabama, would "suddenly" be on a fastrack to becoming one of the all-time great Country & Western acts. This copy of the extremely rare first album is still sealed! Condition: Still sealed. From the GRT Collection
Alabama "The Alabama Band" Sealed Stereo LP Alabama 78-9-11 (1978). The legendary Country group's first recording as "Alabama" is rarely seen at all, and this copy is still sealed! Dixie to the core, the band's name, the album title, and the record label itself are essentially the same! Within two years, Alabama (the group!) would be at RCA and starting a seven year stretch of a record 21 consecutive #1 Country singles. We don't think you'll find another sealed copy of this one without a hard search. Condition: Still sealed. From the GRT Collection
Lee Allen "Walkin' With Mr. Lee" Mono LP Ember 200 (1958). Allen was one of the many unsung session musicians who were highly sought after, and in Allen's case the demand lasted decades. In the '50s the saxophonist played for stars Fats Domino and Little Richard, and he was still in demand during the '80s, playing with the Blasters. He had two chart hits of his own, both in 1958, and both included on this album. The title song was inspired by the 1957 Bobbettes' hit "Mr. Lee". Allen wrote or co-wrote all but two songs on the album, which we have seen only infrequently over the years. The cover is in brilliant condition; the disc itself only slightly less so. Condition: MT 9/ EX 7. From the GRT Collection
"The Aquatones Sing" Mono LP Fargo 3001 (1964). The white doo-wop group from New York charted their very first single release in 1958 ("You" went to #21), and released seven other singles from 1958 to 1962, and nearly all those songs are included on their only album (not counting an '80s compilation). Small label, not many hits, doo-wop group... you guessed it -- it's a scarce album! Condition: NM 8/ EX 7. From the GRT Collection
Badfinger "Straight Up" Stereo LP Test Pressing Apple/Sapcor 19 (Germany, 1971). The group's fourth and best-selling album included "Baby Blue" and "Day After Day". This German pressing ranks with the best we've heard -- a real find for Badfinger fans. Condition: EX 7. From the GRT Collection
La Vern Baker Group of 3 - Atlantic 8007/ 1281/ 8050 (1957-61). One of the first female R&B stars to cross over and play a major part in the formative years of Rock and Roll, Baker's most memorable chart hits "Jim Dandy" and "Tweedlee Dee" are featured on her second release for Atlantic, "La Vern Baker." This black label mono is the finest copy we've seen of this hard-to-find LP. Condition MT 9/ MT 9.
On "La Vern Baker Sings Bessie Smith" we see another side of Baker. This was her third Atlantic release, and we have an extremely rare stereo green label copy of this. Condition: EX 7 ("PS-7" stamp on back)/ NM 8.
Rounding out this outstanding trio is an immaculate copy of the 1961 "Saved" which showcases Baker's impressive range of styles, from Rock to Gospel to Soul to dreamy ballads. Condition: NM 8 ("FS-50" stamped on back cover)/ MT 9. From the GRT Collection
On "La Vern Baker Sings Bessie Smith" we see another side of Baker. This was her third Atlantic release, and we have an extremely rare stereo green label copy of this. Condition: EX 7 ("PS-7" stamp on back)/ NM 8.
Rounding out this outstanding trio is an immaculate copy of the 1961 "Saved" which showcases Baker's impressive range of styles, from Rock to Gospel to Soul to dreamy ballads. Condition: NM 8 ("FS-50" stamped on back cover)/ MT 9. From the GRT Collection
Big Bopper "Chantilly Lace" White Label Promo Mono LP Mercury 20402 (1959). Not only is the Bopper's huge hit "Chantilly Lace" on this his only non-posthumous album, the other 11 songs were also composed by him. Included among those were "White Lightning", later a hit for Country legend George Jones. "PROMOTIONAL COPY ONLY NOT FOR SALE" is stamped in red twice on the back cover. A small "K8" is marked in felt pen. There's also a minor stain on the back cover. Condition: EX 7/ NM 8. From the GRT Collection
Bob-B-Soxx and the Blue Jeans "Zip-A-Dee Doo Dah" Mono LP Philles 4002 (1963). The title song took the academy award-winning song from the 1947 Walt Disney movie "Song of the South" and turned it into an R&B vocal triumph and a #8 Pop hit in 1963. Truly an early supergroup, Phil Spector had formed the group with Bobby Sheen (The Alley Cats), Darlene Love (Blossoms, Crystals), and Fanita James (Blossoms), then put crack session musicians behind them for the recording, including Glen Campbell and Billy Strange on guitars; Al DeLory, Nino Tempo, and Leon Russell on pianos; and Hal Blaine on drums. Not only is this one heckuva album, the cover ranks with the best of the '60s... or any other decade for that matter! Condition: NM 8/ NM 8.
Buster Brown "The New King of the Blues" Mono LP Fire FLP-101/102 (1960). Whether he was wailing "Fanny Mae" or blasting a harmonica solo, you knew Buster was in the room! That he didn't have a hit record (even on the R&B charts) until he was 58 years old just means he was paying the dues of a Bluesman! This is the white cover/ white label version of this desirable album, whose disc number is 101, despite the 102 on the cover. Condition: NM 8/ NM 8. From the GRT Collection
Boots Brown and his Blockbusters/ Dan Drew and his Daredevils "Rock That Beat" Mono LP Groove 1000 (1958). Such an interesting story behind this project, we'll just let you get the full details by going online for a closeup of the back cover of this rare album. The basic idea was top-notch jazz musicians doing a Rock record. The idea was so intriguing yet unnerving to most of the musicians that they agreed only if they could remain anonymous at the time! Side 1 (the Boots West Coast crew) included Shorty Rogers, Bud Shank, Gerry Mulligan, Marty Paich, and J. J. Johnson, to name a few. Side 2 (the Drew East Coast crew) included Eddie Bert, Osie Johnson, Al Cohn, and others. Quite a story and quite a record! This may have also been the first Groove (an RCA subsidiary) album. Remarkable condition for a remarkable album -- Condition: NM 8/ NM 8.
Charles Brown "Mood Music" 10" Red Vinyl Mono LP Aladdin 702 (1952). Best known by non-R&B collectors for his 1961 Christmas classic, "Please Come Home for Christmas," made popular nearly two decades later by an Eagles' cover version, Brown charted 24 times on the R&B charts between 1945-52 as a solo artist and with Johnny Moore's Three Blazers. This is the pianist/vocalist's first album, which included his first solo chart hit, "Get Yourself Another Fool." This is a rare version of a rare record, and a pretty nice copy at that, probably the nicest you will ever find! Condition: EX 7 (small tear front cover)/ EX 6. From the GRT Collection
"The Fabulous Cadillacs" Blue Label Mono LP w/Promo Inner Sleeve Jubilee 1045 (1957). This is the rarer first of three pressings of the group's first album. Their great R&B and Pop hit "Speedoo" is included. "Fabulous" also describes this copy, both the condition of the cover and the record itself. This is the nicest copy we've ever seen. The original inner sleeve is still present. Condition: NM 8/ NM 8. From the GRT Collection
Cathy Jean & the Roomates "Great Oldies" Mono LP Valmor 78 (1962). Young Cathy was just 15 years old when the group scored their big hit, "Please Love Me Forever", in 1961. That one is included on this album, the group's only LP, although it had been released in 1961 as "At The Hop". This second version is just about as rare as the first, and this copy is sensational! Condition: NM 8/ GM-MT 10. From the GRT Collection
Chiffons "He's So Fine" Stereo and Mono LP Group of 2 -- Laurie 2018 (1963). The great "girl group" had one of the classic tunes of the genre with the title song, but had actually charted first back in 1960 when just 13- and 14-year olds! Can't decide on mono or stereo? Take both, each in Near Mint. Condition (each record): NM 8/ NM 8. From the GRT Collection
Chiffons LP Group of 2 (1966-70). The sweet-singing girl group had three big hits, all of which rank with the all-time best of the "girl group" genre. Their third Top Ten hit, "Sweet Talkin' Guy", led off their third album and last album for the Laurie label. Two other minor hits, "Nobody Knows What's Going On" and "Out of This World" were also included. In 1970 the Chiffons recorded an album for the B. T. Puppy label titled "My Secret Love", which sold very few copies and is rarely seen today. Well, see it now! We've included an outstanding copy in this lot. Condition "Sweet Talkin' Guy": MT 9/ GM-MT 10. Condition "My Secret Love": EX 7/ MT 9. From the GRT Collection
Eric Clapton "Backless" Yellow Vinyl Stereo LP RSO 3039 (1978). Slow Hand's Top 10 album from 1978 in yellow vinyl? As far as we can determine, this is a one-of-a-kind, a prototype perhaps, and it's in terrific shape! Condition: MT 9.
"Dee Clark" and "Hold On...It's Dee Clark" Stereo LP Group of 2 (1959-61). Any discussion of great voices of the '50s is incomplete without inclusion of Delecta "Dee" Clark. Barely 20 years old when his first hit, "Nobody But You", debuted on both the Pop and R&B charts in 1958, Clark first recorded way back in 1952 at the age of 13! His self-titled first album (Abner 2000) included his first three hits, "Just Keep It Up" and "Hey Little Girl" charting within a year of his first hit. His fourth album (Vee-Jay 1037) featured his biggest hit, "Raindrops", about which we still have the question, "How does he hit that note at the end?" Both copies are the rarer stereo versions, and the Vee-Jay album is still sealed! Condition of "Dee Clark": EX 7 (with some staining along the left edge on back)/ NM 8. Condition of "Hold On...It's Dee Clark": Still sealed. From the GRT Collection
Dave Clark Five Mono LP Group of 3 (1964-65). This group included two of the group's biggest albums from the heady years of 1964 and 1965, plus the Ed Rudy series interview with them in 1965. Included: 1) the debut album, "Glad All Over" (Epic 24093, 1964) -- Condition: MT 9 (still in shrink wrap)/ NM 8; 2) the fourth album, "Coast To Coast" (Epic 24128, 1965) -- Condition: Still sealed; 3) the interview album, "It's Here Luv!" (INS Radio News 1005, 1965) -- Condition: MT 9/ MT 9. From the GRT Collection
"The Clovers Mono LP Atlantic 1248 (1956). The trendsetting group established themselves on the R&B charts, with three #1 hits from 1951-52 and 15 Top Ten tunes before breaking through to the Pop charts in 1956. Buddy Knox, Bobby Vinton, Bobby Vee, and the Searchers all covered Clovers' songs with great success. Three of the originals show up on this LP, the group's first: "Lovey Dovey," "Devil or Angel," and "Blue Velvet." Also here is "Love, Love, Love," the group's first crossover hit. Another record you just don't see in this nice of condition! Condition: NM 8/ NM 8. From the GRT Collection
Clovers "Love Potion Number 9" Mono LP United Artists 3099 (1959). For you younger folks who thought the Searchers Top 10 hit of this song in the '60s was an original, here's a newsflash -- it wasn't! The Clovers, a classic '50s vocal group charted 21 times on Billboard's R&B charts, all but two of which went Top 10, including three #1 smashes. Curiously, "Love Potion No. 9" went to only #23, but it was also the group's biggest Pop crossover hit, peaking at #23 on Billboard's Hot 100. The cover is clean, somewhat of a rarity for this mostly white oldie, and the record has been barely played. Condition: EX 7/ NM 8.
"The Coasters" Sealed Mono LP Atco 33-101 (1958). The Coasters' first album is rare enough, but a still sealed copy? Can you say "one of a kind". Ok, maybe there are more than one out there, but we don't know of another! The album is chock-full of Leiber and Stoller hits; in fact 13 of the 14 songs here are from the peerless songwriting duo, including the singles "Young Blood" and "Searchin", the incredible double-sided hit that charted for half of 1957. Perfect copy! Condition: Still sealed. From the GRT Collection
Eddie Cochran "Singin' To My Baby" Mono LP Liberty 3061 (1957). Just 18 when this album was released, it turned out to be his only solo album released before his accidental death at age 21 in 1960. "Sittin' In The Balcony," his first hit, is here, along with four of his own compositions. A tough album to find, and 'most impossible in such a high grade. The cover would be at least NM 8 except for a small split at bottom front right. Condition: EX 7/ NM 8. From the GRT Collection
Contours "Do You Love Me" Mono LP Gordy 901 (1962). The title song is one of the most irresistible Pop/Rock/R&B tunes ever, as evidenced by its perpetual popularity generation after generation. A #3 hit when it was released in 1962, it was re-released in 1988 after its inclusion in "Dirty Dancing", and climbed to #11. The album cover is as good as the song, a rainbow-colored beauty that grabs the eye and won't let go, especially when found in as nice of a condition as this. In fact, in its original shrink wrap like this, you might not find a prettier copy! And the record is Mint. Condition: NM 8/ MT 9. From the GRT Collection
"The Best of the Crests/ 16 Fabulous Hits" Mono LP Coed 904 (1961). Beginning with their cheek-to-cheek classic, "Sixteen Candles", the Crests placed nine songs on Billboard's Pop charts in less than two years, all of which are included on this their second album. The front cover is gorgeous; the back cover has some stains. The disc is just about perfect. Condition: EX 7/ MT 9. From the GRT Collection
Arthur "Big Boy" Crudup "Mean ol' Frisco" Mono LP Fire 103 (1960). Another great Blues singer who paid his "dues" for decades, first recording for RCA's Bluebird label in 1941. From 1945-51 he had six Top Ten R&B singles, but never charted on the Pop charts. A fellow Mississippian name of Elvis Presley was listening -- two of his most memorable, early recordings were Crudup's "That's All Right" and "My Baby Left Me," and he also included "So Glad You're Mine" on one of his first EPs in 1956. This is Crudup's first LP, released in 1960 when "Big Boy" was 55 years old, and includes a new version of the seminal "That's All Right." You won't find a finer copy of this scarce recording. Condition: NM 8/ NM 8. From the GRT Collection
Crystals "Twist Uptown" White Label Promo Mono LP Philles 4000 (1962). One of the greatest of the '60s "girl groups", the Crystals' albums are some of the most highly valued and sought after today. Their first album contained two Top Twenty hits, "Uptown" and "There's No Other (Like My Baby)". The white label promo version in this grade makes this one a find indeed. "SAMPLE RECORD NOT FOR SALE" is stamped twice on the front of the album cover and once on the back. Condition: NM 8 / MT 9. From the GRT Collection
"The Crystals Twist Uptown" Mono LP Philles 4000 (1962). First album from the great "girl group", and a near perfect copy at that! Condition: NM 8/ NM 8.
Bobby Day "Rockin' With Robin" Mono LP Class 5002 (1959). We just haven't seen this album much over the years and never in this condition -- it's still sealed in its original loose plastic! The lead song, "Rockin' Robin" is Day's (real name Robert Byrd, but you knew that!) only solo Top 40 hit, a #2 smash in 1958, but two other selections here were minor hits for him and big hits for others. Thurston Harris took "Little Bitty Pretty One" to #6 in 1957, and the Jackson 5 took the same song to #13 in 1972. The Dave Clark Five took "Over And Over" to #1 in 1965. A remarkable find! Condition: MT 9 / MT 9 (still sealed). From the GRT Collection
Del Vikings "They Sing... They Swing" Mono LP Mercury 20314 (1957). The group's first album for Mercury was their second overall, following an earlier release on Luniverse. Strangely enough, although their biggest hits, "Come Go With Me" and "Whispering Bells" were released on Dot, that label didn't release an album until 1966. The colorful, predominantly red cover looks terrific on this copy. The back cover has a small "76" neatly stamped at the top left. The record is Mint. Condition: NM 8/ MT 9. From the GRT Collection
Dion "Runaround Sue" Gold Vinyl Mono LP Laurie 2009 (1961). Special gold vinyl version of Dion DiMucci's biggest album, which charted for 51 weeks in 1961-62, peaking at #11. The title cut was Dion's only #1 hit. Other Dion-charted hits on the album include "The Wanderer", "The Majestic", and "In The Still Of The Night", and Dion supplements these with covers of some of his contemporaries such as Bobby Darin, Bobby Vee, Wilbert Harrison, and the Elegants. A terrific copy of a Rock and Roll Hall of Famer's classic. Condition: EX 7 (label tear Side 2) / NM 8. From the GRT Collection
"Presenting Dion and the Belmonts" Stereo LP Laurie 2002 (1961). The group's first album had been released in mono in 1959, but it was two years later before this rechanneled-in-stereo version came out, just about the time Dion was going solo. It's quite rare. Included are the group's two biggest hits, "A Teenager In Love" and "Where Or When", plus their first charting hit from 1958, "I Wonder Why". Mint-y fresh! Condition: MT 9/ MT 9. From the GRT Collection
Drifters "Rockin' And Driftin" Black Label Mono LP Atlantic 8022 (1958). The Rock and Roll Hall of Fame group worked first the R&B charts, then the Pop charts from 1953-74, and several of their early hits are on this, their second and rarest album. The cuts feature songs recorded from the period 1955-58, prior to their greatest success on the Pop charts. But there are six R&B hits here, including four which made the Top Ten. Three other songs were minor Pop hits. And this is just a superb copy of the rare album. Condition: NM 8/ MT 9. From the GRT Collection
Bob Dylan "Blood On The Tracks" Test Pressing LP Stereo Columbia 33235 (1975) While this white-label test pressing of Dylan's classic "break-up" album is not the mega-rare early alternate version, with drastically different takes of several songs, it is a remarkably sweet-sounding copy, with plenty of crisp studio detail not heard in later-generation pressings. The date typed on the label is 5/7/75; all the songs are present in their correct running order (although "You're Gonna Make Me Lonesome When You Go" is identified as "...When You're Gone" by mistake. The record comes in a plain white sleeve, and is in NM 8 condition.
"First Date With The Ebon-Knights" Mono LP Stepheny 4001 (1959). This might be the best vocal group you've never heard of. The only album for this St. Louis group showcased their flexibility with part '40s, part spiritual, part '50s doo-wop, and nod to smooth groups like the Platters. A super copy of a super rare record! The cover has some staining around the edges and a spine split along the top. Condition: VG-EX 6 (cover)/ MT 9 (record). From the GRT Collection
"Duane Eddy Plays Songs Of Our Heritage" Blue Vinyl Stereo LP Jamie 3011 (1960). Rarer variation of album, with gatefold cover and blue vinyl disc. Rock 'n Roll's all-time #1 instrumentalist could lend his twangy style to just about any song, and here's proof! Gorgeous blue disc, and it's immaculate! The cover has a 1/2 inch seam split at top right corner. Condition: VG-EX 6/ NM 8.
Shelley Fabares "Shelly!" Stereo LP Colpix 426 (1962). On the heels of her mega-'60s hit "Johnny Angel" and capitalizing on her popularity as arguably the biggest star on TV's "The Donna Reed Show", this album was released. It wasn't nearly the success of the single or the TV show, and, consequently is pretty rare -- especially so in stereo. Nice pictures of the extremely photogenic Miss Fabares on both covers, helped by the condition of this immaculate copy. And that goes for the disc, too! Condition: MT 9/ MT 9. From the GRT Collection
Five Keys "Rhythm and Blues Hits -- Past and Present Mono LP King 692 (1960). The Keys hit #1 on the R&B charts in 1951, and by 1956 had also charted four times on the Pop charts. This is an unbelievably fine copy of their fourth album, their second on King. Condition: NM 8/ MT 9. From the GRT Collection
Five Keys "Rhythm and Blues Hits -- Past and Present" Mono LP King 692 (1960). The Five Keys were one of the prime R&B groups that crossed over in the early days of Rock 'n Roll. Their second album on King is just about as tough a find as their first, and in this condition -- well, just grab it while you can! Condition: EX 7/ NM 8.
Frankie Ford "Let's Take A Sea Cruise" Mono LP Ace 1005 (1957). The title song was one of the fifties most infectious tunes, classic New Orleans, written by Huey "Piano" Smith, whose band also played on Ford's recording. Smith's influence is heavy on the album, as he wrote or co-wrote eight of the twelve tunes. On six of those the young Ford was co-writer, and a very young Malcolm Rebennack -- later known as "Dr. John" -- contributed two tunes as well. Impeccable New Orleans pedigree! This was Ford's only vinyl album release, but he's still performing and recording today. This is as nice a copy of the album we've seen. Condition: NM 8/ NM 8. From the GRT Collection
Jesse Fuller "Frisco Bound" Stereo LP Cavalier 6009 (1957). Fuller was a Blues/Folk favorite in the Bay Area in the '50s and '60s with his unique slide 12-string guitar playing combined with harmonica, kazoo, and a foot-operated instrument called a 'footdella'. He was truly a one-man band! Not your ordinary Blues record, and not one you'll often see. Cover still has its shrink wrap, but does display some age spots along the top and bottom of front cover, and minimally along the right side of back cover. The record itself is pristine. Condition: EX 7/ GM-MT 10. From the GRT Collection
Marvin Gaye Group of 9 Albums (1963-69). Quite a collection from one of Motown's most legendary voices. This incredible group includes seven still sealed albums. All the albums have covers and discs in the MT 9 to GM-MT 10 condition range! Included: "On Stage" (Mono 1963), "Greatest Hits" (Stereo 1964), Marvin Gaye & Mary Wells "Together" (Mono 1964), "Hello Broadway" (Mono 1965), "A Tribute to the Great Nat King Cole" (Mono 1965), Marvin Gaye/Tammi Terrell "You're All I Need" (Stereo 1968), "In The Groove" (Stereo 1968), "I Heard It Through The Grapevine" (Stereo 1969), "Marvin Gaye And His Girls" (Stereo 1969). All are sealed except "On Stage" (MT 9) and "A Tribute to the Great Nat King Cole" (GM-MT 10). From the GRT Collection
Lloyd Glenn "All Time Favorites" Mono 10" LP Swing Time 1901 (1954). One of the great piano stylists had been playing since the 1920s, and the many styles he had heard and played over the previous three decades are captured here. "Chica Boo" (#1) and "Old Time Shuffle" (#3) were big R&B hits in the early 1950s for Glenn, who played with such names as Lowell Fulson, Big Mama Thornton, and T-Bone Walker. Johnny Otis credits him for being an early influence of Rock and Roll. This first and rarest of Glenn's records is one you're not likely to find in any condition, and certainly not in this nice grade. Other songs on this mini-LP include "After Hours," "Pine Top Boogie Woogie," "Honky Tonk Train," and "Yancey Special." Terrific cover and label, too! Condition: EX 7/ EX 7. From the GRT Collection
Bill Haley and His Comets "Shake Rattle and Roll" Mono LP Decca 5560 (1955). Haley had been performing since the late forties, but really came into his own with the Comets in 1953 when the early Rock tune "Crazy Man, Crazy" on the Essex label hit #12 on the Pop charts. The next year he signed with Decca, and charted twice in '54, seven times in '55, and ten times in '56 to secure his place in Rock and Roll history. Two songs included here, the title song, and, arguably the song that kicked off the Rock and Roll era, "Rock Around The Clock" probably would have guaranteed that had he never released another single! Including those two, this 10" LP contained Haley's first five charting hits for Decca. The cover has a 4" seam split at upper right corner. The record looks EX 7 but does have some surface noise. Condition: VG-EX 6 (cover)/ VG 5 (record). From the GRT Collection
Lightnin' Hopkins "Lightnin' and the Blues" Mono LP Herald 1012 (1959). One of the legendary names in Blues, the Texas-born performer began playing in the 1920s, but didn't record until the mid-1940s. He quickly made up for lost time, eventually releasing 80 78-rpm recordings, 102 45s, and an astonishing 109 albums, the most of any Blues artist! This is his second release on the famed Herald label and one of his three rarest. And if this isn't the finest existing copy, we'd like to see a better one! The record is just about perfect and the cover has only minimal wear. Condition: NM 8/ MT 9. From the GRT Collection
Impalas "Sorry (I Ran All The Way Home") Stereo LP Cub 8003 (1959). In 1959, record sales were driven primarily by singles sales, and the title hit was a big one, reaching #2 on the Pop charts and #14 on the R&B charts. But the great-sounding Impalas were the epitome of a "one-hit wonder" group, and this album is scarce, scarcer in stereo, and even scarcer in this nice condition. There is a mark on track 5 that doesn't affect play. Condition: MT 9 (with original wrap on cover)/ EX 7. From the GRT Collection
Isley Brothers "Shout!" Stereo LP RCA 2156 (1959). The decades-spanning career of the Isley Brothers began in the late fifties, kicking into serious gear in 1959 with the release of the classics "Shout - Part 1" and "Shout - Part 2", near the top of the playlist for any Rock or R&B Oldies station that knows what's up. The Isley's first album included an amazing cover that accurately conveys the energy and innovation of the group. This is the rarer stereo version, and the condition, like the Brothers' music, is smokin'! Condition: MT 9 (still in the original shrink wrap)/ NM 8. From the GRT Collection
Lil' Son Jackson "Rockin' An' Rollin" Mono LP Imperial 9142 (1961). You serious Blues aficionados may know Jackson, but with only one charted R&B hit, "Freedom Train Blues," way back in 1948, he may be under most collectors' radar. The Texas native began recording after WWII when he was already 31 years old, proceeding to release nineteen 78-rpm records, sixteen 45s, and this sole LP. Condition: NM 8/ NM 8. From the GRT Collection
Jaynetts "Sally Go 'Round The Roses" Promo Mono LP Tuff 13 (1963). The Bronx "girl group" set themselves apart with the eerie, soulful title song that went all the way to #2 in 1963. It turned out to be the group's only chart hit, and this their only album. Pretty tuff (sorry!) to find even a commercial copy so nice, let alone a white label promo like this. Condition: EX 7/ NM 8.
"Jefferson Airplane Takes Off" Rare Version Stereo LP RCA LSP-3584 (1966). The Jefferson Airplane's debut album came in three versions in 1966. This is the second version, characterized by questionable (at the time anyway!) lyrics on "Let Me In" and on "Run Around", and not containing the track "Running Around the World", which appears on the first version. Condition: MT 9 (with original shrink wrap)/ NM 8. From the GRT Collection
Little Willie John "Fever" Mono LP King 564 (1956). John is best known for his #24 Pop hit "Fever", a song that Peggy Lee took to #8 in 1958. Little Willie managed to chart 14 times on the Pop charts between 1956 and 1961, but only four of those made the Top 40, none above #13. His real success came on the R&B charts where he had 17 Top 25 hits, and where "Fever" held the #1 position for five weeks. Four of his earliest hits are included here on his first album, which was reissued in 1957 with a different cover, making the original all the more scarce. In this grade -- well, we haven't seen a nicer one! Condition: MT 9/ EX 7. From the GRT Collection
Lonnie Johnson "Lonesome Road" Mono LP King 395-520 (1958). Alonzo Johnson, born in New Orleans in 1889, was one of the great influences on both Blues guitar and vocals. Like so many of the legends, his recording successes were few, limited to four tunes that made the R&B Singles chart in 1948-50. Three of those appear on this, his first album: "Tomorrow Night" (#1 in 1948), "Pleasing You" (#2 in 1948), and "So Tired" (#9 in 1949). He first recorded for Okeh in 1925, cutting an astonishing 130 songs between 1925 and 1932, and playing with Louis Armstrong and Duke Ellington along the way. A rare Blues record in Near Mint condition is a terrific combination! Condition: VG-EX 6 (clear tape along bottom and top of cover)/ NM 8. From the GRT Collection
"Led Zeppelin" White Label Test Pressing Mono LP With Letter -- Atlantic (1969). This test pressing of Led Zep's first album was accompanied by a letter from Atlantic dated December 30, 1968, which begins, "We have pleasure in enclosing a white label of the first album by Led Zeppelin, the exciting new group from England (led by former Yardbird Jimmy Page), that you have been hearing so much about." We don't know how many of these test pressings went out, or, more importantly, how many are still in existence -- we just know we haven't seen one before! Condition: EX 7. From the GRT Collection
"Led Zeppelin II" Rare Import Stereo LP Atlantic 8236 (1970s). The "Led Zeppelin II" we all know and love came out in the U.S. in 1969, but it's hard to say when exactly this Turkish edition came out. The political climate towards Rock in the Eurasian country at the time was not very... accepting. When the record did come out, it was issued with artwork unique to Turkey, making this a very rare version. The cover has some tape stains along the edges. Condition: VG 5/ VG 5.
Little Eva "Loco-Motion" Promo Mono LP Dimension 6000 (1962). Rare white label promo copy of an album filled with vintage Carole King/ Gerry Goffin tunes, including the #1 title track. Babysitting for the Hall of Fame songwriters had its perks! The back cover has some writing and moisture stains, but the disc is close to perfect. Condition: VG 5/ NM 8.
Martha and the Vandellas "Come And Get These Memories" Mono LP Gordy 902 (1963). Brilliant copy of the group's first album is still in its original shrink wrap, but not sealed. Unless you do find a sealed copy, you can't do better than this! Condition: MT 9/ MT 9. From the GRT Collection
Marvelettes "Please Mr. Postman" Mono LP Tamla 228 (1961). One of the greatest of the "girl groups" helped put Motown on the map. In 1961 the title song became the first Motown label release to hit #1 on Billboard's Hot 100. The Carpenters' 1975 cover of the classic also went to #1, and the Beatles did a resounding version on their second Capitol album. A sealed copy of the Marvelettes' first album? Look no further! Condition: Still sealed. From the GRT Collection
Marvelettes "Playboy" Mono LP Tamla 231 (1962). One of the earliest Motown groups, the Marvelettes set the stage for the Supremes, Martha and the Vandellas, and others to follow. Two of their hits are included here, "Playboy" and "Beechwood 4-5789. This is the group's third album release, and while all the early recordings are highly sought-after, this copy is a still sealed, stone Mint beauty! Condition: Still sealed. From the GRT Collection
Mickey and Sylvia "New Sounds" LP Vik 1102 (1957). Rock 'n Roll albums were not terribly popular in the early days, and this jewel was largely overlooked. Their classic single "Love Is Strange", of course, was a big hit, and the talented duo followed that with seven more that cracked Billboard's Hot 100, but not the Top 40. Mickey Baker did have a long and distinguished career as a session guitarist, and Sylvia Vanderpool had a brief solo stretch in the early '70s that produced a #3 Pop hit, "Pillow Talk". But looking at this album cover (what a presence!) and listening to the record (what a sound!) suggests this duo should have been much, much bigger! Ballads, blues/rock, and instrumentals -- superb harmony vocals and amazing guitar solos -- the duo had it together, and so does this album. It's pretty rare, and this copy has no peer, unless there's a sealed copy out there somewhere! There's a price sticker ($1.69!) on the back cover. Condition: MT 9/ MT 9. From the GRT Collection
"The Midnighters Volume Two" LP King 581 (1958). Influential R&B group's second album for King came just before they finally scored their first crossover hit in 1959. From 1953 to 1955 they had charted seven R&B hits, including six Top Tens and two #1s. This is the original version with a 2" wide, crownless King logo on the label. Very rare in this condition. Condition: EX 7/ NM 8.
Amos Milburn "Let's Have A Party" Mono LP Score 4012 (1957). Milburn never had a crossover hit, but is a prime candidate for the Rock and Roll Hall of Fame as an 'early influence'. He had four #1s on the R&B Singles chart and 15 other Top Ten R&B hits by the time he was 27, three of which appear here: "One Scotch, One Bourbon, One Beer," "Chicken Shack," and "Good, Good Whiskey." This is his first LP; the Score label was a subsidiary of Aladdin and a real rarity. The cover is still enclosed by the original loose plastic cover, although it is not sealed. Condition: MT 9/ NM 8. From the GRT Collection
Amos Milburn "Million Sellers" Mono LP Imperial 9176 (1962). Barely 21 years old when he had his first R&B #1 hit in 1948, Milburn dominated that chart genre in the late forties and early fifties with 19 Top Ten hits in five years, 5 of which are included in this "Best Of" album. This one's rarer than most "Greatest Hits" albums; in fact, it's quite hard to find, especially in this grade. Condition: EX 7 (6" seam split at top right)/ EX 7. From the GRT Collection
Miracles "Cookin' With the Miracles" Rare White Label LP Tamla 223 (1962). We don't get to see this album in any form very often, much less the white label variation! This is the group's second and rarest album, and while it didn't have hits like "Shop Around" (on first album) or "You've Really Got A Hold On Me" (fifth album), it has more amazing vocals by Smokey and includes three minor chart hits -- the title song "Everybody's Gotts Pay Some Dues", "Ain't It Baby", and "Broken Hearted". Still in its original shrinkwrap, and the disc is Near Mint. Condition: MT 9/ NM 8. From the GRT Collection
Ricky Nelson "More Songs By Ricky" Blue Vinyl Promo Stereo LP with Poster Imperial 12059 (1960). Here's a Ricky-fan's dream: a rare blue vinyl promotional version of his fifth album release, the last one credited to "Ricky", as he would become "Rick Nelson" with his next album as he turned 21 years old. The album cover is terrific; it's a gatefold, with 18 black and white photos on the inside depicting various shots of Ricky in TV, movie, and personal situations. The back cover is a full color photo, designed to be detached and displayed. And if that weren't enough, the album came with a 17.5" x 23" color poster that's rarer than the record! The poster with this copy has a small tear, but is otherwise in EX 7 condition. Condition: NM 8 (cover)/ EX 7 (record). From the GRT Collection
Roy Orbison "Rock House" Mono LP Sun 1260 (1961). His big hits began in 1960 after he had gone to Monument Records, but Roy Orbison honed his skills at Sun Records -- as did a couple other fair-to-middlin' icon-types! -- where he released five records beginning in 1956 with the minor hit "Ooby Dooby". That oldie is included in this after-the-fact album from 1961, an album we see occasionally, but have never seen in this condition. Condition: MT 9 / GM-MT 10. From the GRT Collection
Penguins "The Cool Cool Penguins" Mono LP Blue and Yellow Label Dooto DTL 242 (1959). The Penguins were one of the first great R&B vocal groups to cross over to the Pop charts in 1954 with the classic "Earth Angel". It was 1959 before the group released their one and only album -- although they did appear on various compilation albums. The blue and yellow label version is one of two issued originally, and is much rarer than the black label variation that came later. This is just a jaw-dropping, virtually perfect copy -- both cover and disc -- of a record that's a difficult find in any condition. Condition: GM-MT 10 / GM-MT 10. From the GRT Collection
Carl Perkins "Whole Lotta Shakin" Mono LP Columbia 1234 (1958). The quintessential Rockabilly artist influenced the best that followed, from the Beatles to Bruce Springsteen. His signature "Blue Suede Shoes" ranks with the best of any age, and his own contemporaries (most notably and successfully, Elvis) covered it immediately. On this his second album and first for Columbia he turns the tables and covers Little Richard (four songs), Elvis (two songs), Bill Haley, Hank Williams, and, of course his old Sun-mate with the title tune. Great copy of an essential album from one of Rock's pioneers. Condition: NM 8 / MT 9. From the GRT Collection
"The Platters" Mono LP Federal 549 (1957). The most successful vocal group of the '50s, the Platters continued hit-making all the way to 1967. The group's heyday, though, was 1955 to 1958 when they had three #1s and 18 other songs make the Pop Top 100, including their first hit, the classic "Only You". All their hits from '55 to '62 were on Mercury, but they had first recorded on Federal, a well-known label to R&B collectors. While with Federal, the Platters had cut the original version of "Only You", which is included here. These early cuts show a slightly different style, a bit more raw than on the Mercury recordings. Far and away the rarest of the Platter albums, the cover here shows some wear, but the record itself is in Excellent condition. Condition: VG 5/ EX 7.
"Jim Reeves Sings" Mono LP Abbott 5001 (1956). "Gentleman Jim" was nearly 30 years old when he had his first hit, "Mexican Joe" on his first label, Abbott, in 1953. Over the next two years, he charted five more times on the Country charts, four of which went Top 10. Four of those hits can be found on his first album, the only one he recorded for Abbott before being signed away by RCA in 1955. Included here are "Mexican Joe", "Penny Candy", and "Drinking Tequila". After moving to RCA, he became one of Country's biggest stars, whose hits topped by the epic "He'll Have To Go" often crossed over to the Pop charts. He died tragically in a plane crash at the peak of his career, and has had an amazing 35 posthumous Country hits. The back cover has writing at the bottom right corner, a 1" x 1" slick tear at the same corner, and, at the top right corner, a sticker tear and stain. The record plays very nicely. Condition: VG 4/ NM 8. From the GRT Collection
Paul Revere and the Raiders "Like, Long Hair" Mono LP Gardena 1000 (1961). Before the group's string of hits in the mid-1960s, way back in 1961 before Mark Lindsay had turned 19, they had a minor hit with the title song, and waited nearly five years before having their first big hit. "Like, Long Hair" the album is a rare one, on small label Gardena. Condition: VG-EX 6 (very small stain on front, small tape tear and seam split at top right, and a corner crease on the back)/ EX 7 (record). From the GRT Collection
"Paul Revere and the Raiders" Mono LP Sande 1001 (1963). Even rarer than their first release two years earlier on the Gardena label is the Raider's second album on Sande. This time there wasn't even a minor hit on the album to help sales, with the boys from the Northwest mostly covering vintage Rock such as "Shake Rattle and Roll", "Don't Be Cruel", "Linda Lu", and others. Condition: VG 5/ EX 7. From the GRT Collection
"Presenting the Fabulous Ronettes" Stereo LP Philles 4006 (1965). This Capitol Record Club stereo issue is very hard to find. One of the "must haves" if you're into classic '60s "girl groups". Condition: VG-EX 6/ VG-EX 6. From the GRT Collection
"Jack Scott" Sealed DJ Copy Mono Carlton 12/107 (1959). This is the first album for one of the '50s most distinctive voices. Scott charted nine songs on Carlton in little over a year in 1958 and 1959, and seven of those are featured here, including two Top Ten tunes, "My True Love" and "Goodbye Baby", plus "The Way I Walk", "Geraldine," and others. Our copy is not only still sealed, it's a DJ promo copy! "DISC JOCKEY COPY NOT FOR SALE" is stamped neatly on the original loose plastic wrap in back. Condition: Still sealed. From the GRT Collection
Jack Scott "What In The World's Come Over You" Stereo LP Top Rank 626 (1961). Scott's first hits were on the Carlton label, but his first two releases on Top Rank proved to be two of his all-time biggest singles. Both "What In The World's Come Over You" and "Burning Bridges" are on his second Top Rank album, and here's one doozy of a copy, still sealed no less! Very tough to find in Stereo mode, in even lesser grade than this. Condition: Still sealed. From the GRT Collection
Sensations "Let Me In/ Music, Music, Music" White Label Promo Mono LP Argo 4022 (1963). The Sensations charted two other times on Billboard's Hot 100 besides with their signature tune, the memorable "Let Me In", but had charted on Billboard's R&B charts as far back as 1956. This is their only album, and it's a toughy to find -- wow, looky here, a promo copy! Condition: EX 7/ EX 7. From the GRT Collection
Shep & and Limelites "Our Anniversary" Mono LP Hull 1001 (1962). The group's first LP spotlighted their big hit "Daddy's Home" (#2 on Billboard's Hot 100 and #4 on Billboard's R&B charts), an 'answer' song to "A Thousand Miles Away" released in 1956. Two oddities about "Daddy's Home": 1) James 'Shep' Sheppard sang lead on both songs, and; 2) The 'answer' song was bigger than the original! Scarce album, and this copy looks barely played. The cover looks great as well, but does have a seam split at the top. Condition: NM 8/ EX 7. From the GRT Collection
Shirley & Lee "Let the Good Times Roll" Mono LP Aladdin 807 (1956). The duo were just teenagers when they scored their first R&B chart hit in 1952 ("I'm Gone," featured in this album), and each barely 20 when the signature title song made it to #1 (and #20 on the Pop charts) in 1956. Their only album for Aladdin is one of the most sought-after of all by collectors of '50s R&B and Rock alike, and you may not ever find a finer copy. Condition: EX 7/ EX 7. From the GRT Collection
Huey 'Piano' Smith & His Clowns "Having A Good Time" Sealed Mono LP Ace 1004 (1959). The great Huey Smith could be heard on quite a few records recorded in New Orleans during the late '50s to early '60s, but he did have one big hit on his own with "Don't You Just Know It", as well as the original version of "Rocking Pneumonia and the Boogie Woogie Flu", which became one of Johnny Rivers' biggest 15 years later. Both songs appear on Smith's first album, along with 10 other original compositions. Since we haven't even seen this album before, we would love to audition it for you, but there's a little problem -- it's still sealed! Condition: Still sealed. From the GRT Collection
"The Teddy Bears Sing" Stereo LP Imperial 12010 (1959). After "To Know Him Is To Love Him", their #1 hit single debut on small label Dore, Imperial lured the Teddy Bears away to make this album and three singles. Main man Phil Spector, of course, went on to bigger, much bigger things in the succeeding years. Pretty scarce album, especially in Stereo! Condition: EX 7/ VG-EX 6. From the GRT Collection
Sonny Terry and Brownie McGhee "Get On Board" Mono 10" LP Folkways Records (1952). Just when we think the fabulous GRT Collection can't amaze us again, comes this nugget! Sonny (harmonica) and Brownie (guitar) had toured as a duo since 1939, breaking into the Folk scene in 1942 where they worked with the likes of Leadbelly, Josh White, and Woody Guthrie. This mini-album from 1952 consists of both traditional Folk and originals. Longtime friend Coyal McMahan sits in, playing maracas and also providing some vocals. Comes with a six-page insert. As a bonus, Brownie has signed the back cover twice, once by his picture and again after, "Best wishes to: Bill Livingood" in white area. Condition: EX 7/ EX 7. From the GRT Collection
Touch "Street Suite" Stereo LP Mainline 2001 (1969). This exceeding rare album (only 100 were pressed) is from a fine, blues/psych outfit out of St. Louis, and is not to be confused with the other band called Touch (featuring Don Gallucci, and formerly known as Don and the Goodtimes), whose only album was released at roughly the same time. This killer four-piece group was very popular in the Midwest; in fact, Touch opened for many big-name acts coming through the St. Louis area, like Cream, Steppenwolf, and the Allmen Brothers. "Street Suite" was their solo album, one that is often found on the want lists of psych collectors everywhere. Condition: EX 7/ EX 7.
Ike & Tina Turner "Dynamite!" Mono LP Sue 2004 (1963). Ike had been playing professionally since age 11, recording as far back as 1951, and doing much session work through the 1950s, but he didn't experience commercial recording success until his teamups with Tina beginning in 1960. This is the third LP for the Sue label and featured the duo's first five R&B and Pop hits, including "A Fool In Love" and "It's Gonna Work Out Fine". What a cover on this hard-to-find oldie! And what a copy this is! Condition: EX 7/ NM 8. From the GRT Collection
Joe Turner "The Boss of the Blues" Two Album Set Mono LP Atlantic 1234 (1956) and Stereo LP (1959). "Big Joe" sings with big emotion on his first Atlantic album, which offers an impressive example of the Kansas City Blues sound of the late 1950s. Two versions of the album are offered here, the original mono release from 1956 (Condition: NM 8/ EX 7) and a stereo version released in 1961 (Condition: NM 8/ MT 9). From the GRT Collection
Joe Turner "More Rock & Roll" Sealed Mono LP Atlantic 8005 (1957). "Big Joe" was a major player in the confluence of R&B and Rock and Roll in the early to mid-1950s. His signature "Shake, Rattle and Roll" held the #1 position on Billboard's R&B Single chart for three weeks in 1954, and Bill Haley and his Comets took the tune to #7 on the Pop Singles chart a few months later. His even earlier "Chains of Love" was an R&B #2, and a Top Ten Pop hit for Pat Boone five years later. This great album included 10 singles that made the R&B Top Ten, including "Honey Hush", his biggest hit. And this copy from the Good Rockin' Tonight Collection is still sealed in its original loose plastic after 50 years! What a find! Condition: Sealed. From the GRT Collection
Sammy Turner "Lavender Blue Moods" Mono LP Big Top 1301 (1960). The smooth balladeer had a surprise #3 hit with "Lavender Blue", a #19 hit with the Irving Berlin standard "Always", and three other minor hits in less than a year from 1959 to 1960. Four of the five are included on his only LP -- here's an unusually nice copy! There is some speculation whether or not this was released in Stereo. Condition: EX 7/ NM 8. From the GRT Collection
Conway Twitty "Lonely Blue Boy" Autographed Mono LP MGM 3818 (1960). Before Twitty turned his attention to C&W in the mid-'60s and ultimately became one of the all-time greats in that genre, he was a Rockabilly star, with three Top Ten Pop hits in the space of 15 months in 1958-59. The title song of his third album shows him at his Elvis soundalike best, and "Lonely Blue Boy" made it to #6 on the charts in 1959. This is a nice copy of the album, but the added attraction here is Twitty's autograph on the back cover. Check it out online! Condition: EX 7/ NM 8. From the GRT Collection
Ritchie Valens "Ritchie" Sealed Promo LP Del Fi 1206 (1959). Valens' second album was issued after his famously tragic death, and includes his last charting single, "Little Girl". This still sealed copy is Mint and has "PROMOTIONAL NOT FOR SALE" stamped on the back. Condition: Sealed.
Various Artists "Rock 'n Roll with Rhythm and Blues" Mono LP Aladdin 710 (1955). In the late 1940s and early 1950s, the Aladdin label was known for young R&B artists. Several of these acts managed to crossover into the new Rock 'n Roll genre by the mid-1950s, including most of the artists included in this collection. So, the heady title of this scarce album is quite appropriate. Artists featured were Amos Milburn, Shirley & Lee, The Five Keys, Gene & Eunice, Charles Brown, "Peppermint" Harris, Lynn Hope, Helen Humes, and Richard Lewis. The cover art is as avant-garde as the music! Condition: EX 7/ EX 7. From the GRT Collection
Various Artists "Oldies In Hi-Fi" Splash Vinyl White Label Promo Mono LP Chess 1439 (1959). So great on so many levels! The music? Included are such classics as Jackie Brenston's "Rocket 88," Dale Hawkins' "Suzie-Q," and Johnnie & Joe's "Over the Mountain, Across the Sea." The vinyl? A spectacular multi-colored splash treatment, used by record companies to attract DJs' attention. The label? A white label promo. The cover? Just check it out! Condition: VG-EX 6 ("DJ COPIES" stamped on back)/ NM 8. From the GRT Collection
Various Blues Legends Group of Four LPs (1960-66). Quite a Blues sampler when you can combine the likes of Bobby "Blue" Bland, Lightnin' Hopkins, B. B. King, and Jimmy Reed. The albums: Bland's "The Soul of the Man," a stereo (with a mono label) DJ copy of Duke DLP-79 from 1966 in NM 8/ NM 8; Hopkins' "Got To Move Your Baby," a mono Prestige/Bluesville 108 from 1964 in MT 9 (with original shrink wrap)/ NM 8; "B. B. King Sings the Spirituals" a red vinyl version of Crown 152 from 1960 in VG-EX 6 (seam split on the spine and a big "98¢" marked on the back cover)/ NM 8; and "Jimmy Reed at Carnegie Hall," a still-sealed 2-disc album released by Exodus (307) in 1966, a reissue of a 1961 Vee-Jay release. From the GRT Collection
Stevie Ray Vaughan (in Cast of Thousands) "A New Hi Dallas 1971 -- Part 1" Stereo LP and Poster Tempo 2 T-1(1971) While all you Stevie Ray Vaughn fans are going to go crazy over the inclusion of his earliest recorded material (with the band known as Cast of Thousands), this compilation of Dallas, Texas bands from the late 1960s-early 1970s era stands up pretty well on its own right. The bonus poster included with the album is complete with a photo or our teen-aged Stevie. Also included are tracks by the Mint, featuring Jimmy Wallace, a hugely popular local band in their time. In fact, Jimmy (who these days can be found producing the annual Dallas Guitar Show) and Stevie Ray were friends and neighbors, and their respective bands rehearsed across the street from one another! The cover, record and poster all grade EX-7.
Bobby Vee LP Group of 6 Liberty (1960-64). Bobby Vee was one of the great teen idols of the early '60s, racking up his first chart hit at age 16, then five Top Ten hits and 18 total Pop chart tunes before he turned 20! One of the many American Pop "victims" of the British invasion, his legacy is still impressive, if greatly underrated. Listen for yourself on this nice variety of releases, four of which are still sealed copies! Included: "Bobby Vee Sings Your Favorites" (Stereo Liberty 7165, 1960) -- Condition: Still sealed; "Bobby Vee" (Stereo Liberty 7181, 1961) -- Condition: MT 9 (still in its original shrink wrap)/ GM-MT 10; "Bobby Vee Meets the Crickets" (Mono Liberty 3228, 1962) -- Condition: Still sealed; "Bobby Vee Meets the Ventures" (Mono Liberty 3289, 1963) -- Condition: Still sealed; "Bobby Vee Meets the Ventures" (Stereo Liberty 7289, 1963) -- Condition: NM 8 (original shrink wrap)/ NM 8; and "Bobby Vee Sings the New Sound From England" (Mono Liberty 3352, 1964) -- Condition: Still sealed. From the GRT Collection
Gene Vincent and His Blue Caps "Bluejean Bop" Mono LP Capitol 764 (1956). Capitol's prime entry for a share in '50s Rock 'n Roll glory was this man and band from Virginia. The group's energy and inventive playing seemed enough to rival most anyone short of Elvis in 1956, but chart hits were limited to just two years -- 1956 and 1957. This is the first album and a prize in this condition. The cover isn't Mint; there is a record store sticker and a seven-day money back guarantee sticker on the back cover, and some wear along the spine. The record, however, has been played very little. Condition: EX 7/ MT 9.
Gene Vincent and His Blue Caps "Bluejean Bop!" Black Label Promo LP Capitol T 764 (1956). Gene's first LP was a milestone in the early days of Rock 'n Roll, and a real find in this condition. A really rare find is a black label promo copy like this one, complete with one of the best promo posters of the day. Condition: VG-EX 6 (cover has small center seam split at top)/ EX 7 (Side 1) and VG-EX 6 (Side 2).
"Gene Vincent Rocks and the Blue Caps Roll" LP Capitol 970 (1958). Vincent's third album again showed his stature in the top tier of early Rock 'n Rollers. Scintillating copy! Condition: NM 8/ NM 8.
"Billy Ward and the Dominoes" Pink Label Promo LP Decca 8621 (1958). Few groups can boast the pedigree of the collective individual talent that made up the Dominoes. Ward himself was a church and classically-trained (Juilliard) pianist, and a peerless recruiter of talent for his group, from Clyde McPhatter to Charles White (later with the Clovers) to Jackie Wilson, just for starters. This album from 1958 included the group's first Pop crossover hit, "St. Therese of the Roses". This is a pink label promo copy; the cover is an eye-catching textured beauty. Condition: NM 8/ EX 7.
Wee Willie Wayne "Travelin' Mood" Mono LP Imperial 9144 (1961). In the late 1940s and early 1950s James "Wee Willie" Wayne brought a sound combining Texas Blues with New Orleans R&B. Here is his only album, and this copy is a beauty. Condition: EX 7/ NM 8 (some light writing on Side 1). From the GRT Collection
Mary Wells Mono LP Group of 2 Motown 600 and 605 (1961-62). Wells was the label's first artist to have a Top 10 and #1 single on the Pop charts, and these are her first two albums: "Bye Bye Baby -- I Don't Want to Take a Chance" (Mono Motown 600, 1961) -- Condition: EX 7/ NM 8 and "The One Who Really Loves You" (Mono Motown 605, 1962) -- Condition: Still sealed! From the GRT Collection
Maurice Williams and the Zodiacs "Stay" Mono LP Herald 1014 (1961). Williams' first LP, the only one issued during his heyday of 1957-61, was released on the famed Herald label, a label most collectors are always on the lookout for. This nice copy is still in its original shrink wrap, but has been opened. The record appears to have been played very little. Condition: NM 8/ EX 7. From the GRT Collection
Chuck Willis LP Group of 3 (1958-60). Three great albums from another Rock 'n Roll pioneer whose career was cut short by an early death. The talented Willis, wrote his own music, as well as the hits of other artists that included Ruth Brown, Patti Page, Wanda Jackson, the Cadillacs, and others. Decades later, John Cafferty covered his timeless rocker "Hang Up My Rock and Roll Shoes" for the "Eddie and the Cruisers" soundtrack. Included in this group are "The King of the Stroll" (Mono Black Label Atlantic 8018, 1958) -- Condition: NM 8/ NM 8; "A Tribute to Chuck Willis" (Mono Epic 3728, 1960) -- Condition: VG-EX 6 (with seam split at the top)/ MT 9; and "I Remember Chuck Willis" (Stereo Atlantic 8079, 1963) -- Condition: Still sealed. From the GRT Collection
Jackie Wilson "Jackie Sings the Blues" Stereo LP Brunswick 754055 (1960). The great Soul singer's rarest album may be the stereo version of this record. Two Pop chart hits are included here: "Doggin Around" (#15 on Billboard's Hot 100) and "Please Tell Me Why" (#20). To say this is the nicest copy of the stereo version of this album is a given -- it's the only stereo copy we've ever seen! Condition: EX 7/ EX 7.
Aladdins "Dot, My Love"/ "My Charlene" 10" 78-rpm Acetate -- The Audio Center (1958). We're not sure whether the releases on the Aladdin, Frankie, and Witch labels are from different groups all calling themselves the Aladdins, or two different groups, or...what we do know is that the one release on the small label Frankie is the most rare and that our acetate is of that single and its flipside. That would make this nice-looking acetate doubly rare. Condition: VG-EX 6. From the GRT Collection
Allman Brothers "Dimples" Acetate 7" 45 rpm Atlantic Recording Studios (1969). What a find! This one-sided acetate features fantastic guitar solos and amazing vocals -- in other word, vintage Allman Brothers! Condition: EX 7. From the GRT Collection
David Bowie "Sorrow" 45 rpm 10" Acetate RCA JHO-0160 (1973). One-sided acetate of "Sorrow" from the "Bowie Pin Ups" album, and also released as a single in both the U.S. and the U.K. Condition: NM 8. From the GRT Collection
Buffalo Springfield "Highlights" 12" Acetate Teal Record Co. (1979). Here's one we haven't heard of before -- a collection of songs from one of the '60s legendary supergroups that may have been earmarked for a 1970s project that never materialized. The plain white label has the following typewritten information: "Teal Record Co.", "February 16th, 1979", "Buffalo Springfield", and "Highlights". The one-sided acetate features three songs from the group's first album, "Buffalo Springfield", and two songs from the third, "Last Time Around". In order, the songs are "Out of My Mind", "Merry-Go-Round", "Special Care", "Hot Dusty Road", and "Pay the Price". Condition: NM 8. From the GRT Collection
Johnny Cash "I've Got A Thing About Trains" Stereo 10" 45 rpm Acetate Group of 3 -- Columbia (1960s). Three different takes of the song, including one copy marked "Best". But you can judge for yourself! Condition NM 8 (all three). From the GRT Collection
Johnny Cash "Folsom Prison Blues"/ "The Folk Singer" 10" 45-rpm Acetate Columbia (1968). One of Johnny's signature songs, "Folsom Prison Blues" had originally been released during his Sun years, even before "I Walk the Line". This live version from a prison performance in 1968 became a bigger hit than the original. "The Folk Singer" was the flipside on the single and on this acetate, which really sounds great! Condition: EX 7. From the GRT Collection
Eddie Cochran "Pretty Girl" 45 Acetate Gold Star Recording Studios (1958). Wow! A one-sided acetate of an unreleased Eddie Cochran song? Another gem from the Good Rockin' Tonight Collection! Condition: Looks VG 5, Plays VG-EX 6. From the GRT Collection
Cream "N.S.U." One-Sided 45 Acetate Emidisc (1967). "N.S.U." was the B-side to "I Feel Free". This is a different version. "Cream is handwritten on the label of this 7" disc, which plays Very Good, with noise throughout. Condition: GD-VG 5. From the GRT Collection
Bobby Day Acetate Group of 3 (1957-58). Here are some interesting acetates from one of Rock's early innovators that are guaranteed to get you toe-tappin', including: 1) an unusual 8" 45 rpm of Day's first chart hit, "Little Bitty Pretty One" (Class Records 211, 1957) in VG 5; 2) an alternate take 10" 78 rpm of the same song (blank label) in VG-EX 6; and 3) a two-sided 10" 78 rpm of "Rockin' Robin"/ "Over and Over" (Audiodisc, 1958) in VG-EX 6. From the GRT Collection
Doors "Light My Fire" 45 Acetate Electra (1967). The Doors' second release went to #1 and ranks as the group's all-time biggest hit. It's also one of the songs that defined an era in Rock, so this one-sided acetate is significant indeed. Condition: VG-EX 6. From the GRT Collection
Bob Dylan "Down In The Groove" LP Side 2 Copper Metal Mother CBS Records (1987). Recorded 11-16-87, this is a one-sided metal disc labeled Side 2, but this "mother" actually includes a cut that wasn't released, "Important Words". What's a "mother"? In the record-making process, the "mother" is made from the... "master" is made from an... acetate is made from the... master tape (not to be confused with the "master"). Any questions? Oh yeah, and from the "mother" comes the "stamper" and then the finished vinyl disc. One of the characteristics of the "mother" is the most "accurate" sound that the producer intended. But the metal wreaks havoc on your stylus, so play it once and record it! Condition: NM 8. From the GRT Collection
Bob Dylan "Down In The Groove" LP Acetate Columbia (1987). Extremely clean acetate of Dylan's 1988 release. Condition: EX 7. From the GRT Collection
Bob Dylan "Silvio" 12" Copper Metal Mother CBS Records (1987). Dated 12-11-87, this is a "mother" for "Silvio", which appeared on the album "Down In The Groove". Very special artifact for the Dylan collector. Condition: appears VG-EX 6, but plays NM 8. From the GRT Collection
Bobby Fuller "I Fought the Law" 10" 78-rpm Acetate United Recording Corp. (1964). If you thought the Bobby Fuller Four's big hit in 1966 sounded like Buddy Holly and the Crickets, here's the reason: the song was written by Cricket Sonny Curtis, and recorded by the group in 1960! Bobby Fuller (sans "the Four") released this version on Exeter in 1964 more than a year before recording the hit version for release on Mustang. This sounds, frankly, fantastic! Condition: NM 8. From the GRT Collection
Marvin Gaye Acetate Singles Group of 2 (1966). Two outstanding one-sided acetates make up this lot. "Ain't That Peculiar" was a big hit in 1965, but this Capitol label gives a date of July 20, 1966. If it seems strange to mention Capitol Records, the explanation is that acetates would infrequently be made with seemingly dissociated labels (Marvin, of course, recorded on Motown's Tamla label in 1965), but it could happen when the acetate is created at a studio that's used by multiple record companies. This stunning 45 rpm 8" acetate comes in an Audiodiscs sleeve. "Take This Heart of Mine" peaked at #44 in 1966. This plain label shows a date of April 27, 1966, and the 45 rpm 10" acetate comes with a Transco sleeve. Condition of both acetates: NM 8. From the GRT Collection
Carole King ""Walkin' With My Angel" 10" 78-rpm Acetate Dick Charles Recording Studio (1961). A 19 year-old Carole King recorded this song in 1961, a year before her first charting single and a decade before her breakthrough album, "Tapestry". It was likely a demo, since we can find no evidence that it was ever released. The song is familiar to early '60s music buffs as a minor Bobby Vee hit, the flipside of one of his biggest, "Run To Him" in 1961. It wasn't the only hit song she wrote that became a Vee hit, and, of course, she wrote many Pop classics that were hits for others. Sound quality is impressive. Condition: EX 7. From the GRT Collection
Buddy Knox "Party Doll" 10" 78-rpm Acetate -- The Record Disc Corp. (1957). The song was a #1 smash for Knox in early 1957 on the Roulette label, but had been first released on the small Triple-D label in 1956. The flipside on that earlier release was "I'm Sticking With You" by Jimmy Bowen, a buddy from West Texas State A&M in Canyon, Texas. Both, of course, went on to much bigger and better musical things. That Triple-D release is quite rare; this acetate of same, dated February, 1957, may be unique! The recording has a few pops, but plays very well, especially for its age. The red and white "The Record Disc Corp." label is 'right purty, too! Check out a larger image at our website! Condition: VG-EX 6. From the GRT Collection
The Teen Kings (Roy Orbison) "Ooby Dooby"/ "Tryin' To Get To You" 10" 78-rpm Acetate Presto (1955). Two-sided acetate of Orbison's first record, released in early 1956 on the Je-Wel label as by The Teen Kings, and subsequently on Sun by Roy Orbison. Rare record -- rarer acetate! The flipside is another je-wel (sorry!) -- a song that Elvis covered on his first RCA album. The sound will give you goosebumps! Condition: VG-EX 6. From the GRT Collection
Jimmy Page "She Just Satisfies"/ "Keep Moving" 7" Acetate (1965). Extremely rare, two-sided acetate features Page playing all the instruments except the drums, and singing. This was issued only in the U.K. Condition: EX 7. From the GRT Collection
Pink Floyd "The Final Cut" Stereo LP Acetates -- Columbia QC38243 (1983). Two one-sided acetates of the group's last album with Roger Waters make up this lot. Both display "The Mastering Lab" label. Pink Floyd acetates are scarce, and these are quite nice. Condition: NM 8 (for "The Mastering Lab" cover)/ VG-EX 6. From the GRT Collection
Pink Floyd "On the Turning Away" Stereo 10" 45-rpm Acetate -- The Mastering Lab (1987). Side 1 is the studio version used on "A Momentary Lapse of Reason", clocking 4:43, while Side 2 is a live version that was used on a 12" maxi release, with a time of 6:55. Condition: VG-EX 6 (cover)/ NM 8 (record). From the GRT Collection
Pink Floyd "Learning to Fly" and "Run Like Hell" 12" Copper Metal Mothers CBS Records (1987). Very cool copper metal discs are one-sided 45 rpm "mothers" of an edited 4:21 version of "Learning to Fly" recorded 8-12-87, and a 7:33 live version of "Run Like Hell" recorded 11-12-87. What's a "mother"? Dude, we answered that question a few lots back when we described similar copper orbs of Dylan! "Learning to Fly" does demonstrate some tarnish, but both discs play MT 9. From the GRT Collection
Prisonaires "My God Is Real" 12" 78-rpm Acetate Sun 189 (1953). Acetates of rare records are particularly intriguing, and this one definitely qualifies. Collectable on multiple levels: the Sun label... the legendary Prisonaires... and Acetate! "My God Is Real"/ "Softly and Tenderly" was the group's second single. This is a two-sided acetate, both sides "My God Is Real". There are some pops on this 53 year-old rarity, and one side skips in places, but the other side plays through -- what a listen! Condition: GD-VG 4 (except for skips on one side). From the GRT Collection
Ronettes Acetate 12" Mono LP Philles Records (1965). This one-sided five-track acetate includes two takes each of "Paradise" and "Woman In Love", plus "Here I Sit". Condition: VG-EX 6. From the GRT Collection
Jack Scott "What In The World's Come Over You" 10" 45-rpmAcetate United Artists Music Group (1960). One-sided acetate of Scott's most enduring hit, which peaked at #5 on Billboard's Pop charts in 1960. Condition: VG-EX 6. From the GRT Collection
Frank Sinatra "Someone to Watch Over Me" Acetate. A 12" acetate at 78rpm recording of Frank Sinatra with Nelson Riddle performing "Someone to Watch Over Me." Dated November 3, 1954 and in VG+ condition.
Frank Sinatra "Three Coins in a Fountain" Acetate. A 12" acetate at 78 rpm recording of Frank Sinatra with Nelson Riddle performing "Three Coins in the Fountain." Dated April 21, 1954 and in VG+ condition.
Frank Sinatra "The Gal That Got Away" Acetate. A 12" acetate at 78 rpm recording of Frank Sinatra with Nelson Riddle performing "The Gal That Got Away." Dated June 16, 1954 and in VG+ condition.
Rufus Thomas "Bearcat" 78-rpm Acetate Sun (1953). The irrepressible singer's first R&B hit, this was an 'answer' to Big Mama Thornton's classic hit from 1953, "Hound Dog". Thomas recorded for at leat seven labels; Sun was his third, and this his first release for the famed Memphis record company. Rare, one-sided acetate. Condition: VG 5. From the GRT Collection
Stevie Ray Vaughan "Love Struck Baby" Acetate 10" 45 rpm Epic/Columbia (1987). The label says "Side Two", but there's only one side here, and it's a doozy -- a live version of the song, different from the album cut. The mix and the sound are just super! Condition: NM 8. From the GRT Collection
Gene Vincent "I'm Moving On"/ "Say Mama" 8" 45-rpm Acetate Strident Studios (c. 1960). In 1950 Hank Snow's classic song held down the #1 spot on Billboard's Country charts for 21 weeks, making it the biggest Country single of all time. In subsequent decades Don Gibson and Emmylou Harris would also have Country hits with it, while Ray Charles, Matt Lucas, and John Kay took it to the Pop charts in three different decades. Others have included "I'm Movin' On" as an album cut, including Elvis and the Rolling Stones. Gene Vincent's version was never released in the U.S., although we do know a version was released in France at some point -- but not this acetate's version. Gene Vincent puts his own spin on it -- now you have the chance to spin it yourself! Condition: VG. From the GRT Collection
The Who "I Can't Reach You" 7" Acetate Grosvenor 7173 (1967). The song on this one-sided acetate is taken from the "The Who Sell Out" LP. Looks VG 5, but plays VG-EX 6. From the GRT Collection
The Who Concert Acetate 12" 33 1/3 rpm (1971). This unique item is a recording of a Who concert in San Diego on December 8, 1971, and just may be the best candid example of the band in its prime. Recorded originally on cassette tape from the third row, the music is somewhat distorted in places, but the running dialogue between songs -- frequently profane -- is priceless. Plans for an LP incorporating portions of the concert never materialized. Side 1 includes "Substitute", "Summertime Blues", "My Wife", "Baba O'Riley", and "Behind Blue Eyes". Side 2: "Won't Get Fooled Again", a "Tommy" medley of "See Me, Feel Me" and "Pinball Wizard", "My Generation", and "Magic Bus". Condition: VG-EX 6. From the GRT Collection
The Who "Join Together With The Band"/ "Baby Don't You Do It" Stereo Acetate 7" 45 rpm IBC (U.K., 1972). U.K. acetate is double-sided -- a tough find! Condition: VG-EX 6. From the GRT Collection
Bob Dylan Collector's Series Sheet Music Group of 19 (1965). Here's the whole series in one swell foop! Included: "Baby, I'm In The Mood For You", "Black Crow Blues", "Bob Dylan's Blues", "Guess I'm Doing Fine", "Gypsy Lou", "Hero Blues", "Lay Down Your Weary Tune", "Let Me Die In My Footsteps", "My Back Pages", "North Country Blues", "Outlaw Blues", "Percy's Song", "Quit Your Low Down Ways", "Restless Farewell", "Talkin' World War III Blues", "That's All Right Mama", "Walkin' Down The Line", "Whatcha Gonna Do", and "Who Killed Davey Moore?" Condition for all: NM 8. From the GRT Collection
Prisonaires "Just Walking In The Rain" Sheet Music (1953). Legendary R&B group's version of this song came more than three years before Johnnie Ray's smash #2 hit in 1956. The sheet music lists the group as "The Prison Aires", but any way you spell it, the record and the sheet music are rare. Condition: NM 8. From the GRT Collection
Ronettes "Do I Love You?" Sheet Music (1964). Near perfect copy of the hard-to-find sheet music for the girl group's fourth charting single, which peaked at #34 in 1964. Condition: NM 8 (with a 60¢ price sticker on the front). From the GRT Collection
Various R&B Artists Sheet Music Group of 5 (1948-68). Incredible grouping spanning twenty years and five R&B stars. Included here is sheet music for the Orioles' "It's Too Soon to Know" (very rare from 1948 - Condition: VG 5); the Robbins' "Where's The Fire?" (1957 - Condition: NM 8); Etta James' "At Last" (1961 - Condition: MT 9); Little Esther Phillips' "Release Me" (1962 - Condition: NM 8); and the Dells' "Oh, What A Night" (1968 - Condition: EX 7). From the GRT Collection
Various Artists Sheet Music Group of 10 (1954-61). Rock and Pop classics abound in this group lot, including Bill Haley and his Comets' "Rock Around The Clock" (1954 - NM 8) and "See You Later, Alligator" (1956 - NM 8 with 3-hole punched); Sonny James' "Young Love" (1956 - EX 7 with writing on front); Elvis Presley's "All Shook Up" (1957 - NM 8), "Loving You" (1957 - EX 7), and "Jailhouse Rock" (1957 - NM 8); the Everly Brothers' "Bye Bye, Love" (1957 - VG-EX 6); Bobby Helms' "My Special Angel" (1957 - EX 7 with some writing on the cover); Dion and the Belmonts' "No One Knows" (1958 - NM 8); and the Fireballs' "Quite A Party" (1961 - NM 8). From the GRT Collection
Various Artists Sheet Music Group of 10 (1957-66). Wide-ranging collection of signature artists and tunes from the 1950s and '60s. Included are Jackie Wilson's "Lonely Teardrops" (1957- MT 9 with "CBS Radio" stamp on front); Elvis Presley's "All Shook Up" (1957 - NM 8); Gene Vincent's "Lotta Lovin" (1957 - EX 7); Phil Spector's group, the Teddy Bears' "To Know Him Is To Love Him" (1958 - EX 7 with some minor stains on the front); Richie Valens' "Donna" (1958 - NM 8); the Elegants' "Little Star" (1958 - EX 7 with handwritten music sheet attached); the Drifters' "Up On The Roof" (1962 - EX 7); Sandy Posey's "Born A Woman" (1966 - VG-EX 6 with written number on cover); Aaron Neville's "Tell It Like It Is" (1967 - NM 8); and the Chantay's "Pipeline" (1966 - VG-EX 6 with writing on the cover. From the GRT Collection
Various Artists Sheet Music Group of 10 (1965-70). Covering lots of bases with this mostly 1960s mix of sheet music, all but two in extraordinary MT 9 condition. Included are the Dave Clark Five's "Over And Over" (1965 - MT 9); Rare Earth's "Get Ready" (1966 - MT 9); the Barbarians' "Moulty" (1966 - MT 9); Paul Revere and the Raiders' "Kicks" (1966 - MT 9); the Leaves' "Hey Joe" (1966 - MT 9); the Doors' "Light My Fire" (1967 - MT 9) and "People Are Strange" (1967 - NM 8); Blood, Sweat & Tears' "Spinning Wheel" (1969 - MT 9); Stevie Wonder's "My Cherie Amour" (1969 - MT 9); and the Jackson 5's "I'll Be There" (1970 - NM 8). From the GRT Collection
Various Sixties Artists Sheet Music Group of 11 (1965-70). This nifty grouping covers British Invasion, Folk Rock, Pop Rock, and Motown -- in other words the music scene of the sixties! Included are Herman's Hermits "I'm Henry VIII, I Am" (1965 - VG 5 with some wrinkling and a store stamp on the front); the Beach Boys' "Barbara Ann" (1965 - MT 9); Wayne Fontana & the Mindbenders' "It's A Little Too Late" (1965 - NM 8); the Dave Clark Five's "Over And Over" (1965 - MT 9); the Bobby Fuller Four's "I Fought The Law" (1966 - MT 9); Manfred Mann's "Pretty Flamingo" (1966 - EX 7); The Mamas and The Papas " Monday, Monday" (1966 - MT 9) and "Dedicated to the One I Love" (1967 - NM 8); the Rascals' "People Got To Be Free" (1968 - MT 9); and Stevie Wonder's "My Cherie Amour" (1969 - MT 9) and "If You Really Love Me" (1970 - MT 9). From the GRT Collection
Beach Boys "Surfin" 45 Candix 301 (1961). The Beach Boys' first hit had been released initially on the "X" label, then re-released on the somewhat bigger label Candix in 1961. After languishing for a few months, the label released the song again in 1962, and the record enjoyed moderate success, peaking at #75 on Billboard's Pop charts. Capitol soon came calling, and the rest is history. This Candix variation has "Dist. by ERA RECORD SALES, INC." on the label. Condition: EX 7.
Beach Boys "Your Summer Dream" 45 Acetate MBS (1963). Within the space of one year, from the end of 1962 to late 1963, the Boys had four albums debut on Billboard's Top 200, including "Surfer Girl," their third album, which peaked at #7 and charted for over a year. That album contained the single "Your Summer Dream," a song that was never released as a single, although apparently it was considered -- here's a one-sided acetate! Condition: GD-VG 4. From the GRT Collection
Beach Boys "All Summer Long" Test Pressing Acetate Mono LP Capitol (1964). This two-sided acetate is date 5-27-64, and includes on Side 1: "I Get Around," "All Summer Long," "Hushabye," "Little Honda," "We'll Run Away," and "Carl's Big Chance." Side 2: "Wendy," "Do You Remember," "Girls On The Beach," "Drive-In," and "Don't Back Down." Both sides contain impromptu chatter and banter among the group members. Condition: VG-EX 6. From the GRT Collection
Beach Boys "The Warmth of the Sun" 10" 45 rpm Acetate Audio Disc 932 (1974). A copy of the sheet music accompanies this lot. The song originally appeared on the 1964 album, "Shut Down, Volume 2," and was later included in "Best of Beach Boys" in 1966. "Endless Summer" was the third vehicle in 1974. Condition: EX 7. From the GRT Collection
Beach Boys Concert Tickets. This set of 14 used ticket stubs and backstage passes from various Beach Boys performances includes their February 10, 1989 show at the Circle Star Center, their September 13, 1992 show at Shoreline Amphitheater, and their May 26, 1989 performance at the Oakland Coliseum Arena, plus program books and other items. All are in overall Fine condition.
Brian Wilson and Mike Love Signed Contract. This contract is the Articles of Incorporation of Brian Wilson Productions, Inc. It names Brian Wilson, his mother Audree Wilson, and fellow Beach Boy Mike Love as directors, and is signed by all three and dated October 28, 1963. It is endorsed by the California Secretary of State, effective December 2, 1963. With COA from PSA/DNA.
Beach Boys Articles of Incorporation (1964). Historic and important leather-bound, monogrammed corporate ledger containing the following documents signed by Mike Love and Brian, Dennis & Carl Wilson: the Beach Boys Articles of Incorporation dated April 3, 1964; Certifcate of Amendment to Articles dated July 5, 1967; By-laws dated April 8, 1964; Board Meeting Waiver dated April 8, 1964; Waiver dated April 1, 1965; Waiver dated January 1, 1967; Waiver dated March 30, 1967; Waiver dated June 28, 1967 and Waiver dated September 24, 1968. There are also numerous other documents signed by Brian, Mike and Dennis as officers, as well as a stock certificate specimen and other related unsigned items.
January 1, 1964 found the Beach Boys as American's hottest band. In February, the Beatles landed in America and the Beach Boys saw their chart dominance quickly erode. These first few months of 1964 would be critical for the Beach Boys long-term success. Brian Wilson was burned-out on doing albums full of simple surf and car songs. He wanted to transition the banked from simple pop performers with nice harmonies to sophisticated innovators with complex studio arrangments. It is now April 2, 1964. Brian and the group are in the studio starting to work on the breakthrough album he has in mind. Two major events happen that day -- the basic tracks for major hit "I Get Around" are laid down and their manager, Murray Wilson (father of Brian, Carl and Dennis), is fired. As Brian said later: "We finally said. 'Look, we can't deal with you any more. We've got to let you go and get a new manager.'" The album they worked on these first few days of April turned out to be "All Summer Long," their best effort to date. This was also the week in which they incorporated themselves Beach Boys Entertainment Enterprises, Inc. as documented in this unbelievably rare group of documents naming the four related group members to the Board of Directors. In excellent condition. A rare opportunit
January 1, 1964 found the Beach Boys as American's hottest band. In February, the Beatles landed in America and the Beach Boys saw their chart dominance quickly erode. These first few months of 1964 would be critical for the Beach Boys long-term success. Brian Wilson was burned-out on doing albums full of simple surf and car songs. He wanted to transition the banked from simple pop performers with nice harmonies to sophisticated innovators with complex studio arrangments. It is now April 2, 1964. Brian and the group are in the studio starting to work on the breakthrough album he has in mind. Two major events happen that day -- the basic tracks for major hit "I Get Around" are laid down and their manager, Murray Wilson (father of Brian, Carl and Dennis), is fired. As Brian said later: "We finally said. 'Look, we can't deal with you any more. We've got to let you go and get a new manager.'" The album they worked on these first few days of April turned out to be "All Summer Long," their best effort to date. This was also the week in which they incorporated themselves Beach Boys Entertainment Enterprises, Inc. as documented in this unbelievably rare group of documents naming the four related group members to the Board of Directors. In excellent condition. A rare opportunit
Beach Boys' Al Jardine Signed Contract. An application for membership in the American Federation of Television and Radio Artists, signed by Jardine, as well as a signed agreement for payment of the initiation fee. With COA from PSA/DNA.
Beach Boys' Bruce Johnston Signed Contract. An application for membership in the American Federation of Television and Radio Artists, dated April 16, 1963, and signed by Johnston, who replaced Brian Wilson on tours in 1965. With COA from PSA/DNA.
Beach Boys' Mike Love Signed Contract. An application for membership in the American Federation of Television and Radio Artists, dated December 1961. With COA from PSA/DNA.
Beach Boys' David Marks Signed Contract. This is an application for membership in the American Federation of Television and Radio Artists, signed by David Marks and dated July 2, 1962. Marks was a member of the Beach Boys in their early years, leaving the group in 1963. With COA from PSA/DNA.
Beach Boys' Dennis Wilson Signed Contract. This is an application for membership in the American Federation of Television and Radio Artists, dated December 1961 and signed by Wilson, as well as a signed agreement that the initiation fee would be deducted from Wilson's fee for appearing on the show "Pop Dance Party." A great item from the very beginning of their career. With COA from PSA/DNA.
Beach Boys' Carl Wilson Signed Applications. An application for membership in the American Federation on Television and Radio Artists, as well as a signed agreement stating that $25 would be deducted from Wilson's appearance fee for the show "Pop Dance Party" to cover his AFTRA initiation dues. With COA from PSA/DNA.
Beach Boys' Brian Wilson Signed Contract. This is an application for membership in the American Federation of Television and Radio Artists, dated December 1961 and signed by Wilson, as well as a signed agreement that the initiation fee would be deducted from Wilson's fee for appearing on the show "Pop Dance Party." With COA from PSA/DNA.
Beatles "She Loves You"/ "I'll Get You" Promo 45 Swan 4152 (1963). This is the "thick white, no 'Don't Drop Out' message" promotional variation that you've been looking for! Beauty! Condition: NM 8. From the GRT Collection
Beatles "She Loves You"/ "I'll Get You" "Don't Drop Out" 45 Swan 4152 (1963). When Capitol didn't see a U.S. future for the Boys from Liverpool, George Martin turned to smaller labels Vee-Jay and Swan to get records out in the U.S. Eventually, of course, all three labels (and others) saw records flying off the shelves, but it took several months from the time one of the Beatles' early classics was issued in 1963 until it debuted on Billboard's Pop charts, eventually going to #1 in 1964. This is the blue print on white label version, with the message "DON'T DROP OUT." The B-side has a razor-thin cut on the label. Condition: EX 7.
Beatles "Can't Buy Me Love"/ "You Can't Do That" 45 and Picture Sleeve Capitol 5150 (1964). The second Capitol Beatles picture sleeve is the rarest. The A-side was one of their six #1 singles in 1964, and their fourth biggest ever. The flip was one of John's best rockers. Condition: VG/ VG-EX 6 (without "Subsidiary Of..." on label).
Beatle Related - Foto-Fi Four "Stand Up And Holler" Rare 45 Foto-Fi 1489 (1964). For the Beatles collector who just thought he had it all! This hard-cover single was created to play along with a silent film made of the Beatles arriving in the U.S. in 1964. It was sold in magazines and is quite hard to find today. The 'group' included a very young Harry Nilsson, who co-wrote the song with John Marascalco, known best for co-writing several Little Richard hits, including "Good Golly, Miss Molly," "Send Me Some Lovin," "Ready Teady," and "Rip It Up." Both sides are the same song. Condition: EX 7/ VG 5 (but plays VG-EX 6!). From the GRT Collection
The Beatles "Souvenir of Their Visit to America" EP Vee-Jay 903 (1964). Superb copy of this EP, the only one issued by Vee-Jay, which includes "Misery," "Taste of Honey," "Ask My Why," and "Anna." Condition: Mint 9/ Mint 9. From the GRT Collection
"Les Beatles" EP Polydor 21914 (France, 1964). There were several picture sleeve variations for the 2nd Beatles EP from France, at least two of which preceded this one issued mid-1964. Songs include three by Tony Sheridan and the Beat Bros (Beatles): "My Bonnie," "When the Saints," and "Why," plus the Beatles instrumental "Cry For A Shadow." Condition: EX 7/ EX 7. From the GRT Collection
Beatles "Hard Day's Night" German Test Pressing. A very rare German test pressing of the "Hard Day's Night" EP cut on September 9, 1964. It's very uncommon to find such a test pressing, especially one from so early in the Beatles' heyday. The disc plays very well with some minor surface noise.
Beatles "The Second Album" Promo Open-End Interview Mono EP 33 Compact Capitol PRO 2598-99 (1964). This is one of the rarest of Capitol's DJ-only promos, and even if you find a copy, it's not likely to be this nice. Side One contains an open end interview and "Roll Over Beethoven," while Side Two has "Please Mr. Postman" and "Thank You Girl." The record plays NM 8, but displays a penned marking near the spindle hole on Side One. The script for the interview is shown on the sleeve front. Condition: VG-EX 6/ EX 7. From the GRT Collection
Beatles "Seasons Greeting" Flexi 45 (1964). Each Beatle offers a Christmas message and humor abounds in this unique item, which originally was shipped to U.S. fan club members as a trifold sound card. Two sides had to be detached before playing, and this copy no longer has the two sides. But the record is in a very nice NM 8 condition. From the GRT Collection
Tony Sheridan and the Beat Brothers "My Bonnie" Mono LP Polydor 46-612 (Germany, 1962). Significant in that this marked the first-ever Beatles appearance on an album. The selections here are all over the board, from such 19th century traditionals as "Swanee River" and "My Bonnie," to '50s Rock 'n Roll like "Whole Lot Of Shakin' Going On," "Ready Teady," and "Skinny Minny," to more contemporary early '60s Twist music. There's light staining at the top left corner of the front cover, and at top right of the back cover. The record is in remarkable shape. Condition: VG 5/ NM 8. From the GRT Collection
Beatles Framed "Introducing...The Beatles" LP SR-1062 Stereo (1964). "Stereo" and "Ad Back" are significant attributes of this super copy of the first Beatles album released in the U.S. As Beatles aficionados know, the "Ad Back" was the first version of this album, which contained the songs "Love Me Do" and "P.S. I Love You" (other versions would include "Please Please Me" and "Ask Me Why" instead). It's been estimated that less than 1,000 stereo copies were produced of this version, of which only a few remain in this high-grade condition. The original shrink wrap with its price sticker is still present. There is a tiny tear on the back cover where the shrink wrap has adhered to the cover, but the wrap has preserved the whiteness of the "Ad Back" back cover. This copy is framed within a double-sided stand-up wood display. Condition: VG-EX 6/ NM 8.
"Introducing The Beatles" Stereo LP Vee-Jay 1062 (1964). One of the rarest of the many cover and label variations of this groundbreaking album, this copy has the "blank back" cover and the oval Vee-Jay label, and includes "Love Me Do" and "P. S. I Love You." An added scarcity factor is that this is a stereo copy. Always in demand in any of the versions, it's one of Rock 'n Roll's all-time great albums. Condition: VG/ VG. From the GRT Collection
"Introducing The Beatles" Sealed Mono LP Vee-Jay 1062 (1964). Unbelievable coolness! A mono "titles back" copy, with "Please, Please Me" and "Ask Me Why." Check out the busy original, baggy plastic wrap, which includes a price imprint of "$3.98". A small price to pay in 1964 for an almost immediate classic! The first question is, "Which Vee-Jay label is inside?" The answer: "Your guess is as good as ours!" A second question: "Who's going to 'unseal' it anyway?" Condition: Still sealed. From the GRT Collection
"Introducing The Beatles" Mono LP Vee-Jay 1062 (1964). From the Good Rockin' Tonight Collection, here's yet another variation on the coveted Vee-Jay album that introduced many of us to the Fab Four. This is the oval label, "title back" variation in mono with "Love Me Do" and "P.S. I Love You." This nice copy is still in its original shrink wrap, although it is not sealed. Condition: VG-EX 6/ EX 7. From the GRT Collection
"Introducing The Beatles" Promo Mono LP Vee-Jay 1062 (1964). This is a mono version of the "titles back", Vee-Jay label-in-brackets variation, with one important additional factor -- it's a rare promotional copy with the stamp "D.J. COPY NOT FOR SALE" on the back, and includes "Please, Please Me" and "Ask Me Why". Condition: VG-EX 6/ EX 7. From the GRT Collection
"Songs, Pictures and Stories Of The Fabulous Beatles" Mono LP Vee-Jay 1092 (1964). Pristine copy of this issue, which was essentially "Introducing The Beatles" with bells and whistles (gatefold cover, additional pics and bio info). This is the solid black label, with the plain VJ logo, sans oval and sans brackets. You won't find a nicer unsealed copy! Condition: NM 8/ NM 8. From the GRT Collection
Beatles "Something New" Sealed Stereo LP Capitol 2108 (1964). The group's third album on Capitol continued the trend of including fewer covers -- as great as they were here, with two Carl Perkins' gems and one rockin' Larry Williams composition -- to doing their own originals. This album sometimes gets "lost" among the boys' more famously successful and critically acclaimed albums, but if not for all those other Beatles' albums, this would undoubtedly be considered a classic. We consider it one anyway, and here's a sparkling sealed copy, with the number "5" and the "THIS STEREO..." message at the bottom of the back cover. Condition: Still sealed. From the GRT Collection
"The Beatles' Story" Sealed Mono LP Capitol 2222 (1964). The world couldn't get enough of the Fab Four in 1964! Capitol released this two-record set that included selections from some of their songs, interviews, and photos from their magic year. This fabulous copy is still sealed in its original baggy plastic wrap, marked "Fedco" and "$6.97"! Condition: Still sealed. From the GRT Collection
"Komm, Gib Mir Deine Hand" Stereo LP Electrola 83659 (Germany, 1964). No, it's not completely a Beatles album, but the two Fab Four inclusions on this compilation, "Komm, Gib Mir Deine Hand" ("I Want To Hold Your Hand") and "She Loves You," mean this is a desirable record, especially so because of its scarcity. Condition: VG-EX 6/ VG-EX 6. From the GRT Collection
"The Beatles & Frank Ifield On Stage" Portrait Cover Mono LP Vee-Jay 1085 (1964). Just four Beatles songs on this 12-song album, and two had already appeared on "Introducing the Beatles", but the album, which was originally issued with another cover, is one of the most sought-after by avid Beatles aficionados. Not as rare as the stereo version; still, only serious bidders need apply! There is a seam split repair at top right and a few dings along the edges, but the cover is still in its original shrinkwrap. The record is is great shape. Condition: VG-EX 6/ NM 8. From the GRT Collection
The Beatles and Frank Ifield On Stage Press Proofs and Color Key (1964) It's hard to believe it now, but the Beatles -- generally considered the world's most popular Rock/Pop music act of all time -- found it hard to translate their early success back home in England over to America. Capitol Records was the American subsidiary to EMI, the British label that released the Beatles material, and had first rights to the new group. Failure to break earlier U. K. acts like Cliff Richards in the States caused Capitol to initially pass on the group, so Vee-Jay, a small Chicago-based label, picked up that option. At first, it seemed Capitol was right, as the original Vee-Jay Beatle singles failed to chart. Finally bowing to EMI's pressure, Capitol could resist no more, and signed the band. Seemingly overnight, the sounds of "She Loves You" and "I Want To Hold Your Hand" filled American airwaves, and Beatlemania was in full swing across the country. Vee-Jay, knowing their option on the Moptops would soon expire, released several albums of the early material in a number of different formats, all in an attempt to cash in; the rarest of them all was this reissue of their "Jolly What!" album, pairing four songs from the Beatles with eight by British crooner Frank Ifield, now presented with a nice painted portrait of John, Paul, George, and Ringo on the cover. This lot contains some extremely rare "press proof" material for that front cover, including a beautiful set of color keys (four film positive sheets that seen together form a single full-color image -- this would look great framed), plus two press proof sheets (one in full color, the other printed in only blue and yellow). Also included is the original set of four film negatives, one each for red (magenta), blue (cyan), yellow, and black, as well as the original manila envelope they were stored in. This material is incredibly rare, especially considering the fact Vee-Jay knew they would not be able to reuse them for futu
"The Beatles VS. The Four Seasons" Sealed Mono Double LP Vee-Jay DX 30 (1964). With the Beatles getting bigger and bigger throughout 1964, and with the group having left Vee-Jay (and all those other labels) for Capitol, Vee-Jay made one last attempt to market what was essentially their one-album inventory. This release combined "Introducing the Beatles" with "The Golden Hits of The 4 Seasons," Vee-Jay's other supergroup, and another they would lose to another label! Unbelievable sealed copy, but the top right corner plastic is split about 1/2 inch. Condition: Still sealed. From the GRT Collection
Beatles Australian Gold and Black Label Mono LP Group of 2 -- Parlophone 1202 and 1206 (1964). Sensational copies of the Australian versions of two early albums, "Please Please Me" and "With The Beatles." Both have the rarer gold and black Parlophone label. Condition (for both albums): NM 8 (cover)/ GM-MT 10 (record). From the GRT Collection
Beatles Australia LP Group of 11 (1964-70). An instant Beatles collection from Down Under! Included: "A Hard Day's Night" (Mono Parlophone 1230, 1964) -- Condition: NM 8/ NM 8; "Beatles For Sale" (Stereo Parlophone 3062, 1964) -- Condition: EX 7/ NM 8; "Help!" (Stereo Parlophone 3071, 1965) -- Condition: NM 8/ NM 8; "Rubber Soul" (Stereo Parlophone 3075, 1965) -- Condition: NM 8/ NM 8; "Revolver" (Stereo Parlophone 7009, 1966) -- Condition: NM 8/ NM 8; "Yellow Submarine" (Stereo Parlophone 7070, 1966) -- EX 7/ EX 7; "Sgt. Peppers Lonely Hearts Club Band" (Stereo Parlophone 7027, 1967) -- Condition: NM 8/ NM 8; "A Collection of Beatles Oldies" (Stereo Orange Label Parlophone 7016, 1966) -- Condition: VG-EX 6/ EX 7; "Let It Be" (Stereo Parlophone 7096, 1970) -- Condition: NM 8/ NM 8; "The Beatles Greatest Hits - Vol. 1" (Mono Parlophone 7533, 1970) -- Condition: EX 7/ EX 7; and "Hey Jude" (Stereo Parlophone 7560, 1970) -- Condition: NM 8/ NM 8. From the GRT Collection
Beatles Import Mono LP Group of 2 (1964-65). The two albums include Canada's "Twist And Shout" (Capitol T 6054, 1964) -- Condition: EX 7/ VG 5 -- and a very rare album from East Germany (only two Beatles albums were issued in East Germany), "The Beatles" (Amiga 8 50 040) -- Condition: EX 7/ EX 7. From the GRT Collection
Beatles Canadian Mono LP Group of 3 (1964). Canadian Capitol releases from 1964 -- the year Beatlemania exploded. Two of the releases have covers used on American releases. Included are "Beatlemania" (6051 - with a cover similar to the first U.S. Capitol release, "Meet the Beatles"), "Long Tall Sally" (6063 - same cover design as the U.S. "The Beatles' Second Album"), and "Twist and Shout" (6053). All are still in the original shrink wrap, but have been opened. All covers are MT 9. The records are also MT 9, except "Long Tall Sally" in NM 8. From the GRT Collection
Beatles Import Album Group of 8 Various Labels (1964-70). That the Fab Four was the world's most popular band is illustrated by this diverse group of eight albums from six different countries.
1) U.K.'s "Help!" (Parlophone 3071 in stereo, 1965) -- Condition: EX 7/ EX 7.
2) Germany's "Hey Jude" (Apple C 062-04 348 in Stereo, 1970) -- Condition: NM 8/ NM 8.
3) Russia's "A Hard Day's Night" (EMI 23579, 1964) -- Condition: EX 7/ NM 8.
4) Italy's "The Beatles In Italy" (Parlophone 31506, 1964, "Manufactured and Distributed by CBS Records Israel) -- Condition: VG 5 (tape on right edge of front and left edge of back)/ EX 7.
5) France's "Abbey Road" (Apple DC 8 in green vinyl, 1970) -- Condition: VG 5 (seam splits on bottom center and top)/ VG 5.
6) - 8) Australia's "Help!" (Parlophone 3071,reissue), "Rubber Soul" (Parlophone 3075 reissue), and "Revolver" (Parlophone 7009, 1966), all three in stereo and all with covers and records in NM 8. From the GRT Collection
1) U.K.'s "Help!" (Parlophone 3071 in stereo, 1965) -- Condition: EX 7/ EX 7.
2) Germany's "Hey Jude" (Apple C 062-04 348 in Stereo, 1970) -- Condition: NM 8/ NM 8.
3) Russia's "A Hard Day's Night" (EMI 23579, 1964) -- Condition: EX 7/ NM 8.
4) Italy's "The Beatles In Italy" (Parlophone 31506, 1964, "Manufactured and Distributed by CBS Records Israel) -- Condition: VG 5 (tape on right edge of front and left edge of back)/ EX 7.
5) France's "Abbey Road" (Apple DC 8 in green vinyl, 1970) -- Condition: VG 5 (seam splits on bottom center and top)/ VG 5.
6) - 8) Australia's "Help!" (Parlophone 3071,reissue), "Rubber Soul" (Parlophone 3075 reissue), and "Revolver" (Parlophone 7009, 1966), all three in stereo and all with covers and records in NM 8. From the GRT Collection
Beatles Venezuelan LP Group of 5 (1960s). The Beatles were truly a worldwide phenomenon, and their albums issued with a variety of covers and song selections from country to country. Here are five Venezuelan-issued albums, the first two listed quite rare. Included are: 1) "Yeah, Yeah, Yeah!" (Mono Odeon 409) -- Condition: GD-VG 4 (writing on front and back, tape, stains, and general wear)/ GD-VG 4; "The Beatles Hits" (Mono Odeon 416) -- Condition: VG-EX 6/ GD 3; "Rubber Soul" (Mono Odeon 509) -- Condition: VG-EX 6/ GD 3; "Help!" (Stereo Odeon 7098) -- Condition: VG 5/ VG 5; and "Sgt. Pepper's Lonely Hearts Club Band" (Mono Parlophone 8006) -- Condition: VG-EX 6/ GD-VG 4. From the GRT Collection
Beatles With Tony Sheridan "Meet The Beat" Stereo 10" LP Polydor 74557 (1965). True, the Beatles are really performing on just three of the cuts here, and sharing the credits on those songs with Tony Sheridan, but they're vintage performances and this disc was only available through Club Sonderauflage, a German book club that branched out to also offering records. Only about 2,000 copies were pressed originally beginning in 1965. The Beatles perform on "Sweet Georgia Brown," "Nobody's Child," and "Take Out Some Insurance On Me, Baby." The other seven cuts are credited to Tony Sheridan and The Beat Brothers, and in one instance, to just The Beat Brothers. It's a rare one, mate... er, mein Freund... Condition: NM 8/ EX 7. From the GRT Collection
"Beatles '65" Sealed Stereo LP Capitol 2228 (1964). The Beatles' fourth Capitol studio album charted on Billboard's Top 200 for 71 weeks, which tied with their first, "Meet The Beatles", for chart longevity at that time. It held down the #1 spot for nine weeks. A mixture of covers and originals (mostly the latter) hinted at "Rubber Soul", still three American albums and nearly a year away. This copy is stone cold, still-sealed Mint, with the number "3" and the "THIS STEREO RECORD... " message at the bottom of back cover. Condition: Still sealed. From the GRT Collection
"Beatles VI" Sealed Promo Mono LP Capitol 2358 (1965). Their most acclaimed albums were yet to come, but don't overlook this great album. Brilliant, sealed copy of the Beatles' mid-1965 offering has "PROMO" perforated at right top. That's right -- sealed and promo, two adjectives of special interest when Beatles albums are concerned. This copy has a number "3" near the RIAA logo on the back cover. Condition: Still sealed. From the GRT Collection
Beatles "Help" Sealed Stereo LP Capitol 2386 (1965). Despite offering only seven vocal cuts (the other five were instrumentals from the movie), the soundtrack album charted for 44 weeks, held the #1 spot on Billboard's Top 200 album chart for nine weeks, and sold over three million copies. This is a sealed copy, but the outer gatefold cover does have a ding at the lower right corner. Condition: Sealed. From the GRT Collection
Beatles "Rubber Soul" Mono LP Capitol 2442 (1965). Fans will never agree on which classic Beatles album is the most classic, but "Rubber Soul" gets lots of votes. It marked a change of direction and focus for the group, and set a standard few other groups could even approach. The only way you will find a nicer copy than this is to find a sealed copy. This one does still have its original shrink wrap that has protected the cover very well, and is the rarer mono version. The number "6" is displayed near the RIAA logo on the back cover. Condition: MT 9/ NM 8. From the GRT Collection
"The Beatles' Hottest Hits" Mono LP Parlophone 306 (Denmark, 1965). An eclectic compilation -- at least for the American fan -- since there's only three #1s here. Of course, one could call any Beatles tune a hit! Compilation includes cuts from albums released through the end of 1964. Only issued in Denmark, but if you're not planning a trip to Copenhagen anytime soon, we've got you covered! Condition: VG-EX 6/ VG 5. From the GRT Collection
Beatles "Help!" Radio Spots LP United Artists (1965). United Artists went all-out with this promotional LP, cramming 12 "Help!" radio spots to promote the Fab Four's second feature length film. Most of such promos sent to radio stations were disposed of in short time, making a copy this nice quite rare. The spots are marked by the Beatles music and by their zany sense of humor. Side 1 has eight 60-second plugs, four geared to an adult audience and four to teenagers. Side 2 has three 30-second, two 20-second, and one 10-second spots. "692" is written in marker on both labels. Condition: NM 8.
Beatles "Yesterday And Today" Livingston Copy Sealed First State Mono "Butcher Cover" LP Capitol 2553 (1966). Yes, it's a sealed copy of the original cover of the album that came out in the U.S. between "Rubber Soul" and "Revolver". There was even a name for the photo -- "Somnambulant Adventure". It sounds like something John would make up, but the adjective actually is a word, and refers to sleep-walking. But what was the thinking when the decision was made to issue this cover in the first place?
In fact, the Beatles didn't even know the photo was being used as an album cover, and it wasn't anywhere other than the U.S. An excellent site for details about the rise and fall of the Butcher Cover can be found online at "All About the Beatles Butcher cover".
Also discussed there is "the Livingston copies of the Butcher Cover", considered the creme de la creme of Butcher Cover copies. In short, Alan Livingston, who was President and CEO of Capitol Records in 1966, set aside as many as 5 stereo copies and 19 mono copies, all sealed and in Mint condition. In 1987 he gave several copies to his son Peter, who had the elder Mr. Livingston issue a notarized letter of authenticity for each sealed copy, one of which accompanies this special offering.
Also enclosed is a copy of a letter dated June 14, 1966 from Ron Tepper, Manager Press & Information Services of Capitol Records Distributing Corp., to distributors advising of the recall of the Butcher Cover.
We're pleased to offer one of the ultimate prizes for the Beatles collector. Very few of the Livingston Butcher Covers have changed hands over the past several years making this a rare opportunity to acquire one. Condition: GM-MT 10 -- Still Sealed.
In fact, the Beatles didn't even know the photo was being used as an album cover, and it wasn't anywhere other than the U.S. An excellent site for details about the rise and fall of the Butcher Cover can be found online at "All About the Beatles Butcher cover".
Also discussed there is "the Livingston copies of the Butcher Cover", considered the creme de la creme of Butcher Cover copies. In short, Alan Livingston, who was President and CEO of Capitol Records in 1966, set aside as many as 5 stereo copies and 19 mono copies, all sealed and in Mint condition. In 1987 he gave several copies to his son Peter, who had the elder Mr. Livingston issue a notarized letter of authenticity for each sealed copy, one of which accompanies this special offering.
Also enclosed is a copy of a letter dated June 14, 1966 from Ron Tepper, Manager Press & Information Services of Capitol Records Distributing Corp., to distributors advising of the recall of the Butcher Cover.
We're pleased to offer one of the ultimate prizes for the Beatles collector. Very few of the Livingston Butcher Covers have changed hands over the past several years making this a rare opportunity to acquire one. Condition: GM-MT 10 -- Still Sealed.
Beatles First State Stereo Butcher Cover Prototype Art Proof. A one-of-a-kind art proof produced by the Capitol Records art department, this is the rarest of all forms of the infamous Butcher Cover. It features a stereo first state art slick pressed on a blank album cover, with no slick on the back side. The cover edges and back display a little yellowing and some very minor wear along the top edge, but is in otherwise Excellent condition. An extremely rare item.
Beatles "Yesterday and Today" 2nd State Butcher Cover Stereo LP Capitol 2553 (1966). Go ahead, if you think you'll have a-peel! Here's a 2nd state Butcher cover that displays a pulled-up corner at top right (imagine that!), as well as some light red ink marking in the same general area. Get a closeup view online where you can check out the cover fore and aft. Condition: EX 7/ VG 5.
Beatles "Yesterday And Today" Butcher Cover Mono LP Capitol 2553 (1966). This is a 3rd State cover, with the outer "Trunk" cover nicely peeled off. The cover does have seam splits at the top and bottom, and no paper on the spine. There is a minor flaw above George's head, which you can see close up online. The back cover has a "3" near the RIAA logo. The record is well-played. An affordable copy of one of the more bizarre Beatles collectibles. Condition: VG 5/ GD 3. From the GRT Collection
Beatles "Yesterday And Today" Sealed Stereo LP Capitol ST8-2553 (1969). Record club issue of the 1966 original, with green label. Well, it's supposedly green -- we can't verify since it's still sealed and in immaculate condition! Condition: Sealed. From the GRT Collection
Beatles "Revolver" Sealed Stereo LP Capitol 2576 (1966). Many fans and critics rank this at or near the top when assessing the Beatles albums. From the classic Klaus Voormann cover to the ever more mind-expanding compositions of not only Lennon/ McCartney but also George Harrison, "Revolver" was a milestone. This sealed copy has a number "12" near the RIAA logo on the back cover, which means the record may have an Apple label. The original price sticker is on the front. Condition: Sealed. From the GRT Collection
Beatles "I Apologize" Mono One-Sided LP Sterling Productions (1966). In 1966 Bill Bender of Chicago's The Tribune recorded a news conference with that Little Ole Band From England at the Astor Towers Hotel. All four members of the band are featured, but the main attraction was John Lennon's attempting to further explain his recent comments about the group's popularity compared to that of Jesus Christ. Yes, it's rare! Condition: NM 8/ VG-EX 6. From the GRT Collection
Beatles "Sgt. Pepper's Lonely Hearts Club Band" Sealed Stereo LP Capitol 2653 (1967). The Beatles' biggest and, probably, most influential album of all, "Sgt. Peppers" spend 15 weeks at the top of Billboard's Pop album charts and won the Grammy for Album of the Year in 1967. Here's a sealed copy, with minor dings at the bottom corners of the cover. A "$4.88" sticker is still affixed to the shrink wrap. Condition: Sealed. From the GRT Collection
Beatles "Magical Mystery Tour" Sealed Mono LP Capitol MAL 2835 (1967). The last of the U.S. released Beatles albums to be offered in mono as well as stereo, "Magical Mystery Tour" had a tough act to follow -- "Sgt. Peppers" -- and was released just a few months afterwards. But it was a big success, the Beatles' 11th #1 album. The mono version is much rarer, and this sealed copy is will send you straight to Strawberry Fields! Condition: Sealed. From the GRT Collection
Beatles "Sgt. Pepper's Lonely Hearts Club Band" Mono and Stereo LP Group -- Parlophone 7027 (U.K. 1967). Can't decide whether you want a mono or stereo copy of the classic Beatles album on Parlophone? No problem -- have both! Here are nice copies of each. Condition: 1) Mono -- EX 7 (cover - 3/4 inch seam split bottom right)/ NM 8 (insert)/ NM 8 (record); 2) Stereo -- NM 8 (cover)/ NM 8 (insert)/ MT 9 (record). From the GRT Collection
"The Beatles" (The White Album) Sealed Stereo LP Apple 101 (1968). This two-disc album, with gatefold cover, four color photos, and a poster, featured the most diverse selection of songs of all the Beatles albums. One of the group's biggest in the commercial sense, the album charted for 155 weeks, has sold more copies than any other Beatles album, and claimed the #1 spot on Billboard's Top 200 for nine weeks. Exceedingly difficult to keep this album in tip-top shape because the covers are entirely white, but since this copy is still sealed, the cover is blindingly clean. Condition: Sealed. From the GRT Collection
Beatles "The Yellow Submarine" Radio Spots LP Apple Films (1969). Here's a very rare radio spot album created by Apple and United Artists for distribution to radio stations to promote the group's animated film. Since DJs would normally just do such promos live, most of these copies were summarily tossed. Writing on the label correct the information printed on originally. The one-sided LP contains two 60 second spots, two 30 second spots, and a 10 second spot. Very cool spots with bits of Beatles songs throughout. Condition: NM 8.
Beatles "Let It Be" Canadian Box Set Apple 6351 (1970). Rare Canadian release included a "The Beatles Get Back" book of over 150 pages, filled with photos and interviews. We haven't seen many of these! Condition: EX 7 (outer cover)/ EX 7 (inner cover)/ NM 8 (book)/ EX 7 (record). From the GRT Collection
Beatles "Let It Be" Purple Label Clear Vinyl LP Capitol 11922 (1979). This is a one-of-a-kind prototype from 1979. Be the only one on your block... wait -- in the universe with this! There is a label flaw on Side 2. Condition: NM 8.
Beatles "Reel Music" Yellow Vinyl Promo Mono LP Capitol 12199 (1982). This special edition -- numbered "Limited Edition No. 0001" on the back -- comes with "The Beatles Souvenir Program" and a press kit that includes black and white stills from the Beatles movies represented by the song selections on the album. Only a Blue Meanie wouldn't dig this set! Condition: EX 7 (very minor left corner ding)/ EX 7. From the GRT Collection
"John Lennon and the Plastic Ono Band" Test Pressing Promo LP Apple (1970). This test pressing of John's first solo studio album was produced for radio stations. The insert from Capitol Records lists all the songs and advises "It is recommended that you audition cuts three ["I Found Out"] and four ["Working Class Hero"] on side one before airplay." A DJ has written "WAAB 1440" and "Exclusive Album" on the insert, as well as the names of all the songs on the labels. See it on our website! Condition: EX 7 ('cover' is just a plain white jacket with a hole in the middle to show the label)/ NM 8. From the GRT Collection
John Lennon "Roots" Stereo LP Adam VIII 8018 (1975). The label's TV marketing appealed to Lennon so much, he arranged to have his recently released Apple album, "Rock 'N' Roll," to be pressed by Adam VIII, including an additional two songs in the process. Predictably, Apple didn't approve of this and stopped the project before many of the Adam VIII pressings were sold, and demanding that existing unsold copies be destroyed. A relatively few were "rescued" and have become collectors' items. Here's a nice copy. Condition: EX 7/ NM 8. From the GRT Collection
Paul McCartney "Ram" Promo Sampler Stereo LP Apple 6210 (1971). This special one-sided album has 15 tracks of 30-60 seconds in length consisting of bits of piano and group vocals, humorous dialog, and, yes, even samples from "Ram," McCartney's second solo album. Limited to radio station distribution, most copies ended up being discarded, and few show up in this condition. The original DJ sheet from the record company, which looks like a letter from Paul and Linda McCartney, is included. Condition of record: NM 8. From the GRT Collection
Paul McCartney & Wings Test Pressing Group of 2 (1978-89). Test pressings were done from Masters, prior to the commercial release of recordings, to check the sound and verify no defects existed in the recording. Occasionally, test pressings were used as advance copies for promotional purposes, but were generally not produced in large quantities. "Wing's Greatest" was released in November 1978 after the group's world tour, and is currently out of print, even on CD, making this test pressing all the more intriguing. Songs included are: "Another Day," "Silly Love Songs," "Live And Let Die," "Junior's Farm," "With A Little Luck," "Band On The Run," "Uncle Albert/Admiral Halsey," "Hi Hi Hi," "Let 'Em In," "My Love," "Jet," and "Mull of Kintyre." The second test pressing in this group may be even more rare -- a blank, pink label 12" pressing of "Party" from 1989. Condition of "Wing's Greatest": NM 8. Condition of "Party": EX 7. From the GRT Collection
Ringo Starr "Ringo" U.S. Test Pressing Stereo LP (1973). Extremely rare test pressing of the album "Ringo" includes Paul on vocals of an extra long ending of "Six O'Clock". Both labels have some minor staining. Condition: VG-EX 6 (plays EX 7). From the GRT Collection
Ringo Starr "Ringo the 4th" Test Pressing Stereo LP Atlantic Records/ Presswell Records 773900 (1977). White label test pressing of Ringo's second Atlantic album. Condition: NM 8. From the GRT Collection
"Beatles For Sale" Mono Acetate. This 10" acetate was made in 1964 and used in a recording class in the late '70s by an engineer that had worked at Abbey Road. Tracks include "No Reply," "I'm a Loser," "Baby I'm Back," " Every Little Thing," "I Don't Want to Spoil the Party," and "What You're Doing." In VG condition with a very small bubble on the surface before the first track that does not affect play.
Beatles Included In Capitol Records' "Big Hits From England & U.S.A." Acetate. The only known copy of this acetate of the summer 1964 compilation album. Prior to the release of the "Hey Jude" LP, "Can't Buy Me Love" hadn't been issued on an American Capitol LP. In EX 7 condition, with letter of authenticity from Fab 4 Collectibles of New York.
Beatles "Ticket To Ride" and "Yes It Is" 45 Acetates Emidisc (1965). The rock tempo of "Ticket" and the slow "Yes It Is" made a dynamic contrast, and a best-selling two-sided hit in 1965. Here are the two tunes, each on a one-sided acetate from the U.K. Condition for each acetate: VG-EX 6. From the GRT Collection
The Beatles Interview Disk Acetate (Capitol, 1966) During the last two weeks of the Beatles' second tour of the United States, in 1965, they were accompanied by Chicago radio personality Jerry G. Bishop ("Jerry G"). Jerry interviewed the lads for a proposed long-playing record, which was be released as a souvenir of the tour by Capitol in 1966. It begins with Jerry asking the boys about growing up in Liverpool, and Paul and John both weigh in with some extremely candid remarks about getting into fights. Paul even goes so far as to describe his younger self as "... a bit of a hooligan" and talks about how he almost wound up getting a gun, bashing in heads, and the like. George, when asked what kind of girls he was attracted to, matter-of-factly states that "the most important thing is if she looks good." Comments like these might have been the deciding factor in manager Brian Epstein and Capitol's decision not to release this as an album, and the project was shelved. The story of how this incredibly rare item surfaced is amazing in itself. In the late 1970s, a Los Angeles collector visited England, and arranged to meet with the late Brian Epstein's mother. Upon asking Mrs. Epstein if she had any Beatles items she wished to sell, he was presented with this acetate, on a Capitol white and purple test-pressing label, with a date of 9/26/66. The two-sided acetate plays very well, and is graded NM 8. No other copies of this item have surfaced to our knowledge, and it could well be unique. It remains a fascinating way to eavesdrop on John, Paul, George, and Ringo at the height of Beatlemania, and would surely be a treasured part of any Beatles collection.
Beatles "Blue Jay Way" 45 Acetate ATV Music Group (1967). George Harrison's psychedelic, Eastern-flavored song was included on the "Magical Mystery Tour" album. Recorded at the Abbey Road Studios in London, this acetate was produced in the U.S. Condition: VG-EX 6. From the GRT Collection
Beatles "Across The Universe" 10" 45-rpm Acetate Apple (1968). Originally recorded about the time of the "Lady Madonna" sessions, Apple originally planned this to be a single, then decided it should be a B-side, then on an EP. Eventually it was given to a charity project in 1970 to be used on a various artist album for the World Wildlife Fund, and it finally wound up on the 1970 "Let It Be" album. The 10" disc plays Very Good with some surface noise and one skip near the end of the recording. Condition: VG-EX 6 From the GRT Collection
Beatles "Revolution" 10" 45-rpm Acetate Apple (1969). This was the B-side of the Beatles' biggest single, "Hey Jude". The single was a more rockin', electric version than a more acoustic take that appeared on "The Beatles" (the "White Album"). This was an English acetate on the Apple Corps Ltd. label. Condition: VG-EX 6. From the GRT Collection
Beatles "Something" 10" 45-rpm Acetate Apple Corps Ltd. (1969). One-sided acetate of one of George's most memorable compositions. The song, which was included on the "Abbey Road" album was a #3 hit single as well, while its flipside was the even bigger hit, "Come Together." Condition: VG-EX 6. From the GRT Collection
Beatles "Get Back" 10" 45-rpm Acetate Apple Corps Ltd. (1969). The Fab Four's third biggest single was released in 1969, but not included on an album until "Let It Be" was released a year later. Disc has a scratch and a small defect which causes a few pops, but otherwise sounds pretty sweet. Condition: VG-EX 6. From the GRT Collection
Beatles "The Long and Winding Road" 10" 45-rpm Acetate Apple Corps Label (1970). Version is the same as the single, and which was included on the "Let It Be" album. Condition: EX 7. From the GRT Collection
Beatles "I'm Down" 45 Acetate (1965). The rockin' flipside to "Help!" has Paul at his wailing best. Here's a one-sided acetate of the tune, which plays VG. Also included is an envelope postmarked in 1963 and addressed to George from Dick James Music Limited. This was two years before "I'm Down" was recorded, so obviously the envelope had enclosed an earlier Beatles acetate. We can only imagine! Condition: VG.
George Harrison "Cheer Down" 10" 45-rpm Acetate Warner Bros. Records (1989). Song was used on the "Lethal Weapon 2" soundtrack and later on George's "Best of Dark Horse" album. This acetate version is different from the commercial single release. Issued with a "Future Disc Systems" cover. Condition: EX 7/ EX 7. From the GRT Collection
John Lennon "Serve Yourself" Acetate Demo (1970s). This unreleased, x-rated, and stark (just guitar and vocal) performance features a clearly angry John Lennon, who even serves up a rap rant in the middle of the song. A finished version eventually came out in 1998 on the "Wonsaponatime" album, in turn excerpted from "John Lennon Anthology," a four-disc set, but this demo version is very different. Condition: EX 7. From the GRT Collection
John Lennon and Yoko Ono "Woman Is The N***** of the World" Stereo 10" 45-rpm Acetate Sterling Sound Inc. (1972). One-sided acetate of a completely different version than the commercial single. In our humble opinion, this is better than the released version, with more notable guitar and sax accompaniment. John talks and counts down before the intro notes. Condition: NM 8. From the GRT Collection
John Lennon "Be My Baby"/ "Just Because" 10" 45-rpm Acetate (1975). Two outtakes from the "Rock 'N' Roll" sessions. These particular songs were not used on the Apple "Rock 'N' Roll" album, but different, more refined versions of each found their way onto the Adam VIII "Great Rock & Roll Hits -- Roots" album. The two outtakes here are more raw and suggestive. The original recording sessions were produced by Phil Spector, whose voice may be heard at the end of "Be My Baby" saying "Thank you very much, gentlemen." The plain white labels with typed song titles make this appear to be very rare. Condition: VG 5. From the GRT Collection
Beatles Sheet Music Group of 12 (1964-67). Key songs from the group's key years, including 1964 hits "Please Please Me" (EX 7 with a music store stamp on front), "I Wanna Be Your Man" (MT 9), "I Feel Fine" (NM 8), "I Don't Want to Spoil the Party" (MT 9); 1965 hits "Kansas City" (MT 9 with stamp on front), "Ticket To Ride" (MT 9), "We Can Work It Out" (MT 9); 1966 hits "Paperback Writer" (MT 9) and "Rain" (NM 8); and from 1967 "Strawberry Fields Forever" (NM 8), "Penny Lane" (MT 9), and "All You Need Is Love" (MT 9). From the GRT Collection
Beatles Sheet Music Group of 12 (1964-67). Twelve by the Fab Four in terrific condition, including "Please Please Me" (1964 - NM 8), "Boys" (1964 - NM 8), "A Hard Day's Night" (1964 - MT 9), "Eight Days A Week" (1965 - MT 9), "Ticket To Ride" (1965 - MT 9), "Yes It Is" (1965 - MT 9), "Yesterday" (1965 - MT 9), "Day Tripper" (1965 - MT 9), "What Goes On" (1965 - MT 9), "Paperback Writer" (1966 - MT 9), "Eleanor Rigby" (1966 - NM 8), and "Strawberry Fields Forever" (1967 - MT 9). From the GRT Collection
Beatles Solo Projects Group of Proof Slicks. This set of art department proofs includes: front cover slicks for John Lennon's "Imagine"; front and back cover slicks for George Harrison's "Electronic Sound," front and back laminated proofs for the 45 single "When We Was Fab," and front and back cover slicks for his "Best of" (two punch holes in middle of the top slick); and front, back, and inner gatefold cover slicks for Paul McCartney's "Ram,"1 front and back cover slicks for "Wildlife" by Wings, and front, back, and inner gatefold slicks for "Red Rose Speedway" (with a minor crease to topo of front cover); plus a front cover slick for "Straight Up" by Badfinger. All are in Excellent condition unless otherwise noted.
Pete Best "I Can't Do Without Your Now" 45 Acetate Mr. Maestro Records (1965). Before Ringo, the drummer was Pete Best. The early Beatle released six singles between 1964 and 1965, and this is one of the rarest. This is a two-sided acetate of the single (same song on each side). Rare in vinyl... you know the rest! Condition: VG 5. From the GRT Collection
Apple Boutique "A Is For Apple" Poster (Apple, 1967). The story of the Apple Boutique is a fascinating look at how not to run a business. In 1967, Paul envisioned a "beautiful place to buy beautiful things," and the Beatles rented a building at 94 Baker Street in London. They hired an art collective known as the Fool (Simon Posthuma, Marijke Koeger, Simon Hayes, and Barry Finch) to design murals, clothing, posters, and more (they even painted John's acoustic guitar and Rolls Royce, plus Eric Clapton's Gibson SG guitar in wild, swirling designs). Mismanagement and disillusion soon set in, and in eight months, it was all over. This is a second printing of one of the Fool-designed posters originally sold at the boutique (before they closed the store and gave everything away). The poster measures 22" x 29" and is in VG+ condition.
Paul McCartney Concert Poster, Program, and Ticket Group (1990-2004). For the past 45 years, Paul McCartney has flown the flag of good old '60s Rock and Roll, whether as a member of the Beatles, Wings, or solo. The poster offered here is for his first tour after formally dissolving Wings. It is by artist David Singer and is for the 3/31/90 show at the University of California, Berkeley. Also included in this lot is a program from the same show. In addition, we have a ticket stub from the first show in the "Driving USA" tour; it has a face value of $250. To top off the lot, a handbill and full ticket from Neil Young's 2004 "Bridge School Benefit" show. At this show, Sir Paul joined Tony Bennet and Neil Young onstage! The poster measures 20.5" x 29" and has a few small dings along the right corners, otherwise condition is Excellent.
The Beatles "A Hard Day's Night" Mechanical Color Overlay (United Artists, 1964). After United Artists had developed the look of the posters, they would work up the mechanicals, and then choose colors for the final poster. A mechanical is the final artwork for a graphic project that is to be reproduced. Mechanicals usually consist of a lightweight illustration board with all of the camera-ready paste-up artwork (the type, illustrations and photostats) attached in their final positions, with the overlays indicating color attached. Offered in this lot is the 20" x 30" original mechanical of the Three Sheet for "A Hard Day's Night," plus a tissue overlay which gives the printer's reference for the color separations for the poster. The tissue color overlay is all produced by hand. This was used by Continental Litho Co. to make the color separation plates with which to print this historic poster. Since this set of mechanicals is obviously a single stage of development of the final version, this item is one of a kind. This is truly a unique piece, and will most likely never be offered again. The rarity of these elements for the printing of posters cannot be overstated. Very Fine+.
The Beatles "A Hard Day's Night" Poster Rough Layout (United Artists, 1964). A rough layout is a general sketch of a poster showing the position of text and illustrations giving the general appearance of the poster. This rough layout consists of one piece of artist's tracing paper stapled to a piece of thicker paper. The elements used here are pencil, black and grey paint. Approximate size is 19" X 24". This piece was created by United Artists Publicity Department in 1964 in anticipation of the biggest hit of the year to reach the US shores. This rough concept is most likely for the US Three Sheet poster for the Beatles film. The hand-drawn lettering in the upper half of this rough is very close to the completed artwork, save for the word "Hilarious" which was added later. The heads are a grey paper pasted onto tracing paper with the faces painted on the grey paper. A change in the copy inserts the note, "Plus Beatles Favorites" where the red lines are drawn below the guitar. Also, the broken strings on the guitar were removed for the final printed poster. Saved from the dumpster when discarded by United Artists in the early 1970s, this unique piece of music history shows the evolution of this great ad campaign. This work of art is an essential piece Beatles history. Very Fine+.
The Beatles "A Hard Day's Night" Poster Rough Layout (United Artists, 1964). A rough layout is a general sketch of a poster which shows the position of text and illustrations giving the general appearance of the final poster. This rough layout consists of one piece of artist's tracing paper stapled to a piece of thicker paper. The elements used are pencil, black and grey paint, and measures approximately 24" X 19". A one-of-a-kind prototype artwork created in the developmental stage of original artwork for the 1964 USA Movie Poster for "A Hard Day's Night." The cartoon girls drawn in pencil on this Maquette were used in many of the final versions of the 1964 movie poster, and the lobby cards as well. This artwork was created in 1964 at United Artists Publicity Department and discarded after use. Pictured on page 186 of "The Beatles Memorabilia Price Guide, 2nd Edition" by Jeff Augsburger, Marty Eck and Rick Rann published 1993. Very Fine.
The Beatles "Yellow Submarine" Alternate Mechanical Color Outlay (United Artists, 1968). Mechanicals are the final artwork for a graphic project that is to be reproduced, usually consisting of a light-weight illustration board with all of the camera-ready paste-up artwork (the type, illustrations and photostats) attached in their final positions, with the overlays indicating color attached. This set of 30" x 20" mechanicals consists of black and white photocopied cels and type elements pasted onto illustration board, with the color overlay taped at the top and clearly visible.These mechanicals from 1968 for the window card movie poster for "Yellow Submarine" are different from the released version of the poster in that the quote, "It's All In The Mind, Y'know," is mistakenly credited to Paul McCartney, rather than George Harrison. The mistake is noted and corrected on the translucent overlay. This mistake is of some interest given the recent controversy with the crediting of authorship of certain Beatles lyrics. Inside the apple -- to the right -- there is also the statement, "A Dozen Beatles Songs." This mistake is noted and corrected in pencil. The final version of this poster would later read, "Eleven Beatles Songs." The color overlays are rendered by hand. Since this set of mechanicals is obviously a single stage of development to the final version, this is a one of a kind, very rare Beatle artifact. Very Fine.
Beatles Tower Ballroom Show Ticket, 1961. After a successful stint in Germany in 1960, the Beatles returned to the U.K. and were heavily promoted by Sam Leach, playing 49 occasions on various Liverpool stages over the subsequent year and a half, including the famed "Operation Big Beat in 1961," at which 3,000 people saw them perform along with Rory Storm and The Hurricanes, Gerry and the Pacemakers, and others. This is a ticket to one of those shows, a December 15, 1961, performance at the Tower Ballroom in New Brighton, where the group performed with Storm, Derry and the Seniors, and Cass and the Cassanovas. Storm's drummer at the time was none other than Ringo Starr, who would replace Pete Best and become a Beatle just a few months down the road. The ticket is in Very Good condition, with light wear to the edges, blunted corners, and moderate surface creasing.
The Beatles/The Zeros Concert Ticket. For the February 10, 1962 "Beat Session" featuring the Beatles and the Zeros at the St. Paul's Presbyterian Church Hall, one of the earliest gigs booked by Brian Epstein. In Very Good condition with a very small tear near the top edge, mild staining and wear to the edges and corners, and handwriting on the back.
Beatles/Joe Brown Show Ticket. This comp ticket is from the July 27, 1962, performance of the "Joe Brown Show," featuring Joe Brown and his Bruvvers, with the Beatles receiving second billing as one of the opening acts. The performance was the first of two consecutive shows promoted by Brian Epstein; at the time Brown held the #3 spot on the charts with the single "A Picture of You," a song the Beatles had also added to their own setlist. The ticket is in Very Fine condition with very minor were to the edges, a few minor spots of discoloration on the front, and nickel-sized adhesive pulls on the back.
Beatles St. John's Hall Concert Ticket. From the band's July 30, 1962, evening performance at the hall, then called the Blue Penguin Club on nights that featured rock performances. The venue had been an early stomping ground for the band in 1961, due largely to the efforts of promoter Dave Forshaw. In Excellent condition with light wear to the edges and corners.
Rory Storm's Birthday Night Ticket. Mostly remembered these days as Ringo's Starr's bandmates before he joined the Beatles, Rory Storm and the Hurricanes were an extremely popular Merseyside group in the early '60s who played an influential part in getting the Liverpool scene going, and were in fact more popular than the Beatles themselves for a short while. Here is a ticket for Rory Storm's Birthday Night concert at the Tower Ballroom on September 21, 1962, a show that featured performances by the Beatles, Billy Kramer with the Coasters, the Big Three, and Buddy Dean and the Teachers. The ticket is in Very Good condition with moderate tanning, noticeable edge wear, and a few creases.
Beatles/Pacemakers Concert Ticket. A ticket for a September 25, 1962, performances by the Beatles and Gerry and the Pacemakers at the Heswall Jazz Club. Ringo Starr had been drumming for the Beatles for just over a month by this point, and their early signature sound was starting to gel. In Excellent, virtually flawless condition.
Beatles/Little Richard Concert Tickets. Two ticket stubs from the Beatles October 28, 1962 performance at the Empire Theatre -- their first appearance at the top theater in Liverpool and their first pop package show. Headlining the show was none other than Little Richard. The stubs are in Very Good condition with moderate wear, creasing, and staining.
Helen Shapiro/Beatles Ticket. A used ticket for a February 2, 1963 performance at the Gaumont Cinema, the opening night of the Beatles first national tour, at the bottom of a six-act bill headlined by 16-year-old singer Helen Shapiro, who had been voted Best British Female Singer in 1961 and '62. The band's repertoire that night included "Keep Your Hands Off My Baby," "A Taste of Honey," and "Please Please Me." The ticket is in Excellent condition.
Beatles Ticket Signed by Paul and George. A ticket from the band's February 21, 1963 performance at the Majestic Ballroom, inscribed "To Hazel, love from George Harrison" and "Paul McCartney XXX" on the back in blue ink.Chicago radio station WLS placed "Please Please Me" on heavy rotation and paved the way for their American success. Items autographed by the band after this period are difficult enough to find, and this fine sample is in Excellent condition with only slight overall wear and staining to the top and bottom edges on the back, partially affecting Harrison's inscription but neither of the signatures. With COA from PSA/DNA.
Beatles Nottingham Concert Ticket. A used ticket for a March 7, 1963 all-star performance that featured the Beatles, Gerry and the Pacemakers, the Big Three, Billy J. Kramer with the Dakotas, and Bob Wooler. It was the first of six such engagements that would become known as the "Mersey Beat Showcase" tour. The ticket is in Very Fine condition with moderate wear and creasing.
Beatles York Concert Ticket Stub. A used ticket to their March 13, 1963 performance at the Rialto Theatre in York, opening for Chris Montez and Tommy Roe. John Lennon was voiceless at the time due to a cold and did not play. In Very Fine condition with some wrinkling and mild wear to the edges and corners.
Beatles York Concert Stub. A used ticket to their March 13, 1963, performance at the Rialto Theatre in York, in support of Chris Montez and Tommy Roe. In Excellent condition with just a little wear and faint discoloration to the edges.
Beatles Liverpool Concert Stub. A used ticket to their March 24, 1963 performance at the Empire Theatre in Liverpool, in support of Chris Montez and Tommy Roe. In Excellent condition.
Beatles London Concert. A used ticket to their March 29, 1963 performance at the Odeon Theatre in Lewisham, London, in support of Chris Montez and Tommy Roe. In Very Fine condition with a fold crease and some wear to the back side.
Beatles/Roy Orbison Concert Stub. A used ticket from the June 9, 1963 performance at King George's Hall, the last date in the Orbison-Beatles tour package. In Excellent condition with a very small nick in the upper left edge and very mild corner wear.
Roy Orbison/Beatles Concert Ticket. A used ticket for a June 5, 1963 performance at the Odeon Theatre in Leeds. At the time, Orbison was headlining a European tour with The Beatles, and became lifelong friends with the band, in particular with John Lennon and George Harrison, with whom he would later record as part of the Traveling Wilburys. During the tour, Orbison encouraged The Beatles to come to the United States, and when they finally decided to do so, they asked Orbison to manage their first tour but his own schedule forced him to turn down the offer. Orbison was one of the few American musicians who managed to weather the musical storm known as the British Invasion. In Very Good condition with some edge wear and mild staining.
Beatles Ticket Stub with Autographs. From a June 22, 1963 performance, with a second piece signed by Paul McCartney, George Harrison, and Ringo Starr in blue ink. The item dates from the period when Beatlemania was gaining momentum; the band would stop doing live concerts in 1966, working together as a group primarily for recording sessions until August, 1969, making group-signed items such as this hard to find. In Very Fine condition with mild overall wear. With COA from PSA/DNA.
Beatles Winter Gardens Concert Ticket Stub. A used ticket to their July 13, 1963 performance at Winter Gardens in Kent, the last show in a six-night series, In Fine condition with some mild wear and creasing as well as staining to the top and bottom edges. Also included is a handbill for their performance the at the ABC Theatre in Blackpool on the following night, in Fine condition some minor creasing and wrinkling.
Beatles Odeon Theatre Concert Ticket. Ticket for an August 12, 1963 second performance show at the Odeon Theatre in Llandudno, Caernarvonshire, England. In Very Good condition with moderate overall wrinkling and tape pulls on the back.
Beatles Llandudno Concert Stub. A used ticket to the band's August 14, 1963 second evening performance at the Odeon Theatre in Llandudno, Caernarvonshire. The show was part of a six-night, 12-show stint at the venue. In Excellent condition.
Beatles/Dakotas Bournemouth Concert Stub. A used ticket from the Boys' August 23, 1963 performance at the Gaumont Theatre in Bournemouth. In Very Good to Fine condition with light wear and little staining, and moderate wrinkling on the back.
Beatles/Pacemakers Southport Concert Stub. A used ticket from their August 27, 1963 performance with Gerry and the Pacemakers at the Odeon Theatre in Southport. It was the first of a six night residency at the venue, with two shows per night (this ticket was for the 8:40 p.m. second performance). Earlier in the day, the band had shot footage with a BBC TV crew for a documentary about the "Mersey Beat" boom. The ticket is in Fine condition with with a couple of fold creases and a little bit of wrinkling.
Beatles Preston Concert Ticket. A ticket for their September 13, 1963 performance at the Public Hall in Preston. After this show, Paul McCartney drove 25 miles to the Imperial Ballroom in Nelson to appear on a panel judging the "Imperial Miss 1963" contest. In Excellent condition with minimal wear.
Beatles/Rolling Stones Royal Albert Hall Concert Ticket, 1963. A ticket stub from the "Great Pop Prom" concert at Royal Albert Hall, September 15, 1963 -- the first time the Beatles and the Rolling Stones played on the same bill, what surely must have been one heck of a show. Both bands had settled into their respective classical line-ups and were making a name for themselves (although the Beatles were closer to what would be their big breakthrough). Both destined to become major players in the British Invasion, their respective sounds would soon diverge into considerably different realms -- one experimental and introspective, the other more visceral and dark. (As Tom Wolfe put it in 1965: "The Beatles want to hold your hand, but The Stones want to burn your town.") The ticket is in great condition, with a minor amount of discoloration, a little edge wear, and the words "Stones/Beatles" written near the bottom edge in black ballpoint.
Beatles London Palladium Concert Ticket, 1963. A ticket for two to a televised concert by the Beatles at the London Palladium, October 13, 1963. The show exposed the Beatles to a viewing audience of 15 million people, and inspired one local writer to coin the very apt term "Beatlemania." In Very Fine condition with a horizontal crease across the center and some wear to the edges and corners.
Beatles Portsmouth Concert Ticket. From their November 12, 1963 performance at the Guildhall in Portsmouth -- a show that was postponed until December 3 when Paul McCartney came down with a case of gastric flu. The ticket is in Very Fine condition with mild wear and bisecting horizontal and vertical fold creases.
Beatles Juke Box Jury Concert Ticket. A used ticket with detached stub for the Beatles December 7, 1963, appearance by the band on the television show "Juke Box Jury," followed by a live performance. Arranged for 2,500 members of the group's Northern Area Fan Club, both shows were broadcast on the same day, one that evening in a special prime-time slot, leaving non-converts to bemoan that BBC actually stood for "Beatles Broadcasting Corporation." Unfortunately for the Beeb, technical difficulties and scant rehearsal time all but ruined both broadcasts. This ticket to the now historic event is in Excellent condition with only a few very minor spots of wear.
Beatles Gaumont Theatre Concert Ticket. An unused ticket from their December 10, 1963 second performance show at the Gaumont in Doncaster. The Beatles were experiencing great popularity on the British charts, but had yet to make inroads into the U. S. market; that would change in about two weeks time, with the band's legendary performance on "The Ed Sullivan Show." The ticket is in Very Fine condition, with a vertical fold crease, very minor edge wear, and is slightly loose around the perforation area.
Beatles Scarborough Concert Ticket Stub. From their December 11, 1963 performance at the Futurist Theatre in Scarborough. In Very Fine condition with very small creases to the corners and a small tear with hole at the top edge.
Beatles Fan Club Concert Ticket and Vouchers. Includes two official Beatles Southern Area Fan Club notices regarding the December 14, 1963 concert at the Wimbledon Palais Ballroom and an admission voucher for the show, all in Excellent condition, plus a ticket to the show in Good condition with a fair amount of wear. After the show, the Beatles lined up behind the bar and shook hands with the 3,000 fans who filed past.
Beatles "Ready, Steady, Go!" Performance Ticket Stub. After shooting some corridor scenes for "Hard Day's Night" earlier in the day, the Beatles headed over to Studio Nine for their second and last live performance of the television show "Ready, Steady, Go!" where they performed "It Won't Be Long," "You Can't Do That," and "Can't Buy Me Love," and were presented an award for holding the top three spots on the Billboard chart simultaneously (this would later extend to the top four, and then the top five). This used ticket to the show is in Very Fine condition with moderate discoloration.
Beatles Wembley Arena Concert Ticket, 1964. Ten thousand fans attended the Beatles' April 26, 1964 show at the Wembley Sports Arena, at which they received the 1964 Poll Winners Award from "New Musical Express" music magazine. (The award was presented to them by future James Bond actor Roger Moore, who at the time was starring in the popular TV series "The Saint.") This used ticket to the show is in Excellent condition, with small tape stains to the top and bottom edges and just a little bit of wear and tanning.
"Around the Beatles" Concert Ticket. A ticket for the April 27, 1964 dress rehearsal of the "Around the Beatles" television special, which was taped the following day. The ticket stipulates that "Only teenagers between 13-19 years will be admitted" and "We regret there will be no autograph signings so please do not ask." In Very Fine condition with a few creases, blunted corners, and very light discoloration.
Beatles Melbourne Concert Ticket Stub. A used ticket from their June 17, 1964 performance at the Festival Hall in Melbourne, Australia. The show was the last in a three-day stint and was taped and later broadcast by Australian Channel 9. Ringo had re-joined the band at this point after being sidelined by illness and temporarily replaced by Jimmy Nicol. The stub is in Very Good condition with moderate wear.
Beatles Town Hall Reception Ticket and Invitation, 1964. Here are a ticket and invitation to the July 10, 1964 reception that welcomed the Beatles back to Liverpool after their Australian Tour. The reception was held at the local town hall in their honor in the early evening, and followed by the local premiere screening of "A Hard Day's Night," which helped further cement the band's overwhelming popularity. Both items are in Excellent condition.
Beatles London Palladium Concert Ticket. Used ticket to the Beatles' July 23, 1964 "The Night of a Hundred Stars" midnight revue, an aid performance that benefited the Combined Theatrical Charities Appeals Council. The show featured a number of illustrious celebrities -- including Sir Laurence Olivier and Judy Garland -- and featured a "flying ballet" sketch by the Beatles that involved their being hoisted above the stage, as well as a short musical set later in the evening. The ticket is in Excellent condition, with one small tape pull on the back.
Beatles Swedish Concert Ticket. A used ticket to their July 29, 1964 performance at the Johanneshovs Isstadion in Stockholm. The show was one of four over two nights in the 8,500-seat hockey arena. In Very Fine condition with very slight tearing along the left edge and a vertical bisecting fold crease.
Beatles Hollywood Bowl Concert Ticket. From the Beatles' August 23, 1964 performance. The 29-minute concert was attended by 18,700 fans and recorded by Capitol Records for a live album that wasn't released until May, 1977 (it hit #1 on the British charts within a month). In Excellent condition and enclosed in a protective plastic case.
Beatles Press Credential. A press pass for the press conference held prior to the band's August 23, 1964 performance at the Hollywood Bowl during their first U. S. tour, which had been a fast-paced whirlwind of tour stops and media frenzy. The pass is in Excellent condition, with a pair of tape pulls and "Channel 8" written on the back in blue ink.
Beatles Denver Concert Ticket. An unused ticket for the band's August 26, 1964 performance at the Red Rocks Amphitheater in Denver, attended by 7,000 people. In Excellent condition with almost no wear.
Beatles Atlantic City Concert Ticket. A used ticket stub from the band's August 30, 1964 performance at the Atlantic City Convention Hall. It was in August, 1964, that the Beatles embarked on their first U. S. tour, a trek that included 32 shows at 26 concerts in 24 cities over the course of 34 days. The ticket is in Fine condition with some water damage to the left and bottom edges and minor wear and creasing, and is enclosed in a protective plastic case.
Beatles Indiana State Fair Concert Ticket. A ticket from a the September 3, 1964 performance at the Indiana State Fair Coliseum, one of two shows that were attended by a total of almost 30,000 fans. In Excellent condition with almost no wear.
Beatles City Park Stadium Concert Ticket. A ticket from the Fab Four's September 16, 1964 performance at the City Park Stadium in New Orleans, one of the stops of "The Beatles First American Tour" -- a bit of the misnomer since it was actually their second visit to the U. S. and the tour also included a trio of stops in Canada. In near-Excellent condition, marred only by faint discoloration around the edges and a trio of tack holes.
Beatles King's Hall Concert Ticket. An used ticket from their November 2, 1964 performance at King's Hall in Belfast, Ireland. In Very Good condition with some creasing and wear to the left edge of the stub, which has been detached and re-affixed to the ticket with tape.
Beatles King's Hall Concert Ticket Stub. From their November 2, 1964 performance at the King's Hall Balmoral in Belfast, Ireland. The date was originally scheduled as a day of rest for the band, but promoter Arthur Howes squeezed in a late booking for an early evening performance. In Excellent condition with two sets of small staple holes to the left side.
"Another Beatles Christmas Show" Opening Night Ticket. An unused ticket to the December 24, 1964 opening night performance of "Another Beatles Christmas Show." The show, inspired by the success of a similar extravaganza from the year before, ran 20 nights, with two shows on almost every night through January 16, 1965. The ticket is in Excellent condition with only the slightest wear.
"Another Beatles Christmas Show" Ticket Stub. From the January 11, 1965 performance of the Holiday concert series at the Odeon Hammersmith. In Excellent condition with minimal wear.
"Another Beatles Christmas Show" Ticket Stub. From the January 11, 1965 performance of the Holiday concert series at the Odeon Hammersmith. In Excellent condition with minimal wear.
"Another Beatles Christmas Show" Ticket. Used ticket from January 13, 1965 one of the final performances of the "Another Beatles Christmas Show" at the Odeon Hammersmith. In almost Excellent condition with a bisecting fold crease, a few other smaller creases, and mild wear and discoloration.
Unused Ticket to the Beatles' First Stadium Concert. The Fab Four were riding the crest of the global phenomenon that became known as Beatlemania when they performed at the first stadium concert in modern rock on August 15, 1965, playing at Shea Stadium to a world-record crowd of 56,000. The concert also broke box office records; ironically, the Beatles would play their last concert just a little over one year later, opting to focus on studio work from that point on. This unused ticket to that legendary show at Shea Stadium, for a reserved mezzanine seat for $5.65, is in Excellent condition.
Beatles Atlanta Stadium Performance Ticket Stub. Used ticket stub from the group's August 18, 1965 performance at Atlanta Stadium. The show at the brand-new baseball stadium was attended by 33,000 fans -- a decent number that seemed dwarfed by the record attendance at their Shea Stadium gig three days earlier. In Excellent condition with a vertical fold crease and some discoloration to the back edges.
Beatles Newcastle Concert Ticket Stub. A used ticket from their December 4, 1965 performance at the Newcastle-upon-Tyne City Hall, one of the handful of shows in what would be their last British Tour. In Very Good condition with minor wear to the edges, a bisecting vertical fold crease, and mild to moderate discoloration on the back.
Beatles Birmingham Concert Ticket. A used ticket with separate, matching stub from the Boys' December 9, 1965 performance at the Odeon Theatre in Birmingham -- one of the last few nights of what would turn out to be their final British concert tour. In Excellent condition with a bisecting vertical fold crease and very faint discoloration on the main piece.
Beatles German Concert Ticket. A ticket from the Beatles' June 25, 1966 concert at the Grugahalle in Essen, the second of three performances in then-West Germany -- making it the second-to-last show they would play there. In Excellent condition with a very small water stain to the lower left corner and minor wear to the edges and blunted corners.
Beatles Suffolk Downs Concert Ticket and Handbill. An unused white Grandstand Terrace ticket to the band's August 18, 1966 concert at one of the most unlikely venues of all (mid-center green on a horse-racing course), plus a small handbill advertising the concert, both in Excellent condition.
Beatles Busch Stadium Concert Ticket. When their August 20, 1966 performance at Crosley Field in Cincinnatti was rescheduled for the following day due to heavy rain, it meant the Beatles would have to give two concerts on the same day in cities that were 341 miles apart, flying to St. Louis to perform the second show at Busch Stadium at 8:30 p.m. -- in heavy rain. This was also to be one of their last shows, as the band had decided to give up touring in favor of studio work. This unused ticket from the St. Louis gig is in Excellent condition with almost no wear.
Ticket to the Beatles' Final Concert, 1966. By mid-1966, the Beatles had gotten their fill of touring, weary of the thousands of screaming fans who drowned out most of their voices and instruments, and still chafed by their recent worldwide tour in which the band's entourage was physically attacked in the Philippines after a perceived snub. A casual remark by John Lennon about the Beatles being bigger than Jesus Christ didn't help either, causing an uproar in the Bible Belt. Here is a used ticket to the band's August 29, 1966 concert at Candlestick Park in San Francisco, a show that would ultimately prove to be their final concert performance. The ticket is in great condition, with a couple of light stains, very minor wear to the edges and corners, and light wear to the back side. A nice piece of Pop history.
Beatles Press Pass. A gold-laminated press pass for an unspecified Beatles press conference, issued by radio station KRLA and Bob Eubanks Productions, serial #093. In Very Good condition with a fair amount of wear and creasing to the front surface, and tape stains and pulls to the back.
Beatles St. Paul's Church Concert Handbill. A small, 4.5" x 3" advertisement for a return performance by the Beatles at the St. Paul's Presbyterian Church Hall on March 10, 1962. Pete Best was still drumming for the band at the time, although his days with them were increasingly numbered; Ringo Starr would replace him in less than six months time. In Excellent condition with only very minor edge wear and staple holes stained with a small amount of rust migration. A wonderful item.
Beatles River Boat Shuffle Handbill. Small 4.5" x 3" advertisement for the "River Boat Shuffle," an August 24, 1962, performance aboard the M. V. Royal Iris, along with the Four J's and the Zodiacs. The show was one of the first few to feature Ringo Starr as drummer for the Beatles; he'd been with the band less than a week at that point. The item is in Excellent condition, with small ink stains to the lower right corner and handwritten corrections to the date and price, the first in pencil and the latter in blue ballpoint.
Beatles Signed Promo Card. This 4.5" x 3.5" promo card for an April 20, 1963 dance at the Mersey View Ballroom is signed on the back by Paul McCartney in black ink and by Ringo Starr, George Harrison, and John Lennon in blue ink. Signed near the end- their pre-celebrity period, this is an excellent piece to have, since items autographed by the band after 1963 are difficult enough to find, and, after 1969, extremely scarce. After the band stopped doing live concerts in 1966, they came together as a group mostly just for recording sessions, and that only until production concluded on "Abbey Road" in August, 1969. In Very Fine condition, the card has mild overall tanning that is more pronounced around the edges, some very light edge wear and blunted corners, and a few tack holes that do not affect the signatures. With COA from PSA/DNA.
Beatles Queens Hall Concert Handbill. A very difficult to find handbill for a June 28, 1963, concert at the Queens Hall in Leeds, a show packed by some 3,200 fans. In Very Good condition with some tape stains.
Beatles Holiday Inn Flyer (1964). Just in time for traveltime in the summer of '64, here's a bi-fold promotional flyer tie-in between the Beatles and Holiday Inn. It resembles a 45 picture sleeve from either side, and probably folded over a Beatles single that was given to guests of Holiday Inn. In most cases, since the flyer was open on three sides, it was probably stapled at the top to keep the record in place. Very few unused copies like this seem to be around, and our copy is in Mint condition! Condition: GM-MT 10. From the GRT Collection
Beatles in Saharan Magazine plus Beatles Ltd. Tour Book (1964). Those lovable moptops are cover-featured in this scarce Las Vegas Hotel Sahara trade publication, which also devotes an interior page to the lads. Seldom-seen photos accompany an article about the August 20, 1964 visit by the Beatles to the hotel and concert at the nearby Convention Center. In FN condition. Also included is a VG copy of the Beatles LTD photo souvenir book, sold on the group's '64 American tour, plus an unused, large-sized die-cut concert ticket, featuring the classic "collarless suit" photo of the band, in VG.
Beatles Assortment - Group of 3. Here is a batch of three collectible items of the "Fab Four." Included in this lot are the Original Beatles Book (1964), Beatles Ltd (1964), and an unused "hang-tag" for the original Beatles Shirt. The "hang-tag's" are tough to find as they had a punch out card of the Liverpudlians on it. Don't wait, say "Yeah, Yeah, Yeah" to placing a bid!
Beatles Gumball Machine. "The BEATLES in this machine," proclaims the ad inside the glass case of this very rare relic from the apex of Beatlemania - a Beatle Gumball Machine! Inside the machine, along with many mult-colored gumballs, are tiny flat "records" - actually charms (that resemble flattened gumballs) which bear an image of a Beatle or a title of a Beatle song, and were designed to be worn on a necklace. The machine is red, stands thirteen inches high and six-and-a-half inches wide, with a still-shiny chrome coin receiver. The engraved words "Retarded Children Can Be Helped" forms a circle around the key area atop the machine, while "Thank You" is engraved on the front of the dispenser. The original approximately 4" x 4" "The BEATLES in this machine" ad has Paul, George, John and RIngo pictured on a record, "I Saw Her Standing There," with their pictures and the song selection dating this confectionary creation as 1964. The machine comes complete with a key, in case your patience eventually wears thin as you shovel in the coins in hopes of one of those "records"! Very Fine + condition. We promise "Everything Beatles," and this eye-grabbing curio evokes both the 1960s and the incredible impact (and marketability) of the British Invasion's greatest sensation.
Beatles Cloth George Harrison Doll. A difficult-to-find 28" cloth doll likeness of George Harrison, manufactured by Remco circa 1964. The cardboard guitar is crimped and torn in two places, and there's a little bit of soiling to his face, otherwise he's in great condition with the original tag included.
Beatles Books, Posters, and Trading Cards Group. This massive stack of Beatlemania features a 72" x 19" color banner poster (Very Fine condition with some light wear); a 54" x 17" banner poster in b&w with red spot color (in Very Fine condition with light wear and some staining on the back); the large hardbound volumes "The Beatles Illustrated Lyrics" volumes 1 and 2 (in Fine condition with some shelf wear and tanning to the spine); the paperbacks "The Beatle Book," "The Beatles in Help!," "The Beatles in A Hard Day's Night," "The beatles: The Authorized Biography," "The True Story of the Beatles," and "The Beatles Up to Date"; and approximately 500 Beatles trading cards (Excellent with very light waer). A great selection of items.
Beatles Dresses. This set of three dresses includes two Beatles dresses made featuring blue horizontal stripes with stamped pictures and autographs on a crossing guitar design, and one tan dress printed with sketches of the Beatles, autographs, and song lyrics. Each is in Excellent condition, and two still have the tags attached.
Beatles Pillow. A 12" square pillow, cream colored top with blue back. In Excellent condition with some mild discoloration.
Complete Set of Inflatable Beatles. A set of four 13" inflatable dolls, one for each member of the Fab Four, made by NEMS, the manufacturer of Beatles items during the '60s. Each is in Excellent condition.
Beatles Busts by Henry Van Wolf. This set of four small prototype bronze busts -- one for each member of the band -- was created by acclaimed sculptor Henry Van Wolf in the mid-'60s. Each is mounted on a wooden pedestal and measures 7.5" in height, and all are in overall Excellent condition.
Beatles In-Store Framed Album Display Prototype (Capitol, 1977). This stunning display is as unique as it is eyecatching. The Capitol marketing department created this prototype display and considered producing copies for major outlet stores. Ultimately, Capitol decided the display was too costly, so copies were never produced, which makes this beauty one of a kind. From the top, the contents include a while vinyl version of "The Beatles" album (the "White Album"), a picture disc of "Sgt. Pepper's Lonely Hearts Club Band," a red vinyl version of the first disc of the two-disc "The Beatles 1962-1966," and a blue vinyl version of the first disc of the two-disc "The Beatles 1967-1970." The display also includes miniature versions of each album cover, as well as the Capitol logo, set against a black silk background. The frame is a generous 27.25" x 36.25", all the better to blow the minds of any of your Beatle-lovin' friends and make your Beatle-lovin' non-friends suddenly friendly.
John Lennon First Edition Books. First edition copies of the 1964 collection of Lennon writings, doodles, and poetry "In His Own Write," a rare first edition with a "The writing Beatle" sticker on the cover (usually only found on second edition copies); and first edition copy of "A Spaniard in the Works," a collection of short stories and poems by Lennon originally published in 1965. In Excellent condition with light shelf wear to the covers.
Beatles Abbey Road Platinum Record Award. The last Beatles album to be recorded (although "Let It Be" was the last to be released), "Abbey Road" was a fitting swan song for the group, following the conceptual vein of "Sgt. Pepper," but with stronger, more rock-oriented compositions such as "Here Comes the Sun," "Come Together," "Carry That Weight," and George Harrison's outstanding ballad "Something." "Abbey Road" topped the U. S. album charts for 11 weeks and remained in the top 40 for 32 weeks. This platinum award was presented to Surf City Productions "In Appreciation For the Support of Capitol Records Inc." A very desirable and prestigious item.
George Harrison's Playboy Award. The Beatles were named Best Vocal Group in the 1970 Playboy All-Star Jazz and Pop Poll Award, and this medallion was intended for George Harrison, who apparently never received it. At the time, the Beatles' mail was forwarded to an office in New York City that didn't quite have the staff or budget to answer the massive amounts of non-business mail sent to the band, much of which was discarded. This particular package was rescued from the refuse by an attorney who officed in the same building, who passed it along to his nephew, who has had it ever since. The 2.5" sterling silver medal weighs 3.62 troy ounces and comes in a keep-box. It is accompanied by a typed letter dated June 11, 1970, and signed by Playboy magazine publisher Hugh Hefner. The letter reads in part: "As you know, I am a long-time music buff and cannot help but be pleased when one of my favorite performing groups is elected in our poll. Thus, it is especially pleasing for me to be able to send you your medallion signifying the Beatles selection to the All-Star Band as Best Vocal Group." Ironically, the band had officially split up two months earlier and released its final album, "Let It Be," one month after that. Both items are in Excellent condition.
Beatles Dress Suit. From the swingin' '60s comes this skirt and jacket ensemble that features a black-and-white hound's tooth pattern, double breasted front, and very groovy caricatures of John, Paul, George, and Ringo in the inside lining. By Ninth Street East, licensed through NEMS Enterprises, size 5-6. A great, rare item, in Excellent condition.
Beatles/Roy Orbison Ticket Group. An almost complete run of tickets dating from May 24-June 3, 1963 (only a stub from the May 29 performance at the Rialto Theatre in York is missing) from the Boys' package tour with Roy Orbison. Orbison headlined the tour and became lifelong friends with the band, particularly with John Lennon and George Harrison (the latter of whom he would record with as part of the Traveling Wilburys 25 years later). During the tour, Orbison encouraged the Beatles to come to the United States; when they finally decided to give it a go, they asked Orbison to manage their first U.S. tour, but his own schedule forced him to turn down what was to become an astounding success. This set of 13 used tickets includes stubs from such performances as their May 26 show at the Empire Theatre in Liverpool, at the time their first home-town appearance in several weeks; and their May 30 show at the Odeon, which was reviewed by future Apple Records press officer Derek Taylor; as well as tickets for each of the May 27, 31, and June 3 "two House" performances. Overall condition ranges from Very Good with moderate wear to Excellent, with most falling in the Very Fine category. It's rare for such a run to be offered as one item, and this is an opportunity not to be missed.
Beatles "Yesterday and Today" Butcher Cover Promo Poster. A very rare promotional poster featuring the notorious "butcher" cover for the "Yesterday ... and Today" album. Released in 1966, it was the last Beatles album to be created exclusively for the American market by Capitol Records without the group's direct consent (the label had reconfigured every one of the Beatle's LPs in America up to that point). What should have been a routine album, the proposed 11-song U.S.-only compilation of singles and leftover U.K. LP tracks, was graced with a cover depicting the quartet in butcher smocks and handling raw pieces of meat and dismembered baby dolls -- their comment on how albums like this one seemed to chop up their repertory. Initially, Capitol Records' art department went along with the gag and approved a print run of the album, but negative reactions from record chain buyers and disc jockeys forced Capitol to reconsider and a new, tamer photo replaced the original cover. In the end, between the junking of the artwork and the overtime needed to salvage the inventory, the album ended up as the only U.S. Beatles' album to show a loss on Capitol's books. In Excellent condition with minor wear to the corners and a very tiny tear to the lower right corner. A rare piece of must-have Beatles memorabilia.
Scarce 1961/62 Beatles Signed Album Page with Ringo on Reverse! Terrific vintage album page signatures from the band's original lineup, "To Erika, love Paul McCartney xxx," "Love to Erika, John Lennon xxx," "To Erika, George Harrison xxxx," and "Love to Erika, from, Pete Best, xxx." Obtained in person from the group at the Cavern Club in 1961/62, all four signatures are beautifully accomplished in a strong ballpoint ink. Adding to the desirability and irony of this item, the reverse side of the page bears a signature from a young Ringo Starr, "To Rikki, love Ringo Starr," which was signed on the same evening as the Beatles when Ringo performed with Rory Storm! Furthering the Beatle heritage of this now storied page, Erika (the collector who acquired the signatures) decided to add the signatures of Julian Lennon and Sean Lennon, with both nicely inscribing and autographing the page directly below Ringo. Some light soiling along the edges and adhesive staining where the page was removed from the album, however, the signatures stand in overall Fine condition and are not affected. This piece is the only known item with dual vintage signatures from the two Beatle drummers. A terrific representation of the Beatle lineage and history! With COA from PSA/DNA.
The Beatles: Signed Book Page from '62 with Pete Best! Before there was John, Paul, George, and Ringo there was John, Paul, George... and Pete! By spring of 1962 The Beatles were a permanent quartet and were on their way to superstardom. By that time, they had signed with Brian Epstein, recorded their first single ("My Bonnie"), and were discussing with renowned producer, George Martin, the possibility of producing their first album. Everything seemed to be falling into place, and it appeared that John, Paul, George, and Pete were on their way to being household names. Encapsulating this unique moment in Beatles history, presented here is an autograph book from 15-year-old Judy Ross, who in March of 1962 decided to bring her book to a favorite UK hangout, Stroud Subscription Rooms, and obtain the signatures of the various up-and-coming bands who played the venue. Among the myriad of signatures is a beautiful page signed by all four Beatles in a crisp blue ballpoint pen, "Love to Judy from Paul McCartney xxx THE BEATLES," "George Harrison (thank-you xxxxxx)," "Love to Judy from John Lennon xxx," and, "Love to Judy, from Pete Best, xxx." It was only a few months after these autographs were obtained that Pete was abruptly removed from the band and replaced with Ringo Starr, cementing the lineup that would forever be recognized as The Beatles. Measuring 6.5" x 8", the page stands in overall Fine condition, with reverse tape remnants not affecting the signatures. All four signatures are vibrant, with McCartney's rating a solid "9" and Lennon, Harrison, and Best rating a "10"! Complete sets of Beatles' signatures from the Pete Best era are becoming increasingly difficult to find, and few can compare to the quality of this exceptional example. With COA from PSA/DNA.
The Beatles: Vintage Signed UK Prototype Poster (1963). Original 1963 English prototype poster, 17.25 x 22, featuring a terrific set of four concert images capturing each Beatle in the midst of a performance, beautifully signed by all four on their corresponding images. A magnificent set of autographs, each Beatle has beautifully signed in blue ballpoint ballpoint ink (with the exception of McCartney who signs in black), "Love to Susan, Paul McCartney, xxxx," "To Jane love from John Lennon xxx," "To Sue love you George Harrison xxx," and "To Sue love from Ringo Starr xxx." On the reverse of the poster are signatures of some of the the opening acts for this concert tour. The poster was signed during the Beatles' Autumn Tour starting November 1, 1963, which included their now famous Royal Command Performance in front of the Queen Mother on November 4th. Many Beatles aficionados will immediately recognize the importance of this item, that The Beatles seldom signed any images that featured them with their instruments, primarily due to the fact that most of their publicity photos feature them in studio and non-musical poses. Presently, there are only a handful of vintage group signed items featuring images of the band with their instruments, and this item holds the incredible distinction of being the only known signed poster showing the entire band with their instruments. Furthermore, although the piece has been professionally restored, the impression is a poster in excellent condition, with no folds or creases and virtually no evidence of wear whatsoever. Because of the inherent quality and content, and considering the rarity of this piece, it would be nearly impossible to overstate the its collectability. With COA from PSA/DNA.
The Beatles Incredible Signed Lyric Book with Handwritten Annotations! In October of 1963, The Beatles expanded their international horizons and made their way to Sweden for what would be the band's first European tour outside of the U. K. Beatlemania quickly grabbed hold in Sweden as the band made their way through an 8-day, 5-show tour of the country. A media intensive trip, the band made numerous appearances on Swedish television and radio, and was also scheduled for a variety of interviews, including a sit-down interview for Sweden's highly popular Expressen newspaper. On the evening of October 26, 1963, The Beatles sat down with accomplished Swedish journalist Lars Widding to fulfill the interview obligation with the Expressen newspaper. Widding, the father of a teenage daughter who joined the droves of countless Swedish teenagers in the madness of Beatlemania, decided to bring his daughter along for the evening so that she could attend the concert and also have an opportunity to meet the group. As many did during the time, Widding's daughter had created an homage to the group in the form of a handwritten lyric book, accented by a variety of vintage newspaper clippings of the Beatles' images along the front and back covers. At her memorable meeting with the Fab Four during her father's interview session, Widding's daughter presented her lyric book to the band in hopes of getting them to sign the inside. Not only did the group sign the inside, but all four were apparently quite amused by the creation and took time to browse through the book before handing it back to young Ms. Widding at the end of the interview. Presented here in this lot is Ms. Widding's book, completely intact in its original form, beautifully signed by the Beatles on the first two pages: "Paul McCartney," "John Lennon," (reverse side of McCartney page) "Best wishes from George Harrison," and "Ringo Starr" (reverse of Harrison page). All four signatures are accomplished in a strong blue ba
Movie/TV Memorabilia
Beatles Signed Document. A single-page document addressing certain financial aspects pertaining to "The Beatles and Co." spanning a period of time from late 1966 through late 1970, such as household expenses, unsecured loans, and the purchase and resale of a Greek island. The document is signed by John Lennon in black felt tip, by George Harrison in blue ballpoint, and by Ringo Starr in blue felt tip. Although there is a space for Paul McCartney to sign, he did not do so. Documents signed by the Beatles are extremely rare and desirable, as they were never meant for private collections. In Very Good condition with two torn binder holes on the left edge, several fold creases, and some staple holes. With COA from PSA/DNA.
Music Memorabilia
George Harrison Handwritten Letter. Featured is a typed, signed letter from Apple Records executive Terry Mellis to George Harrison dated June 11, 1971, previously matted with a handwritten reply from the late Beatle. The Mellis letter is in Excellent condition; the Harrison letter shows some creasing and discoloration and has two torn binder holes at the top, but is in otherwise Very Good condition. The mat has been cut down the center but in no way affects either letter. With COA from PSA/DNA.
George Harrison Wine Receipt. Not only was George Harrison a talented musician, he apparently had great taste in wine as well. This receipt, dated September 12, 1983 from Fortnum & Mason in London is for a lavish purchase totaling 976.15 British Pounds hat included a bottle of Chateau Margaux 1970, one bottle of Chateau Lafite 1970, and two bottles of Chateau Latour 1966. The receipt is signed by Harrison in the lower right corner in blue ink, and is in Very Good condition, having been torn in two across the middle and repaired with tape, with staining from the adhesive, a vertical fold crease, and some wrinkling. A rare piece of memorabilia. With COA from PSA/DNA.
John Lennon Signed Book. A copy of John Lennon's 1964 collection of poems and stories, "In His Own Write," signed by the Beatle. In very good condition with some wear and a few scratches to the outer cover. With COA from PSA/DNA.
John Lennon Handwritten Shopping List. Written in blue ballpoint on checkered pink stationery and addressed to "Fred," requesting light bulbs, cabbage, onions, peas ("the Korean shop shells them!"), sesame oil, and other sundry items. Excellent insight into Lennon's private life. In excellent condition with only faint wear and discoloration. With COA from PSA/DNA.
John Lennon Signed Song Contract. Single-page song contract, dated October 15, 1968, granting equal rights to the song "Good Night" to Maclen Music Ltd. and Northern Songs Ltd., signed by John Lennon in black ink. Originally written by Lennon as a lullaby for his son Julian, the song was released as the closing track of the "White Album" about a month later. The document is in Excellent condition with virtually no wear. Lennon song contracts are highly desirable and quite rare. With COA from PSA/DNA.
John Lennon and Yoko Ono Signed "Grapefruit" Book (Simon and Schuster, 1972). A "book of instructions + drawings by Yoko Ono," the book "Grapefruit" is a good example of the conceptual art that first made her famous. The book, first produced in 1964, includes surreal, Zen-like instructions that are to be completed in the mind of the reader, for example: "Hide and Go Seek Piece: Hide until everyone forgets about you. Hide until everyone dies." "Grapefruit" has been published several times, most widely distributed in this Simon and Schuster edition from 1971. This particular copy is signed by both Ono (in Japanese) and John Lennon on the first inside page. In Excellent condition with hinge creases to the front and back covers, some edge wear, and a few creases along the spine. With COA from PSA/DNA.
John Lennon Signed Income Tax Form. A Form MI United Kingdom Income Tax Claim By an Individual Who Is a Resident of the United States, Dated November 13, 1974 and Signed by Lennon in black ink. The form lists Lennon as a "Partner of Beatles & Co." and lists a series of royalty sources. An extremely rare item. It is in Very Good to Fine condition, with some light discoloration and staining, a torn upper left corner and bisecting horizontal fold crease, none of which affect a very nice autograph sample. With COA from PSA/DNA.
Paul McCartney Signed Postcard. Postmarked January 28, 1968, and inscribed by by McCartney in blue ink. In great condition with some wear and creasing. With COA from PSA/DNA.
Paul McCartney Autograph with Doodle. McCartney signed this blank book page, measuring 9" x 5.75", very nicely in dark blue ballpoint and added a facial doodle underneath. The signature measures a full 5", much larger than average. With COA from PSA/DNA.
Beatles Christmas Show Stage Pass. Made out to one J. Crocker, this pass allowed the bearer entrance via the stage door during the Beatles' Christmas shows at the Hammersmith Odeon between December 24, 1964 and January 16, 1965. In great condition with a light amount of discoloration and minor wear to the edges.
Beatles Suffolk Downs Unused Tickets Set of 7. Featured are seven unused, color-coded tickets for the Beatles August 18, 1966 concert at the Suffolk Downs racetrack in East Boston, Massachusetts. Large portions of the 25,000-seat venue were cordoned off and not sold, resulting in a number of unused tickets, a number of which were discovered in the attic of concert promoter Gerald Roberts in 1984. The lot includes one each of a pink Clubhouse Box ticket, burgundy Clubhouse Terrace ticket, blue Grandstand ticket, purple Grandstand Boxes ticket, brown Grandstand Mezzanine ticket, white Grandstand Terrace ticket, and yellow Grandstand Terrace ticket. All are in excellent condition, framed along with letters of provenance from Roberts and box office treasurer Harold Bloom.
Beatles Suffolk Downs Tickets. In 1966, there were rumors afoot that the then-current Beatles tour was going to be their last -- rumors that later turned out to be true. Here are two unused tickets to what would their next-to-last concert performance, held August 18, 1966 at Suffolk Downs in East Boston -- one white Grandstand Terrace ticket and one yellow Grandstand Terrace ticket, both in Excellent condition.
A Great Copy of "Mersey Beat" #1. Founded in 1961 by Bill Harry, one of John Lennon's classmates at Liverpool Art College, "Mersey Beat" carried all the news about all the local Liverpool bands, as well as stars who came to town to perform. This meant the Beatles had a close association with the mag, which carried numerous exclusive stories and photos of them and also published several of Lennon's early writings, including a history of the band and occasional comical faux classified ads written by him as space filler. This copy of the premiere issue is cover dated July 6-20, 1961, and features rockabilly pioneer Gene Vincent on the cover, the article "Being a Short Diversion on the Dubious Origins of Beatles" by Lennon, an editorial by Harry, and a review of the movie "Spartacus." This great piece of music history is in Fine condition, marred only by slight wear along the spine, mild to moderate tanning along the edges, and some moderate staining and soiling to the inside pages. These back issues are ultra rare in the U. K., even rarer here in the States. A must-have for fans of the Beatles and the British Invasion era.
"Mersey Beat" #10. A copy of issue #10, cover dated November 16-30, 1961, featuring a sample of a regular column on record releases written by future Beatles manager Brian Epstein. In Very Good condition with a split spine, tape stains, and moderate tanning. A very rare item and a great sample of early Rock journalism.
Beatles Ensemble Photo and Ticket Ad. Here's an interesting item: an ensemble photo of the Beatles from early in their careers, framed and matted along with a vintage ticket ad detailing a "Grand River Cruise Aboard the Royal Iris" for September 28, 1962. Not only did the cruise include music by the Beatles, swing and big band music by Lee Castle & the Barons and Freddy (the Teddy) Fowell, it also featured "Licenced Bars" and a fish & chip shop. Sounds like it must have been fun!
"Mersey Beat" #12. Although "Mersey Beat" featured great writing on the local Merseyside music scene, the advertising in this issue cover dated December 14, 1961-January 4, 1962, is of particular note. The front page features a small ad for NEMS Music Store, owned by the family of Brian Epstein, who would eventually write a column for "Mersey Beat" and -- more importantly -- become the manager of the Beatles. The back of the eight-page tabloid features a full-page ad for The Cavern touting performances by the Beatles, Gerry and the Pacemakers, and others. In Very Fine condition with light wear and mild tanning. These back issues are ultra rare in the U. K., even rarer here in the States.
"Mersey Beat" #15. A copy of the February 8-22, 1962 issue in Very Good condition with a large piece missing from the first inside page, moderate wear to the spine and edges, and mild to moderate tanning. These back issues are ultra rare in the U. K., even rarer here in the States.
"Mersey Beat" #17. A very nice copy of the March 8-22, 1962 issue of "Mersey Beat," an issue that had a heavy focus on Jazz, in Very Fine condition with only some mild tanning, primarily along the edges. These back issues are ultra rare in the U. K., even rarer here in the States.
"Mersey Beat" #18. This great copy of the March 22-April 5, 1962 issue of "Mersey Beat" features a good sized spread on the Beatles on pages 2 and 3, including a number of photos, performance info, and a short write-up by regular contributor Bob Wooler titled "John, Paul, George and Pete," a double-take inducing reminder of the band's formative years that pre-figured the classic, finalized line-up. In Fine condition with a split spine, slight edge wear, and mild to moderate tanning, primarily along the edges. These back issues are ultra rare in the U. K., even rarer here in the States.
"Mersey Beat" #19. A copy of the April 5-19 issue of the tabloid-sized paper that gave the Beatles much of their early exposure (an ad for the Cavern club on the back page lists Thursdays as "Beatles Fan Club Night"). In Very Good condition with some water damage to the lower right corner, mild tanning, and mild to moderate wear to the spine and edges. These back issues are ultra rare in the U. K., even rarer here in the States.
"Mersey Beat" #22 Among the highlights of this May 17-31 issue are some short movie reviews of "Road to Hong Kong," "One, Two, Three," and others, and a back page Top Ten record chart from NEMS. In Very Fine condition with light wear and mild to moderate tanning along the edges. These back issues are ultra rare in the U. K., even rarer here in the States.
"Mersey Beat" #24. A copy of the June 14-18, 1962 issue, featuring numerous small ads for gigs by the Beatles, the Spidermen, and others, In Very Good condition with mild edge wear, mild tanning, some page soiling, and a spine that's almost completely split. These back issues are ultra rare in the U. K., even rarer here in the States.
"Mersey Beat" #26. A copy of the July 12-26, 1962 issue of the influential music publication. The publication had grown considerably in size over the course of it's first year, totalling 16 pages per issue by this point. Page 7 features an ad for a car dealership that proclaims: "Like George Harrison of the Beatles you can become the proud owner of a first-class car." This copy is in Very Good condition with a spine that's almost entirely split, light wear to the edges, and mild tanning. These back issues are ultra rare in the U. K., even rarer here in the States.
"Mersey Beat" #27. A copy of the July 26-August 9, 1962 issue, featuring Gerry and the Pacemakers on the cover and a couple of brief mentions of the Beatles on the inside pages. In Very Good condition with an almost completely split spine and heavy soiling and discoloration. These back issues are ultra rare in the U. K., even rarer here in the States.
"Mersey Beat" #28 A copy of the August 9-23, 1962 issue in Fine condition with mild wear to the spine and edges, a horizontal fold crease, and mild to moderate tanning. An extremely rare piece of Beatle memorabilia.
"Mersey Beat" #30. A great copy of the September 6-20, 1962 edition of the music publication, featuring the first of a series of articles by Paul McCartney recounting the formative days of the group, as well as an announcement of Ringo Starr's joining the band, both with photos. This copy is in Very Fine condition with mild wear and discoloration. A fascinating inside look at the early days of a band that would change the face of music, ultra rare in the U. K., and even harder to find here in the States.
"Mersey Beat" #32. A very nice copy of the October 4-18, 1962 issue, featuring a front-page ad for the Beatles' first single release, "Love Me Do/P.S. I Love You," which went on sale the day after this issue hit the stands. Other highlights include a full page ad for Little Richard's October 12 performance at the Tower Ballroom with the Beatles as an opening act, a photo of John Lennon and George Harrison receiving some of the first Gibson guitars to appear in England, and Page 3 photo of Ursula in dress from the debut James Bond movie "Doctor No." In Very Good to Fine condition with light tanning, some moderate wear to some interior pages, and small splits to the top and bottom of the spine. A very rare and fantastic item with some intriguing insight into early '60s pop culture.
"Mersey Beat" #33. A copy of the October 18-November 1, 1962 issue, featuring a brief mention and photo of the Beatles (with a then-recently hired Ringo Starr) on page 7, and a back-page piece noting the "exhilarating story of their success," the release of their first British disc, and "Love Me Do" on the Merseyside Tops #1 spot. A great piece of extremely hard-to-find Beatles memorabilia in Very Good condition with a 5" split along the bottom portion of the spine, light edge wear, and mild to moderate tanning.
"Mersey Beat" #34. A copy of the November 1-15, 1962 issue, featuring a center spread on Little Richard, one of the biggest influences on the Liverpool music scene in the early '60s. In Very Good condition with mild spine and edge wear, mild tanning, and heavy soiling to the front and back covers.
"Mersey Beat" #35. The Highlights of this November 15-29, 1962 issue include a short piece on original Beatles drummer Pete Best and a Merseyside Top Twenty list that features "Love Me Do" in the #3 spot. In Fine condition with moderate discoloration along the edges. A fantastic issue, extremely hard to find in the U. K., and even rarer here in the States.
"Mersey Beat" #36. A nice copy of the November 29-December 13, 1962 issue, featuring the Searchers on the front page, in Fine condition with light wear to the spine and edges and mild to moderate tanning of the pages. A superb copy of a very rare item.
"Mersey Beat" #38. This awesome copy of the January 3-17, 1963 issue, features a full-page article covering a recording session with the Beatles while they worked on on "Please Please Me." Art Roberts, music director for Chicago radio station WLS, placed "Please Please Me" into rotation in late February 1963 -- possibly the first time a Beatles' record was heard on American radio. There's also an ad from Parlophone Records congratulating them on the success of their first single, "Love Me Do," coincidentally released through the record company. In Very Fine condition with light spine and edge wear, a fold crease, and fairly mild tanning. An excellent and very rare back issue.
"Mersey Beat" #39. A nice copy of January 17-31, 1963 issue, with a small ad on the front page promoting the release of the Beatles single "Please Please Me," about which producer George Martin accurately predicted (through the studio intercom immediately after the band finished recording it): "Gentlemen, you've just recorded your first number-one record." In Very Fine condition with light wear to the spine and edges and mild overall tanning to the pages.
"Mersey Beat" #40. A very nice copy of the January 31-February 14, 1963 issue featuring a back-page piece about the Beatles hitting the top of the charts (again) with the single "Please Please Me," setting up the Beatlemania that soon followed; as well as a photo and caption about a struggling young actor named Ian McShane receiving his first film role in "the Wild and the Willing." (These days McShane is wiining awards for his performance on the HBO series "Deadwood.") This copy is in Very Fine condition with mild wear and tanning. A great sample of a very rare item.
Beatles Tour Books and Magazines. Included are two 1964 U. S. Tour books, one glossy with $1 cover price and the other flat finish with no cover price, both in VG++ condition with original mailing envelope, as well as 22 assorted magazines dating from 1964 to 1980, each with articles on the Beatles. Titles include Vogue, Time, McCall's, Life, Look, and others, and all are in VG+ condition.
Beatles 16 Magazine Group. Includes 29 assorted copies of 16 Magazine featuring articles on the Beatles and dating from 1964-66, all in VG+ condition.
Beatles Magazines. Ten assorted Beatles-themed magazines, including "The Original Beatles Book," "The Dave Clark 5 vs. the Beatles," and four mini-mags -- one devoted to each member of the band. All are in VG++ condition.
Beatles Magazines. Ten assorted Beatles-themed magazines, including "The Beatles Color Pinup Album," "All About the Beatles" and "Teen Screen," in VG++ condition with one in VG+ with some tape on the cover.
Beatles Magazines. Ten assorted Beatles-themed magazines, including "Beatle Mania," "The Real True Beatles" and "Dig," all in VG++ condition.
Beatles Magazines. Seven assorted Beatles-themed magazines, including "The Beatle Bulletin," Ringo's Photo Album," and "Meet the Beatles," all in VG+ condition.
Elvis Presley "That's All Right"/ "Blue Moon of Kentucky" 45 Sun 209 (1954). This copy of Elvis' first Sun release looks fantastic -- an apparent Near Mint, but it plays with a moderate hiss throughout to grade as Very Good. Still, an attractive copy of an important record that can only become rarer in the future. Condition: VG 5.
Elvis Presley "Good Rockin' Tonight"/ "I Don't Care If The Sun Don't Shine" 45 Sun 210 (1954). Elvis' second Sun release was a cover of New Orleans great Roy Brown's #11 R&B hit from 1948. Condition: EX 7. From the GRT Collection
Elvis Presley "Baby Let's Play House"/ "I'm Left, You're Right, She's Gone" 45 Sun 217 (1955). The fourth Sun release, and the nicest copy we've offered to date. Condition: NM 8.
Elvis Presley "Milkcow Blues Boogie"/ "You're A Heartbreaker" 45 Sun 215 (1955). Here's a nice copy of the single generally regarded as the rarest of Elvis' Sun releases. There's a small sticker tear on the label of Side A. Condition: EX 7.
Elvis Presley "Mystery Train"/ "I Forgot To Remember" 45 Sun 223 (1955). Elvis' final Sun release was his most successful, a double-sided classic. "Mystery Train" generally gets the accolades today, but in 1955 "I Forgot To Remember To Forget" became The King's first #1 hit -- on Billboard's Country charts -- while "Mystery Train" peaked at #11. It appears the "Mystery Train" side's label was initially mispressed and nearly completed removed before the correct label was pressed on. This nice copy actually plays better (NM 8) than it looks! Condition: EX 7.
Elvis Presley "Hound Dog"/ "Don't Be Cruel" 45 Picture Sleeve RCA 47-6604 (1956). Two classics, each single vied with the other for the #1 spot on Billboard's Pop charts, together holding the top spot for 11 weeks during 1956. Both were so huge that RCA issued two versions of a picture sleeve. This version has "Hound Dog" listed above "Don't Be Cruel". It's in almost unheard of condition, so nice it appears it never enclosed a record! Condition (cover only): MT 9.
Elvis Presley "A Fool Such As I"/ "I Need Your Love Tonight" 45 w/ Rare Picture Sleeve RCA 7506 (1959). This is the extremely rare version of the picture sleeve which promotes the "Elvis Sails" LP on the back. The record is a big two-sided hit -- Side 1 peaking at #2, and Side 2 going to #4 in 1959, when both sides charted for over 30 weeks! The cover looks great from the front; the back shows some glue staining appearing from the original seal. The record is barely played. Condition: EX 7/ NM 8. From the GRT Collection
Elvis Presley "Heartbreak Hotel" No Dog Label EP RCA 821 (1956). One of the King's strongest EPs ever, with his breakthrough "Heartbreak Hotel", "I Was the One", "Money Honey", and "I Forgot to Remember to Forget", the earlier Sun version of which was Elvis' first #1 hit -- on Billboard's Country charts. This is the much rarer "no dog" label variation. Condition: EX 7/ EX 7. From the GRT Collection
"Elvis Presley" EP RCA 830 (1956). One of our favorite Elvis EP covers, and the red was never redder than on this still sealed copy! The self-titled format was used on different EPs; this is the commercial version with "Shake, Rattle and Roll", "Blue Moon", "I Love You Because", and "Lawdy, Miss Clawdy". Since this one's sealed, we can't tell you what label variation is included! Condition: Sealed. From the GRT Collection
Elvis Presley "Any Way You Want Me" EP RCA 965 (1956). This is a very rare version of the EP in Mint! The version is the "no dog" label, and the cover is still in the original loose plastic wrap, with the original price sticker of $1.29. Condition: MT 9/ MT 9. From the GRT Collection
"Elvis Presley" Promotional 2-Record EP RCA SPD-22 (1956). One of two different EP format variations (there were also label variations) of the commercial version that consisted of just one record, this is the two record version, available only to purchasers of a special RCA phonograph. Much rarer than the commercial version and with twice as many tunes, including "Blue Suede Shoes," "I'm Counting On You," "I Got A Woman," "One-Sided Love Affair," "I'm Gonna Sit Right Down And Cry," "I'll Never Let You Go," "Tutti Frutti," and "Tryin' To Get To You." Condition: EX 7/ EX 7 (both records). From the GRT Collection
Elvis Presley "Love Me Tender" White Label DJ Copy EP RCA DJ-7 (1956). Here's a rarity! This promo EP featured a side of Elvis ("Love Me Tender" and "Anyway You Want Me"), and a side by Jean Chapel, a former Sun-mate of Elvis, who also wound up at RCA. Both her tunes are Mae Axton compositions, "Welcome to the Club" and "I Won't Be Rockin' Tonight," but despite her pedigree connections, her success fell somewhat short of Elvis'! Condition: NM 8. From the GRT Collection
Elvis Presley EP Group of 4 RCA (1956-57). Enough variety in these four EPs to make the pickiest Elvis fan happy. Included are "Heartbreak Hotel" (821) in MT 9/ MT 9, "The Real Elvis" (940) in NM 8/ EX 7, "Love Me Tender" (4006) in NM 8/ NM 8, and "Peace In The Valley" (4054) in NM 8/ NM 8. From the GRT Collection
Elvis Presley EP and EP Cover Group of 14 (RCA 1956-65). This large, satisfying group offers 11 complete EPs (records and covers), plus three EP covers-only. The complete EPs include: 1) and 2) "Elvis Presley" EPA-747, one copy with 'Top Vocalists' ad back, the other with 'Mood Music' ad back -- Condition: EX 7/ VG 5 and VG-EX 6/ VG-EX 6 respectively; 3) "Elvis Presley" EPA-830 -- Condition: EX 7/ GD-VG 4; 4) "The Real Elvis" EPA-940 -- Condition: EX 7/ EX 7; 5) "Elvis -- Vol. 1" EPA-992 -- Condition: EX 7/ EX 7; 6) "Strictly Elvis" EPA-994 -- Condition: EX 7/ GD-VG 4; 7) "Loving You -- Vol. 1" EPA 1-1515 -- Condition: NM 8/ NM 8; 8) "Loving You -- Vol. 2" EPA 2-1515 -- Condition: VG-EX 6/ EX 7; 9) "Love Me Tender" EPA-4006 -- Condition: EX 7/ VG-EX 6; 10) "Jailhouse Rock" EPA-4114 -- Condition: NM 8 (with small piece of tape on cover)/ EX 7; and 11) "Noel Avec Elvis" RCA 86249 (France, 1965) -- Condition: NM 8/ EX 7. The three EP covers-only included are: two copies of "King Creole -- Vol. 1" EPA-4319, and "King Creole -- Vol. 2" EPA-4321, all in MT 9. All 10 of the American records have labels with the dog on top and no horizontal line. From the GRT Collection
Elvis Presley Promotional EP Group of 2 RCA (1956). Double your pleasure with these two harder-to-find promotional offerings. On "Perfect For Parties" (RCA SPA-7-37) Elvis acts as the narrator introducing each of six selections, featuring his own "Love Me," and songs by Tony Cabot, Tony Scott, The Three Suns, the Dave Pell Octet, and Tito Puente. Condition: EX 7/ NM 8. The RCA Sampler SPA-7-27 is even more esoteric, a "Save-On-Records" preview for Save-On Drugstores, utilized to help sell records by mail order. This record is also narrated (but not by Elvis), with previews of 10 tracks by 10 different artists, including a preview of Elvis' "Gonna Sit Right Down and Cry." Other previews are of recordings by Harry Belafonte, Frankie Carle, Arthur Fiedler and the Boston Pops, plus some mostly classical recordings. Condition: EX 7/ EX 7. From the GRT Collection
Elvis Presley "Too Much" White Label DJ Copy EP RCA DJ-56 (1957). This promotional-only release paired Elvis with Dinah Shore in early 1957. Featured is one of Elvis' most underrated #1 hits, "Too Much," and the flipside of the commercial single, "Playing For Keeps." Condition: EX 7. From the GRT Collection
Elvis Presley "Teddy Bear" White label Dealers' Prevue EP RCA SDS-7-2 (1957). This "Dealers' Prevue" promotional EP featured three relatively forgettable artists and one not-so-forgettable new star, with two selections from each. Elvis' features are "Teddy Bear" and "Loving You." In case you're interested in the selections by Lou Monte, Herb Jeffries, and Martha Carson, you can find them at our website! A rare record of The King. Condition: EX 7. From the GRT Collection
Elvis Presley "Peace In The Valley" Mono EP Maroon Label RCA 5121 (1959). Rare label variation of the re-release of EPA-4054 from 1957. This is much rarer than the original, and this copy is absolutely stellar! Condition: MT 9/ MT 9. From the GRT Collection
Elvis Presley "See the USA the Elvis Way" Stereo EP RCA 4386 (New Zealand, 1965). Very rare import EP from New Zealand is especially gorgeous, with a glossy, multi-colored cover in Mint condition, as is the record. Songs included are: "Memphis, Tennessee", "Blue Moon of Kentucky", "New Orleans", and "Viva Las Vegas". Was only released in New Zealand and in Australia. Condition: MT 9/ MT 9. From the GRT Collection
Elvis Presley "Easy Come, Easy Go" Promo EP RCA 4387 (1967). This is a white label promo copy of the six-track EP, and it's a beauty! Condition: NM 8.
Elvis Presley "Tickle Me" and "Elvis Sails" EP Group of 2 RCA 4383 and 5157 (1969). Two sensational copies here, including the second cover of "Tickle Me" with the Elvis Anniversary LP Album promo at the bottom, and the Gold Standard Series re-release of "Elvis Sails", originally released in 1958. Both covers are GM-MT 10, and both records are GM-MT 10. "Tickle Me" still has the original shrink wrap, although opened, and "Elvis Sails" is still sealed! From the GRT Collection
Elvis Presley "Good Rockin' Tonight"/ "I Don't Care If The Sun Don't Shine" 78 Sun 210 (1955). Rarer version of a scarce 78 credits "Scotty and Bill" in addition to Elvis on the record labels. The second Sun release for The King, Side A was written by R&B great Roy Brown who charted his own version in 1948, peaking at #11 on Billboard's R&B charts. The record plays better than it looks, with no pops or clicks. Labels are nearly perfect. Condition: VG 5, plays VG-EX 6.
Elvis Presley and Various "E-Z Country Programming No. 3" Promo Mono LP RCA 3 (1955). Elvis had already experienced some success as primarily a Country artist on Sun, but his big nationwide (and worldwide!) breakthrough came upon his move to RCA in 1955 and his first hit with his new label, "Heartbreak Hotel", which hit #1 on both the Pop and Country charts, becoming a classic in both genres. The B-side for the single was a classic in its own right, if overshadowed, and managed to hit #19 on the Pop charts, and #8 on the Country charts. RCA promoted both on this DJ sampler from 1955, which also included selections from other Country stars such as Hank Snow, Hawkshaw Hawkins, Chet Atkins, Jim Reeves, Eddy Arnold, and Porter Wagoner. Imagine how the typical Country DJ reacted to his first listen to "Heartbreak Hotel", which led off the sampler! This 10" recording did not come with a traditional album cover. Condition of record: EX 7. From the GRT Collection
Elvis Presley and Various "E-Z Pop Programming No. 5" Promo Mono LP RCA 5 (1955). RCA sent this 12" promotional to radio stations around the country to tout its latest releases. Here, notably, that included Elvis' "I Forgot To Remember To Forget" and "Mystery Train", along with selections by the label's other stars, including Perry Como, Eddy Arnold, Jaye P. Morgan, Chet Atkins, Eddie Fisher, Kay Starr, Dinah Shore, Vaughn Monroe, and others, 16 tunes in all. Very nice copy of a promo issued just after Elvis signed with RCA. Not issued with a traditional album cover. Condition of record: EX 7. From the GRT Collection
Elvis Presley "Elvis" Mono LP RCA 1382 with Alternate "Old Shep" (1956). Elvis' second album is notable in that alternate takes of "Old Shep" and alternate album covers exist. The first pressing of the album mistakenly included the alternate take, which isn't available on any other U.S. vinyl release. While most copies of the album with "15 S" in the matrix of Side 2 are likely to contain the alternate take, playing the record is the only sure-fire way to tell whether you have the rarer version, which is included in this offering. The cover is the third version with LP ads on the back. The original inner sleeve is present, in EX 7 with a 1/2" corner tear. Condition: NM 8/ EX 7. From the GRT Collection
Elvis Presley "King Creole" Sealed Mono LP RCA 1884 (1958). While Elvis was off to the Army in 1958, he still managed two hit albums, including the soundtrack from his fourth movie, in which he gives what is generally regarded as his best acting performance. This rare, still sealed copy of the King's sixth album comes with an even rarer 8" x 10" black and white photo of Elvis in his military dress suit. Condition: Still sealed. From the GRT Collection
Elvis Presley "G.I. Blue" Sealed Stereo LP RCA 2256 (1960). On the basis of Billboard's Pop album charts, this was Elvis' second biggest album -- after "Blue Hawaii" -- and remained on the charts (111 weeks!) longer than any other album of the King. This pristine copy appears to have been teleported from 1960! It's the scarcer stereo version, but not the variation that has a "Wooden Heart" sticker. Condition: Still sealed. From the GRT Collection
Elvis Presley "Girls! Girls! Girls!" Mono LP RCA 2621 (1962). One of Elvis' more successful soundtracks from the period, this album variation included a bonus photo calendar, which is quite difficult to find in nice condition. The back side of the one-sheet calendar promotes Elvis' albums and EPs. On this copy there are some small check marks and 'x's written in ink. Condition: MT 9 (cover)/ NM 8 (record). From the GRT Collection
Elvis Presley Movie Promo LP Group of 3 (1966-69). Colonel Parker didn't miss a chance to promote Elvis' movies; here are discs of radio spots for three movies: 1) "Paradise Hawaiian Style", a one-sided 10" 45 rpm disc with three 60-second spots, three 30-seconds, and one 10-second quickie (Paramount Pictures, 1966) -- Condition: NM 8; 2) "The Trouble With Girls", a one-sided 12" 33 1/3 rpm disc with one 60-second and one 30-second spot (MGM, 1969) -- Condition: MT 9; and "Charro", a one-sided 10" 33 1/3 rpm disc with one 60-second, two 30-second, and 2 10-second spots (National General Pictures, 1969) -- Condition: NM 8. From the GRT Collection
"Elvis' Gold Records -- Volume 4" Mono LP RCA 3921 (1968). This is the mono version of the album, and it is much, much rarer than the various stereo versions. The record compiles hit singles for the period 1961-67. Our copy is still in its original shrinkwrap, and although it has been opened, the record appears barely played. The corners of the cover show some minor wear, but overall this is a gem of a copy of an Elvis rarity. Condition: EX 7/ MT 9. From the GRT Collection
Elvis Presley "Moody Blue" Red Vinyl Promo Stereo LP RCA 2428 (1977). The album debuted on Billboard's charts just a month before his death, eventually peaking at #3 and remaining on the charts for over 30 weeks. This is a rare red vinyl copy, one of several different color variations that were produced for in-house use only. The cover is near perfect; the disc is even better! Condition: NM 8/ GM-MT 10. From the GRT Collection
Various Artists and Elvis "Rebirth of Beale St." Sealed Promo LP Limited Edition 931/1000 (1983). This commemorative album was produced in 1983 and included snippets of tunes by Memphis notables from Handy's Orchestra's "Memphis Blues" in 1923 to Rufus Thomas' updated "Walking the Dog" recorded in 1979. In between there are samples from Furry Lewis, B. B. King, Elvis, and others. Lou Rawls provides the liner notes and two complete songs, "Birth of the Blues" and "Rebirth of Beale Street". The back cover indicates the album is "... owned by The City of Memphis, Richard C. Hackett, Mayor. Not for Sale." One of the mayor's business cards is included inside the shrinkwrap, which has partially come off at the bottom of the album. Condition: NM 8/ GM-MT 10 (sealed).
Elvis Presley 10" 78-rpm Sun Acetates (1955). Of Elvis' five Sun singles the pairing of "Milkcow Blues Boogie"/ "You're A Heartbreaker" is generally considered the rarest. And an acetate of that? Very cool! These are one-sided acetates, each with a side of Sun 215, Elvis' third single for Sam Phillips' label. The acetates bear the label "Audiodisc Recording Blank". Condition: "Milkcow" is an amazing NM 8; "Heartbreaker" is EX 7. From the GRT Collection
Elvis Presley "Elvis" LP 12" Acetate RCA (1956). Not only is this an acetate of Elvis' second album, it has the rarer version of "Old Shep". The album debuted on Billboard's Top 200 in late 1956 and rose to #1, holding the top spot for five weeks. Besides "Old Shep", some of the album's notable cuts included "Love Me", "When My Blue Moon Turns to Gold Again", "Paralyzed", "Ready Teady", and "Rip It Up". Roots Elvis on acetate! Condition: Plays EX 7 (except a skip on "Love Me"). From the GRT Collection
Elvis Presley "I Gotta Know" 10" 45-rpm Acetate RCA Victor Reference Recording (1960). Throughout Elvis' heyday of the '50s and '60s, his B-sides were better than most other artists' A-sides. "I Gotta Know" is a great example. Although it peaked at a respectable #20 on Billboard's Hot 100, its flip, "Are You Lonesome Tonight", got more airplay and held the #1 spot for six weeks. The acetate sounds great, with strong vocal backgrounds typical of Elvis' best. Condition: VG 5 From the GRT Collection
Elvis Presley "Surrender"/ "Lonely Man" 10" 45-rpm Acetate RCA Victor Reference Recording (1961). Two-sided acetate of Elvis' two-sided hit from 1961. "Surrender" held the #1 position on Billboard's Hot 100 for two weeks, while "Lonely Man", one of Elvis' most beautiful and soulful ballads peaked at #32. This artifact comes with a COA from Elvis Presley Enterprises, so it wouldn't be a stretch to call this The King's copy! Add in the rarity factor and that it's in superior condition, and the sum is this is one of the premier Elvis items offered in this auction! Condition: EX 7. From the GRT Collection
Elvis Group of LP Art Slicks. Includes "Elvis" (RCA 1382) front and back cover slicks (VG++ condition); two sets of "Harum Scarum" front and back slicks (VG++); "Fun in Acapulco" front and back slicks (VG++); "Elvis Presley" front cover slick (VG++); "Loving You" front slick (VG++); "Girls, Girls, Girls" front slick (VG+); "His Hand in Mine" front slick (VG+); "Roustabout" front slick (VG++); and "Kissing Cousins" front slick (Mint-).
Elvis Presley - Music Memorabilia, Unused Album Slick for "Elvis' Christmas Album" - LSP-1957 (e) (1964). Unused slick for a 1964 reissue of Elvis' historic 1957 album. Two small tears at the edges, and two creases at the top left. The King and Christmas -- a winning combo! Very Fine/Near Mint.
Elvis Presley Group of Album Slicks. This set includes front and back cover slicks for "Roustabout" (Mint- condition), "Paradise Hawaiian Style" (Mint-), "Speedway" (VG++), "Elvis" (VG+), "His Hand in Mine" (VG+, with the back slick on newsprint), "Harum Scarum" (Mint-), and "Fun in Acapulco" (VG++); front cover slicks for "Kissing Cousins" (Mint-) and :For Everybody" (Mint-); and front, back, and gatefold slicks for "Elvis is Back" (VG++).
Elvis "Tickle Me" Art Slicks. Two sets of front and back cover art slicks for the 1965 EP, in Mint- condition. The record featured five of the nine songs from the soundtrack to the "Tickle Me" feature film, the budget for which did not allow for the commissioning of original songs, so instead the soundtrack was created from previously released recordings dating as far back as 1960.
Elvis Assorted Record Slicks. Includes an art slick for the box that contained the "Elvis Christmas Radio Show" reel-to-reel tape (VG+ condition) and front and back art slicks for the "Easy Come Easy Go" EP issued in 1967 (Mint- condition).
"Aloha From Hawaii Via Satellite" Album Promo Poster. One of the biggest television broadcasts in history, "Aloha From Hawaii Via Satellite" was later released as a double-album that arguably captures Elvis at the peak of his live-extravaganzas-of-the-1970s era. This 24" x 8.5" promo poster for the album is in Very Fine condition with two small tears, a creased top right corner, some very light spots of discoloration, and three vertical fold creases.
Elvis Photo Negatives. A great set of four photo negatives featuring a young Elvis in one of his earliest live performances, given in Columbia, South Carolina in May, 1956. Elvis used a flatbed trailer as a stage, which can be seen in one of the shots, and was accompanied by Scotty Moore on guitar and Bill Black on stand-up bass. There is also a snap of Elvis posing next to his limo. The negatives are very sharp due to a flash being used when the photos were taken. To our knowledge, the photos have never been published. Very rare items, all in Excellent condition.
Movie/TV Memorabilia
Elvis Presley "Follow That Dream" Script. Hardbound copy of the final draft, dated May 29, 1961, and bearing the original title of "Pioneer, Go Home," in Excellent condition with very light wear to some of the pages.
Music Memorabilia
Elvis Owned and Worn Shirt. An ornate long-sleeved baby blue silk shirt owned and worn by the King, with wide collar and ruffled sleeves. The label inside the shirt reads "I. C. Costume Co. Hollywood, California" -- I.C. is short for Ice Capades. In Excellent condition, accompanied by a signed letter of authenticity from Elvis' aunt, Delta Biggs, as well as several photos of Elvis wearing the shirt.
Elvis Photo Negatives Group. A great set of six photo negatives, four featuring a young Elvis during one of his earliest performances in Columbia, South Carolina in May, 1956. Elvis used a flatbed trailer as a stage, which can be seen in some of the shots, and was accompanied by Scotty Moore on guitar and Bill Black on stand-up bass. There are also two shots of Elvis arriving at the concert in a limo. The negatives are very sharp due to a flash being used when the photos were taken. To our knowledge, the photos have not been published. Rare, magnificent items, all in Excellent condition.
Elvis Jewelry - Cuff Links and Tie Clasp. On September 8, 1961, Hank Garland (1930-2004) - aka ""Sugarfoot" and "The Baby Cotton Picker" and, in Elvis Presley's words, "one of the finest guitar players in all the country" - was in a devastating car crash near Nashville. The accident (which occurred under suspicious circumstances) left Garland severely brain-damaged, and while he lived over 40 more years and courageously fought to recover, he remained only a sad shadow of his former self. Heritage proudly offers this gold cuff links and tie clasp set, presented to Garland by Elvis Presley on March 25, 1961 at the Live "Blue Hawaii" Concert in Hawaii.
Hank played live with Elvis for the "Jailhouse Rock Concert" in Tupelo, Mississippi in 1957, and for the "Blue Hawaii Concert" in March, 1961. And, from 1957 to 1961, Hank backed Elvis on all of his movie soundtracks and his studio tracks, which included nine of Elvis' #1 hits. "Are You Lonesome Tonight", "I Can't Help Falling in Love", and "Crying in the Chapel" are just three of the classics that Garland played on. He also was guitarist and arranger for Bobby Helms' "Jingle Bell Rock" and recorded with Roy Orbison, the Everly Brothers, Bobby Darin, Patsy Cline, Jerry Lee Lewis, Patti Page, Hank Snow - the list goes on and on.
The gold clasp and cuff links with green stone insets come in a handsome wooden case, with a photo in the roof of the case of Garland backing up Elvis on his guitar and a small typed slip headed "The Hank Garland Estate," noting the gift, its presenter and the date. The provenance includes a Letter of Authenticity from the Hank Garland estate. The new film "Crazy" (2006) tells Garland's story, with Waylon Payne as Hank. A fascinating lot, and an Elvis item connected with a gifted and gallant personality whose awesome musical legacy fortunately dominates his personal tragedy.
Hank played live with Elvis for the "Jailhouse Rock Concert" in Tupelo, Mississippi in 1957, and for the "Blue Hawaii Concert" in March, 1961. And, from 1957 to 1961, Hank backed Elvis on all of his movie soundtracks and his studio tracks, which included nine of Elvis' #1 hits. "Are You Lonesome Tonight", "I Can't Help Falling in Love", and "Crying in the Chapel" are just three of the classics that Garland played on. He also was guitarist and arranger for Bobby Helms' "Jingle Bell Rock" and recorded with Roy Orbison, the Everly Brothers, Bobby Darin, Patsy Cline, Jerry Lee Lewis, Patti Page, Hank Snow - the list goes on and on.
The gold clasp and cuff links with green stone insets come in a handsome wooden case, with a photo in the roof of the case of Garland backing up Elvis on his guitar and a small typed slip headed "The Hank Garland Estate," noting the gift, its presenter and the date. The provenance includes a Letter of Authenticity from the Hank Garland estate. The new film "Crazy" (2006) tells Garland's story, with Waylon Payne as Hank. A fascinating lot, and an Elvis item connected with a gifted and gallant personality whose awesome musical legacy fortunately dominates his personal tragedy.
Elvis Presley Commissioned Gold Watch (Mathey-Tissot, circa 1970). In 1969 or 1970, Elvis had a Memphis jeweler, Harry Levitch, customize premium Swiss-made watches, which the King gave to family, close friends, selected staff, band members, and other privileged sorts, identifying the wearer as one with "all access" status at Elvis' concerts and tours. Mr. Levitch crafted a bezel with Elvis Presley in raised circular letters. Mathey-Tissot's "Automatic" model is self-winding, water-resistant, has a sweeping second hand and day/date display, with a stainless steel underside and an adjustable wrist band. This beautiful, significant artifact comes with a letter of authenticity from Jerry Osborne of Osborne Enterprises, author of "Presleyana --The Elvis Presley Record, CD, and Memorabilia Price Guide," and other respected price guides that are utilized extensively by recording collectors and dealers worldwide.
Elvis Presley Signed RCA "Nipper" Statue for MGM! An extraordinary piece that ties together the film and music career of The King himself! Presented here is a 20" tall resin statue of Nipper the RCA dog, boldly signed on its back by Elvis to the staff of the MGM Pictures press department in black ink, "To Mr. Howard Strickland and all the boys in the Press Department, Gratefully, Elvis Presley." A superb signature from Elvis, certainly one of the nicest and largest examples we have ever seen! Originally acquired from the estate of Howard Strickland, who was head of MGM's public relations department during Elvis' tenure with the studio. Some light signs of professional restoration, nearly unnoticeable, do not affect the writing and signature or statue's overall appearance whatsoever. An exceptional display and ideal piece for the ultimate Elvis collector! With COA from PSA/DNA.
Elvis Signed Conditional Sale Contract (1956). We are willing to bet this was the last time Elvis ever bought a vehicle on time payments! Here is the conditional sale contract between Elvis and Memphis Harley-Davidson Company for "One new 1956 model 'KH' Harley-Davidson Motorcycle." Cash price: $1,143.00. Elvis has signed the contract, as well as the attached note where he promises to pay "18 consecutive monthly installments from this date of $50.15..." A "must have" for the Elvis or Harley collector. With COA from PSA/DNA.
Elvis' Motorcycle Insurance Policy and Delivery Receipt (1956). This lot consists of Elvis' delivery receipt and insurance policy for a Harley-Davidson purchased January 14, 1956. RCA had signed him away from Sun Records just a couple of months before, so the King could afford to indulge himself to the tune of the $1,143.00 purchase price. The Home Insurance Policy notes the young man's occupation as "Vocalist - Self-Employed." Right! The delivery receipt is signed by Elvis. With COA from PSA/DNA.
Elvis Presley Signed Agreement. A five-page contract between Elvis and Hill & Range Songs, Inc., dated November 1, 1956, granting the company song publishing rights for $1, signed on the last page by both Elvis and Col. Tom Parker. Note that the name of this music publishing company was to be "Gladys Music, Inc.," named after Presley's beloved mother. Elvis was very close to Gladys and many insiders say that he was never quite the same after her untimely death from a heart attack brought on by hepatitis in 1958. A few weeks after her death, Elvis prophetically said "I don't know why she had to go so young. But it did make me think about death. I don't feel I'll have a long life. That's why I have to get what I can from every day." In great condition with light tanning, some mild edge wear, and the standard staple and binder holes. With COA from PSA/DNA.
Sam Phillips Recording Studio Invoice Copy signed by Scotty Moore (1962) After touring and recording early sides with Elvis, guitarist Scotty Moore returned to Memphis to work at the Sam Phillips studio on 639 Madison Avenue, as an engineer and occasional session player. Here's the yellow carbon copy of a 11-1-62 invoice to Starday Records for pressing masters of two EP's (cost: $24.00). It was signed "Scott Moore" at the bottom. In NM- condition.
Sam Phillips Recording Studio Invoice Copy signed by Scotty Moore (1963) While Elvis was in Hollywood making movies, his original guitarist, Scotty Moore, had returned to his roots. He resumed the role he played at the original Sun Studio, as engineer and session player, at Sam Phillip's new studio at 639 Madison Avenue (Sun was at 706 Union Ave). Here's the yellow carbon copy of an 8-1-63 invoice for six master recording stylus needles, for a total of $60. It was signed "Scott Moore" at the bottom. In VG+ condition, with several small stains at the right side.
Signed Copy of One of Elvis' First Promo Photos. Considered one of Elvis Presley's first promotional photographs, this b&w 8" x 10" dates circa 1955 and features a striking close-up of the future King of Rock and Roll and is boldly signed on the back "Yours, Elvis Presley" in blue ink. A very rare item in great condition with minor creasing and wear to the edges and tack holes to the corners. Includes a COA from PSA/DNA.
Country Music Picture Album Signed by Elvis and Others. This copy of the 1955 "Country Music Picture Album" boasts a mighty fine collection of autographs on and between its covers. Signatures include those of Elvis Presley, Bill Black, Scotty Moore, June Carter, Tex Ritter, Roy Rogers, Ray Price, Jim Reeves, Hawkshaw Hawkins, Marty Robbins, Slim Whitman, Grandpa Jones, and many more. The cover has separated from the contents, otherwise the book is in Fine condition with light to moderate wear to the covers and pages and a 2" split at the bottom of the spine. With COA from PSA/DNA.
Elvis Presley Beautiful Signed Album Page with Original Photos. An Absolutely stunning blue ballpoint signature, "Elvis Presley," accomplished on a clean white 5" x 7" album page. A true "10" all the way around, from condition to signature quality! Obtained in person by an adoring fan outside Elvis' house in 1956, also included with this signature are three original and unpublished 3.5" x 3.5" b&w photographs: two of Elvis (one with fan) and one that pictures his home. With COA from PSA/DNA.
Elvis Movie Contract. In 1956, Colonel Tom Parker negotiated a sizeable movie contract with the Wallis and Hazen production company for budding superstar Elvis Presley. Many historians and biographers have debated over the years whether or not Parker's deal was a great one for Elvis, or merely adequate. This original contract, dated April 2, 1956 and signed by Elvis, Parker, Hal Willis, and Joseph Hazen on the last page, gives the details of the deal -- a very modest one at that. It calls for Elvis to appear in one film a year for the producers over a period of seven years, at the starting rate of $15,000, with annual raises that had him earning $100,000 in the seventh and final year of the contract, plus the right to make one film a year for another production company of his choice. Elvis' first film under the contract was 1957's "Loving You," and he made a total of nine films with Wallis/Hazen, the last being "Easy Come, Easy Go" in 1967. The contract is in overall excellent condition, with the standard binder holes to the top of each page, with some tape residue on the upper left corners of the first and last pages. A significant document that puts to rest a long-standing debate. With COA from PSA/DNA.
Elvis Signed "Frankie and Johnny" Contract. Four-page agreement, dated May 19, 1964, between Presley and Admiral Pictures Inc. concerning total payment after the distribution of the movie "Frankie and Johnny," signed by Presley in blue ink. In fine condition with binder and staple holes to the top edges. With COA from PSA/DNA.
Elvis and Others Signed Las Vegas Hilton Shopping Bag. This vintage Las Vegas Hilton shopping bag is signed by Elvis Charlie Hodge, the Sweet Inspirations, Kathy Westmoreland, and others, obtained in Las Vegas in 1974. In Very Fine condition with some smoke damage to the top half of the bag, which does not overtly affect the signatures. Matted with an color 8" x 10" photo of Presley to and overall size of 20" x 16".
Jimi Hendrix "Electric Ladyland" Nude Cover Stereo LP Track 613-008/009 (U.K. - 1968) and "Smash Hits" Stereo LP Reprise 2276 (1977). The original U.K. release of "Electric Ladyland" featured a cover that was banned in the U.S., then reissued on the Polydor label. So, not only is it tough to find the "Nude Cover" version, it's just as hard to find the Track label release, which had the best recording quality. We've included a copy of the more common "Smash Hits" album, a posthumous compilation of hits from Jimi's first three albums -- this copy is special because it's still sealed! Both covers are in NM 8. Both discs are GM-MT 10! From the GRT Collection
Jimi Hendrix "Purple Haze" Acetate 7" Test Pressing (Japan, 1970s). An interesting Japanese issue has Jimi backed with "Douce Violence" by Johnny Hallyday, in some circles known as "The French Elvis". Condition: NM 8. From the GRT Collection
Jimi Hendrix "Opening of the Summer Series" Fillmore Concert Poster #BG69 (Bill Graham, 1967). Just a few weeks after his earth-shattering performance in Monterey, Jimi Hendrix was playing his first show in San Francisco. This tough to find poster is from that event! The poster is in Good condition, and has a combination of tears, creases, and tack holes. Because it is part of the Bill Graham numbered series it bears the designation BG-69. Do not miss the chance to add this 14" x 22" poster to your collection!
Jimi Hendrix Canadian Concert Poster (Russ Gibb, 1968). For the kids of the Mid-West, there was no Bill Graham in the 1960s to put on concerts. Fortunately, there was Russ Gibb. He mostly produced shows in Detroit, at the Grande Ballroom, but would sometimes cross the border and do a show in Canada. This is one such example. In NM- condition, due to a quarter inch tear on the left side, this is one of the most sought after posters "Uncle Russ" ever produced! Other acts on the bill included the Soft Machine and Paupers. Overall size of this poster is 22" x 13".
Jimi Hendrix Experience/Buddy Miles Express Winterland Concert Poster #BG140 (Bill Graham, 1968). Here's a show we really wish we could have attended. And what a show -- top-billed act Jimi Hendrix was at the peak of his success in '68, having just released the classic double-LP "Electric Ladyland" album. Joining Jimi would be two acts who had plenty in common with the explosive guitarist: drummer Buddy Miles, fresh from his stint in Electric Flag, was fronting his own outfit here, but in a year's time would join Hendrix to form the short-lived Band of Gypsies; and singer Dino Valente, who is credited (under the name Chet Powers) with one of Jimi's best-known songs, "Hey Joe." To top it all off, the poster features incredible graphics by the Zap Comix team of Rick Griffin and Victor Moscoso. This is one of the most famous of all the '60s San Francisco rock posters, and yes, this is a first printing. The poster measures 14" x 21.5", and is in NM- condition.
Jimi Hendrix Hand-Written Poem. In 1967, the Jimi Hendrix Experience received their first opportunity to break into the American scene when Paul McCartney agreed to promote the Monterey Pop Festival on the condition that the Experience be included in festival. This proved to be a great opportunity for Hendrix, not only because of the large audience that was present at the event, but also because most of the performances were filmed by D. A. Pennebaker and later shown in movie theaters throughout the country as the rockumentary "Monterey Pop," which immortalized the iconic image of Hendrix burning and smashing of his guitar. Featured here is a two-page handwritten poem by Hendrix and his then-girlfriend Kathy Etchingham, written shortly after the festival. It reads in part: "Yes, but you...yourself, have your words, your free thought, your safety valves and other buttons to not even have your own flesh know the feel of sand and how sand itself gets abused." The pages are matted and framed along with a classic 8" x 10" b&w photo of Hendrix kneeling over a flaming guitar, to an overall size of 22.25" x 30.25". An awesome, unique piece. With COA from PSA/DNA.
Jimi Hendrix Limited Edition Print (1974). By Earl Newman, 17" x 23" print featuring the Rock legend (in, appropriately enough, purple) Is in VG+ condition with a small tear on the edge near the lower right corner, tack holes in the corners, and a minor 6" crease on the lower left corner.
Jimi Hendrix Shirt. From the personal collection of entertainment writer Lynn Chako Pupello comes this chocolate velvet button-down short-sleeve shirt that had originally belonged to Jimi Hendrix. It was later given to Elvis Presley by a close friend of Jimi's after the legendary guitarist's death, and later passed to Chako Pupello by Vernon Presley after Elvis' passing. (She had embarked on a brief relationship with Elvis in the early '60s while working as a cub reporter at the St. Petersburg Times, and remained a friend of the family ever since.) In Excellent condition.
Jimi Hendrix Beach Towel. A blue and black terry cloth beach towel, 21" x 49" and featuring a hitch-hiking pair of skeletons. The towel was originally purchased by Hendrix during a 1968 vacation in Mallorca, Spain; images of him lounging on it can be seen in Noel Redding's 8mm home movies filmed during the trip. Afterward, it was brought back to the London flat he shared with girlfriend Kathy Etchingham, where it remained until his death in 1970. A picture of him with the towel comes with the lot. A rare and unique piece of Hendrix-owned memorabilia. In Excellent condition.
Jimi Hendrix Signed Contract. Although most writings refer to him as 'Jimi' throughout the timeline of his life for the sake of consistency, James Marshall "Jimmy" Hendrix did not use the moniker "Jimi" until after his discovery in late 1966, not long after this Popular Songwriters Contract was signed between Hendrix and RSVP Music, Inc. Dated March 30, 1966, the single page, double-sided contract granted the then-23-year-old rocker royalties for the song "I Ain't Taking Care of No Business, and is signed on the back in blue ink by company president Jerry Simon and "Jimmy Hendrix." A great item in Excellent condition with just a little bit of discoloration due to age. With COA from PSA/DNA.
Jimi Hendrix Signed Letter. A rare typed letter, dated January 15, 1970, to signed by Hendrix in black ballpoint. It reads: "Dear Michael: This letter will serve as authorization to pay to Billy Cox all salary and expenses to date plus 1 week salary in lieu of notice and also $1,000.00 as a bonus for his services. Yours faithfully, Jimi Hendrix." Cox, an old Army buddy, played bass for Hendrix in Band of Gypsys, and also for him at Woodstock and on the Cry of Love Tour. Said tour would be Hendrix's last before his untimely death in September 1970. A wonderful piece of Hendrix history from a musical turning point in his career. The letter is in Very Good condition with water damage along the left edge, especially prevalent near the bottom, mild discoloration, and one bisecting vertical and three horizontal fold creases that run through but do adversely not affect the signature. With COA from PSA/DNA.
Robert Johnson "Stop Breaking Down Blues"/ "Honeymoon Blues" 78 Vocalion 4002 (1938). Recorded during the Dallas sessions in 1937, this became Johnson's 10th Vocalion release. Considered somewhere in the middle of the most and least scarce of Johnson's Vocalion 78s, it's estimated between 15 and 20 decent copies remain. Curiously, it's one we see less often than most, and the first one offered for a Heritage auction. It's a nice copy -- about as nice as you could hope for actually, since it plays about VG-EX 6. There is a small scratch at the very end of "Stop Breaking...", and there are a few pops, but that's practically a given with 68 year-old 78s!
Robert Johnson "I Believe I'll Dust My Broom"/ "Dead Shrimp Blues" 78 Vocalion 3475 (1936). Recorded during the legendary Bluesman's San Antonio sessions in 1936, "Dust My Broom", of all of Johnson's recordings, may have provided the most imitated lick. Whatever the number of copies that still exist -- 15? 20? -- it ain't many, and this is the first time we've offered one. Both labels show wear, but, then, it is about to be 70 years old! A nice surprise is that both sides play better than they look, and without skips. Condition: GD-VG 4.
Robert Johnson "Me And The Devil Blues"/ "Little Queen of Spades" 78 Vocalion 4108 (1938). Johnson's penultimate record is almost as rare as his last, "Love In Vain Blues", with an estimated 10 to 15 copies still around. This is a nice copy -- the surface noise indicative of this grade being insignificant compared to the vocals and phenomenal guitar work by the man who influenced multiple music genres and countless musicians. The labels still display a deep blue proving this record has been well-preserved all these years. Condition: VG 5. From the GRT Collection
Rolling Stones "It's All Over Now" Picture Sleeve London 9687 (1964). One of the rarest of the Stones picture sleeves is this one from their third U.S. single. Near perfect! Condition: MT 9.
Rolling Stones "Satisfaction" Rare 45 Picture Sleeve London 9766 (1965). One of the rarest sleeve is this one for the Bad Boys' seventh London single and first #1 chart hit. This is the sleeve only, but it's in great shape, and anyone can find the record! Condition of sleeve only: NM 8.
"The Rolling Stones -- The Promotional Album" Promo Stereo LP London RSD-1 (1969). Rare promo album with cuts from various albums the group released from 1964 to 1969. Condition: VG-EX 6 (some minor wear on spine)/ VG-EX 6. From the GRT Collection
Rolling Stones "We Were Falling In Love" Unreleased 7" Acetate Emidisc (1964). Here's an amazing find. On September 29, 1964 the Stones recorded this song in London at the Regent Sound Studios. A handful of acetates were made from the session, but the song was never used on an album or released as a single -- it essentially disappeared for over 30 years. A copy showed up in the Netherlands a few years ago when a Dutch record dealer bought a group of records that had been owned by one Mark Wynter, a good friend of Andrew Oldham, the Stones' longtime manager and producer. That copy was covered in mildew, and this isn't that copy, but it was a good story, wasn't it? This mildew-less copy is in fine fettle and one of the most unique items in our auction. Condition: EX 7. From the GRT Collection
Rolling Stones "Ruby Tuesday"/ "Let's Spend the Night Together" 45-rpm Acetate Bell (1967). Both songs debuted on Billboard's Hot 100 January, 1967, with "Ruby Tuesday" eventually becoming the group's fourth #1 Pop hit. "Let's Spend the Night Together", indicated as the 'A' side on the acetate, became famous as too over-the-top for the Ed Sullivan show -- until being euphemised to "Let's Spend Some Time Together". Record has a very minor warp that does not affect the playing. Condition: EX 7. From the GRT Collection
Rolling Stones "Let It Bleed" Stereo LP Acetate Bell (1969). With over 40 albums released to date in the U.S., any discussion about the 'best' Stones' album is sure to cause an argument. But this one's generally included in the discussion! This full LP acetate on a Bell Sound Studios label isn't only a scarce commodity, it sounds really good! Condition: EX 7. From the GRT Collection
Rolling Stones and Romantics 45 Acetate (Japan). We're not sure when this two-sided acetate was released, but it was a while after the Rolling Stones' "Brown Sugar" (1971), since the Romantics' "Talking In Your Sleep" wasn't released until 1983. The tunes may have been used for a Japanese 'Various Artists' compilation. Condition: NM 8. From the GRT Collection
Rolling Stones Oakland Concert Poster #BGP33 (Bill Graham, 1989). Those steel wheels are rolling your way on this exciting poster, showcasing the Stones visit to Oakland on November 4 and 5, 1989. Dennis Larkins and Ron Larson provided the realistic locomotive graphic design, and while no picture of the band appears, this is still one cool poster! It measures 19.5" x 28.5", and is in NM- condition. The winning bid on this baby is sure to bring plenty of satisfaction!
Rolling Stones Silkscreened Blacklight Poster (JKG, circa 1967) This is one of the more unusual specialty posters of Britain's favorite Bad Boys of Rock that we have seen. The image of the band (including founding member Brian Jones) is pictured within a spiral effect, which is superimposed over blinding neon orange swirling rays, all against a deep sandy-colored paper background. Rich Charter receives the artist's credit, seen in the lower right. It's interesting to note the band's name, which is shown backwards and upside down at the top and bottom of the poster! Overall size is 17.5" x 23", and the condition is VG++, with one small scuff stain and very minor edge wear.
Rolling Stones Oakland Coliseum Poster #BG201 with Flyers and Signed Photo (Bill Graham, 1969). The infamous Rolling Stones free concert at the Altamont Speedway, on December 6, 1969, is considered a turning point in the history of rock and roll. However you view the events of that long day's event (which included several pool cue beatings, culminating with the beating death of one audience member, as well as the deaths of three others), it was the end of an era -- the heady, turbulent Woodstock '60s. This collection of memorabilia features the Bill Graham poster for the November 9th, 1969 concert at the Oakland Coliseum and a handbill for that show, a wonderful 8" x 10" black and white photo of the band, signed by all members (including guitarist Mick Taylor), plus an extremely rare two-color card, created as a hand-out shortly after the free concert, a show which would also include the Grateful Dead, Crosby Stills and Young, Jefferson Airplane, Santana, and the Flying Burrito Brothers. The entire framed and matted piece measures 29" x 25", with everything in NM condition.
Rolling Stones Concert Poster and Memorabilia, Group of 12 (1969-99). Twelve pieces of memorabilia from "The Greatest Rock and Roll Band in the World." In this lot you will receive: a "fill in the date" poster from their US tour (1969), a promo handbill for the "Sympathy for the Devil" movie (1970), a postcard for a show at the Oakland Coliseum (1969), a pair of passes for the movie "Ladies and Gentlemen, The Rolling Stones" in Houston, Tx (1973), a pair of backstage passes for the 1978 tour, a pair of tickets from the 1981 US tour, a backstage pass from the 1999 US tour, a ticket from Scotland (1999), and a sticker that reprints the poster for the 1973 New Zealand tour (1981). Items in this lot grade VG+ or better. "Can't get no satisfaction?" This group will satisfy!
Rolling Stones "Tumbling Dice" Winterland Concert Poster BG289 (Bill Graham, 1972). Riding high on the then-current album "Exile on Main Street", the Stones tore through the States with 1972s STP ("Stones Touring Party) tour. Playing classic Stones tunes like "Brown Sugar," Jumping Jack Flash," and of course "Tumbling Dice," the band wowed the crowd at Bill Graham's Winterland on June 6 and 8. This ultra-cool David Singer-designed poster is from that event, and prominently displays those famous tumbling dice against a stark black background. The first-printing poster measures 22" x 28", and is in NM- condition.
Rolling Stones Solo Poster and Program Group (1975-98). Keith Richards' first solo album "Talk Is Cheap" spawned a tour in 1988. Here's a cool "boxing" style split-fountain 14" x 22" NM poster for his appearance at Oakland's Henry J. Kaiser Convention Center, including opening act Ivan Neville. Also included in this lot is a 1998 Paradiso 16.5" x 23" poster for Bill Wyman and the Rhythm Kings, in VG. Rounding out the group is a small NM- tour book for the Jack Bruce Band featuring ex-Stones guitarist Mick Taylor, from a 1975 tour of Spain.
Rolling Stones "Rock And Roll Circus" Poster with Autographs (Abkco, 1995). The story of the Rock and Roll Circus is pretty amazing in its own right. Conceived as a television special, it was filmed in the UK during December, 1968. The entire production was modeled after an old fashioned three-ring circus, with the Rolling Stones as headliners, and Mick Jagger as ringmaster. The line-up of talent was amazing. Joining the Stones was the very best of the current English rock scene, including Jethro Tull (shortly after the release of their first album, with Black Sabbath guitarist Tommy Iommi filling in for the recently departed Mick Abrahams), the Who, longtime Stones friend Marianne Faithful, plus American blues sensation Taj Mahal. As a special bonus, a once-in-a-lifetime supergroup was formed -- called the Dirty Mac -- featuring John Lennon, Yoko Ono, Eric Clapton, Keith Richards, and drummer Mitch Mitchell, of the Jimi Hendrix Experience. Photos and a feature article had appeared early in 1969 in Rolling Stone magazine, but after filming, the Stones were reportedly unhappy with their performance (and the fact that they were upstaged by the Who's incredible set), and the entire thing sat collecting dust. It became the stuff of legend until it finally saw general release 1995, in both DVD and CD editions. This incredible framed presentation features a NM promo poster from that '95 release, plus a copy of the CD and booklet, all matted along with two mind-blowing autographed pages, one by John Lennon, the other featuring the '68 Rolling Stones, including Brian Jones, who died the following year shortly after leaving the band. The entire framed item measures 38" x 34"; the Stones autograph page has a light stain through the Watts and Wyman signatures, and the mat has a few small nicks, but these in no way diminish the impact of this very impressive item. You can't always get what you want, Stones fans -- unless you bid high!
Rolling Stones Unused Concert Ticket (1965). Were you at the Rolling Stones December, 4, 1965 concert in San Jose, California? Approximate 6,000 fans were at the two sold-out shows presented at the San Jose Civic Auditorium. Presented in this lot is one unused ticket for the 9:30 p.m. show, along with the original small-sized ticket envelope, and a letter from the original owner describing the event (either no stub was retained at the show, or this was an extra ticket purchased as a souvenir). Also included is a photocopy of a newspaper article that quotes the original ticket holder. All items are in NM- condition.
Rolling Stones Uncut Ticket Sheet (Bill Graham, 1981). Offered here is a uncut ticket sheet for the Rolling Stones October 17, 1981 show at San Francisco's Candlestick Park. There is a small crease on the lower right corner and some slight scratches on the "tounge" of the bottom ticket. Otherwise, this five ticket sheet is in NM- condition. Great for both fans of Rock and Roll and the die-hard Stones collector!
Rolling Stones "It's Only Rock 'N Roll" Gold Sales Award. The plaque on this white matte-style award reads: "Presented to Andy Johns, to commemorate the sale of more than one million dollars worth of the Rolling Stone Records long-playing album 'It's Only Rock 'N Roll.' " Andy Johns was the engineer on the album, and also engineered another Stones' classic, "Exile On Main Stree." Certified gold by the RIAA on October 31, 1971, the album's title track became an instant radio classic. The award is in Very Good condition with only a few minor dings to the frame.
Rolling Stones "Sticky Fingers" Gold Record Award. Presented to the Stones to commemorate the sale of more than $1 million dollars worth of the "Sticky Fingers" LP, the 1971 release that yielded the classic singles "Brown Sugar," "Wild Horses," and "Sister Morphine." The album was the first release on the Rolling Stones Records label; it was certified gold on May 11, 1971, and has since gone multi-platinum. Framed to an overall size of 18" x 22", the award is in Excellent condition with some scrapes to the wood frame.
Rolling Stones Signed Interview Pages. A nice lot for Rolling Stones fans: Five pages of interview notes on white notebook paper signed by original Rolling Stones members Charlie Watts, Mick Jagger, Bill Wyman, Keith Richards, and -- best of all -- Brian Jones. The unknown reporter jotted down brief bits of info on these sheets from a spiral-bound notebook -- one page devoted each of his subjects -- and while the notes themselves are vague and superfluous, the signatures and superb. The pages are in good condition with some tanning. With COA from PSA/DNA.
Keith Richards Handwritten "My Girl" Lyrics with Photo. The Rolling Stones covered a good number of American soul tunes on their early albums, and generally these tracks were both artistically good and well received by listeners. Their version of "My Girl," recorded for their 1967 "Flowers" LP, was a bit of a departure in that it was a more widely known tune than what they usually covered. Featured here is a sheet of notebook paper with lyrics to the song handwritten by Keith Richards in black ink, matted with a color picture of the guitar great to an overall size of 16" x 12" and in Excellent condition. A wonderful, unique item.
Session 3
Buddy Holly "That'll Be the Day" Green Label Promo 45 Decca 30434 (1956). Buddy Holly's version with the Three Tunes didn't go very far in 1956, but the next year as a Cricket, he would have a number one hit with the song and begin making Rock history. This copy from Buddy's own collection was displayed at one time; the B side is glued to a black cardboard backing. The A side appears NM 8.From Maria Elena Holly's personal collection.
Buddy Holly "Blue Days -- Black Nights"/ "Love Me" 45 Decca 29854 (1956). This was Buddy's first release for Decca, nearly a year before the Crickets' first smash for Brunswick, "That'll Be The Day." This copy displays the "star under Decca" label variation. It plays great, but shows a vinyl defect on Side 1. Condition: VG-EX 6 (plays NM 8).From Maria Elena Holly's personal collection.
Buddy Holly "Blue Days -- Black Nights"/ "Love Me" Pink Label Promo 45 Decca 29854 (1956). Just in case someone beats you to our other nice copy of Buddy's first release for Decca, or maybe you're just interested in hoarding the limited supply of existing copies, we offer one more promo copy. It's a beauty like most of the records offered from Buddy's own collection. Condition: NM 8.From Maria Elena Holly's personal collection.
Buddy Holly "Blue Days -- Black Nights"/ "Love Me" Pink Label Promo 45 Decca 29854 (1956). Buddy's hits were on the Brunswick (with the Crickets) and the Coral labels, but he had first recorded on Decca. The fact these recordings didn't become hits makes them all the more rare, especially variations like this promo copy, which comes with its original Decca sleeve. This was Buddy's first release for Decca. Condition: NM 8.From Maria Elena Holly's personal collection.
Buddy Holly "Modern Don Juan"/ "You Are My One Desire" Pink Label Promo 45 Decca 30166 (1956). Here's another sparkling copy of a promo of Buddy's second Decca single. Condition: NM 8.From Maria Elena Holly's personal collection.
Buddy Holly "Modern Don Juan"/ "You Are My One Desire" Pink Label Promo Decca 30166 (1956). Very nice copy of Buddy's second Decca release. This is some writing on the B side. Condition: EX 7.From Maria Elena Holly's personal collection.
Buddy Holly "Modern Don Juan"/ "You Are My One Desire" Pink Label Promo 45 Decca 30166 (1956). In the year before Buddy and the Crickets hit the big time on Brunswick with their first hit, "That'll Be The Day," he had recorded as a solo artist for Decca. In subsequent years, Decca was probably second-guessing their handling of the raw star and the promotion (not!) of his five singles, which did not do well commercially. Sounds like this one, the young Texan's second release for Decca, should have been a hit! Condition: NM 8.From Maria Elena Holly's personal collection.
Buddy Holly "Words Of Love"/ "Mailman, Bring Me No More Blues" Blue Label Promo 45 Coral 61852 (1958). Buddy's first release on Coral is the rarest on that label, which makes this promo copy all the more alluring. Condition: EX 7.From Maria Elena Holly's personal collection.
Buddy Holly "Words Of Love"/ "Mailman, Bring Me No More Blues" Blue Label Promo 45 Coral 61852 (1957). "Words of Love" was Buddy's first Coral release, and is the rarest single on that label. The Beatles were listening -- they covered the song on the "Beatles VI" album in 1965, the first time many had ever heard the song! Promo copy of a rare single, and it's in near perfect condition. The cherry on top is that it's from Buddy's own collection! Condition: NM 8.From Maria Elena Holly's personal collection.
Buddy Holly "Words of Love"/ "Mailman, Bring Me No More Blues" Promo 45 Coral 61852 (1957). The first and rarest of Holly's solo releases on Coral -- how was this not a hit? The Beatles thought the same thing, and covered the song brilliantly on their "Beatles VI" album in 1965. This is a blue label promo, and it's a sensational copy! Condition: NM 8.From Maria Elena Holly's personal collection.
The Crickets "Think It Over"/ "Fool's Paradise" 45 Brunswick 55072 (1958). The Crickets' fourth release produced two charts hits, "Think It Over" (#27) and "Fool's Paradise" (#58). Condition: VG-EX 6.From Maria Elena Holly's personal collection.
The Crickets "It's So Easy"/ "Lonesome Tears" 45 Brunswick 55094 (1958). The Crickets' fifth release for Brunswick didn't produce a hit; that is, until Linda Ronstadt covered "It's So Easy" and took it to #5 on Billboard's Hot 100 in 1977. Nice copy from Buddy's own collection. Condition: EX 7.From Maria Elena Holly's personal collection.
Buddy Holly "Rave On"/ "Take Your Time" 45 Coral 61985 (1958). This is a beautiful copy of Buddy's fourth solo release for Coral. Counting his hits with the Crickets, this became his fifth chart hit. Condition: NM 8.From Maria Elena Holly's personal collection.
Buddy Holly "Rave On"/ "Take Your Time" 45 Coral 61985 (1958). This copy of Buddy's fourth Coral single displays a 'smokey' vinyl and appears VG 5, but plays much better at EX 7.From Maria Elena Holly's personal collection.
Buddy Holly "Early In The Morning"/ "Now We're One" Blue Label Promo 45 Coral 62006 (1958). Buddy's fifth Coral release was a rousing rendition of a song written by Bobby Darin, who also recorded the single in 1958. This one comes from Buddy's own collection. Condition: EX 7.From Maria Elena Holly's personal collection.
Buddy Holly "Heartbeat"/ "Well....All Right" 45 Coral 62051 (1958). Buddy's sixth release on Coral was his ninth Billboard entry counting his solo releases and that of the Crickets. Condition: VG-EX 6.From Maria Elena Holly's personal collection.
The Crickets "Love's Made A Fool Of You"/ "Someone, Someone" 45 Brunswick 55124 (1959). This was a non-charting single for the Crickets, their sixth Brunswick release, but in 1966 the clearly Holly-influenced Bobby Fuller Four had a #26 hit with "Love's Made A Fool Of You." Condition: EX 7.From Maria Elena Holly's personal collection.
Buddy Holly 45 and Sheet Music Lot (1957-63). This lot includes: 1) Buddy's seventh Coral single, and the last released before his death, "It Doesn't Matter Anymore"/ "Raining In My Heart" (Coral 62074, 1959) in EX 7; 2) a promo copy of "Brown-Eyed Handsome Man"/ "Wishing" (Coral 62369, 1963) in NM 8; and 3) Sheet music for "That'll Be The Day" (Melody Lane Publications, 1957) in GD-VG 4 (2 tears at top with pieces missing).From Maria Elena Holly's personal collection.
Buddy Holly "Peggy Sue Got Married"/ "Crying, Waiting, Hoping" Blue Label Promo 45 Coral 62134 (1959). Near perfect promo copy of the eighth Coral release, issued a few months after the legendary's singer's death. Condition: NM 8.From Maria Elena Holly's personal collection.
Buddy Holly "Peggy Sue Got Married"/ "Crying, Waiting, Hoping" Blue Label Promo 45 Coral 62134 (1959). Just as impressive as our other promo offering of this single. Condition: NM 8.From Maria Elena Holly's personal collection.
Buddy Holly "Peggy Sue Got Married"/ "Crying, Waiting, Hoping" Blue Label Promo 45 Coral 62134 (1959). If you miss out on the two previous lots, keep trying! This promo copy is another high grade beauty of the 1959 release. Condition: EX 7.From Maria Elena Holly's personal collection.
Buddy Holly "Reminiscing"/ "Wait Till The Sun Shines Nellie" 45 Coral 62329 (1962). Writing on Side 1 label: "Regards Mr. & Mrs. Holley." The record itself is close to perfect, playing NM 8.From Maria Elena Holly's personal collection.
Buddy Holly "True Love Ways"/ "Bo Diddley" Orange Label Promo 45 Coral 62352 (1963). Another single that didn't become a hit until covered by someone else, Peter and Gordon's version of "True Love Ways" reached #14 in 1965. The song was originally released as a single in 1960 and was included in the posthumous album from that year, "The Buddy Holly Story - Vol. II". Condition: EX 7.From Maria Elena Holly's personal collection.
Buddy Holly "Brown-Eyed Handsome Man"/ "Wishing" Yellow Label Promo 45 Coral 62369 (1963). As Coral continued to release new singles by Buddy following his death, copies were sent to Maria-Elena, who added these to the collection Buddy had begun. Buddy's rockin' version of the Chuck Berry tune had appeared first on the 1959 album "The Buddy Holly Story." Condition: NM 8.From Maria Elena Holly's personal collection.
Buddy Holly 45 Group of 2 -- Coral (1964). Two nice copies, including a promo copy of the 1964 Coral release "Rock Around With Ollie Vee"/ "I'm Gonna Love You Too" (Coral 62390) in NM 8, and "Maybe Baby"/ "Not Fade Away" (Coral 62407) in VG-EX 6.From Maria Elena Holly's personal collection.
Buddy Holly "Rocking Around With Ollie Vee"/ "I'm Gonna Love You Too" Promo 45 Coral 62390 (1964). This is another superb copy with a commercial label, but with a "Sample Copy" sticker on its sleeve, which Maria-Elena Holly received directly from Coral Records when the single was released in 1964. Condition: NM 8.From Maria Elena Holly's personal collection.
Buddy Holly "Rock Around With Ollie Vee"/ "I'm Gonna Love You Too" Promo 45 Coral 62390 (1964). This stunning copy bears the regular commercial label, but the sleeve has a "Sample Copy" sticker, indicating the label had sent the copy as a promo directly to Maria-Elena Holly. Side 1 had been a Decca release in 1957, while Side 2 was a nugget (how was it not a hit?) that Coral had released as the follow-up to "Peggy Sue." Condition: NM 8.From Maria Elena Holly's personal collection.
Buddy Holly Promo 45 Group of 2 -- Coral (1964-69). Two promotional copies ("SAMPLE COPY" on sleeve or record label) that Coral sent to Maria-Elena in the '60s, including "Love Is Strange"/ "You're The One" (Coral 62558, 1969) in EX 7, and "Rock Around With Ollie Vee"/ "I'm Gonna Love You Too" (Coral 62390) in NM 8.From Maria Elena Holly's personal collection.
Jack Huddle "Starlight"/ "Believe Me" 45 Petsey Records 1002 (1957). Jack Huddle was a local radio personality and guitar picker in Lubbock when he released this single in 1957. The dazzling guitar solos are provided by one Buddy Holly! A tough record to find in any condition, this copy has some small defects in the vinyl, but plays much better than it looks! There is some writing on both labels. Condition: VG 5 but plays EX 7.From Maria Elena Holly's personal collection.
Ivan "Real Wild Child"/ "Oh You Beautiful Doll" Blue Label Promo Coral 62017 (1958). "Ivan" was actually Buddy's fellow Cricket and frequent song co-writer Jerry Allison. Buddy played lead guitar on these tunes.From Maria Elena Holly's personal collection.
Waylon Jennings "Jole Blon"/ "When Sin Stops" 45 Brunswick 55130 (1959). As a young Lubbock DJ, Waylon Jennings befriended an up-and-coming Buddy Holly, who repaid the favor by producing Waylon's first record, which turned out to be the only single he released on the Crickets' label, Brunswick. Later, Waylon joined Buddy's backing band as a bassist on the fateful "Winter Dance Party" tour in 1959 that ended in tragedy. Waylon had given up his plane seat to the Big Bopper before the fateful crash that took the lives of Holly, the Bopper, and Ritchie Valens. Waylon wouldn't begin to have success on the C&W charts until 1965, so this early record is a prize. The copy has three minor pops at the end of Side 1, which finds Waylon singing in French. Condition: VG-EX 6.From Maria Elena Holly's personal collection.
Waylon Jennings "Jole Blon"/ "When Sin Stops" Yellow Label Promo Brunswick 55130 (1959). Jennings' first major label release came after the death of his friend and band-mate, Buddy Holly, but this record had been instigated by Buddy and had actually been cut the year before in Clovis, New Mexico. Buddy produced it and played guitar, and King Curtis played sax on the recording, which was made on a day Buddy and the Crickets were in session cutting new tracks. And, no, Waylon didn't know French! He sang the words phonetically -- certainly good enough to fool the rest of us Texans! Destined for Holly's own Prism Records label, it was eventually released by the Crickets' label, Brunswick, who provided the Holly family with this promotional copy. There's writing on both labels, but the record is quite nice. Condition: VG-EX 6.From Maria Elena Holly's personal collection.
Elvis Presley "Milkcow Boogie Blues"/ "You're A Heartbreaker" 45 Sun 215 (1955). This is a nice copy of Elvis' third release on Sun, the one generally regarded as the most rare of his five singles on the label. The added attraction of this copy is its provenance -- this was Buddy Holly's copy! The two superstars were just 20 months apart in age; Elvis had blazed the trail that Buddy was about to embark upon when this single was released. Condition: VG 5.From Maria Elena Holly's personal collection.
"The Buddy Holly" EP Coral 81182 (1959). What a great EP! The names on the label are all you need to know; Buddy Holly, of course, and the four songwriters, including Paul Anka ("It Doesn't Matter Anymore"), Bobby Darin ("Early In The Morning"), Boudleaux and Felice Bryant ("Raining In My Heart"), and Bob Montgomery ("Heartbeat"). This copy does not have a picture sleeve. Condition: NM 8.From Maria Elena Holly's personal collection.
Buddy Holly "Two Timin' Woman"/ "Little Footprints" 10" 78-rpm Acetate Presto (1949-53). Back to the beginnings -- and what a gas to follow the young Holly's development as documented by these historic acetates. It begins right here, with a 13-year old Buddy singing solo on a Hank Snow tune, "Two Timin' Woman." Actually there's an unidentified 20-second song bit before that, then "Two Timin," followed by a Buddy & Bob recording from 1953, "Little Footprints," cut on the boys' regular radio show on KDAV in Lubbock. The two-sided acetate indicates the same songs for each side, but Side 2 is different, and, apparently not Buddy and Bob. The sound fidelity is pretty sparse, and the disc has been played quite a bit, but what a treasure! Condition: GD 3.From Maria Elena Holly's personal collection.
Buddy & Bob "Take These Shackles From My Heart"/ "I'll Just Pretend" 10" 78-rpm Acetate Recordisc (1952). This acetate was made from home recordings in 1952, with adolescents Buddy on mandolin, Bob on guitar, and both on vocals. It's stark, even startling if you were expecting anything sounding like the Rock 'n Roll legend of the late '50s! The label is partially torn, leaving the titles abbreviated as "Take These Shackles" and "Let's Pretend." Condition: GD 3From Maria Elena Holly's personal collection.
Buddy Holly "Gotta Roll"/ "I Don't Care Anymore" 78 Acetate Soundcraft (1955). On June 7, 1955, Buddy, Bob (Montgomery), and Larry (Welborn) recorded this piece of history at Nesman Studios in Wichita Falls, Texas. This was before Norman Petty and months before the Decca sessions. "Gotta Roll" was an early title for "Down the Line," while "I Don't Care Anymore" became "You and I Are Through." What a piece of Rock 'n Roll history! Condition: VG.From Maria Elena Holly's personal collection.
Buddy Holly Rare Early Acetates (1955-56). Here are a couple of goodies from Buddy's pre-star years. In 1955 "Buddy, Bob, and Larry" (Bob Montgomery and Larry Welborn) opened for some pretty big acts coming through Lubbock. Marty Robbins had played earlier in the year (a concert that Buddy had opened), and while in town his manager, Eddie Crandall, booked a later concert featuring Bill Haley and the Comets, Hank Snow, and Jimmie Rodgers. Buddy, Bob, and Larry again opened the show, and this time Robbin's manager took special notice. He later called Radio KDAV in Lubbock and asked DJ Dave Stone to "...have Buddy Holly record four original songs on acetate...don't change his style...and send them to me as soon as possible by airmail special." On December 7, 1955, Buddy, Bob, and Larry (and with Jerry Allison on drums) cut two 2-sided acetates: "Love Me"/ "I Guess I Was A Fool" and "Moonlight Baby"/ "Don't Come Back Knockin" and sent them to Decca. Eventually "Love Me" became the B-side of Buddy's first Decca single. Both discs have some label damage, surface noise, and general wear, but the significance of these acetate copies is undeniable. Condition of "Love Me"/ "I Guess I Was A Fool": GD 3. Condition of "Moonlight Baby"/"Don't Come Back Knockin": VG 5.From Maria Elena Holly's personal collection.
Buddy Holly "That'll Be the Day"/ "I'm A Lookin" 78 Acetate Soundcraft (1957). This two-sided acetate is of the historic recording of the Cricket's first big hit (the label attributes "Buddy Holly"), recorded February 25, 1957 at Norman Petty's studios in Clovis, New Mexico. "I'm A Lookin" became "I'm Lookin' For Someone to Love." There's some damage on the Soundcraft label of the A-side and "Larry's Copy" written in ink. This "Larry" was Buddy's brother. The disc is clean and attractive, and it plays VG-EX 6.From Maria Elena Holly's personal collection.
Buddy Holly "That'll Be the Day"/ "I'm A Lookin" 10" 78rpm Acetate Soundcraft (1957). Another acetate copy of the two songs that would be the Crickets breakthrough single on Brunswick, from the sessions of February 25, 1957 at Norman Petty's studios in Clovis, New Mexico. This one has handwritten, "Dads Copy," and shows a little label damage on Side 2. Condition: VG-EX 6.From Maria Elena Holly's personal collection.
Buddy Holly "Brown-Eyed Handsome Man"/ "Bo Diddley 78 Acetate Soundcraft (1957). Buddy pays homage to two great innovators who obliterated the line between R&B and Rock 'n Roll, Chuck Berry and Bo Diddley. The rousing two sides were recorded on February 25, 1957 at Norman Petty's studios in Clovis, New Mexico. There is some minor damage to both labels. Condition: VG-EX 6.From Maria Elena Holly's personal collection.
Buddy Holly "Brown-Eyed Handsome Man"/ "Bo Diddley" 10" 78-rpm Acetate Presto (1957). Another acetate copy of this pair of songs, recorded on February 25, 1957 at Norman Petty's studios. There is some minor damage to both labels, but the disc plays well. Condition: VG-EX 6.From Maria Elena Holly's personal collection.
Buddy Holly "Words of Love" 10" 78 rpm Acetate Soundcraft (1957). Recorded the same day as "Maybe Baby" and "Last Night" as demos to Roulette. This version of the great song has just guitar and vocal -- a fantastic rendition! Don't bother with the B-side; it's been intentionally scratched by someone to prevent playing, probably because it's not Buddy! It's a female vocal with organ, possibly Norman Petty's wife, Vi. Condition (Side 1): VG-EX 6.From Maria Elena Holly's personal collection.
Buddy Holly "Maybe Baby"/ "Last Night" 10" 78-rpm Acetate Soundcraft (1957). This is an early version of the tune that, after being re-recorded in October, 1957, became the Crickets third biggest hit. A demo of this session from March 12, 1957 was sent to Roulette, who ultimately decided against signing Buddy. B-side "Last Night" was co-written by future Cricket, Joe Mauldin, who played bass for Buddy for the first time on this session. This is one of the nicer acetates from the Buddy Holly Archives. Side 2 indicates "Larry's Copy". Condition: VG-EX 6.From Maria Elena Holly's personal collection.
Buddy Holly "Maybe Baby"/ "Last Night" 10" 78-rpm Acetate Soundcraft (1957). Here's another copy of the two-sided acetate made of sessions on March 12, 1957. Virtually identical in appearance and sound quality to the previous lot. Side 2 indicates "Dads Copy". Condition: VG-EX 6.From Maria Elena Holly's personal collection.
Buddy Holly "Words of Love"/ "Mailman Blues" 78 Acetate Soundcraft (1957). These sessions on April 8, 1957 at Norman Petty's studios in Clovis, New Mexico resulted in the first Coral single release for Buddy Holly and the Crickets, where the artist was simply listed as "Buddy Holly." It appears the group was just as confused about attribution as the fans in '57 and '58, because Side 1 here shows "Buddy Holly," while Side 2 indicates "Buddy Holly & The Crickets". Just to be clear, Buddy and Niki Sullivan played guitar, Joe Mauldin played bass, and Jerry Allison played drums on both sides. On Side 2 (eventually renamed "Mailman, Bring Me No More Blues"), Petty's wife Vi plays piano. Before the single was released, the Diamonds essentially hijacked the song after tapes were sent to the publishing company, and released their own version. They had just had their biggest hit, "Little Darlin", and got immediate airplay, which contributed to Buddy's version not even charting. The Beatles, of course, reprised the song with much acclaim on the "Beatles VI" album in 1965. Here's the real deal! There's some label damage on both sides, but the disc plays well. Condition: VG 5.From Maria Elena Holly's personal collection.
Buddy Holly "Not Fade Away"/ "Everyday" 10" 78-rpm Acetate (1957). When the songs were ultimately released, "Everyday" emerged the flipside of "Peggy Sue" on Coral, while "Not Fade Away" backed up the Crickets' hit "Oh, Boy!" on Brunswick. This clean acetate has only an office label in the disc center giving the bare information of title and date, May 29, 1957. Jerry Allison was inventive on percussion at this session, playing a cardboard box as a drum on "Not Fade Away" and just slapping his knee on "Everyday"! Condition: VG-EX 6.From Maria Elena Holly's personal collection.
Buddy Holly "Peggy Sue"/ "Oh, Boy!" 10" 78-rpm Acetate Soundcraft (1957). Here's a rocking twosome of rockers that would become two of his greatest hits. From session in late June and early July of 1957, "Peggy Sue" is an undubbed versions, and "Oh, Boy!" lacked backing vocals. Condition: VG-EX 6.From Maria Elena Holly's personal collection.
Buddy Holly "I'm Gonna Love You Too"/ "Listen To Me" 10" 78-rpm Acetate Soundcraft (1957). Recorded during the "Peggy Sue" sessions at the Petty studios, these nuggets made a dynamic two-sided single follow-up to "Peggy Sue", Holly's biggest Coral release. Inexplicably neither song charted, and both remain available for someone to cover... where are the Beatles, Peter and Gordon, Linda Ronstadt, the Stones, and others who have covered Buddy in the past? Say, the Stones are still going...! Both versions here are undubbed, raw brilliance! Condition: VG-EX 6. From Maria Elena Holly's personal collection.
Buddy Holly "Send Me Some Lovin"/ "It's Too Late" 10" 78-rpm Acetate (1957). Buddy's song selections revealed the diverse genres he listened to, which influenced his musical directions. Here he covers Little Richard and Lloyd Price tunes. These two sides, recorded July 20, 1957 at the Petty studios were included on the classic album, "The Chirping Crickets". "Send Me Some Lovin" was also included on the EP, "The Sound of the Crickets". Condition: VG 5. From Maria Elena Holly's personal collection.
Buddy Holly "I Guess I Was Just A Fool" 45 Demo Acetate (1958?). Very intriguing demo, since the song was never released as a single. The label area of the disc has a small sticker with the typed words: "I Guess I Was Just A Fool By Buddy Holly Dub Record From Dick Jacobs." Despite a noticeable warp, the disc is very clean, in VG 5, and plays better, at VG-EX 6.From Maria Elena Holly's personal collection.
Buddy Holly "You're The One" 45 Demo Acetate (1958). There is no traditional label on this demo; instead there is a sticker with the typed information: "You're The One Dub Record From Dick Jacobs By Buddy Holly." The song wasn't released as a single until 1969, perhaps because of Buddy's death soon after the recording session in December of 1958. This take is different from the other acetate we're offering of the same song, but both were recorded during the same session, 10 minutes after the song was written! The condition appears to be VG-EX 6, but it plays better: EX 7.From Maria Elena Holly's personal collection.
Buddy Holly "You're The One" 45 Demo Acetate (1958). Coral eventually released this as a single (b/w "Love Is Strange") over 10 years after the recording. Marvelous sound on this rarity. As with the other acetate of this song, this copy looks VG-EX 6 but plays EX 7.From Maria Elena Holly's personal collection.
Buddy Holly "I Guess It Doesn't Matter Anymore"/ "Raining In My Heart" 45 Acetate Coral 62074 (1959). Recorded shortly before the singer's death, the two-sided hit single was his final recording.The two-sided acetate plays crisply. It looks VG 5, but plays VG-EX 6.From Maria Elena Holly's personal collection.
Stage-Worn Buddy Holly Yellow Short-Sleeved Shirt. Owned and stage-worn by the legendary musician, this is an Arrow brand short-sleeved, polyester-cotton blend button-up shirt with a small yellow-checkered pattern. In pristine condition with Holly's initials written on the label by an unknown hand. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Red and White Checked Shirt. From the early rocker's personal wardrobe, this stage-worn Brooks Brothers button-down short sleeve shirt is a polyester-cotton blend and has a "peppermint" red-and-white checkered pattern. In pristine condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Blue Rayon Shirt. From Buddy's personal wardrobe, this is a stage-worn blue, Le Chevron brand short-sleeved button-down shirt with a blue-and-white stripe pattern on the bottom edge and collar. In Excellent condition, with Holly's initials written on the label by an unknown hand. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Black Short-Sleeved Shirt. Avon brand black pull-over style jersey shirt, owned and worn on stage by Holly. In flawless condition. Holly's initials are written on the label by an unknown hand. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Red Polo Shirt. Holly's red nylon polo-style shirt, manufactured by Arrow and worn on stage by the musician. In superb condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Dress Shirt. A very nice coffee-and-black striped Bronzini dress shirt worn on stage by Holly. In pristine condition with his name written on the label by an unknown hand. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Shirt. Owned and worn by Holly on stage, this cream-colored long-sleeved shirt has his initials on the label and is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Corduroy Shirt. Holly's long-sleeved, maroon corduroy shirt worn on stage, with his initials written on the label in an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Pale Blue Dress Shirt. This stage-worn pale blue, long-sleeved dress shirt has Holly's initials written on the label in an unknown hand, and is in Excellent condition with a very small stain inside the collar. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Corduroy Shirt. Holly's stage-worn, red cotton corduroy shirt by Arrow, with his name written on the label in an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Shirt. A Don Portuga denim blue and yellow heather short-sleeved shirt worn on stage from Holly's wardrobe. In Excellent condition with Holly's initials written on the label in an unknown hand. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Corduroy Shirt. Stage-worn dark blue long-sleeved corduroy shirt owned and worn by Holly. In Excellent condition with his name written on the label by an unknown hand. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Nylon Shirt. A stage-worn, Brent dusty peach short-sleeved nylon shirt with Holly's initials written on the label by an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Long-Sleeve Shirt. A stage-worn, long-sleeved, cream-with-black stripes dress shirt with Holly's initials written on the label in an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Silk Shirt. A stage-worn brown-and-gray short-sleeved silk shirt from Holly's personal wardrobe, with his name written on the label in an unknown hand. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Red Wool Shirt. A Mullen Bluett-brand red, long-sleeved wool shirt with crested lapel pocket worn on stage by Holly from his personal wardrobe. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Wool Shirt. Brown, 100 percent Worsted wool shirt, size Large, belonging to Holly and worn by him on stage, with his name written on the label in an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Red Nylon Shirt. A stage-worn, red long-sleeved, button-down nylon shirt with black and white trim with Holly's initials written on the label by an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Light Blue Shirt. Light blue Brent-brand shirt, size Large, owned and worn on stage by Holly, with his name written on the label in an unknown hand. In Excellent condition, with one very tiny stain on the back. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Maroon Long-Sleeve Shirt. American Casuals-brand maroon shirt, size medium, worn on stage by Holly from his wardrobe, with his name written on the inside label in an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Striped Short-Sleeve Shirt. Yellow and green striped cotton shirt worn on stage by Holly from his personal wardrobe, with his initials on the label. In Excellent condition with some very minor fading. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn, Short-Sleeved Shirt. A very nice tan Da Vinci shirt with Lion crest design on right breast worn on stage by Holly from his personal wardrobe, with Holly's initials written on the label by an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Gaucho Shirt. A stage-worn, mustard-yellow gaucho shirt owned by Holly, with his initials written on the label in an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Dress Shirt. White cotton dress shirt with French cuffs owned and worn on stage by Holly, with his initials written on the label in an unknown hand. In great condition with some small stains and very slight discoloration to the collar and shoulders. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Dress Shirt. White polyester-cotton blend Arrow-brand dress shirt, owned and worn on stage by Holly, with his name written on the label in an unknown hand. In Excellent condition with very faint discoloration to the collar. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Blue Long-Sleeve Shirt. A stage-worn, light-blue, rayon Crest Deluxe dress shirt with embroidered design on right breast, owned and worn by Holly, with his initials written on the label in an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Gold Lancer Shirt. Gold long-sleeved shirt by Lancer with white stripes down the front, worn on stage by Holly from his wardrobe and with his name written on the label in an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Van Heusen Shirt. Red-brown short-sleeved Van Heusen shirt with white piping on the breast pockets, worn on stage by Holly from his wardrobe and with his initials written on the label in an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Da Vinci Shirt. A stage-worn, dark yellow, short-sleeved Da Vinci shirt, size Large, with Holly's initials written on the label by an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Green Da Vinci Shirt. Green-with-white checking, short-sleeved Da Vinci shirt, size Medium, worn on stage by Holly,with his initials written on the label by an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn White Dress Shirt. Stage-worn white dress shirt from Holly's personal wardrobe, with his initials written on the collar by an unknown hand. In Excellent condition with barely any signs of wear or discoloration. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Patterned Shirt. Stage-worn. long-sleeved University Row brand cotton shirt with elaborate pattern design, from Holly's wardrobe. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Wool Shirt. Red wool Ponderosa brand shirt, owned and worn on stage by Holly. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Brown Shirt. A brown nylon shirt with gold trim owned and worn on stage by Holly. In Excellent Condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Tuxedo Shirt. White tuxedo shirt owned and worn on stage by Holly. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Cardigan Sweater. This gray-and-black tweed cardigan sweater with red highlights and paisley lining was owned and worn on stage by the musician, and is in superb, flawless condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Black Wool Cardigan. From Saks Fifth Avenue, this stage-worn black wool twill and knit V-neck cardigan is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Wool Sweater Jacket. From Holly's wardrobe, a stage-worn blue heather wool sweater jacket with zipper. In Excellent condition with Holly's initials on the label in an unknown hand. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Suit Jacket. This stage-worn green with gold fleck Kuppenheimer wool suit jacket was owned and worn by Holly, and is in stellar condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Suit Jacket. This stage-worn flecked gray suit jacket with muted plaid pattern comes from Holly's personal wardrobe, and has his name written on the label in an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Black and Blue Suit Jacket. This stage-worn black Julliard suit jacket with midnight blue sparkle flecking and lining comes from Holly's wardrobe. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Black Wool Jacket. This stage-worn black wool suit jacket, custom made by Rosenthal of Madison Ave., comes from Holly's wardrobe and is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Tweed Jacket. A stage-worn, Ben Richards cream, brown, and teal wool tweed jacket from Holly's personal collection, in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Twill Suit Jacket. A stage-worn navy blue wool twill suit jacket from Holly's wardrobe, in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Corduroy Sport Coat. Maroon cotton corduroy sport jacket by Block Sportswear, worn on stage by Holly from his personal wardrobe. In Excellent condition with his name written on the label in an unknown hand. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Shirt-Jacket Black, New Roma shirt-jacket from Holly's wardrobe worn on stage, with his initials written on the label in an unknown hand. In Excellent condition, with some small stains and a tiny hole on the lower front. With COA from Maria Elena Holly.
Buddy Holly Nortex Jacket. Beige Nortex-brand jacket with light-green lining and zipper closure, owned and worn by Holly. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Suit Jacket. Shiny blue Witty Brothers-brand suit jacket with black trim, owned and worn on stage by Holly. In Excellent condition with a few very faint spots of wear. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Suit Jacket. A stage-worn, dark suit jacket with gold flecking owned and worn by Holly. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Brown Suit Jacket. A stage-worn, chocolate-brown, Hart, Schaffner & Marx suit jacket from Holly's wardrobe, with his name written on the label in an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Jacket. Dark gray suit jacket worn on stage by Holly during one of his performances, in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly-Stage Worn Suit Jacket. Black mohair and Worsted wool suit jacket, Italian made, owned and worn on stage by Holly, with his name written on the label by an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Brown Stage-Worn Suit Jacket. Dark brown James L. Lee Ltd. Suit jacket owned and worn on stage by Buddy Holly, in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Brown Suit. A stage-worn neutral brown suit coat and slacks with textured fleck pattern from Holly's wardrobe. In Excellent condition with a couple of tiny holes along the collar. With COA from Maria Elena Holly.
Buddy Holly Stage-worn Suit. Stage-worn, charcoal-gray Town-Clad suit jacket and matching slacks, worn onstage by Buddy Holly during his unfortunately brief career. In Excellent condition, with Holly's name written on a label in the jacket in an unknown hand. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Gray Suit. A stage-worn, gray Town-Clad suit from Holly's wardrobe, with his name written on the jacket label by an unknown hand. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Slacks. A pair of stage-worn charcoal-colored, tailored wool dress slacks, in superb condition, from Holly's wardrobe. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Tuxedo Slacks. A stage-worn pair of Dacron-blend tuxedo pants owned and worn onstage by Holly, in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly London Fog Windbreaker. From Holly's personal belongings, this tan London Fog windbreaker is in Excellent condition with Holly's name written on the label in an unknown hand. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Bow Tie. A stage-worn black leather clip-on style bow tie owned and worn by Holly on several occasions. In great condition with modest surface wear. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Necktie. A stage-worn, thin, dark-brown silk tie with gold stars in the center, from Holly's wardrobe. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Necktie. Dark-brown and beige silk necktie with brown dot pattern, owned and worn on stage by Holly. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Tie. Silver necktie with orange spots, owned and worn on stage by Holly, in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Necktie. Blue and grey necktie, owned and worn on stage by Holly. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Neck Tie. A dark blue tie with light blue diagonal stripes, worn on stage by Holly. In great condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Tie Clasp. Silver metal tie clasp worn on stage by Holly during various performances. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Socks. Gray Argyle socks belonging to Holly, in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Socks. Pair of black argyle socks owned and worn by Holly. In great condition. With COA from Maria Elena Holly.
Buddy Holly VIC Award. This Vocational Industrial Club First Place Award was presented to Holly during his junior year at Lubbock High School. The 7.5" purple ribbon is taped to a 3.5" x 3" card awarded to "Buddy Holley by his outstanding craftsmanship has won 1st Place in the Annual State Competition in the Division of Parliamentary Pro for the school year of 1953-54." The ribbon is in Excellent condition with a few faint creases, and the card is in Excellent condition with some light tanning and a tape stain to the top edge. With COA from Maria Elena Holly.
Buddy Holly Vocational Charm. This pendant-sized metal Vocational Club charm belonged to Holly while he attended Lubbock High School and was saved by Maria Elena. In Excellent condition with no tarnishing, wear, or discoloration. With COA from Maria Elena Holly.
Buddy Holly Childhood Photos. A great set of four vintage b&w childhood photos of Buddy features some candid shots of the musician as a young boy growing up in Lubbock, Texas. Averaging 2.5" x 3.5" in size, they include shots of Buddy as barely more than a toddler and often dressed in coveralls. Each is remarkably well-preserved, in Excellent condition with no discoloration. With COA from Maria Elena Holly.
Guitar Birdhouse Sculpture. This large iron guitar sculpture (designed to double as a birdhouse) was created by artist Steve Teeters, who designed the glasses sculpture for the Buddy Holly Center in Lubbock. The sculpture was presented to Maria Elena Holly around the time the museum opened in 1999. It measures 76.5" in height, 48" at its widest point, and is in great condition.From Maria Elena Holly's personal collection.
Buddy Holly Artist Proof Signed by Maria Elena Holly. A 25" x 21" artists proof of the painting "True Love Ways" by Allen Berman, signed by Maria Elena Holly along the lower left edge in black marker. In Excellent condition.From Maria Elena Holly's personal collection.
Buddy Holly Artist Proof Signed by Maria Elena Holly. A second copy of the 25" x 21" artists proof of the painting "True Love Ways" by Allen Berman, signed by Maria Elena Holly along the lower left edge in black marker. In Excellent condition.From Maria Elena Holly's personal collection.
Buddy Holly Hand Crafted Key Holder. A shop class project made by Holly while he was in high school, this handmade, wooden, wall-mounted key holder features an arrow-and-heart design and is in Excellent condition with only a couple of small nicks. This hung in the Holley's house in Lubbock, Texas to hold the family's keys. Buddy's mother gave this to Maria Elena because Buddy was always most proud of this piece. An amazing piece of memorabilia with a wonderful story! With COA from Maria Elena Holly.
Buddy Holly High School Graduation Announcement with Card. This striking, elaborately printed and embossed invitation with accompanying envelope announces the May 27, 1955 commencement ceremony for the Senior class of Lubbock High School, which included the soon-to-be break-out star. Also included is a 3" x 2" card for "Buddy Charles Holley," and it is interesting to note he gave precedence to his nickname over his first name. Both items are in flawless, Mint condition and show no signs of wear or discoloration, extremely rare. With COA from Maria Elena Holly.
Buddy Holly Watch Chain. This 17" watch chain with belt hook was used by Holly when he worked for his brother laying tile. Buddy hated the tile business and only thought about the music inside him. It is profound to imagine how often Buddy would look at the watch that was once attached to this chain, counting the minutes and hours until he could work on his music. The chain is in Excellent condition with only very mild tarnishing in one or two places. With COA from Maria Elena Holly.
Buddy Holly VIC Tie Bar and Pin. From Holly's days as a student at Lubbock High School comes this ornate metal tie bar emblazoned with the seal of the school's Vocational Industrial Club, as well as a colorful VIC pin, both from his personal belongings and saved by Marian Elena. Each in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly "Buddy and Bob" Business Card. A natural musician, Holly was proficient on guitar, banjo, and mandolin by his mid-teens and was working as part of a duo with his boyhood friend Bob Montgomery, with whom he had also started writing songs. By the mid-'50s, Buddy & Bob, as they billed themselves, were playing what they called "western and bop" and, at one point, played as an opening act for Elvis when he played the area around Lubbock in early 1955. This business card from that brief era of Holly's career lists his and Montgomery's name across the top, as well as Larry Welborn -- who started playing bass for the duo in mid-1955 -- plus that of their business manager, "Hi Pockets" Duncan, the Lubbock DJ who discovered the group. In virtually flawless condition. With COA from Maria Elena Holly.
Buddy Holly Childhood Photos. This unique, wonderful set of five vintage b&w childhood photos of Buddy features some behind-the-scenes shots of the musician as a young boy growing up in Lubbock, Texas. Ranging in size from 3" x 3.25" to 3" x 4.5", they include shots of Buddy as a young boy, playing with his dog and with a friend, and also dressed in a football uniform. Each is remarkably well-preserved, in Excellent condition with no discoloration and only a little warping. With COA from Maria Elena Holly.
Buddy Holly Childhood Photos. A nice set of four vintage b&w childhood photos of Buddy features some behind-the-scenes shots of the musician as a young boy growing up in Lubbock, Texas. Ranging in size from 3" x 3.5" to 3" x 4.5", they include shots of Buddy as a young boy, playing with his dog in two of them. Each is remarkably well-preserved, in Excellent condition with no discoloration and only a little warping. With COA from Maria Elena Holly.
Buddy Holly "The Rhythm Playboys" Card (1956). In between starting out as Buddy & Bob with Bob Montgomery and morphing into the legendary Buddy Holly and the Crickets (as well as a couple of other groups) Holly performed very, very briefly with Montgomery and Don Guess as The Rhythm Playboys. This 4" x 2.5" business card reads simply "The Rhythm Playboys" with Holly, Montgomery, and Guess' first names printed underneath, and is in Excellent condition with just the slightest wear to the corners. An extremely rare and special collector's item. With COA from Maria Elena Holly.
Photos Taken with Buddy Holly's Camera. Two snapshots with Holly's handwritten notations on the back. From a series of photos Holly intended for a scrapbook that he was never to complete. Each is in Excellent condition. With COA from Maria Elena Holly.
Photos With Buddy Holly's Camera. Two snapshots at a September, 1957 unknown engagement, possibly with Coral execs, with Holly's handwritten notations on the back. From a series of photos Holly intended for a scrapbook that he was never to complete. Each is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Snapshots. Set of two snapshots by Holly, with his handwritten notations on the back, both taken in September, 1957. From a series of photos taken by Holly and intended for a scrapbook that he was never to complete. Each is in Excellent condition. With COA from Maria Elena Holly.
Brooklyn Paramount Theatre Photos by Buddy Holly. Two snapshots of the Brooklyn Paramount Theatre taken by Holly (where he was performing ), with his handwritten notations on the back. From a series of photos taken by Holly and intended for a scrapbook that he was never to complete. Each is in Excellent condition. With COA from Maria Elena Holly.
Birthday Party Photos Taken With Buddy Holly's Camera. Two snapshots, both dated August 31, 1957, with Holly's handwritten notations on the back. One is labelled "Jerry," the other "Buddy." Jerry Allison, one of the Crickets, was a childhood friend of Buddy. From a series of photos Holly intended for a scrapbook that he was never to complete. Each is in Excellent condition. With COA from Maria Elena Holly.
Birthday Party Snapshots Taken With Buddy Holly's Camera. Three snapshots, dated August 31, 1957, with Holly's handwritten notations on the back. One is labelled "Jerry," the other "Buddy." From a series of photos Holly intended for a scrapbook that he was never to complete. Each is in Excellent condition. With COA from Maria Elena Holly.
Photos Taken With Buddy Holly's Camera. Two snapshots dated September, 1957 at an unknown engagement, possibly with Coral execs, with Holly's handwritten notations on the back. From a series of photos Holly intended for a scrapbook that he was never to complete. Each is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Passport. Issued to Charles Hardin Holly on January 23, 1958, it features a picture of Buddy and is signed twice with his real name, Charles Holley. The passport was obtained by Holly not long before he and the Crickets embarked on their legendary tour of the U. K., and is stamped with visits to England dated February 28 and March 25, 1958, as well as Australia dated January 30 and July 24, 1958. In a true sign of the times, the restrictions page states that the document was not valid for travel in "Albania, Bulgaria, and those portions of China, Korea and Viet-Nam under Communist control." This one-of-a-kind item chronicles the U. K. tour that made the future founders of such British groups as the Beatles and the Rolling Stones aware of Holly's genius, and is in Excellent condition with only the faintest signs of wear. With COA from Maria Elena Holly.
Buddy Holly Work Permit. One-page, double-sided British work permit, dated February 5, 1958 and made out to Holly, granting him permission to work in London for a period of five weeks. During that time, he and the Crickets toured the U. K., and in their audiences were teenagers named John Lennon and Paul McCartney, who later cited Holly as a primary influence. ("The Beatles" was later chosen as a band name partly in homage to Holly's Crickets.) This tour changed the course of Rock & Roll history. It not only laid the groundwork for the British invasion, but also introduced the Fender Stratocaster to England. A one-of-a-kind item in Excellent condition with one horizontal and two horizontal fold creases. With COA from Maria Elena Holly.
Buddy Holly Photo. This 5" x 3.5" b&w cloudscape photo was snapped by Holly from the plane while he and producer-manager Norman Petty and bassist Joe B. Mauldin were on a flight to California. The notation "June 9, 1958/On way to Calif. Norman, Buddy, + Joe B." is inscribed on the back in pencil by Holly. The musician would have a falling out with Petty (with whom the Crickets had done most of their recording) over finances and other issues, and split with both Petty and his backing band a few months after this photo was taken. An intriguing and haunting photo, the print is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Signed Photo. Buddy attended first through the middle of fifth grade at Roscoe Wilson Elementary School in Lubbock, Texas, before his family moved to a different county. This b&w 7" x 5" photo of the school was snapped by Holly himself and is inscribed "Roscoe Wilson School" in pencil on the back and signed "Buddy Holley" in pink ink under a matching signature also in pencil. Buddy was an avid photographer and this is perhaps one of the earliest photos he took. The photo is in Excellent condition with a couple of small creases and very minor curling. A fantastic piece. With COA from Maria Elena Holly.
Buddy Holly Honeymoon Photo. This original b&w photo, taken during Buddy and Maria Elena Holly's honeymoon at the Monte Cassino resort in Mexico, shows the happy newlyweds seated for a meal with Jerry and Peggy Sue Allison, who joined them on the trip. In great condition with only mild discoloration and wear, the photo is matted in a special holder to an overall size of 8.5" x 6". Direct from Maria Elena Holly's private collection, this is a very rare item, to say the least. With COA from Maria Elena Holly.
Musical Instruments
Buddy Holly Banjo Strings. Buddy Holly was an avid Bluegrass fan and banjo player, and as a youth he and pal Bob Montgomery played for school assemblies and local radio shows as a "Western and Bop" Country duo called "Buddy and Bob." He unfortunately never played the instrument on any of his recordings. Featured here are two Black Diamond brand tenor banjo strings, steel, that belonged to Holly. The strings are in like-new condition and come in the original box, which shows only the faintest wear to the edges. Saved by Maria Elena, here is a chance to own a rare piece of Rock & Roll history. With COA from Maria Elena Holly.
Buddy Holly Guitar Pick. Brown plastic Nashville guitar pick used by Holly and saved by Maria Elena. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Guitar Pick. Black plastic finger pick from Holly's personal belongings and saved by Maria Elena. With COA from Maria Elena Holly.
Music Memorabilia
Buddy Holly Radio City Music Hall Ticket Stubs. Buddy Holly's parents came to visit shortly after he moved to New York City and met Maria Elena Santiago. Holly took them to a show at Radio City Music Hall the night he announced to his parents his engagement to the future Mrs. Holly. Featured here are three of the four ticket stubs from that evening's trip to the theater, dated July 21, 1958. According to Maria Elena, the group decided to attend the show at the last minute and they were not able to all sit together. Each is in great condition with the expected tears for used tickets; they are truly unique items with a great story behind them. Maria Elena saved them all these years, now you can own them! With COA from Maria Elena Holly.
Buddy Holly Cuff Links and Tie Tacks. This pair of elliptical shaped cuff links with a jade-colored stone are roughly the size of a quarter. Accompanied by two matching jade tie tacks, one elliptical the other square, and are all from Holly's personal effects saved by Maria Elena. According to Maria Elena, this set of cuff links was Buddy's favorite. Each piece is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Tie Clip. Ornate gold tie clip with floral pattern that belonged to Holly. In Excellent condition with slight tarnishing on the back side. With COA from Maria Elena Holly.
Buddy Holly Monogrammed Handkerchief. This white linen handkerchief measures 16" x 16" and is monogrammed in one corner with an ornate letter "B." In Excellent condition, it has one small, faint yellow spot but is otherwise clean, white, and pristine. With COA from Maria Elena Holly.
Buddy Holly Engraved Wristwatch (1958). The 14 karat white gold Omega gentlemen's wristwatch with 45 single cut diamonds set around the bezel that early Rock icon Buddy Holly was wearing when his plane crashed near Clear Lake, Iowa on February 3, 1959. Discovered after the snows had melted and returned to Maria Elena Holly by the local sheriff, the watch was undamaged aside from a missing stem, which Maria Elena later had replaced with one from a matching watch of the same make and model. The watch is inscribed on the reverse side "Buddy Holly 12-1-58," and was Mrs. Holly's Christmas present to Buddy. The dial is still in surprisingly good condition and the mechanisms are in working order. Also included with the lot is a color photo of Holly taken backstage at the Riverside Ballroom in Green Bay, Wisconsin, following the February 1, 1959 stop of the Winter Dance Party -- the last photo taken of singer to be published. A one-of-a-kind item, the watch is in superb condition with only some very faint discoloration to the face. It comes in a 4" x 4" x 3" wooden display box. A priceless piece of rock-and-roll history that is linked to an enduring love story as well as to "the day the music died." With COA from Maria Elena Holly.
Buddy Holly Clothes Brush. A perfect item to combine with some of the Holly-owned clothes also up for auction, this wood-handled Crown No. 2 clothes brush is 10.5" long with 1" bristles, and looks as if its barely been used. An interesting and unique item, from the collection of Maria Elena Holly. She told us that Buddy bought this brush in New York and was extremely proud of its quality. With COA from Maria Elena Holly.
Buddy Holly Photo. A very beautiful color snapshot of Holly silhouetted against a window on a plane trip to Australia for a January-February tour that is the stuff of legend and still fondly remembered Down Under. This is the original of the photo used as on the cover of the album "Reminiscing." This photo was taken with Buddy's camera, possibly by Norman Petty. The photo measures 3.5" x 3.5" and is in Excellent, pristine condition. With COA from Maria Elena Holly.
Buddy Holly Box of Guitar Strings. Box of four Gibson mona-steel guitar strings, each still sealed in their individual packets, from the personal effects of Buddy Holly. The box is in great condition with some light wear to the edges and corners of the lid, and the strings themselves are in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly's Alan Freed and Others Signed Tour Book. Holly's personal copy of the tour book for Alan Freed's Third Anniversary Show, chock full of autographs from performers in the tour. Included are handsome signatures -- many addressed specifically to Buddy -- from Freed, Mickey Baker, Jo-Ann Campbell, Larry Williams, and members of the Diamonds, the Del Vikings, and the Moonglows. Freed, the self-described "father of Rock and Roll," boosted the careers of Holly and countless others before a payola scandal caused his untimely fall from grace. The book is in Excellent condition with very minor wear to the covers and clean, white pages. A truly one-of-a-kind item. With COA from Maria Elena Holly.
Photo of the Hollys and Everlys signed by Phil Everly. This 8" x 10" b&w photo of Buddy Holly, his then new bride Maria Elena Holly, Phil Everly, and Everly's date, was taken during a meal at the El Chico restaurant in New York City. The photo is signed by Everly in the upper right corner and matted in a commemorative holder from the restaurant to an overall size of 11" x 9". In great condition with some wear and soiling to the holder, and almost no wear to the photo itself. This was Buddy's personal copyand is a poignant and important treasure. With COA from Maria Elena Holly.
Buddy Holly Handwritten Letter. Undated letter on Sullivan Signs business stationery, handwritten by Holly in blue ballpoint. It reads: "Due to unforseen T.V. programs in New York we will be unable to play for you on Aug. (1st or 3rd), and hereby cancel our contracts with you. Thanks for your consideration. Regards, Buddy Holly." This is a truly historical letter that helped make Buddy a phenomenal success when he began doing television appearances. The letter is in Very Fine condition with a horizontal fold crease, a 1.5" tear near the lower right edge, and a 1" tear near the upper left edge -- neither of which affect the handwriting, which is bold, clear, and unfaded. With COA from Maria Elena Holly.
Buddy Holly Motorcycle Receipts and Booklet. After Holly's death, his brother Larry kept Holly's beloved 1958 Ariel motorcycle registered under the late musician's name for several years. Included here are five Texas state motorcycle license receipts in Holly's name, dating from 1961-66, as well as a motorcycle chain maintenance booklet that belonged to Buddy Holly. The receipts have staple holes to the upper left corner, otherwise all items are in Excellent condition. With COA from Maria Elena Holly.
Business Card with Handwritten Notes by Holly. A business card for the Buck Lake Ranch picnic park in Angola, Indiana, with handwritten directions on the front and gig notes on the back in Buddy's handwriting in purple ink. In Excellent condition. With COA from Maria Elena Holly.
Set of Four Buddy Holly Photos. Group of four 8" x 10" b&w photos three of which belonged to Buddy Holly. All are in Excellent condition, with the bottom left corner missing from one. Note Buddy is wearing the watch featured in this auction, Lot # 22157. With COA from Maria Elena Holly.
Buddy and Maria Elena Holly Wedding Photos. This set of color prints includes a 7" x 5" photo of the bride and groom and three 8" x 10" photos featuring Buddy, Elena Marie, and his parents; Buddy clowning in front of the camera as his mom and brother-in-law look on; and a shot of Buddy, Maria Elena, his parents, and the minister (and his wife) who conducted the marriage ceremony. All are in Excellent condition. With COA from Maria Elena Holly.
Photos Taken by Buddy Holly. Two snapshots by Holly, with his handwritten notations on the back. One is dated "Jan. 29 -- late night (U. S. time)/Jan. 30 -- 5 p.m. (Australia time)" and reads "Oscar Davis & wife (Jerry Lee Lewis' manager) Sydney, Australia"; the other is dated February 2, 1958 and is noted: "Paul Anka on way to Koolangatta, Australia." From a series of photos taken by Holly and intended for a scrapbook that he was never to complete. Each is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Photos from Trip to California. Two snapshots by Holly taken from the window of a plane, with his handwritten notations on the back, both dated February 7, 1958. One reads: "Arizona on way to Amarillo from S.A., Calif."; the other: "Phoenix, Ariz. Airport, on way back to Amarillo from S.A., Calif. (Buddy & Crickets)." From a series of photos taken by Holly and intended for a scrapbook that he was never to complete. Each is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly and the Crickets Snapshots. Two snapshots by Holly, with his handwritten notations on the back. Both are dated February 2, 1958 and notes on the first read: "Jerry & Joe B. at Hotel Surfer's Paradise at Koolangatta, Aust."; the second says: "Jerry Lee Lewis, Jay (Bassman) & drummer at Surfer's Paradise barbecue bar. Koolangatta, Aust." From a series of photos taken by Holly and intended for a scrapbook that he was never to complete. Each is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Snapshots. Two snapshots by Holly, with his handwritten notations on the back. The first is a photo of DJ and "father of rock and roll" Alan Freed, his wife, and his secretary; the second is of the marquee of the Brooklyn Paramount Theatre, advertising Freed's "Great Holiday Rock 'n' Roll Show" which the Crickets performed at. From a series of photos taken by Holly and intended for a scrapbook that he was never to complete. Each is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Faux Pearl Cufflinks. Set of stage-worn, silver cufflinks with large faux pearl settings from the musician's personal collection. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Cufflinks with Diamond Insets. A pair of stage-worn cufflinks with chevron pattern and diamond accents. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Gold and Onyx Cufflinks. A pair of small, gold cufflinks with onyx settings worn on stage from Holly's personal collection. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Silver and Onyx Cufflinks. A stage-worn pair of silver cufflinks with large onyx settings, owned by Buddy Holly. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Gold Cufflinks. Stage-worn, rectangular, gold cufflinks with brilliant stone settings, once owned by Holly. In Excellent condition with some mild tarnishing. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Gold Cufflinks. A stage-worn pair of 12k gold Mark Wells cufflinks with onyx settings from Holly's collection. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Silver Cufflinks. A stage-worn pair of toned silver cufflinks with black scallop pattern from Holly's personal effects. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Gold Tie Clip. This small, gold tie clip with diamond pattern was worn on stage by Holly and comes from his personal collection. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Gold Triangle Cuff Links. A pair of triangular gold cuffl inks owned and worn on stage by Holly, in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Silver Tie Clip. Small silver tie clip with checker pattern owned and worn on stage by Holly from his personal effects. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Gold Cuff Links. A nice pair of square gold cuff links, owned and worn on stage by Holly. In Excellent condition with virtually no wear. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Braided Silver Cuff Links. Set of "braided" silver cuff links owend and worn on stage by Holly, from his collection, in Excellent condition with some mild scraping to the surface. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Silver Cuff Links. A nice pair of silver faux jewel cuff links once owned and worn on stage by Holly, in Excellent condition with virtually no wear. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Silver Cuff Links. Oblong silver cuff links worn on stage by Holly, from his collection. In Excellent condition with only faint scuffing to the surfaces. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Belt. A stage-worn brown leather belt, 1" wide and 39" long, owned and worn by Holly. In Excellent condition with mild wear from use. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Small Gold Cuff Links. This stage-worn pair of small, gold circular cuff links comes from Holly's personal effects, and is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Monogrammed Handkerchief. White linen handkerchief monogrammed with the letter "B" near one edge, owned and used on stage by Holly. Maria Elena Holly purchased the Handkerchief for Buddy in the winter of 1958 shortly before his final tour. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Stage-Worn Cuff Links. This pair of gold metal cuff links enhanced with a diamond pattern was worn on stage by Holly at various performances. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Commemorative Plate Presented to Maria Elena. From a limited edition crafted in 1983 in memorial of the 25th anniversary of Holly's passing, this particular plate was presented to Holly's widow, Maria Elena. The plate features a portrait of Holly standing with a Fender Stratocaster -- a guitar he helped make famous -- in a field outside his home town of Lubbock, Texas. In Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Commemorative Silver Coin. Minted in Germany, this commemorative coin is possibly silver plated and bears Holly's likeness on the obverse side, and rather curiously, a film camera logo and the motto "100 Jahre Filmgeschichte" ("100 Years of Film History") on the reverse side and presented to Maria Elena. In Near Mint condition. With COA from Maria Elena Holly.
Buddy Holly Commemorative Silver Coin. Minted in Germany, this commemorative coin is possibly silver plated and bears Holly's likeness on the obverse side, and rather curiously, and a film camera logo and the motto "100 Jahre Filmgeschichte" ("100 Years of Film History") on the reverse side and presented to Maria Elena. In Near Mint condition. With COA from Maria Elena Holly.
Buddy Holly Commemorative Silver Coin. This commemorative coin is one troy ounce of .999 silver and with a close-up three-quarter profile likeness of Holly on the obverse side and a "Stars of the Stage and Screen" motto and logo on the reverse side. The coin was presented to Maria Elena. In very nice condition with some scratching and moderate tarnishing on the edges and both sides. With COA from Maria Elena Holly.
Buddy Holly Music Festival Poster Signed by Artist. An attractive poster from the September 4-7, 1996 Buddy Holly Music Festival, it measures 17.5" x 23.5" and is inscribed "To Maria Elena Holly -- Thank you!" and signed by artist Paul Milosevich. In great condition with only very minor wear to the edges.From Maria Elena Holly's personal collection.
Buddy Holly Music Festival Poster Signed to Maria Elena Holly. An 11" x 17" poster for the 1997 Buddy Holly Music Festival, signed by the designer. In Excellent condition with some minor wrinkling.From Maria Elena Holly's personal collection.
Buddy Holly Signed Payroll Receipt. Dated August 28, 1956, this payroll receipt for $19.18 (after deductions) from a contractor is signed by Holly at the bottom in pencil. In very nice condition with mild tanning and some light fading of the handwriting. With COA from Maria Elena Holly.
Buddy Holly and the Crickets Original Flyer. "Not Maybe But Positively a Smash Hit!" declares this 8.5" x 11" vintage pink flyer promoting the Buddy Holly and the Crickets single "Maybe, Baby." In near pristine condition with two vertical fold creases and some very small instances of discoloration. With COA from Maria Elena Holly.
Buddy Holly Receipt for Amp. Written to Buddy Holly from B. E. Adair Music Co. and dated April 27, 1952, this receipt shows a teenage Holly paid $5 towards an amplifier he had purchased, with an balance of $15.50 left to pay. An amazing artifact from very early in his career, it is in great condition with a couple of vertical fold creases, and almost no fading or discoloration. With COA from Maria Elena Holly.
Buddy Holly and the Crickets Original Flyer. "Not Maybe But Positively a Smash Hit!" declares this 8.5" x 11" vintage pink flyer promoting the Buddy Holly and the Crickets single "Maybe, Baby." In near pristine condition with two vertical fold creases and some very small instances of discoloration. With COA from Maria Elena Holly.
Buddy Holly and the Crickets Original Flyer. "Not Maybe But Positively a Smash Hit!" declares this 8.5" x 11" vintage pink flyer promoting the Buddy Holly and the Crickets single "Maybe, Baby." In near pristine condition with two vertical fold creases and some very small instances of discoloration. With COA from Maria Elena Holly.
Buddy Holly and the Crickets Original Flyer. "Not Maybe But Positively a Smash Hit!" declares this 8.5" x 11" vintage pink flyer promoting the Buddy Holly and the Crickets single "Maybe, Baby." In near pristine condition with two vertical fold creases and some very small instances of discoloration. With COA from Maria Elena Holly.
"The 'Chirping' Crickets" Blank Back Cover EP Brunswick 71036 (1957). This version is rarer than the one with a printed back. It's the first EP by the group, excerpted from the classic first album of the same name. Included songs are the hits "That'll Be the Day," "Oh, Boy!," and "Not Fade Away," plus the oft-overlooked rockin' gem, "I'm Looking For Someone To Love." Beautiful copy of a rare record. Condition: NM 8/ MT 9. From the GRT Collection
Buddy Holly "That'll Be The Day" Mono EP Decca 2575 (1958). Holly was long gone from the label when Decca released this EP in 1958. Recorded in 1956, this is the second-rarest of all Holly EPs (with or without the Crickets!). His original major label must have been chagrined when a re-recorded version of the title song on Brunswick hit #1 nationally the very next year. Two cover versions exist; this one is the 'ad-back' version and the finest copy we've seen to date! Condition: NM 8/ EX 7. From the GRT Collection
"The Sound of the Crickets" EP Brunswick 71038 (1958). The group's second EP featured four songs that had appeared on their first Brunswick album, the classic "The Chirping Crickets": "Maybe Baby," "Tell Me How," "Send Me Some Lovin," and "Rock Me My Baby." This is the nicest copy we've ever seen, just a sparkling specimen! Condition: MT 9/ MT 9. From the GRT Collection
"The Buddy Holly Story" EP Coral 81182 (1959). The label took some of Holly's last singles for this EP, all of which also appeared on the album of the same name, issued soon after his death in 1959. Included are "Raining In My Heart", "Early In The Morning", "It Doesn't Matter Anymore", and "Heartbeat". This is the nicest copy of this tough EP we've seen to date. Condition: NM 8/ MT 9. From the GRT Collection
"Buddy Holly" EP Coral EC 81191 (1962). Even though this EP was released some three years after Holly's death, it's just a tough to find a copy like this. Songs included are: "Peggy Sue Got Married," "Crying, Waiting, Hoping," "Learning the Game," and "That Makes It Tough." Condition: NM 8/ NM 8. From the GRT Collection
Buddy Holly "Blue Days-Blue Nights"/ "Love Me" 78 Decca 29854 (1956). Here's Buddy in his pre-hit days; in fact this is his first single release from Decca, and there may not be a nicer copy in existence. Condition: MT 9. From the GRT Collection
The Crickets "That'll Be The Day"/ "I'm Looking for Someone to Love" 78 Brunswick 55009. This was the single that really kicked off Buddy Holly's career. His first single for Brunswick scored a #1 hit on Billboard's Pop charts just two weeks after Holly's 21st birthday. This is a sensational copy of a significant Rock 'n Roll classic. Condition: NM 8. From the GRT Collection
Buddy Holly "Peggy Sue Got Married" 78 Coral 62134 (Canada, 1959). This label for this posthumous single is different from those on the U.S. and U.K. versions. Once more the Good Rockin' Tonight Collection comes through with an extraordinary copy. Condition: NM 8. From the GRT Collection
"The Chirping Crickets" LP Brunswick 54038 (1957). This is a gorgeous copy of the most desirable of all Crickets and/or Buddy Holly albums, the textured cover version of the group's very first album for Brunswick. Amazingly, despite the inclusion of the #1 "That'll Be The Day" and follow-up hits "Oh, Boy!," "Not Fade Away," "Maybe Baby," and others, this classic album didn't chart! You missed it then; don't miss it now! Condition: MT 9/ MT 9.
Buddy Holly "That'll Be The Day" Pink Label Promo Mono LP Decca 8707 (1958). Buddy Holly's first major label deal was with Decca, with whom he signed in January 1956. But his five Decca singles went nowhere. One of those was "That'll Be The Day," a different version of which was recorded by Brunswick in 1957 as by "The Crickets," and which became Holly's first and only #1 hit in late 1957. Decca became to Holly as Vee-Jay became to the Beatles -- two years after his Decca recording sessions in 1956, and after Buddy had become a star, his old label repackaged the 1956 tunes as this LP, one of the hardest of Holly albums to find. It's the last album released prior to his death on February 3, 1959. This is the cleanest copy of this album we have seen, and it's a pink label promo copy to boot! Condition: NM 8/ EX 7. From the GRT Collection
"The Buddy Holly Story" Mono LP Coral 57279 (1959). This is the first pressing, the rarer version with the black and red printing combination on the back cover. Released shortly after Holly's tragic death, this is one of Rock's most treasured collections, including early hits with the Crickets and his biggest solo smashes. This is a very nice copy of a must-have album for essential Rockers. Condition: NM 8/ NM 8. From the GRT Collection
"Buddy Holly And The Crickets" Blue Label Promo LP Coral 57405 (1962). This great LP is actually a reissued version of "The Chirping Crickets" from 1957, with the group's classic hits, including "That'll Be the Day," "Oh, Boy!," "Not Fade Away," and "Maybe Baby." And you don't see the blue label promo copy every day! Condition: EX 7/ EX 7. From the GRT Collection
"In Style With The Crickets" Blue Label Promo Mono LP Coral 57320 (1960). Listening to this great album, you'll wonder why the group wasn't successful on their own after Buddy Holly's death. They had the sound, and two of the three (Jerry Allison and Sonny Curtis) had written or co-written many of the hits they had enjoyed with Buddy. Two great nuggets are included on this under-the-radar album: 1) "More Than I Can Say" (Allison and Curtis) -- covered in 1961 by Bobby Vee (flipside of his hit, "Stayin' In"), and by Leo Sayer, who took the tune to #2 in 1980; and 2) "I Fought the Law" (Curtis), later a big hit for the Bobby Fuller Four in 1966. The cover concept of the album is very avant-garde for the day, and done in a textured style that they had first employed on their classic (with Buddy) debut album, "The Chirping Crickets." This blue label promo copy is in stunning condition. Condition: NM 8/ MT 9. From the GRT Collection
Buddy Holly and the Crickets "That'll Be The Day" and "Oh Boy!" Sheet Music Group of 2 (1957). The Crickets' two biggest hits are represented in this group. The great photos show just how young Holly and the boys were at the time. Condition for "That'll Be The Day": NM 8 (with 1/2" red line at top center of front). Condition for "Oh Boy!": VG-EX 6 (with water stain at right top corner -- photo intact. From the GRT Collection
Buddy Holly Owned & Worn Shirt. Straight off the back of one of Rock's founding fathers, offered here is a white cotton T-Shirt (approximately size Medium) worn by the great Buddy Holly during a promotional photo shoot among others for Buddy Holly and The Crickets. A handwritten designation on the inside collar of the shirt reads, "Holly." In overall fine condition, with some persperation staining at the collar and along the chest. Small stiching separation at left armpit. Included is a photograph referenced that shows Holly wearing the shirt. Note This lot is not part of the Maria Elena Holly Collection.
Buddy Holly "Buddy and Bob" Business Card. In the fall of 1949, Holly met Bob Montgomery at Hutchinson Jr. High School, with whom he shared a common interest in music, and the two teamed up to perform as "Buddy and Bob." Initially influenced by bluegrass music, they sang harmony duets at local clubs and high school talent shows, and eventually earned a spot as an opening act for Elvis Presley when he played the area early in his own career. This business card from that brief era of Holly's career lists his and Montgomery's name across the top, as well as Larry Welborn -- who briefly played bass for the duo -- plus that of their business manager, Lubbock-based DJ "Hi Pockets" Duncan. In Excellent condition with very faint traces of yellowing around the edges. Note This lot is not part of the Maria Elena Holly Collection.
Buddy Holly's Personal Pocket Knife. Manufactured circa mid-1950s, this small pocket knife was regularly carried by Buddy, according to wife Maria Elena. It has a hard plastic body and measures 3.25", 7" with the blades extended. In Fine condition, with nicked and dulled blades, but still in sturdy shape. Note This lot is not part of the Maria Elena Holly Collection.
Buddy Holly's Personal Fishing Knife. Manufactured circa the mid-1950s, this knife, according to Maria Elena, was carried and used regularly by Buddy while fishing. It has a hard plastic cover and measures 5" i n length closed, 8.5" inches with the stainless steel blades extended. The knife is in overall Fine condition, with some spots of rust and a dulled and nicked knife blade. Note This lot is not part of the Maria Elena Holly Collection.
Buddy Holly Signed Yearbook. This copy of the 1955 Lubbock Senior High School "Westerner" yearbook is signed twice by Holly. One signature appears on page 196 under his photo as vice-president of the Vocation Industrial Club. The other signature appears in blue ink on one of the signature pages in the back of the yearbook and is inscribed "John, Lots of luck in the coming years. Buddy Holley." His senior class picture appears on page 69. This wonderful item is in Excellent condition, with only a very mild amount of shelf wear. Note This lot is not part of the Maria Elena Holly Collection.
Buddy Holly and the Crickets Autographs. This very nice 4" x 2.25" slip features a big, bold signature from Buddy, along with signatures from drummer Jerry Allison and bassist Joe Mauldin, probably in early 1958 after Niki Sullivan left the group and before Tommy Allsup was added to the line-up. A rare fine example of all three signatures on one item, in Excellent condition. Note This lot is not part of the Maria Elena Holly Collection. With COA from PSA/DNA.
Buddy Holly and the Crickets Autographs. A Rock and Roll phenomenon until Holly's untimely death in an airplane crash in 1959. Their single "That'll Be the Day" (1957) was a chart-topper. Buddy toured with his band the Cricket, featuring Joe Mauldin on Bass and drummer Jerry Allison, who came up with the band's name. Guitar player Niki Sullivan left the group in 1958 and Tommy Allsup took his place. This 4.75" x 4" album leaf is signed in blue ink by Holly, Allison, and Mauldin, probably in early 1958 after Sullivan's departure and before Allsup was added. A rare item, in Excellent condition. Note This lot is not part of the Maria Elena Holly Collection. With COA from PSA/DNA.
Buddy Holly Hotel Receipt. An unsigned receipt made out to Buddy Holly from the Hotel Palliser in Calgary, Alberta, Canada. Buddy had performed a concert in Moscow, Idaho at the University if Idaho and stayed in this hotel just across the border. In Excellent condition. Note This lot is not part of the Maria Elena Holly Collection.
Buddy Holly Signed Receipt. Carbon copy receipt for an airline flight on May 3, 1958, with a bold signature by Holly in blue ink. A very rare item in Excellent condition with a great sample of Holly's signature. Note This lot is not part of the Maria Elena Holly Collection.
Buddy Holly and the Crickets Flight Receipt and Norman Petty Signed Check. A TWA flight receipt for a flight the band took on March 31, 1958 while on tour. The receipt shows that Holly's manager, Norman Petty, paid for the flight using check #171 from the Crickets' personal checking account. Said check is included with the receipt, signed by Petty and endorsed on the back as well. Very rare and unique items, in excellent condition with light wear and the usual bank cancellation marks to the check. Note This lot is not part of the Maria Elena Holly Collection.
Buddy Holly Initialed Gas Receipt. From a gas purchase at Yoakums Shell Service in St. James, Missouri, dated September 19, 1958, and initialed by Holly, who was on tour and driving his own vehicle at the time. In Excellent condition. Note This lot is not part of the Maria Elena Holly Collection.
Buddy Holly Initialed Receipt. A gasoline receipt with Buddy Holly's initials, dated September 19, 1958. Buddy was on tour and driving his own car a the time, and the receipt shows he purchased $3.80 worth of gas at a Hudson Oil station in Kansas City, Kansas. In Excellent condition with mild tanning. Note This lot is not part of the Maria Elena Holly Collection.
Buddy Holly Initialed Receipt. A receipt for a gasoline purchase made on September 19, 1958 in Chandler, Oklahoma, initialed by Holly, who was on tour and driving his own car at the time. In Excellent condition with very minor wear. Note This lot is not part of the Maria Elena Holly Collection.
Norman Petty Signed Receipt. A receipt for the purchase of a Bible signed by manager Norman Petty, who liked for Buddy Holly and the Crickets to have one with them while touring. In Excellent condition with some tanning of the paper and mild fading of the handwriting. Note This lot is not part of the Maria Elena Holly Collection.
Peggy Sue Ring, Record, Framed Photo and Letter. This is a truly outstanding piece of Rock n' Roll history, provided by the real-life "Peggy Sue" herself. The 16x38 framed display offers four remarkable items intimately associated with the life and legacy of Buddy Holly. Working from the display's bottom up, there's a 78 rpm record of "Peggy Sue Got Married,"on the Coral label. Then there's a sparkling engagement ring, attached to a red ribbon bow - yes, the actual ring drummer Jerry Allison presented the consignor, the real Peggy Sue, in June of 1958. Then there's a hand-written letter from Peggy Sue, telling the whole story of the songs "Peggy Sue" and "Peggy Sue Go Married." And finally, atop this material, there's a photo of Jerry Allison and his bride Peggy Sue (who were married July 22, 1958) with Buddy Holly and his wife Maria Elena Santiago, taken while the two couples were honeymooning together in Mexico City.The letter, headed "Peggy Sue Got Married" and written on attractive stationary with musical notes background, offers fascinating content; e.g., where and when she first heard the song "Peggy Sue," and that Buddy and Jerry bought engagement rings at the same time! She also notes that "Peggy Sue Got Married" was "one of the last six songs Buddy Holly wrote before his death." The consignor has signed the letter in red ink. The display is a dazzler, with mementos from the inspiration for two of Holly's signature songs. It's all in Excellent condition, and the photo, letter, record and ring make this one of the most rare and desirable pieces of Rock n' Roll legend and lore available anywhere. Note This lot is not part of the Maria Elena Holly Collection. Accompanied by LOA from Peggy Sue Gerron.
Buddy Holly, Richie Valens, and J. P. Richardson Photo Collection. These three rare color photographs titled "Six Days Before the Music Died" were taken January 28, 1959 by Timothy D. Kehr at the Prom Ballroom in St. Paul, Minnesota. Six days before a tragic plane crash took the lives of the three Rock 'n Roll greats at 1:00 a.m. on February 3, 1959, Buddy Holly, J.P. Richardson and Ritchie Valens each posed for the photographer before they went on stage to perform. The photographs were taken in a small room off the stage area at the Prom Ballroom. Included in this lot are the three photos, digital negatives for each of the photos and the certificate of registration from the United States copyright office which will be assigned over to the winning bidder by Timothy D. Kehr. The photos are 8" x 10". Note This lot is not part of the Maria Elena Holly Collection.
Mojo Men/Love/Chocolate Watch Band "Big Abe's Birthday Party" Concert Poster (Santa Clara County Fairgrounds, 1967) Get trippy with Abe Lincoln! This President's Day show features the Mojo Men ("Sit Down I Think I Love You") as headliners, with "garage band" faves Love ("My Little Red Book") and Chocolate Watch Band ("Let's Talk About Girls"). Southern California was really rockin' that night! This very colorful poster measures 17" x 22", and is in VG+ condition.
Abe Lincoln's Birthday Party Fillmore Handbill (Bill Graham, 1967). A very tough to find handbill for a show put on by Bill Graham at San Francisco's Fillmore Auditorium. This was not part of the Bill Graham numbered series and there was no poster produced for this show. Playing on the bill was the Salvation New Army Band, Sly and the Family Stone, Moby Grape, and the Grateful Dead. Measuring 8.75" x 11.5" this handbill will thrill one lucky bidder!!
Kevin Ayers Paradiso Concert Poster (1982) Former Soft Machine guitarist and singer Kevin Ayers recorded a string of solo albums in the 1970s that sold well in England, and are just beginning to be noticed outside a small cult of American fans, thanks to recent CD reissues. He maintains a large following in the UK and Europe, and continues to tour. Here's an attractive vintage black and white concert poster for a show at Amsterdam's Paradiso, measuring 24" x 17", in VG+ condition.
Jeff Beck Handbills - Group of 2 One of the greatest electric guitar players in the history of rock and roll, former Yardbirds lead guitarist Jeff Beck has had a career spanning four decades. In this group are two handbills from early in his solo days. The first is by Carl Lundgren for the Grande Ballroom in Detroit from 1968, in Near Mint condition; it measures 4.25" x 7.5". The second is a handbill is from the Kinetic Playground in Chicago from 1969, in Near Mint condition; it measures 8.5" x 11".
Captain Beefheart and his Magic Band "Red Bull" Avalon Concert Poster FD13 (Family Dog, 1966). An offering from the tough-to-find first twenty of the Family Dog poster series. This is artist Stanley Mouse's first poster in the series, which only adds to the desirability. The other group on the bill was the Oxford Circle. This poster is in GD/VG condition due to some light creasing and tack holes. Because this is part of the Family Dog numbered series it bears the designation FD-13. This poster measures 14.25" x 20".
Captain Beefheart and the Magic Band Armadillo World Headquarters Concert Poster (1974) He's the Dada King of Rock -- Don Van Vliet, aka Captain Beefheart! Heard by few but influencing many, the Captain's records (like "Trout Mask Replica" and "Clear Spot") continue to amaze, confound, and thrill the small but intensely devoted following of fans worldwide. This black and white poster, featuring interesting pencil art by Austin artist Jim Franklin, measures 11" x 17", and is in NM- condition.
Chuck Berry Portland Memorial Concert Poster (KISN/Northwest Leasing, 1973) Hail, Hail Chuck Berry! Rock 'n' Roll's elder statesman kept 'em jumping at shows for many years, including this 1973 concert in Portland, Oregon. This black and screaming red poster measures approximately 14.5" x 22.5", and is accompanied by a postcard for the 1969 Fillmore concert (BG158). Both items are in VG- condition.
Chuck Berry "Rock 'n' Roll Homecoming" Concert Poster (1983) It's time for the annual Homecoming event at Boise State University! Who better to call on than Rock's elder statesman, Chuck Berry? And he won't be duck-walking across the stage alone -- he's bringing along retro-rockers Jr. Cadillac! Even if you've never set foot in Idaho, you'll dig this nostalgic 24.75" x 18.5" red and black poster. It's in excellent NM condition, so place that winning bid and have Happy Days again!
Big Brother and the Holding Company "One Year Anniversary" Avalon Concert Poster FD-30 (Family Dog, 1966) Here's a great poster from the first year of Big Brother and the Holding Company's existance! Texas-born blues belter deluxe Janis Joplin had been singing with the band about six months at this point. Opening the show was another transplanted Texan and his band, the Sir Douglas Quintet. This 14" x 20" poster features graphics by Stanley Mouse, and is a first printing. All four corners are tackholed, otherwise, the condition is a strong VG+.
Big Brother and the Holding Company "Top Hat" Avalon Concert Poster (Family Dog, 1966). 1966 must have been quite a year for Janis Joplin. This was the year she finally moved from Texas to San Francisco (at the urging of old friend Chet Helms), and by the late spring of that year, she was singing with Big Brother and the Holding Company. Here's a great poster starring the band from December, '66, featuring the top-hatted Indian mascot of Helm's Family Dog Productions. Joining Janis and the boys that night were Oxford Circle and keyboard whiz Lee Michaels. Victor Moscoso provided the tripped-out graphics. This 14" x 18" poster is a first printing, and is in NM- condition.
Big Brother and the Holding Company "Batman" Concert Poster #BG2, First Printing (Bill Graham, 1966). One of the highlights for this sale is BG-2, also known as "Batman." This is one of the most difficult first printings to find from the entire Bill Graham series, and most desirable. Due to popularity, this poster was printed three different times by Bill Graham. The groups featured on the poster include Big Brother and the Holding Company, The Great Society, and Quicksilver Messenger Service. This poster meets all requirements from "The Collector's Guide to Psychedelic Rock Concert Posters, Postcards and Handbills" to be considered a first printing. Measuring 14" x 20" and featuring art by poster legend Wes Wilson, this NM- rarity would be the highlight of any Rock Poster collection!
Big Brother and the Holding Company Avalon Ballroom Uncut Postcard #FD-55 and Ticket Sheet (Family Dog, 1967) The March 31-April 1 concert, featuring opening act the Charlatans, is represented by a beautiful poster design ("Eyeball"), from Zap Comix artist Victor Moscoso, with George Hunter. This is a very rare uncut sheet of six full-color postcards, plus two light blue tickets (original admission price: $2.50). The postcard itself can be tough to locate; here's a sheet of six, all in NM condition! They've been attractively double matted and framed to an overall size of 14" x 19".
Big Brother and the Holding Company "Dr. Sunday's Medicine Show" Benefit Concert Poster (1967) For this show, held in support of the Haight-Ashbury Medical Clinic, Janis Joplin and the Big Brother boys were joined by Quicksilver Messenger Service, Mother Earth, Mad River, and others. The poster itself is very wild and drenched in color, featuring trippy art by Mari Tepper. The poster measures 14" x 21", and is in NM- condition.
Big Brother and the Holding Company "Motherload" Avalon Concert Poster FD-60 (Family Dog, 1967) Second edition of this classic poster, featuring a great photo of Janis Joplin and her band, taken by Bob Seidemann. Graphics by Rick Griffin. 14" x 20", NM-.
Big Brother and the Holding Company "Family Portrait" Avalon Concert Poster FD-72 (Family Dog, 1967) This unusual and ornate portrait of Janis Joplin and her band Big Brother and the Holding Company was printed from the pencil art of Dennis Nolan. It's a lovely image, highlighted by the center portrait of guitarist James Gurley and a young family member. Additional acts listed include blues rockers Canned Heat, plus Mother Earth and Mount Rushmore. This first-printing edition measures 14" x 20", and is in VG++ condition.
Big Brother and the Holding Company "Phoenix Dance" Fillmore Concert Poster (1967) This rare poster is for a benefit show at the Fillmore Auditorium. The other groups on the bill include Quicksilver Messenger Service, Steve Miller Blues Band, and Country Joe and the Fish. The poster grades VG due to a tape mark and a name written on the back. With fewer than 500 printed, this 14.25" x 20" poster seldom turns up.
Big Brother and the Holding Company "Trip the Light Fantastic" Avalon Concert Poster (Lick Wilmerding, 1967) A rare poster from a benefit show at the Avalon Ballroom. This was an all-ages benefit show for Lick Wilmerding High School in San Francisco. The other groups in the line-up that night were Quicksilver Messenger Service and Universal Parking Lot. This poster grades VG due to both tape marks and tack holes. While it may appear that part of the upper right corner is missing it was actually folded in the printer, and printed on top of the fold. Still this is one of the rarest Janis Joplin posters from SF, with fewer than ten known to exist. This poster measures 13" x 20".
Big Brother and the Holding Company First Denver Show Concert Poster FD-DL, Large Version (Family Dog, 1967) For a few months in the Winter of 1967, Chet Helms and the Family Dog took a stab at producing shows in Denver. While it wasn't a financial success, the shows produced some fantastic posters, and none were more spectacular than the first. This poster was printed double size, has art by Rick Griffin, and features two powerhouse California groups -- Big Brother and the Holding Company and Blue Cheer. Other than a few very slight dings on the corners, this 19.5" x 29.5" poster is in NM- condition.
Big Brother and the Holding Company Fillmore Concert Poster BG115 (Bill Graham, 1968) It was all about to explode for Janis Joplin and the boys when Big Brother and the Holding Company appeared at the Fillmore for two nights in April, 1968. In two months, the band would record their classic second album Cheap Thrills, which would be a hit worldwide. By the end of the year, Janis would leave the band. Here's a beautiful poster for that April show, complete with photos of the band, designed by Patrick Lofthouse. Opening the show was Iron Butterfly, another band on the cusp of reaching a huge audience with their subsequent '69 single "In A Gadda Da Vida". This single-printing poster measures 14" x 21", and is in NM- condition.
Big Brother and the Holding Company Concert Poster (Pepperland, 1971) Another great example of Mark Twain Behrens work. This time, it's for a show with Big Brother and the Holding Company with the Sons of Champlin and Clover. This 13" x 18" poster grades VG++ due to some printing lines in the image and two very light creases on the lower left.
Elvin Bishop Concert Poster (Pepperland, 1971) A rarely seen poster by '70s artist Mark Twain Behrens, this is printed on very thin, glossy paper stock. The poster measures 13.75" x 22" and grades VG due to two creases down by the Pepperland logo. On the bill with
Bodacious DF Promo Poster (1975) Amidst the turmoil of the early '70s, members of the Jefferson Airplane/Starship began work on their own projects. It was during this time that singer Marty Balin formed his first group Bodacious DF. They recorded one album in 1974 that still receives airplay today. The trippy artwork, featuring starships, is by the late Bob Fried. This rare record store promo poster is in GD/VG condition due to creases and a few tack holes, but is very tough to find in any shape. Its overall size is 18.5" x 25".
Booker T and the MG's Tour Poster (undated, circa 1967) The king of the Hammond Organ, Booker T and the fabulous MG's toured the nation with this poster advertising various gigs (like a movie Window Card, this poster has a blank spot at the top to include venue information). The black-on-orange poster measures 14" x 22", and has some minor damage along the lower edges; otherwise, it is in a very solid VG+ condition.
Roy Buchanan Armadillo World Headquarters Concert Poster (1975) The late Roy Buchanan was a "player's player", one of the most respected guitar slingers ever. His playing influenced many of the big names, even though his was hardly a household name. Originally trained on steel guitar, Roy made his reputation playing countrified blues on the Fender Telecaster; this poster, featuring intricate art by Guy Juke, shows Roy with his trusty Tele in hand. This is one beautiful little poster! It measures 11" x 17", and is in NM- condition.
Butterfield Blues Band Fillmore Concert Poster #BG46 (Bill Graham, 1967) Hailing from Chicago, the Butterfield Blues Band was considered to be the best Rock and Blues band of their time. This poster is from just after they made the move to California. It grades VG+ due to some small creases at the corners, and measures 14.25" x 22". Also on the bill were the Charles Lloyd Quartet. As part of the Bill Graham numbered series it bears the designation BG-46.
Butterfield Blues Band Concert Poster, Postcard, and Ticket #BG166 Group (Bill Graham, 1969). Originally from the mean streets of Chicago, the Butterfield Blues Band launched the careers of Mike Bloomfield, Elvin Bishop, and their harp-playing leader, Paul Butterfield. Additional acts on this bill included Mike Bloomfield and Friends, and Birth. Both the poster and ticket in this group are in NM condition, the postcard has some staple holes in it. As part of the Bill Graham numbered series it bears the designation BG-166. The poster measures 13" x 21.5".
Byrds Winterland/Fillmore Concert Poster #BG57 (Bill Graham, 1967) The Byrds still featured most of their original line-up in 1967 -- Roger McGuinn, Chris Hillman, Mike Clarke, and David Crosby. This wonderful '67 poster features a wild image of peacocks surrounded by swirling psychedelic lettering, courtesy of artist Wes Wilson. Opening for the Byrds was one of the best of the 'Frisco bands, Moby Grape -- what a show! The poster had but one printing; it measures 13.75" x 22.25" and is in NM- condition.
Canned Heat Vulcan Gas Company Concert Poster VG21 (1968) Austin, Texas' original "hippie hangout" was the Vulcan Gas Company. Located in a run-down area of downtown, on Congress Street, it thrived as a scene for far-out music and light shows from 1967 until finally closing in 1970. Poster from this venue were produced in small quantities, with no reprintings like their San Francisco counterparts. Here's a typically large (21.5" x 27.5") poster advertising a Canned Heat show, with Vulcan regulars the Conqueroo and Shiva's Head Band supporting. Underground comix artist Gilbert Shelton provided the cooly psychedelic images and trippy lettering. The poster has a few tack holes and tears, the worst being a 1.5" rip along the left side, but overall ranks a solid VG. Of the estimated 150 copies produced of this poster, it's doubtful many have survived in better condition.
Catalyst Club Greg Irons Poster (1969) Monterey Bay's premier nightclub is still going strong, after many years of hosting top acts. Several live albums have been recorded at this Santa Cruz location as well. Here's a beautiful early poster for the venue, one of the handful designed by Underground Comix artist Greg Irons. It's a very colorful and psychedelic illustration! The poster measures 14" x 22.75" and is in NM condition.
Chambers Brothers Matrix Autographed Concert Poster (Neon Rose, 1967) If you were listening to Rock radio in the late 1960s, you have to remember the infectious song "Time Has Come Today", by the Chambers Brothers. This classic "Sunglasses Girl" poster, for a Chambers gig at the Matrix, is one of the best of artist Victor Moscoso's Neon Rose series. To sweeten the deal, it has been signed and inscribed by three of the original four brothers -- Joe, Willie, and George "Pops" Chambers -- at the top of the poster. It measures 14" x 20", and is in great NM- condition.
Eric Clapton Blaisdell Arena Concert Poster (1977) That "Slowhand" guitar god travelled all the way to beautiful Hawaii for this concert! Don't you wish you had been there? This cool poster may not be the next-best thing, but it's close! 1977 was a strong year for Clapton, who had rebounded from past problems to record some of his best solo tunes, including "Wonderful Tonight" and "Lay Down Sally". This 17" x 21.5" poster, printed in vivid red, is in VG+ condition, and would make a great addition to any collection.
Joe Cocker and the Grease Band Fillmore Concert Poster #BG 196 with Postcard and Signed Album (Bill Graham, 1969) In 1969, Joe Cocker shook up the pop music world with his gravelly-voiced version of the Beatles' "With A Little Help From My Friends". Here's a great Near Mint condition copy of the Fillmore concert poster (featuring graphics by David Singer and Randy Tuten) from October 16-19, 1969 co-starring Little Richard and the Move, complete with a VG+ copy of the postcard. They've been mounted alongside a sharp-looking copy of Cocker's classic first album, boldly signed in blue marker by the singer. All items are handsomely framed and matted to an approximate overall size of 25.5" x 32". You'll be "Feeling Alright" if your bid brings this one home!
Country Joe and the Fish Promo and Concert Poster Group (1967-80) Gimmie an F... gimmie an I... gimmie an S... gimmie an H... what's that spell? Original hippie trouble-maker Country Joe McDonald and his band, the Fish, are featured in this hefty helping of posters and promos, including: a 23.5" x 17" January, '67 Calendar Poster (starring a lovely young nude model), in VG; a 17" x 17" Vanguard Records promo poster for the first album, in VG+; a 14.25" x 20.5" "Rag Baby" promo poster for the fourth pressing of their early EP, in GD; a 1978 split-fountain 12" x 18" poster from the Berkeley Centennial concert, featuring Joy of Cooking, in NM-; a 1974 Lighthouse 11" x 17" poster for Country Joe's concert at the Santa Rosa Veteran's Memorial, in NM-; an undated 11" x 17" poster of Joe, featuring a wild polarized photo of the singer, in NM-; a Family Dog postcard (FD66) with a Victor Moscoso design, in NM-; and finally, a 1980 "Country Joe and the Fish Broadside" handbill, featuring new song lyrics on both 8.5" x 11" sides, in VG+.
Cream Southampton Concert Poster (1967) Here's one act that lived up to its name: guitarist Eric Clapton, bassist Jack Bruce, and drummer Ginger Baker were the cream of London session players in the mid-1960s. This is a very rare silkscreened poster for a British show, held at the Guild Hall in Southampton in January, 1967. Cream formed the year before, and spent most of '67 touring and recording in the United States, leaving precious little time to play before British audiences. This 20" x 29.5" poster is screened in white on heavy black paper, with a correction printed and pasted over the month. A 3.25" tear runs through the "C" in Cream, and the bottom right corner has been slightly clipped, leaving this item in VG- condition; still, this very unusual and possibly unique poster is sure to thrill any fan of the band, whose recent reunion shows have been the talk of the Rock world!
Cream Showgrounds Concert Poster with Fillmore Postcard, Ticket Set, and Signed Album (1968) Blues-based supergroup the Cream was formed by a trio of Great Britain's best: singer/bassist Jack Bruce, drummer Ginger Baker, and former Yardbirds and John Mayall guitarist Eric Clapton. From 1966 until their final show at London's Royal Albert Hall in 1969, they reigned supreme as Rock's "heaviest" players. Here's a collection of items from their heyday, including a Near Mint copy of the February 24, 1968 concert at Santa Barbara's Earl Warren Showgrounds, designed by Frank Bettencourt; a postcard and a set of four tickets to the band's March 7th Fillmore show and March 8-10 shows at the Winterland, presented by Bill Graham (BG110); plus a VG++ cover to the "Disraeli Gears" album, signed in black marker by all three members. Cream have reunited recently for a few (quickly) sold-out shows, but assembling all these scarce items, beautifully presented in a professionally framed and matted display measuring 33" x 29" will be tough to duplicate. Place that winning bid and you'll be "Sitting On Top of the World"!
Albert King/Creedence Clearwater Revival Fillmore West "Bulls Eye" Concert Poster BG137 (Bill Graham, 1968) Out of nowhere came the irresistible choogling rhythms of Creedence Clearwater Revival's smash 1968 hit, "Susie Q", a remake of the Dale Hawkins '57 single. Of course, the band had been toiling away for years as the Golliwogs, but with nowhere near the impact of that first CCR hit. Here's a classic Fillmore poster for an Albert King show, with CCR as the opening act. Rick Griffin's "Bull's Eye" design has long made this a favorite for poster collectors, made even more desirable by the lack of a second printing. The poster measures 22" x 14", and is in NM- condition.
Albert King/Creedence Clearwater Revival "Bulls Eye" Fillmore West Concert Poster #BG137 (Bill Graham, 1968) From the mighty pen of Rick Griffin comes this powerful piece. This poster was printed only once, making it tougher to find than some of the posters around it. The groups featured were Creedence Clearwater Revival, Albert King, and Black Pearl. Because this poster is part of the Bill Graham numbered series it bears the designation BG-137. In NM condition, this poster measures 14" x 22".
Creedence Clearwater Revival Fillmore Concert Poster #BG164 with Ticket Set, Photo and Autograph Set (Bill Graham, 1969) San Francisco's Creedence Clearwater Revival had been kicking around the Bay Area for a number of years by 1969. In their orignal format, as the Golliwogs, they were fronted by Tom Fogerty, who led the band through a number of near-hit singles. Signed to the Fantasy label as Creedence, and with John Fogerty as the frontman, they found "instant" fame with the 1968 single "Suzy Q". More success followed, but in the end, a bitter dispute with Fantasy split the band and left the Fogerty brothers on less than friendly terms, a situation that continued through to Tom's death in 1990. This handsome 29.5" x 25" framed and matted item includes a NM copy of the Randy Tuten-designed poster for the four-night event (co-starring Jethro Tull), a set of three tickets (with one doubling for Thursday or Sunday), an 8" x 10" black and white photo of the band, plus all four signatures on a grey piece of paper. All items are in NM condition.
Creedence Clearwater Revival Vancouver Civic Coliseum Concert Poster (1970). If the chooglin' rhythms of CCR are your cup of tea, we don't think you could find a better poster. John, Tom, Doug, and Stu are well represented by a colorful line-drawn image, topped by a rainbow and surrounded by natural greenery. This 14" x 21" Canadian concert poster was printed by Tea Lautrec, the San Francisco company responsible for some of the best Rock posters of the 1960s. It is in NM- condition, and ready to come rolling down your way -- provided you place that winning bid.
King Crimson "Happy Birthday" Paradiso Concert Poster (1981) Guitarist Robert Fripp and drummer Bill Bruford receive birthday wishes on this colorful concert poster, advertising the May 15, 1981 King Crimson show at the Paradiso in Amsterdam. The poster measures 24" x 17", and is in VG++ condition. Also included in the special Crimson lot is a nifty 8" x 10" of the recent "double trio" band (that's right -- two guitars, two bass players, two drummers), a black and white early 1970s-era flyer for Bill Graham concerts, including King Crimson, and a very colorful unused sticker promoting the band's 1995 release "Thrak".
Crosby Stills Nash & Young Tour Poster (1970) The year 1970 was a big one for the quartet known as Crosby Stills Nash and Young. The group's first album as a four-piece, "Deja Vu", had been released to wide acclaim, going gold even before it hit the stores. Kent State had inspired the poignant song "Ohio", and the summer tour netted tracks for a live double-album, "Four Way Street". This large poster, featuring a painted portrait of David, Stephen, Graham, and Neil by celebrated Western artist Jim Rey, was among the items offered for sale on that tour, and rarely shows up for sale today. It measures 32" x 24.5", and is in VG+ condition.
Daily Flash "Edgar Allan Poe" Avalon Concert Poster FD-31 (Family Dog, 1966) This is the sought-after "Wrong Date" version of this famous poster. Stanley Mouse provided the black and white graphics featuring the beloved writer; Country Joe and the Fish were the opening act. The poster measures 14" x 20"; outside of a .5" tear in the outer margin along the right side, it's in NM- condition.
Detroit Cobras - Poster and Original Art (idealposters.com, 2004). The Detroit Cobras are one of the many bands out of the "Motor City" keeping the tradition of garage rock alive in the 21st century. Included in this group is a Near Mint poster for their show at the Troubador in Hollywood. It measures 12" x 17.5". You also recieve the 14" x 19" original art for the poster! Because this poster is part of the idealposters numbered series it bears the designation JC-12.
Doors/Lothar and the Hand People/Captain Beefheart "Flash" Denver Concert Poster FD-84 (Family Dog, 1967) This must have been a fun show -- headliners the Doors alongside early electronic band Lothar and the Hand People, plus the added weirdness of Captain Beefheart and his Magic Band -- wow! You people in Denver really know how to party! Lothar and the Hand People were originally a Denver-based group who are remembered today as one of the very first bands to tour with a synthesizer -- their big 1968 single was appropriately called "Machines". Bob Schnepf's blinding yellow and white graphics have given this poster its "Flash" nickname. This is a first printing; the poster measures 14" x 20", and is in NM- condition.
The Doors "Pay Attention" Denver Concert Poster FD-D-18 (Family Dog, 1967) For those lucky enough to have been in Denver, Colorado on New Years Eve, 1967, this incredible concert, featuring Jim Morrison and the Doors, plus Allmen Joy (an early version of the Allmen Brothers Band) was just a ticket away! But for collectors, even better than the actual show is this mind-blowing poster for the event, featuring some truly out-of-this-world art by Rick Griffin. This poster has long been cherished by fans and collectors, and the image reused in subsequent books written about the late '60s -- due in no small part to a rather pointed drug reference (the large white tablet-shaped "pill" featuring the words "Pay Attention"). All that aside, this remains a vividly colored souvenir of a turbulent time! It's a first edition poster measuring approximately 12.75" x 21.5" and is in VG++ condition.
The Doors "Break On Through" Avalon Concert Poster FD-50 (Family Dog, 1967) Free your mind -- break on through to the other side! A consciousness-expanding Victor Moscoso image adorns this colorful poster for the Doors/Country Joe and the Fish/Sparrow show from March 3 and 4, 1967. This 14" x 20" poster is a second printing, and is in NM- condition.
The Doors "Psychedelic" Avalon Concert Poster FD-57 (Family Dog, 1967) They got the name right on this one -- you could go blind trying to read the far-out lettering, or trying to see the lovely nude girl hidden behind the swirling colored stripes! Blame artist Victor Moscoso! This trippy Doors poster is a NM- second printing, measuring 14" x 20".
The Doors Avalon Concert Poster FD64 (Family Dog, 1967). A beautiful poster from the psychedelic pen of Victor Moscoso. This poster promotes two concerts at the Avalon Ballroom. The first is the Miller Blues Band with Daily Flash, the second is the Doors with the Miller Blues Band. In NM condition; this poster measures 14" x 20.25".
The Doors "Happening #3" Fresno Concert Handbill (1968) A scarce handbill featuring "psyched-out" pictures of The Doors. Joining Jim and the boys was a band called the Shag. In NM condition, this 5.5" x 8.5" handbill will look great in any Rock Memorabilia collection.
The Doors Cow Palace Concert Poster #BG186 (Bill Graham, 1967) Poster Artist Randy Tuten contributes one of his best images for this fantastic Doors poster, advertising the July 25th, 1969 show at the Cow Palace. Opening acts included Elvin Bishop and Lonnie Mack. This is a second printing, still very desirable and sought-after by poster collectors. Interesting to note the incorrect number "187", which was not corrected, even on this second edition. The poster measures 14" x 22", and is in VG++ condition.
The Doors Berkeley Community Theatre Concert Handbill (1969) Break on through with this fantastic '69 handbill featuring the Lizard King himself, Jim Morrison and the Doors! A great photo of the band is featured alongside intricate line art, all printed in light brown ink on white. Iron Butterfly is the opening act -- what a show! Approximately 5.5" x 8.5", in NM- condition, with a small date stamp on the back side.
The Drifters Arcadia Ballroom Concert Poster (1954). One of the numerous R&B vocal groups that originated in the '50s, the Drifters are one of the few that managed to stay viable in the decades that followed as well as carve out a niche in music history. This lot includes a poster for their October 11, 1954 performance at the Arcadia Ballroom in Providence, Rhode Island; in Good condition with some moderate discoloration and some chipping along the lower left side, still an excellent display piece.
Electric Light Orchestra Paramount Northwest Concert Poster (1973) Popular recording artists Electric Light Orchestra brought along a taste of classical music in their string-laden rock hits like "Evil Woman" and "Mr. Blue Sky". They originally formed as an offshoot of the Move, a late '60s British outfit whose first single (1967's "Night of Fear") quoted a passage from the 1812 Overture. Jeff Lynne joined the Move around 1970, and continued as leader of ELO. This poster is from the band's first tour of America, and it was incessant touring of the USA which finally brought them worldwide success and a long string of hits. This poster measures 14" x 22", and is in VG+ condition.
Roky Erickson Signed Mabuhay Gardens Concert Handbill (1977) New Wave ruled the scene in June, 1977, but a few "Old School" rockers still won the respect of the young punks. Chief among them was Roky Erickson. Roky's 1960s band, the 13th Floor Elevators, were psychedelic pioneers, and in '77, their classic debut album was reissued, along with a bonus solo single by Roky ("Bermuda", backed with "The Interpreter"). This mind-blowing record must have piqued the curiosity of those who heard it, so this San Francisco show was probably packed -- after all, Roky's history of mental illness had kept him out of the public eye throughout most of the late '60s and early '70s. Here's a cool handbill from one of Roky's rare performances, signed by Erickson in black marker. It's in NM- condition. "The Interpreter, where is he now..."
Roky Erickson and the Aliens Signed Mabuhay Gardens Concert Poster (1978) Former 13th Floor Elevators frontman Roky Erickson was enjoying a rare break from the mental problems that have plagued him most of his life when he returned to San Francisco for this Mabuhay Gardens show, with his new backing band, the Aliens. This rare poster (designed by Captain Colourz) would be a prize in itself, but has the added appeal of an autograph by Erickson, boldly inscribed in black marker. The poster measures 10.5" x 16.5", and is in VG condition.
Roky Erickson Back Door Signed Concert Poster (1980) Regarded as some as the very first psychedelic band (at least in Texas), the legendary 13th Floor Elevators were best remembered for their wild front man, Roky Erickson. To call Roky an "acid casualty" would be a huge understatement. Roky spent years in and out of mental homes, occasionally resurfacing with a new record or rare tour. He was at the top of his form back in 1980, when his strange songs (like "Two-Headed Dog" and "I Walked With a Zombie") were embraced by the Punk Rock crowd. This poster is from Roky's '80 gig at San Francisco's Back Door club, and has been autographed in black sharpie. The poster measures 11"x 17", and is in VG++ condition.
Roky Erickson and the Aliens Signed Handbill (1989) Psychedelic guitar legend, and 13th Floor Elevators founder, Roky Erickson is the subject of this handbill. It's for a show at San Francisco's Mabuhay Garden's, a small club in the "north beach" section of the city. Considering the size of the club, not many of these handbills would have been printed, making them tough to come by. Add the signature of Roky, and this becomes a must-have item! In NM condition; this handbill measures 5.25" x 8.25".
Fillmore East "The Final Concerts" Poster #FE11 (Bill Graham, 1971). For about three years, Bill Graham was not only the king of music in San Francisco, but New York as well. The Fillmore East hosted nearly as many shows as its West Coast counterpart, but produced very few posters. From the summer of 1971, this is the final poster, listing the shows for the last two months. Bearing the designation FE-11, this poster features the following groups: Leon Russell, Lee Michaels, Humble Pie, Frank Zappa and the Mothers, Bloodrock, Alice Cooper, B.B. King, Johnny and Edgar Winter's White Trash, and the Allman Brothers. Quite a line up for just a couple of months! This poster grades VG+ due to some light dings along the bottom of the poster. Its overall size is 18" x 24.5". Don't wait to add this piece of rock history to your collection!
"Fillmore" Movie Insert Poster (Twentieth Century Fox, 1972) The closing of the Fillmore concert halls in San Francisco and New York by Bill Graham, tired of the headaches and hassles from dealing with Rock stars' egos and demands, was documented in this fascinating, and now sadly out-of-print, film. The terrific performances from artists such as Boz Scaggs, Santana, Jefferson Airplane and particularly the Grateful Dead, each at their respective peaks, is in fact overshadowed by the footage of Graham as he goes through his paces putting together the final shows. The poster itself measures 14" x 36", and is in NM- condition.
Kinky Friedman and the Texas Jewboys Armadillo Concert Poster (1975) There's plenty to say about the amazing Richard F. "Kinky" Friedman. As an "Alternative Country" artist, he wrote and sang such crowd-pleasers as "Get Your Biscuits in the Oven and Your Buns in Bed", and was featured as a performer alongside Bob Dylan. He's also made a name for himself as a detective novelist, with a series of books (beginning with 1986's Greenwich Killing Time) starring a crime-solver named -- what else -- Kinky Friedman. And recently, he's announced an independent run for Governor of Texas! Here's a small but colorful poster, promoting an early show at the original home of Outlaw Country, Austin's Armadillo World Headquarters. Featuring excellent art by Michael Priest, this 10.75" x 17.5" poster is a solid Near Mint beauty. Whatever your political leanings, give this one a bid -- as Kinky would say, "Why the hell not?"
Fugs Grande Ballroom Concert Handbill (Russ Gibb, 1968) From the "Motor City" comes this rockin' handbill. Unlike Bill Graham, or the Family Dog, most promoters couldn't afford to do both posters and handbills. So most just produced handbills. This was the case for the mid-west's biggest promotor Russ Gibb and his club, the Grande Ballroom. The majority of his art was just on handbills, leaving his stuff very collectible, and hard to come by! Joining the Fugs on the bill were Sly and the Family Stone, MC5, and the Psychedelic Stooges! With excellent art by Gary Grimshaw, this 4.25" x 7.25" handbill is in NM-condition.
Jerry Garcia Armadillo World Headquarters Concert Poster (1982) This 11.5" x 17.5" poster for a solo appearance by the legendary Grateful Dead guitarist sports a wonderful pencil sketch of Jerry, before a "touch of grey" made a show in his full beard and long hair. The late Garcia was joined by fellow Dead musicians Keith and Donna Godchaux, plus John Kahn and Ron Tutt. If you're a Deadhead, this poster will be sure to please! It's in NM- condition.
Jerry Garcia Electric Greek Theater Concert Poster (Bill Graham, 1988) On nights off from the Grateful Dead, Jerry Garcia trotted his own band out for occasional shows, like this Greek Theater "Electric" concert. This striking poster features a wonderful shot of Jerry clad in his usual black t-shirt and holding his beloved custom "Tiger" guitar, which was Garcia's main stage instrument from 1979 until 1990. Opening sets were provided by two other Dead members, guitarist Bob Weir, and keyboardist Brent Mydland, whose 1990 death sadly preceded Garcia's passing in '95. The 13" x 19.75" poster is in NM condition.
Robert Gordon with Link Wray Armadillo Concert Poster (1977) At the height of the late '70s punk rock movement, one pompadoured figure truly stood out from the crowd. Singer Robert Gordon teamed with guitar legend Link Wray ("Rumble") to much critical success, breathing new life into rockabilly classics like "(My Gal Is) Red Hot" and "Flying Saucer Rock and Roll". Here's a tremendous concert poster promoting the duo's 11/9/77 Austin Texas show at the famed Armadillo World Headquarters. Its black and white Art Deco stylings are super-sharp and crying out to placed on your wall! The poster measures 11.5" x 17.5", and is in NM- condition, with one very light crease along the top left corner.
Bill Graham Upcoming Concert Poster (Bill Graham, 1972) Many of the performers listed on this huge, 24" x 36" marquee display poster have sadly passed on -- Roy Buchannan (whose show was marked cancelled), Freddy King, Jerry Garcia of the Grateful Dead, Frank Zappa, and Tito Puente -- all sorely missed. Other acts listed include Grand Funk Railroad, J. Geils Band with Loggins and Messina, B. B. King with Weather Report, and Steve Miller Band with Buddy Guy and Junior Wells (Junior also recently passed on). This one-of-a-kind theater display was originally used at one of Bill Graham's locations (most likely the Winterland), and while it doesn't have the flash of his regular posters, it's one you'll not see anywhere else. In VG condition.
Grass Roots "Sin Dance" Avalon Concert Poster FD-6 (Family Dog, 1966) Chet Helm's Family Dog had been putting on shows for only about two and a half months by the time of this wild poster. Headliners the Grass Roots were yet to begin their long string of hits (beginning with "Where Were You When I Needed You" some two months later), and second billed act Sons of Adam are best known today for singer/songwriter Randy Holden (of later Blue Cheer fame). Opening the show was Chet's own band, Big Brother and the Holding Company -- before they hooked up with singer Janis Joplin! Wes Wilson designed this impressive poster, which found a very inventive way to print information -- with lettering in the form of a snake! Wow, man! This uncommon beauty had no second printing. It measures 14" x 20"; and aside from a light stain in the lower right margin, is in NM- condition.
Grateful Dead "Zenefit" Concert Poster (1966). Here is a hard-to-find poster starring the Grateful Dead, Big Brother and the Holding Company, and Quicksilver Messenger Service, for a show benefiting the Zen Mountain Center. Tape has been applied to all four corners, leaving a small bit of damage to each area; otherwise, this piece is very attractive, and in Very Good condition.
Grateful Dead/Lightning Hopkins Fillmore Concert Poster #BG32 (Bill Graham, 1966) A clean-shaven Jerry Garcia grins at you on this great early Bill Graham poster. Wes Wilson provides plenty of groovy graphics, while Herb Greene gets the photo credit. Note the coming attractions -- the Yardbirds! This poster is a first printing, outside of numerous staple marks along both left and right edges, it remains in attractive VG+ condition. The poster measures 14" x 22.5".
Grateful Dead Avalon Concert Handbill FD40 (Family Dog, 1966). A very popular image from the Family Dog series. This art has appeared on t-shirts, magnets, and stickers. Joining the Dead on this bill were the Steve Miller Blues Band and Moby Grape. In NM- condition, this 8.5" x 11" handbill does have a couple of minor creases along the bottom.
Grateful Dead Fillmore Concert Poster #BG41-2 (Bill Graham, 1966) An interesting line-up on this poster. It features the jammin' Grateful Dead, Rock pioneer Big Mama Mae Thornton, and folkie Tim Rose. Although this poster is a second printing it was printed before the show date, and is in NM condition. As part of the Bill Graham numbered series it bears the designation BG-41-2. Overall size of the poster is 14" x 22".
Grateful Dead Fillmore "Day Camp" Concert Handbill (1966) An all day camp-out/concert to benefit the San Francisco Mime Troupe. The groups performing that day included Quicksilver Messenger Service, Big Brother and the Holding Company, Grateful Dead, the Grass Roots, Sunshine, the New Improved Jook Savages, and more. In VG+ condition, there is some light foxing around the top and right edge. Overall size of this piece is 8.5" x 11".
Otis Rush/Grateful Dead Fillmore Concert Poster #BG51 (Bill Graham, 1967) Chicago Blues master Otis Rush and band take center stage on this extremely cool and scarce poster, which features the Grateful Dead and Canned Heat as opening acts. Wes Wilson applies his trademark psychedelic lettering, this time in place of the pictured girls long flowing hair, all done in pink, grey, light blue, and black. This 13.5" x 22" poster is a first printing, in VG condition, with some minor fading, small tears, and tack holes.
Grateful Dead "Krishna Consciousness" Avalon Concert Poster (San Francisco Krishna Temple, 1967) Raise your consciousness with this groovy concert poster, which featured heavyweights Big Brother and the Holding Company (starring Janis Joplin) and Moby Grape opening for this Grateful Dead "Mantra-Rock Dance" event, back in the early days of 1967. Note the instruction to bring "cushions, drums, bells, cymbals" along with your dancing shoes! The poster measures 13" x 19.5"; outside of some edge staining and wear, it's in nice VG+ condition. Chant out a bid for this unusual cultural artifact!
Grateful Dead "Three Indian Dudes" Avalon Concert Poster FD54 (Family Dog, 1967) A poster that any "Deadhead" can appreciate. This image has been on stickers, calendars, and magnets. As part of the Family Dog numbered series, it bears the designation FD-54-1. It is determined to be a second print due to the width, not the number on the poster. Despite the fact that this poster is a second printing it is still predates the actual concert and is quite collectible. In NM condition, this 13.75" x 20" poster will look great in any quality poster collection.
Grateful Dead - Fillmore West Concert Poster #BG162 (Bill Graham, 1968) A spooky image from the pen of Lee Conklin has the Grateful Dead appearing to almost be on fire! Joining the Dead on this bill were Pentangle, and the Sir Douglas Quintet. Overall size of this VG+ condition poster is 14" x 21".
Grateful Dead Lion Fillmore West Concert Poster #BG134 (Bill Graham, 1968) Incredible line-ups for the two shows this poster promotes! The first show featured Steppenwolf, The Staple Singers, and Santana. The second show featured the Grateful Dead, Preservation Hall Jazz Band, and the Sons of Champlin. Due to a small crease in the paper, from the time it was printed, this poster grades VG+ with no tack holes or tears. Because it is part of the Bill Graham numbered series it bears the designation BG-134. With great art by Lee Conklin, this 14" x 21" poster will light up one lucky bidders day!
Grateful Dead "Bloom" Fillmore West Concert Calendar Poster #BG133 (Bill Graham, 1968) A larger than usual rock poster for a larger than usual set of shows. This calendar covers the last half of August 1968 for shows at the Fillmore West. They were the Who with James Cotton, Creedence Clearwater Revival with It's A Beautiful Day, Grateful Dead with Kaleidoscope, and Quicksilver Messenger Service with Spooky Tooth. Considered one of the "Top 10" of the Bill Graham poster series, its popularity can be traced to the fact of Rick Griffin and Alton Kelly's great artwork, plus the fact that it has both the Who and Dead featured on it. The overall size of this poster is 22" x 29" and it's in VG+ condition, with only a few corner dings keeping it from grading higher. Still, this black poster is hard to come by in any shape, let alone one this nice!
Grateful Dead Great Highway Concert Poster (Family Dog, 1969) From the very brief period where Family Dog concerts had left the Avalon and moved to the Great Highway address comes this unusual Grateful Dead poster. It's definitely one we don't see often! Open acts includes Albert Collins and the Ballet Afro-Haiti. The poster measures approximately 11.25" x 17", and is in VG+ condition.
Grateful Dead Poster, Postcard, and Ticket #BG154 Group (Bill Graham, 1969) For all you "Deadheads," your ship has come in with this great lot! Not only do you get the poster, but also a postcard and ticket for the show. Joining the Dead on this line up were Blood Sweat and Tears, and Spirit. The poster grades VG++ due to a quarter inch tear top center. Both the postcard and ticket are are NM. As part of the Bill Graham numbered series this poster is designated BG-154 and it measures 14" x 21.5".
Grateful Dead Avalon Concert Poster (Soundproof, 1969). A tough to find poster from the Avalon Ballroom. Soundproof Productions only existed for a few months in the Summer of 1969, but they produced some memorable posters. Joining the Grateful Dead on this bill were Aum and The Flying Burrito Brothers. With small tack holes in each corner, and no creases, this poster grades VG. Overall size of this poster is 13.25" x 16.25".
Grateful Dead Memorial Concert Poster, Carousel Ballroom (1968). A striking "skull" design by Alton Kelly makes this Carousel Ballroom poster a favorite for Deadheads. We can't say for sure who the "Memorial" was for - certainly not Ron "Pigpen" McKernan (who passed away in 1973), as we erroneously reported in an earlier description. This poster is not part of any numbered series but bears the designation A.O.R. 2.160, for where the poster appears in the book "The Art of Rock." Also on the bill was Charlie Musselwhite and Petris. The days of the week across the top of this poster have been blackened out with ink (this appears to be the result of a typo, as the actual concert dates were in 1968, not '69, as these dates would imply; this does little to detract from the beauty of this 14" x 22" poster. With no tack holes, and just some minor creases, this very rare poster grades VG++.
Grateful Dead Concert Handbill and Ticket group (1970) One of the harder to find handbills from the Grateful Dead and Quicksilver Messenger Service tour of 1970. This is for a show at the Houston Coliseum, and included John Mayall and It's a Beautiful Day on the bill as well. This 8.5" x 11" handbill grades NM- due to some light handling wear; the ticket included is a used stub from the show. So get "Truckin" and place a bid on this cool piece of Dead memorabilia!
Grateful Dead/Miles Davis Quintet Fillmore Concert Poster BG227 (Bill Graham, 1970) Fusion jazz joins free-form rock in a night of incredible jamming and riffing! What a sonic meeting of the minds -- Jerry Garcia and Miles Davis! David Singer's x-ray graphics really get cosmic for this one -- and rightfully so. This is one of the toughest later Graham posters to find in a first printing, and that's what we're offering here. The poster measures 14" x 21", and other than a few very minor edge nicks, is in NM- condition.
Grateful Dead "Seashell" Fillmore West Concert Poster #BG227 (Bill Graham, 1970) A hard-to- find first printing (of only two) for this poster from the Fillmore West. The Grateful Dead were joined on the stage that night by the legendary Miles Davis Quintet and Stone the Crows. This poster grades VG+ due to a few tack holes in each corner, and it measures 14" x 21". As part of the Bill Graham numbered series this poster bears the designation BG-227.
Grateful Dead Wake Of The Flood Promotional Poster (1973). The Dead's '73 "Wake Of The Flood" album was their first release on their own Grateful Dead label. It featured tracks like "Mississippi Half-Step Uptown Toodeloo" and "Stella Blue", and included performances by guest stars Vassar Clemants and Doug Sahm, who lent a touch of country to the usual trippy jams. The album cover, and this promo poster, features outstanding art by one of the greatest of the original San Francisco poster artists, Rick Griffin. The poster measures 17" x 23", and is in VG+ condition, with only minor edge wear.
Grateful Dead Providence Civic Center Concert Poster (Bill Graham, 1973) Get ready to boogie with the Dead! The Grateful Dead, that is, who took their long, strange trip all the way to Rhode Island for this weekend series of shows back in '73. The poster, designed by Silver Moon Springs Studios, places a bowed wreath around the familiar Skeleton and Roses, in a red, white and black color scheme. A handsome poster, for sure! It measures 14" x 21", and outside of some light wear and tear along the outside edges, is a solid VG+.
Grateful Dead Concert Programs, Group of 4 (1977-87) A batch of programs featuring those warriors of the road, the Grateful Dead. The condition of each will vary slightly, but each is in Very Fine condition or better. Included in this lot are: Calderone Concert Hall in New York from 1977, Byrne Meadowlands Arena in New Jersey from 1983, the Grateful Dead Rainforest Benefit in NYC from 1985, and Jerry Garcia at the Lunt-Fontanne Theatre from 1987. A unique addition to the collection for one lucky "Deadhead", so don't wait bid now!
Grateful Dead Egypt Concert Poster (1978) One of the biggest highlights of the Grateful Dead's "long strange trip" was their performance by Egypt's Great Pyramid in 1978. The show took place during a lunar eclipse -- does it get more "cosmic" than that? Try this incredible poster on for size! It measures a huge 30" x 20", and was designed by Alton Kelley, one of the original "Big Five" San Francisco poster artists of the 1960s. The color and detail on this poster are simply astounding -- this is without a doubt one of the best Dead posters from the '70s. If you were one of the lucky few who were there, this will be a lasting reminder of band's legacy; if, like most of us, you wish you could have been there, this might just be the next-best thing! The poster is in beautiful NM- condition.
Grateful Dead "Blue Rose" Winterland Concert Poster (1978) One of the more famous posters for both Bill Graham Presents and the Grateful Dead, this image has been featured on calendars, magnets, t-shirts, DVDs, and tons more. The importance of the show cannot be underestimated. It marked the closing of Bill Graham's famous Winterland and, besides being one of the Dead's best New Year's Eve shows, it also marked the only Northern California appearance of the Blues Brothers. Measuring 19" x 29", this poster is in VG+ condition with only a few slight creases at the edges and some archival tape residue on the back from being framed at one time.
Grateful Dead Radio City Music Hall Concert Poster (G.D.P., 1980). This is the scarcer version of the Dead's 1980 tour posters. A more common one is for their San Francisco shows a week earlier. For a whole week, the Grateful Dead and their fans took over the most famous theater in the world, Radio City Music Hall. This poster grades NM and measures 27.5" x 21.25".
Grateful Dead Greek Theater Concert Poster (Bill Graham, 1981) The Dead's trademark "Skull and Roses" image gets a classy-looking makeover on this attractive poster for the group's September, 1981 Berkeley shows. Daniel Ziegler's art and Richard Blair's photography make this one of the more unusual posters from the band's "long strange trip". The poster measures 14.5" x 21.5", and is in VG+ condition.
Grateful Dead SEVA Benefit Concert Poster (1984) A unique benefit poster from Toronto, Canada. The Grateful Dead, and the "reformed" Band played a show to alleviate blindness in Nepal and India. This poster grades VG+ due to light handling, and measures 17.5" x 23".
Grateful Dead New Year's Oakland Concert Poster (Bill Graham, 1988) For the legion of Deadheads, there was no better way to ring in the new year than by attending a Grateful Dead concert! In a tradition carried on by later bands like Phish, the Dead made these end-of-year shows an event that would be talked about all the following year. Here's a typically wacky concert poster for the stellar 12-31-88 show, which included support from Talking Head's offshoot band Tom Tom Club. The poster measures 13" x 19.5" and is in NM condition.
Bill Haley Rare British Poster - 1957. Rare original UK promotional poster, 28" x 19.5", featuring an image of Haley with the caption, "Rockin Around The Clock - Bill Haley writes exclusively for the Sunday Graphic." In overall Good condition, with some light handling wear along the edges and a handwritten notation at the top of the poster that noted the conclusion of Haley's tour across the UK, "Went back Tuesday, March 12th, 1957."
Hell's Angels Present Big Brother and the Holding Company/Youngbloods Carousel Ballroom Concert Poster, Printer's Proof (1968) This rather frightening-looking poster, featuring a leather-clad death's-head riding a chopper, is from one of the rarest of the Angels events poster series. Actually, this is even more scarce, as it is a "rejected" Printer's Proof, printed on goldenrod stock. The poster measures 22.5" x 16.5", and is in NM- condition. Better place a bid on this one, citizen -- don't make us come looking for you!
Hell's Angels "Benefit for the Clap Clinic" Longshoremen's Hall Concert Poster (1971) The Hell's Angels -- rowdy troublemakers, or misunderstood free spirits? However you view them, they did sponsor a number of benefit concerts like this during their "Annual Party" events. Headlining the show was Cold Blood, with Cat Mother (and the All-Night Newsboys), providing the rockin' sounds of the evening. This first-printing poster's graphics feature chilling skull-graphics by Randy Tuten -- very appropriate! The poster measures 12" x 20", and is in NM condition. A tough one!
Chet Helms Signed Family Dog Postcards, Group of 5 (1967-68) Though he didn't originate it, the name most frequently associated with the Family Dog is Chet Helms. Since his passing in 2005, interest in Family Dog items has been soaring. In this lot you will find FD-70 (Miller Blues Band), FD-D6 (Van Morrison), FD-D7 (Canned Heat), FD-D8 (Allmen Joy), and FD-D14 (Canned Heat). All five of these postcards have been signed by the late Chet Helms. If you collect '60s memorabilia, this lot is for you!
John Lee Hooker Carousel Ballroom Concert Poster (1968) Started by the Grateful Dead, and taken over by Bill Graham, the Carousel Ballroom building still stands today. Unfortunately it's a Honda dealership now. But to help take you back to those times, when music was in the air, we offer this John Lee Hooker poster. Also on the bill were the Loading Zone, and Mother Earth. Measuring 16.5" x 21.25", this poster is in NM condition.
Howlin' Wolf Avalon Concert Poster FD-27 (Family Dog, 1966) What a show this must have been for fans of Blues and Rock! The generations came together with godfather of modern electric blues, Howlin' Wolf, and the new queen of bluesrock, Janis Joplin with Big Brother and the Holding Company! Awesome! Stanley Mouse's wicked image of a wolf's head popping out of the poster is stunning! This one doesn't come our way often -- there was but one printing of the poster and the equally rare handbill. We are pleased to offer this fine 14" x 20" poster, which grades a sharp NM-. We just wish we could have been at the show!
Iron Butterfly Concert Poster and Ticket Set #BG141 (Bill Graham, 1968). By 1968, many of the original poster artists were also involved in Underground Comix. Here's a fantastic first printing Fillmore West poster featuring art by two of the Zap Comix crew, Rick Griffin and Victor Moscoso, advertising a show starring Iron Butterfly (riding high on their current hit single "In-A-Gadda-Da-Vida") and Texas favorites Sir Douglas Quintet Plus 2. The poster is in Very Good+ condition with no folds or tack holes, but a small splash of thin blue paint is noticeable in the last line of headline type. Also included in this lot is a complete set of six unused original tickets (both color and black and white for each day), all in Excellent condition.
Iron Butterfly Fillmore Concert Poster BG141 (Bill Graham, 1968). Zap Comix fans, please take note of this wild Iron Butterfly poster! It features the mind-blowing art of Zap mainstays Rick Griffin and Victor Moscoso -- two-fifths of the legendary San Francisco Big Five -- who have created some of the most colorful and memorable images to emerge form the 1960s. Also present on the bill were the Sir Douglas Quintet+2 and Sea Train. The first-printing poster measures 14" x 21.5" and is in splendid NM- condition. Wow!
Iron Butterfly, Johnny Winter, John Mayall, etc. Fillmore Poster #BG247 with Handbills, Tickets and Autographs (Bill Graham, 1970) This huge "Mid-Week Special" concert poster features a lot of great talent -- in addition to those acts already mentioned, the bill included Boz Scaggs, Elvin Bishop, Savoy Brown, Herbie Hancock, Black Oak Arkansas, Freddy King, Fairport Convention, and Chicken Shack. Despite that "Mid-Week" title, the shows were held on two weekends, but why quibble over minor details? Just be sure and check out all the signatures on the enclosed lower flyer -- Doug Ingle and Ron Bushy from Iron Butterfly, Boz Scaggs, Johnny Winter, Elvin Bishop, John Mayall, and Herbie Hancock! Wow! Two unused tickets are included in the 38" x 31" framed and matted presentation. The top flyer shows a little wear at the corners, but overall, everything is in NM- condition.
It's a Beautiful Day/Jefferson Airplane "Wild West" Concert Poster (Family Dog, 1969) Two of the San Francisco "Big Five" poster artists designed this wild, colorful image -- Wes Wilson and Victor Moscoso. It's part of the short-lived series of events produced by Chet Helms after hid Family Dog productions lost their lease on the Avalon ballroom. Among the many acts featured were Joan Baez and Ace of Cups. 20" x 14"; in NM-- unused condition.
Jefferson Airplane/Big Brother and the Holding Company/Grateful Dead "Halo" Winterland Benefit Concert Poster (Haight Ashbury Legal Organization, 1966) Here's a very early all-star line-up featuring the biggest names in San Francisco Rock -- in addition to the above mentioned acts, the show included Quicksilver Messenger Service and the Charlatans. The fancy lettering on the poster comes courtesy of Rick Griffin, who would go on to create many a memorable poster (not to mention quite a few Zap Comix stories). The poster (which was never reprinted) measures 14" x 18.25", and is in beautiful NM condition.
Jefferson Airplane Fillmore/Winterland Concert Poster #BG88 (Bill Graham, 1967). Bill Graham's lovely companion, Bonnie MacLean, was a talented poster artist who designed many of the Fillmore West and Winterland posters. Here is a neat psychedelic poster by Bonnie featuring Bay Area faves Jefferson Airplane, with supporting acts the Charlatans and Blue Cheer, featuring photos by Herb Greene. Other than some very minor corner wear in the upper left, this first-printing poster is in VG+ condition.
Jefferson Airplane/Jimi Hendrix Experience Fillmore Concert Poster BG69 (Bill Graham, 1967) This incredible poster was marked "Opening of the Fillmore Summer Series", and what a way to kick off the "Summer of Love"! The 'Plane were of course riding high on the success of their first album to feature new singer Grace Slick, who brought along the hit songs "White Rabbit" and "Somebody To Love" from her old band the Great Society. And everybody wanted to check out the awesome guitar pyrotechnics of Jimi Hendrix and the Experience, who were fresh from wowing 'em over in England. The typically psychedelic graphics were supplied by Clifford Charles Seeley, and the poster measures 14'" x 22". This is one of the toughest of the Bill Graham posters to find, and had only one printing. This copy has tack holes in the upper corners, and small missing pieces at the lower corners, and features a couple of very minor scuffs, but is still fresh and vibrant looking. We'll call it VG+, but it's a real beauty!
Jefferson Airplane Winterland Concert Poster #BG197 (Bill Graham, 1969) A cool poster that features the two biggest acts to come out of San Francisco in the '60s, Jefferson Airplane and the Grateful Dead. This poster was rendered by Bill Graham's wife Bonnie, who was one of the Fillmore's first employees! In VG+ condition; this poster has small staple holes in each corner. Because this is part of the Bill Graham numbered series it bears the designation BG-197. This poster measures 14" x 21".
Jethro Tull Concert Handbill Group (1969) As most of you well know, Jethro Tull is not a living person, but the name of one of England's most popular Rock bands. Headed by flute-playing singer Ian Anderson, the band burst onto the scene in 1969. Here are two rare handbills from that year, showcasing the young band. We mention "young" because they were, despite the "old age" make-up job they employed on the cover of their first album, "This Was". Those images were used to create the faces on the first flyer (in NM-), for a show at the Catacombs on August 16. Those who didn't know probably expected to see four elderly men with long hair hit the stage! The second handbill (in VG) was for a December 11 show in Houston, Texas, and also featured Joe Cocker and Fleetwood Mac.
JoJo Gunne/Bubble Puppy "In Your Radio" Concert Poster (Armadillo World Headquarters, 1974) Singer Jay Ferguson formed JoJo Gunne after leaving the popular band Spirit. This poster for the group features a great Ken Heatherson pen-and-ink illustration of the band, seen within the grill of an old-time radio. Also on the bill was legendary Texas band Bubble Puppy, best known for their late '69s hit "Hot Smoke and Sassafras". This poster measures 11" x 17" and is in NM- condition.
Janis Joplin Poster and Memorabilia, Group of 12 (1967-71) Fan's of the almighty "Pearl" are going to dig this lot. In it you will get the following: Big Brother and the Holding Company in Stockton, Ca (1967), Big Brother and the Holding Company at UCSF (1967), Big Brother and the Holding Company at Winterland (1967), a promo slick for the album "Pearl" (1971), a Janis poster that was a newspaper supplement (1968), two unpublished photographs of Janis singing, a Big Brother and the Holding Company handbill from the Great Highway (1971), a Fillmore postcard (BG-165, 1969), and three Avalon Ballroom postcards (FD-60, FD-65, FD-77, 1967). The condition varies heavily in this lot, most of the posters are GD/VG while the handbills and postcards are NM-. Whether you are a beginner, or advanced, collector of Janis Joplin, this lot will have something for you!
Janis Joplin Handbills, Group of 2 (1968-70) Janis Joplin was a one-of-a-kind singer. No one belted out a bluesy rock tune quite like her. She rose to prominence as part of Big Brother and the Holding Company, and the first of two handbills in this lot advertises the Baba Love Company, Selland Arena concert by that band. This 7.5" x 10.75" flyer is very colorful, with a full picture of the band, plus two repeated images of Janis. It's in VG/NM condition. Also included is a memorial concert flyer for Janis and Jimi Hendrix, from November 1, 1970, and held at Wichita, Kansas, Tulsa, Oklahoma, and Joplin, Missouri. It's 8.5" x 11", in black and white with yellow lettering, and is in VG+ condition.
B. B. King/Albert King Fillmore West Concert Poster #BG235 (Bill Graham, 1970) The Royal Court of the Blues is ruled by two Kings in this magnificent poster, as B. B. and Albert meet for four nights of fancy guitar finger-pickin'. This colorful David Singer-designed poster (with Wilfred Satty engravings) utilizes a wild split-fountain effect that is spell-binding! This single-printing poster measures 14" x 22", and is in NM condition.
B. B. King "Blues on the Rocks" Red Rocks Concert Poster (circa 1975). They call him the "King of the Blues", and here's a truly majestic concert poster for his many fans and followers! This mammoth, 22" x 35" poster was used to promote a night of "Blues on the Rocks", and the famous Red Rocks Amphitheatre in Morrison, Colorado. Joining King was John Hammond, Sonny Terry and Brownie McGee, and Big Mama Thornton. This blue and black silkscreened poster on heavy paper has numerous condition problems, including stains and small tears along the edges, with a tiny piece missing at the top. We've re-evaluated the condition to VG-.
Buddy Knox Window Card Concert Poster (undated, circa 1960s). Buddy Knox is best remembered for his first single, "Party Doll," a million-selling #1 hit in 1957. Here's a generic show poster designed, like Movie Window Card posters, to have venue information added to the blank area at the top. It's printed in yellow and black on heavy 14" x 22" paper stock; other than some light wear along the edges, it's in NM- condition.
Led Zeppelin Fillmore West Concert Poster #BG155 (Bill Graham, 1969) A power packed line-up featuring the mighty Led Zeppelin, making their first San Francisco appearence. Joining them were Taj Mahal and Country Joe and the Fish (who were actually top-billed over Zep). This show is significant because it was the last show for the original line-up of "The Fish", as Barry Melton and other members left soon after. With only a small ding on the upper right corner of this black poster it grades NM-. As part of the Bill Graham numbered series it bears the designation BG-155. Overall size of this poster is 14" x 21.5".
Led Zeppelin "Avocado" Fillmore/Winterland Concert Poster #BG170 (Bill Graham, 1969) A poster from the mighty Led Zeppelin's second tour through California. This popular image has been on t-shirts, magnets, and stickers. Overall size of this poster is 14" x 20.5", it grades VG+ due to a crease to the left of the Avocado. Also on this bill were Julie Driscoll with the Brian Auger Trinity, and Colwell-Winfield. As part of the Bill Graham numbered series, it bears the designation BG-170.
Jerry Lee Lewis Antone's Concert Poster plus Ticket (1980-94) They call him the Killer -- and he slays his audience every time! No one rocks the house quite like Jerry Lee Lewis! Here's a great poster from that legendary Austin club, Antone's, featuring a bold graphic image of Jerry Lee, by Texas artist Danny Garrett. It measures 11.5" x 17.5", and is in NM- condition. Also included is an unused concert ticket from Lewis' 1994 Saratoga, California show, also in NM- condition. Together, this pair of items is sure to leave any Jerry Lee fan... breathless!
Little Willie John and the Upsetters Concert Poster (1958). Poster for an August 16, 1958 show featuring Little Willie John plus the Upsetters (Little Richard's original backing band). Overall in Good condition, with minor warping from storage, several sets of staple holes, and a few noticeable tears.
Lou Rawls "The Show" Concert Poster (1968) Bolstered by his first Grammy, Lou Rawls named his 1968 tour simply enough "The Show". This poster is from Freeborn Hall at UC Davis. Its overall size is 14" x 22" and it grades VG+ due to some minor creasing.
Love Fillmore Concert Poster #BG21 (Bill Graham, 1966) Los Angeles' favorite rock band after the Doors may well have been this incredible outfit, who were never big in the charts, but high on most critics' lists during the 1960s. Here is an early Fillmore concert poster featuring the band with opening act Everpresent Fullness, designed in glowing pink and green hues by artist Wes Wilson. Founding member Arthur Lee is still touring; catch him in concert if you can! The poster is a first printing, and is in NM condition.
Love "Humpmobile-8" Avalon Concert Poster FD9 (Family Dog, 1966) A tough to find first printing from the Family Dog numbered series. The groups featured on this poster are Love, Captain Beefheart, and Big Brother and the Holding Company. Due to tackholes, and some creasing, this poster grades GD/VG. But with a print run under 500, first printings are tough to find in any condition! Because this is part of the Family Dog numbered series it bears the designation FD-9. This poster measures 14" x 20".
Taj Mahal/Mike Bloomfield and Nick Gravenites Great Highway Concert Poster (Family Dog, 1969). Topped by the legend "Family Dog on the Great Highway/Magic at the Edge of the World" comes this unusual, colorful poster starring modern blues artists Taj Mahal in one show, and guitar whiz Mike Bloomfield in another. This poster is from the summer of 1969, after Family Dog had moved its shows from the Avalon Ballroom. There were various handbills for this gig, but the poster was printed only once. Measuring 14" x 22.5", the poster is in Very Good condition, with tack holes in all four corners.
Miles Davis Fillmore West Concert Poster #BG279 (Bill Graham, 1971) Miles Davis' innovative music made an easy transition from jazz fans to a more mainstream rock audience in the early '70s, with groundbreaking albums like "Bitches Brew". Here's a poster from his May 6-9, 1971 appearance at the Fillmore West, which featured opening acts Elvin Bishop and Mandrill. David Singer provided the stark graphics, resulting in a very modern-looking poster that still conveys the feeling of the French Art Nouveau movement of the late 1890s. First (and only) printing. A small tear appears in the upper right margin; otherwise NM-.
Carousel Ballroom Concert Posters, Group of 2 (1968) Two very cool posters from San Francisco's Carousel Ballroom. The first poster features the Steve Miller Band, the Sons of Champlin, and more. It measures 11" x 14" and is in Good condition due to stains and tack holes. The second poster is Thelonious Monk with Dr. John and the Charlatans. It is also 11" x 14" and grades NM- due to slight handling. Both posters feature art by Rick Shubb.
Steve Miller Band Carousel Ballroom Concert Poster Group (1968) Texas-born singer and guitarist Steve Miller was a San Francisco mainstay during the late 1960s, playing often with his band (originally called the Steve Miller Blues Band) in venues like the Fillmore. Here's a cool set of items from the old Carousel Ballroom, featuring Miller with Kalidiscope (starring David Lindley) and the Youngbloods. The large poster measures 28" x 22" and the smaller poster is 14" x 11"; both are in VG condition, with multiple tackholes, light discoloration, and edge wear. The postcard measures 5" x 7", and is in NM- condition. All feature a wild and colorful Alton Kelley design.
Steve Miller Band Concert Poster (Pepperland, 1970) From the first year of Pepperland comes this seldom-seen poster. Measuring 13.25" x 17.5", the poster grades VG++ due to two pieces of tape on the back. Also on the bill that night were the Jerry Hahn Brotherhood and Dan Hicks and His Hot Licks.
Moby Grape "Neptune's Notions" Avalon Concert Poster FD-49 (Family Dog, 1967) All but forgotten today, San Francisco's Moby Grape were riding high in 1967, following the release of their acclaimed debut album on Columbia. This poster actually precedes that June, '67 record. The band had been playing together since late 1966, and featured no less than five singer/songwriters, including troubled genius Skip Spence. Victor Moscoso contributed the underwater graphics; and another forgotten but brilliant band, the Charlatans, were the opening act. This 14" x 20" poster is a first printing, in VG++ condition.
Moby Grape Winterland/Fillmore Concert Poster #BG56 (Bill Graham, 1967) One look at this poster and you almost feel like you've stumbled into the '60s! With its groovy lettering and blending colors, this is the look that almost defines psychedelic! This poster would grade NM- with just one small ding on the lower right corner. As part of the Bill Graham numbered series it bears the designation BG-56. Also on the bill was the Chambers Brothers and the Charlatans. Overall size of this poster is 13.75" x 21".
Bill Monroe and his Bluegrass Boys Concert Poster (1966). After the success of the feature film "O Brother Where Art Thou," the popularity of Bluegrass Music hit a new high. Here is a great vintage poster featuring one of the true giants of the field, Bill Monroe. The poster is printed in brown and black on thin paper stock measuring 14" x 19.25" and was for a show at the Masonic Temple in Detroit. The venue is world famous for the music played there. There are a few minor tack holes in the corners that are hardly noticeable, leaving this attractive poster in Very Good+ condition.
Monterey Jazz Festival Poster (1964) As the 50th anniversary of the Monterey Jazz Festival comes near (in 2007), let's take a look back to one wonderful year -- 1964 -- when the Blues reigned supreme. For that particular event, the "Mother of Jazz" would be honored with a night of "The Blues -- Right Now!", featuring Joe Williams, Big Joe Turner, "Big Mama" Willie Mae Thornton, and Homesick James. Jazz fans got their fair share of thrills too, thanks to stellar performances by Pee Wee Russell, Buck Clayton, Vic Dickenson, Bud Freeman, Red Callendar, Art Farmer, Horace Silver, Jon Hendricks, and the big bands of Woody Herman and Duke Ellington. This lovely vintage poster features art by Earl Newman, and measures 23" x 35". It's a great souvenir of that fantastic time. There is some light yellowing of the heavy paper, and a 1.5" tear is present on the lower left side, along with several smaller tears on the right side. A few minor marks can be be seen , along with tack holes in the corners. Still, this is an attractive, flat poster in Very Good condition that would frame very nicely. If Jazz -- or the Blues -- is your thing, then man, this righteous poster needs to hanging in your pad! It's the most, cat!
Monterey International Pop Festival Poster (1967) The Summer of Love was never more beautiful than at the incredible Monterey Pop Festival. Three days and nights, 200, 000 blissed-out people -- and this was two years before Woodstock! Among the many musical acts that performed over the weekend of June 16-18 were the Mamas and Papas (Papa John Philips, along with Beatles' publicist Derek Taylor and others, was responsible for organizing the event); the Association; Big Brother and the Holding Company (this was Janis Joplin's big "coming out", and she wowed the crowd like no one else); Jefferson Airplane; the Jimi Hendrix Experience (fresh from London -- this was Jimi's USA "debut"); the Who; the Byrds; Otis Redding (he introduced the song "Sitting On the Dock Of the Bay" here); Grateful Dead; Buffalo Springfield; Moby Grape; Simon and Garfunkel; Eric Burdon and the Animals; and more. This shiny poster, printed with with metallic inks, is from that halcyon time. It measures 12.25" x 21.5", with groovy graphics by Tom Wilkes. The edges and bottom corners show a tiny bit of wear, but overall, this is in VG++ condition. Can you dig it? Far out! And remember: if you're goin' to San Francisco, be sure to wear some flowers in your hair....
Moody Blues Signed Handbill (1969) The Moody Blues were at a career peak in 1969, with a string of hits and several successful albums under their belt. Here's a cool blue 5.5" x 8.5" handbill for their "Moratorium Day Gathering" concert, featuring Country Joe and the Fish as the opening act. This VG flyer was later signed by Justin Hayward, Grahame Edge, and John Lodge. Included with the handbill are three color snapshots of Justin signing and holding the handbill.
Van Morrison Soundproof Productions Concert Poster (1969) "Van the Man" is one of the great songwriters of his generation, penning such hits as "Gloria" and "Brown Eyed Girl". He had been a member of the band "Them" until the end of 1966, when he went solo. This poster is from his first US tour since leaving his original band. With awesome art by Rick Griffin, this poster grades VG++ due to some small creases on the lower corners. Also on this bill were Black Pearl, and Saloom Sinclair & Mother Bear. This poster measures 11" x 21.75".
Mothers of Invention Fillmore/Winterland Concert Poster #BG123 (Bill Graham, 1968) Back in the heady days of 1968, it didn't get much more "far out" than Frank Zappa and the Mothers of Invention! Here's a pretty far out Bob Fried-designed poster for a three night run at the Fillmore (June 6) and Winterland (June 7 and 8), in '68. Opening for the band was bluesman B. B. King and the Memphis instrumental combo Booker T. and the MG's. This very colorful poster was never reprinted; it measures 13.75" x 22" and is in NM- condition.
Mudhoney Concert Posters, Group of 2 (1990-92) Seattle's Mudhoney have been part of its "grunge" movement from the very beginning, receiving commercial success only in the last few years. This group contains two posters from earlier in their career. The first is from 2/1/90, the second is from 4/4/92. Support groups for these shows included Coffin Break, Gas Huffer, the Killing Field, Seaweed, Supersuckers, Pond, and more. The size of these posters varies, but both are in Near Mint condition.
Willie Nelson Picnic Concert Poster Group (1973-80) Willie Nelson began his much-loved tradition of holding a festival-style concert during the fourth of July in 1973. Willie had returned to Texas in 1970, after years of attempting something more than a Nashville career as a songwriter for other artists. His '73 album "Shotgun Willie" helped kickstart the musical genre that would come to be known as Outlaw Country, and Willie's first 4th of July Picnic (held near his home in Dripping Springs, Texas) would come to personify that style, becoming a favorite annual venue for acts like Jerry Jeff Walker and Waylon Jennings. This poster, featuring a nifty Jim Franklin illustration, measures 11" x 16", and is in NM- condition. Also included in this good-time lot is a poster for the 2003 Hardly Strictly Bluegrass free festival starring Willie (and signed by the designer, Moser) measuring 14" x 22, in VG+, and a 11" x 17" Laurel Springs Educational Center Benefit concert poster from 1980, in VG.
Willie Nelson Concert Poster Group (1980) Need a little Willie in your life? Try this cool group of concert posters: an 18" x 28" Eighth Annual 4th of July Picnic ("The National Event of Texas", sponsored by Lone Star Beer -- of course), with featured guests Charlie Daniels, Ray Price, Merle Haggard, Leon Russell, Faron Young, and many more, in VG condition; the Laurel Springs Educational Center concert, with a great illustration of Willie riding the state of Texas, printed on a red background to a size of 16.75" x 21.75" in VG+; plus another, smaller poster for this Santa Cruz event, printed in red on white with different graphics, measuring 11" x 17", in VG+. We'll also pitch in a 4" x 5" green paper handout for a Willie Nelson/Bonnie Raitt show at the Austin Music Hall.
Newport Pop Festival "Humble Harve Presents" Handbill (1968) Although not the most famous rock festival ever held on the West Coast, the Newport Pop Festival drew the largest crowds of its time to the Orange County Fairgrounds. On the weekend of this first festival people enjoyed the sounds of Tiny Tim, Sonny and Cher, Eric Burdon and the Animals, The Byrds, Grateful Dead, and more than a dozen others. In Near Mint condition, this scarce handbill will add a highlight to one bidders collection! The diameter of this circular piece is 6.75".
New Riders of the Purple Sage Armadillo World Headquarters Concert Poster, Group of 2 (1975) The New Riders began as an offshoot of the Grateful Dead, and fully maintained the Country/Rock direction the Dead took on their classic "Workingman's Dead" album. Here's a beautiful 17.5" x 12" poster, printed in black and purple ink on parchment-colored paper from the band's 1975 Austin concert, with opening act McKendree Spring. A wonderful pencil sketch of the band on horseback was provided by artist Michael Priest. The poster, in NM condition, has been attractively matted and framed to an overall size of 20.25" x 16.25". Also included is another NM Austin poster featuring art by Priest, for the Freewheelin Bicycle shop, dated 1972. It's the same size as the Riders poster, and similarly framed. Pick up a pair of Austin posters for those bare walls!
Stevie Nicks/Fleetwood Mac Concert Poster Group of 4 (1978-99). Fleetwood Mac's lovely gypsy songbird, Stevie Nicks, shines in this group of four posters. Two are for Nicks concerts, including a September 28, 1978 Seattle show co-starring Joe Walsh (VG), and a beautiful CW Mitchell Pavilion/Woodlands, Texas poster. The remaining two are promo posters designed and autographed by Bob Masse, including one for Stevie, and an exceptional "Art Nouveau"-style poster for Fleetwood Mac. Other than the Seattle show, all posters are in NM- condition.
Nirvana Palicio De Los Deportes Concert Poster (Spain, 1994) For Nirvana's second trip to Spain, the band traveled within a whirlwind of rumor, denials, and sometime listless performances. Kurt Cobain, the troubled leader of the band, seemed to place most of his trust with his new wife and constant companion, Courtney Love. Love's presence caused waves of dissent within the Nirvana camp, but the show must go on, so... and before too much longer, it was all over. This rare tour poster is a reminder of all the promise and excitement that boosted the humble little Punk Rock band from Seattle into the upper echelons of Rock's elite. Opening act the Buzzcocks had been through their own share of troubles, having being birthed at the epicenter of the original British Punk Rock explosion, then forced to pick up the pieces after leader and founding member Howard Devoto called it quits (in order to form a new band, Magazine). The poster measures 12.75" x 19", and is in NM- condition. As a bonus, a rare 6.5" x 2.25" DGC promo card for Nevermind and the "Smells Like Teen Spirit" single is included, with handwritten notations.
Nitty Gritty Dirt Band/Standells Ice House Concert Poster (1968) In 1968, the Nitty Gritty Dirt Band decided to try something different. After two albums of acoustic songs, including novelty, bluegrass, and vaudeville-style numbers, the band decided to go electric with the release of their third LP, "Rare Junk". This black-on-yellow poster presents the band at that time; they share the spotlight with L.A.'s Standells, of "Dirty Water" fame. It measures 10" x 14", and is in NM- condition.
Northern California Folk Rock Festival Foil Handbill (Bob Blodgett, 1969) A thin foil paper handbill for this jam packed show. Just a few of the names that played this three day show include Jefferson Airplane, Jimi Hendrix, Led Zeppelin, Santana, Canned Heat, Spirit, and lots more! The common scratches that are at the edge of the foil are from the printing process, not creasing. An important addition to any Rock and Roll collection! Overall size of this piece is 5.5" x 8.5".
Paul Ray and the Cobras with Stevie Ray Vaughan Rome Inn Concert Poster (1977) Here's one of the earliest know concert posters to feature a picture of Stevie Ray Vaughan. That's him, second from the right, standing next to the man holding a guitar. And here's the icing on the cake: the hand-lettered info at the bottom of the poster actually came from Stevie's own hand! From what we've been told, Stevie took all the posters home and added the venue and time info himself. We've seen one other copy of this poster with similar SRV-attributed lettering that came from Paul Ray's own collection, and we believe this one is the real thing. Very few of these original posters, from the very beginning of Stevie Ray Vaughan's rise to fame, ever turn up on the market. The poster measures 11" x 17", and is in NM- condition. Rock on, Stevie Ray -- we sure miss you!
Carl Perkins Concert Posters, Group of 5 (1980-93) One of the "Godfathers" of rock, and the man that wrote "Blue Suede Shoes", had a career spanning over 45 years. Offered here are five pieces that all rockabilly fans will love. You'll get: a poster from New Georges in San Rafael, Ca (1989), a poster from Clutch Cargo's in Detroit, Mi (1993), a poster from the Soap Creek Saloon in Austin, Tx (1990), a ticket from Carl Perkins' appearence on Austin City Limits (1980), and a 7" single titled "Ballad of Little Fauss and Big Halsy". Due to handling wear most items in this lot grade VG. A great way to start collecting this rockabilly legend!
Tom Petty and the Heartbreakers Fillmore Concert Posters, Group of 4 (Bill Graham, 1997). One of the most consistently popular rock acts of the last thirty years has been Tom Petty and the Heartbreakers. Here's a beautiful set of four matching posters for a series of San Francisco shows, all designed by artist Jim Phillips. The images in this set are simply fantastic, and would look great displayed separately or together. All measure 13" x 19", and are in NM condition.
Pink Floyd UFO Concert Poster (Osiris UK, 1967) For that most cosmic of all English bands circa 1967, comes this incredible "Haphash and the Coloured Coat" designed poster featuring assorted flying machines (including flying saucers, of course) surrounding a floating castle. A lovely winged nude female printed in metallic silver ink graces the front, guiding the castle through the gentle yellow skies. The band's performances at the legendary UFO club were documented in the film "Tonight Let's All Make Love In London". The poster is a second printing, measuring 20" x 30", and is in NM- condition.
Pink Floyd Sound Factory Concert Poster (1968) Scenes from 1930s Flash Gordon films adds to the cosmic mystique of this terrific, rare Pink Floyd poster. The concert occurred not long after the release of the band's second album, "A Saucerful of Secrets," and helped introduced the group's new guitarist, Dave Gilmour (who replaced "acid casualty" Syd Barrett). The venue was the mysterious Sound Factory in Sacramento, about which little is know today (outside of a selection of beautifully designed posters from 1968-69). This one measures 14" x 20.5", and is in VG condition.
Pink Floyd "Cosmos" Avalon Concert Poster FD131 (Family Dog, 1968). A beautiful poster that features one of the most enduring acts in rock history, Pink Floyd. This was their second tour of the U.S.; they were promoting the "Saucerful of Secrets" album. Also on the bill was Chrome Syrcus. This first-printing poster is in NM condition and measures 14" x 21.5".
Pink Floyd Fillmore West Concert Poster #BG230A (Bill Graham, 1970) The fact that this was a mid-week show actually makes this a scarce poster. Bill Graham printed far fewer posters for his weekday shows than his weekend events. This poster is also the "corrected version". A first version was done where artist David Singer was accidentally credited with the art; it was actually done by Pat Hanks. As part of the Bill Graham numbered series it bears the designation BG-230A. Overall size of this poster is 14" x 22". In NM- condition; this is one poster no Pink Floyd fan should be without!
Pink Floyd "Animals" In-Store Display (1977) Meant to be used, abused, and thrown away, these in-store displays seldom turn up on the collector's market. When it's for a band like Pink Floyd, they can be downright scarce. In VG- condition; this 3-D double-sided mobile has no major defects, just general wear. Also included is the original store display poster for the "Animals" album, measuring 23.5" x 36", also in VG- condition and folded.
Plasmatics Paradiso Concert Poster (undated, circa 1980) Catch a double dose of the incredible Wendy O. Williams in this large concert poster from the Plasmatics on a European tour, probably around 1980. A former topless dancer, Wendy doesn't miss an opportunity to unzip her top (she's revealing her sexy black-lace bra in this one). This "Queen of Shock Rock" found life after the Plasmatics a tough row to hoe, and committed suicide in 1998. The poster (with opening act the Trends) measures approximately 24" x 17", and is in NM- condition.
Procol Harum/Pink Floyd Winterland Concert Poster BG92 (Bill Graham, 1967) Here's a never-reprinted poster for the greatest show that never was! Pink Floyd, featuring original guitarist and singer Syd Barrett, had just begun their first tour of the US in October, '67. A three-night run at the Fillmore was followed by appearances on American Bandstand (where Syd didn't open his mouth during a lip-synched performance of "See Emily Play") and the Pat Boone Show (!), when Syd really began to lose his fragile grip on reality, refusing to answer questions during an interview. They abruptly cancelled the rest of the tour, including this scheduled concert with co-headliners Procol Harum and opening act H. P. Lovecraft, and returned to England. All that doesn't distract from this beautiful Nicholas Kouninos-designed poster, which is reminiscent of the fabulous Art Nouveau poster art of late 19th century France. It measures 14" x 21", and is in VG+ condition, with staple holes, and two minor tears in the upper left corner.
Procol Harum Fillmore Concert Poster, Postcard, and Ticket #BG143 Group (Bill Graham, 1968) Visually one of Lee Conklin's more appealing, and less disturbing, posters. This features British rock act Procol Harum ("Whiter Shade Of Pale"), along with San Francisco's Santana. In this group, you'll get the poster, postcard, and ticket all for this show! Overall size of the poster is 14" x 21.25", all three pieces are in NM condition.
Procol Harum Concert Poster, Postcard, and Ticket #BG167 Group (Bill Graham, 1969) Quite a combo from the hand of Underground Comix great Greg Irons. Both the poster and ticket are in NM condition, while the postcard has a few tack holes. Because this is part of the Bill Graham numbered series, this 14" x 21.5" poster bears the designation BG-167. Joining Procol Harum on this jam packed line-up were the Buddy Miles Express and Blues Image.
Quicksilver Messenger Service "Indian" Avalon Concert Poster FD-25 (Family Dog, 1966) The Bay Area band Quicksilver Messenger Service, led by guitarist John Cippolina, was an favorite draw at the early Family Dog Avalon concerts. Here's a sharp-looking Stanley Mouse-designed poster for a show featuring the Great Society, starring a pre-Jefferson Airplane Grace Slick on vocals. This first-printing poster measures approximately 13.5" x 20", and is in VG+ condition with tackholes.
Quicksilver Messenger Service "The Rooster and the Unicycle" Avalon Concert Poster FD32 (Family Dog, 1966) This is artist Victor Moscoso's first rock poster. Add to that this poster was only printed once, for a 2000 print run, and it's quite collectible. Other groups on the bill included Blackburn & Snow and the Sons of Champlin. Other then some light tanning along the left edge, this 14.25" x 20" poster grades NM. As part of the Family Dog numbered series it bears the designation FD-32.
Quicksilver Messenger Service "Morning Paper" Avalon Concert Poster FD-89 (Family Dog, 1967) Rick Griffin's trippy graphics make this popular poster appear like a page of Sunday Funnies -- from another planet! Rick even manages to slip in his old "Murph the Surf" character amid the swirling psychedelic colors, shapes, and forms! Supporting the Service was the horn-driven Sons of Champlin and modern blues master Taj Mahal. This first-printing poster measures 14.25" x 20", and is in beautiful NM condition.
Quicksilver Messenger Service "Hee Haw" Concert Poster FD-D2 and Postcard (Family Dog, 1967) A faux "Wild West" look gives this poster, part of the Family Dog's Denver series, a striking appearance. This was especially appropriate to the bands involved; the Charlatans often appeared in period costume, while Quicksilver Messenger Service would adopt similar Western graphics for their 1968 second album, "Happy Trails". This 15" x 23" VG++ first printing poster is complemented by the scarce NM postcard, which is quite a find in its own right.
Quicksilver Messenger Service "Eternal Reservoir" Avalon Concert Poster FD-101 (Family Dog, 1968) Poster artist Rick Griffin supplied one of his typically tripped-out designs for this stunningly beautiful poster. Joining Quicksilver was the eclectic band Kaleidoscope, starring David Lindley, plus harp master Charlie Musselwhite. This first printing poster measures 14" x 20", and is in NM- condition.
Quicksilver Messenger Service Berkeley Concert Poster (Gold Rush, 1971) Quicksilver Messenger Service have always been considered one of the best proponents of the "San Francisco" sound. Here's a poster from later in their career, playing at the Berkeley Community Theater with opening acts Country Weather and Wayne the Harp (formerly known as Aum). This uncommon 11" x 17" poster is in GD+, and has damage to all four corners, plus a few creases and tears, but would display nicely in a frame.
Ramlala Concert Poster Group (1967) Three terrific concert posters from the scarce Ramlala series of California Hall shows make up this group. First, a 14" x 20" poster for the May 12-13 shows featuring Country Joe and the Fish with Big Brother and the Holding Company, in NM-; next, a June 9-10 Steve Miller Band/Sparrow show, in NM-; and finally, a June 16-18 Anonymous Artists of America poster, featuring Mt. Rushmore and the Mystery Trend, in VG++. All are cool, colorful, and exotic!
Young Rascals Fillmore Concert Handbill #BG24 (Bill Graham, 1966) One of the tougher to get handbills from the early days of San Francisco rock. The Young Rascals are best remembered for a string of '60s hits, beginning with "Good Lovin'". Joining the Rascals on this bill were the Quicksilver Messenger Service. As part of the Bill Graham numbered series, it bears the designation BG-24. In Near Mint condition, this handbill measures 5.5" x 8.5".
Ratdog/Dead Concert Posters, Group of 6 (Bill Graham/Rex Foundation, 1995-2003). After the untimely passing of Jerry Garcia, The Grateful Dead finally called it quits, signalling the end of the Long Strange Trip. Not content to simply retire, various band members decided to carry on, beginning with Bob Weir's Ratdog, here represented by four extremely cool and colorful 13" x 19" posters, for shows at the Fillmore and Warfield. Before long, Bob was joined by former members Phil Lesh, Micky Hart, and Bill Kreutzmann to form the Dead, who are represented here by a 19" x 13" poster for a 2003 show at the Warfield. Finally, a 2001 show at the Warfield presented Micky, Bill, and Bob along with other friends of the band in a benefit for the Rex Foundation. All posters are in NM condition.
Paul Ray and the X-Rated Cobras with Stevie Ray Vaughn Poster (Soap Creek, 1976) Guitar legend Stevie Ray Vaughn spent his early Austin days playing with Paul Ray and his X-Rated Cobras, who held down a regular Tuesday night gig at the fondly-remembered Soap Creek Saloon. Here's a great poster and event calendar from May, 1976 featuring Paul, Stevie, and the boys, as drawn by artist Kerry Awn. Paul Ray was a long-time blues fan and singer, originally from Dallas. These days, he spends his time spinning blues and jazz records on Austin's KUT Radio, as well as announcing weather reports during the Public Radio show "All Things Considered". This 11" x 17" poster is printed on heavy orange paper, and is in NM condition.
Otis Redding Fillmore Concert Handbills, Group of 2 (Bill Graham, 1966) San Franciscans were given an early Christmas treat with three nights at the Fillmore featuring the legendary Otis Redding. Joining him over the three nights were the Grateful Dead, Johnny Talbot and De Thangs, and Country Joe and the Fish. Because this is part of the Bill Graham numbered series it bears the designation BG-43. Wes Wilson was late getting the art to Bill Graham so Graham's girlfriend, artist Bonnie MacLean, did a "quickie" handbill for the show. This group contains both the regular handbill, with the poster image, and the scarce MacLean handbill. There is some dirt and creasing on the MacLean handbill, the other is Near Mint.
Reverend Horton Heat Signed Concert Poster and Postcard (1997) Rockabilly still lives in the grooves of this rockin' Texas band! Reverend Horton Heat's three-piece combo has been going strong for many years. This attractive, 11" x 17" Liberty Lunch poster features the signatures of all three members. In addition, a full-color postcard promoting the band's 2000 New Year's show at the Maritime Hall in San Francisco is included. Both are in NM- condition.
Rock Around the World One Sheet Movie Poster (American International, 1957). . Tommy Steele was undoubtedly Britain's first great Rock and Roll idol. Like many who followed him, Tommy started his musical career by playing in a skiffle group. He was also the first of the London-based artists who would begin on their road to fame by singing at the 2 I's Coffee Bar -- a venue which later hosted the virtually unknown Adam Faith and Cliff Richard. This film was released in the U.K. as "The Tommy Steele Story" but changed for U.S. release as Steele wasn't as well known here. The film features many of the hits that made Steele a sensation in England. This 27" x 41" sheet is in NM/MT condition and flat folded.
Linda Ronstadt Concert Poster and Handbill, Group of 3 (1972-77) Linda Ronstadt sure had a way with a song, especially during her "glory years" in the 1970s. Here's a cool group of items from Tucson, Arizona's favorite cutie-pie singer: a 12.75" x 19.5" concert poster from her '74 University of Houston's Cullen Auditorium show, featuring guest artist Hoyt Axton, plus a pair of small handbills, including a 6.25" x 8.5" "Country Pie" flyer from her 1972 Palace of Fine Arts, San Francisco concert, with costars Michael Nesmith (writer of Linda's first hit, "Different Drum"), and a 5" x 7.5" flyer for a 1977 Superdome show with Willie Nelson. All items are in NM- condition.
Runaways Paradiso Concert Poster (1977) The Runaways formed in 1975 as a Kim Fowley production. By 1977's European tour, the band line-up consisted of Joan Jett, Sandy West, Lita Ford and Vicki Blue. Here's a sharp red and black poster for the band's November 29th show at Amsterdam's Paradiso club. It measures 17" x 24", and is in NM- condition. Ch-Ch-Ch-Cherry Bomb!
Santana Soundproof Productions Avalon Concert Poster (1969) One of the toughest to get posters from the Soundproof Productions shows at the Avalon Ballroom. Fewer than 500 were printed of this poster by Underground Comix publisher Rip Off Press. Other than slight print lines this poster grades NM. Joining Santana at this show were the Sons of Champlin. This poster measures 14" x 17".
Mati Klarwein "Annunciation" Framed Print, Signed by the Artist and Carlos Santana This incredible, intensely detailed image, originally painted in 1961 by German-born artist Mati Klarwein, graced the front cover to Santana's classic second album, "Abraxas", in 1970. Klarwein, who adopted the name "Abdul Mati", appears in the painting -- that's him, in straw hat and sunglasses, under three Wodaabe charm dancers, in the left side area of the art. This beautiful, high-quality print has been double matted and framed, with signatures by Carlos Santana and Klarwein (who died in 2002). Carlos added "Peace and Joy" to his autograph. The art has an image area of 22" x 15", with an overall framed size of approximately 30" x 25". It is in Excellent condition.
Santana Thirtieth Anniversary Signed Poster (Sony, 1989) Carlos Santana and his original Santana band brought a whole new direction to Rock music with the release of their first album in 1969. San Francisco was filled with "jam bands" at the time, most notably Grateful Dead, Quicksilver Messenger Service, and Big Brother and the Holding Company. As those bands had their roots in 1950s Rock, Blues, and even Bluegrass and Country, Santana grooved to Latin rhythms and Soul, in addition to Rock and Roll. This huge 24" x 36" poster was designed to display in stores to commemorate the group's thirty years in the business, and also to promote the CD reissue of their first three classic albums. A perforation line on the poster would allow the owner to tear away the bottom ad portion, leaving the group photo. This copy has been boldly signed in marker by Carlos and original keyboardist Greg Rolie, and is in VG++ condition.
Savoy Brown Armadillo World Headquarters Concert Poster (1975) This rather risque and suggestive poster heralds the return of British blues and boogie kings Savoy Brown to Austin's beloved Armadillo World Headquarters, back in '75. Ken Featherston provides the "cheeky" graphics. A beauty! The two-color poster measures 11.5" x 14.75" and is in NM- condition.
Sex Pistols "Never Mind the Bollocks" Framed Limited Edition Print #72/200 (1997). Despite their short existence -- and to some degree because of -- the Sex Pistols managed to impart a major influence on Popular music and arguably the most influential English Punk band ever. The only album ever issued during the band's official existence, now considered essential listening, "Never Mind the Bollocks Here's the Sex Pistols" was met by a hail of controversy upon release in the U. K. in regards to its cover and its content. It also reached #1 on the U. K. charts. This large limited edition print is based on the cover art for the album and was released for the album's 20th anniversary. It is signed by artist Jamie Reid and framed to an overall size of 35" x 46". In Excellent condition, it includes a letter of authenticity.
Sex Pistols "God Save the Queen" Limited Edition Print #86/200 (1997). The Sex Pistols were already infamous for their antics on and off the stage by the time they released their second single, "God Save the Queen," in May, 1977 -- just a couple of weeks before Queen Elizabeth II's Silver Jubilee. A scathing attacked fired full broadside at the British Royal Family and the English establishment in general, the song was quickly banned from airplay by the BBC. It still managed to take the #2 spot on the U. K. album charts and secure status as a Brit-punk anthem. This large limited edition print issued in 1997 features lyrics from the song combined with a portrait of the Queen with a safety pin through her lip. It is signed by artist Jamie Reid and framed to an overall size of 35" x 46". In Excellent condition. Includes a letter of authenticity.
Sex Pistols "God Save the Queen" Limited Edition Print #319/320 (1997). One of the most controversial songs to come out of England, "God Save the Queen" ignited a firestorm of controversy when it was released shortly before Queen Elizabeth II's Silver Jubilee celebration. It didn't help the situation -- or hurt the band's reputation -- when on June 7, 1977 -- the Jubilee holiday itself -- the Sex Pistols attempted to play the song from a boat on the river Thames outside The Palace of Westminster. (They and their entourage were promptly arrested.) This large limited edition print issued in 1997 features the cover art to the single layered over a Union Jack, is signed by artist Jamie Reid, and framed to an overall size of 46" x 35". In Excellent condition, with a a letter of authenticity included.
Shiva's Head Band "Matrix" Vulcan Gas Company Concert Poster VG20 (1968) Gilbert Shelton, of "Fabulous Furry Freak Brothers" fame, designed this intricate large poster advertising two shows for local Austin faves Shiva's Head Band, along with Bubble Puppy, Angela Lewis and the Rockets, and Wild Chickens. Flashes of neon green, magenta, and yellow swirl within the strange, hypnotic moire patterns. Only 150 copies of this rare poster were produced. It measures approximately 22" x 28.5", and is in VG condition, with some light edge wear and corner damage.
Shiva's Headband Armadillo World Headquarters with Lynryd Skynyrd Concert Poster (1976). Austin, Texas band Shiva's Headband has been around a long time! They originally formed in 1967, based around the unique sounds of violinist Spencer Perskin. The band spent some time out in San Francisco, releasing an album on Capitol in '69. On returning to Austin, they became the house band for the city's Vulcan Gas Company. Later, Perskin founded the Armadillo World Headquarters. This rare poster for that venue features an announcement of an upcoming "Lynrd Skynrd" (Lynyrd Skynyrd) show. It measures 11" x 17", and is in VG condition.
Sonic Youth/Nirvana Concert Poster Group (1990-99) Indie stars Sonic Youth played shows in Portland and Seattle in 1990, where they were joined by "two hot bands" -- STP and an up-and-coming little group known as Nirvana. These shows were advertised through this black and white poster, measuring 14" x 18". Aside from some light soiling, it's in excellent VG+ condition. Also included in this lot is a 1999 poster on yellow paper for Sonic Youth's two shows at the historic Liberty Lunch in Austin, Texas (which were, in fact, the last shows presented at this warmly remembered outdoor venue). It measures 11" x 17", and is in NM- condition.
Sons of Champlin Poster and Memorabilia, Group of 6 (1967-73) If you like to "loosen up naturally" with the music of Terry Haggerty and the Sons of Champlin, then this lot is for you! In this group you'll find a promo poster for their first hit single "Sing Me A Rainbow" (1967), a postcard for the Family Dog in Denver promoting a show with the Other Half (1967), a handbill and ticket for a show with Aum and Joy of Cooking (1970), a Sons of Champlin business card, and a handbill for a show with the Doug Sham Band and Mark Naftalin (1973). A groovy grouping of items for one lucky bidder!
Spirit Concert Poster and Postcard Group (1968-78) Three items for fans of the late guitarist/singer/songwriter Randy California and his band, Spirit: a very colorful poster for the 1968 Sound Factory/Sacramento concert featuring opening act James Cotton Blues Band (VG); a postcard for the Bill Graham Fillmore/Winterland shows starring Moby Grape with Traffic, Lemon Pipers, and Spirit (BG112, NM-); and a poster for the June 8-10, 1978 Austin, Texas shows at the Armadillo co-starring the Bugs Henderson Band (NM-).
Spirit Fillmore Concert Poster and Postcard #BG233 (Bill Graham, 1970) Spirit was an amazing combo which combined elements of jazz in their improvisational rock tunes. Led by guitarist Randy California, who spent time playing with Jimi Hendrix in the early '60s, they are best known today for their 1971 album "12 Dreams of Mr. Sardonicus", featuring the hit single "1984". Opening act Poco went a more country-rock route, with their roots in the 'sixties band Buffalo Springfield. This David Singer-designed poster comes with a matching postcard; both are first printings. The 14" x 21" poster is NM-, while the card grades at VG.
Bruce Springsteen Armadillo Concert Poster (1974). "The Boss", as he became to be known, was hardly a household name in 1974, when a bearded Bruce Springsteen played at the Armadillo World Headquarters, in Austin, Texas. With only two less-than-stellar selling albums to his name at the time ("Greetings From Asbury Park, N.J." and "The Wild, the Innocent, and the E Street Shuffle"), he was just another scruffy rocker, although one loaded with talent and promise. This highly sought-after poster, with its odd Jim Franklin illustration (clearly, the artist had no idea how to present Springsteen, other than this dada-style drawing), measures 11" x 17", and is in NM- condition.
Steppenwolf Freedom Hall Concert Handbill (1969) A seldom seen handbill of one of the '60s most popular acts. In 1969, Steppenwolf was riding the crest of a wave of popularity. "Born To Be Wild" was a massive radio hit and the song "The Pusher" had just been featured in the movie "Easy Rider". This thin paper handbill, in NM condition, was used to promote a show in Louisville, Kentucky. Measuring 5.25" x 8", this is one of the few surviving handbills from this show! There was no poster.
Stephen Stills Kent State University Concert Poster (1979) One-time Buffalo Springfield and Crosby Stills Nash and Young mainman Stephen Stills headlined this concert, backed by former members of his Manassas, and featuring open act Irakere, the Cuban Jazz/Rock fusion outfit. The poster is printed in brown ink on Classic Laid paper stock, giving it a rustic, vintage feel. And being at Kent State, we can't help but wonder if Stills performed the CSN&Y classic, "Ohio" for the crowd! The poster measures 17" x 22.25", and is in VG+ condition, with a few tiny spots at the top edge.
Straight Theatre Concert Poster (1968) One of the "hippest" clubs in San Francisco in the late 1960s was the Straight Theatre, located at the corner of Haight and Cole streets. Not just a place to see a concert, the Straight had movie nights, theatre nights, even dance classes. During the day, it was a rehearsal studio for Big Brother and the Holding Company, with Janis Joplin. Offered here is a rare poster from this historic location; many of the posters were printed in quantities of 600 or less. This is about 10% of what Bill Graham was printing of his posters at the time. The groups featured on this poster include Initial Shock, Allmen Joy, Indian Head Band, and Phoenix. This poster measures 17" x 23" and grades VG due to some creases and tears along the edges.
Talking Heads Paradiso Concert Poster (circa 1977) Art-rock darlings the Talking Heads played Amsterdam's Paradiso a number of times; this poster probably dates to the band's first European tour, in the summer of 1977. Bold black and white graphics distinguish this handsome 24" x 17" poster. Other than a few minor dings and some light discoloration at the top edge, this one rates an easy NM-.
Them Fillmore Concert Handbill #BG20 (Bill Graham, 1966) A scarce handbill from San Francisco's Fillmore. "Them" are most notable for being the band that launched the career of Van Morrison. Because this is part of the Bill Graham numbered series, it bears the designation BG-20. In Near Mint condition its overall size is 5.5" x 8.5".
Big Mama Thornton Academy of Music Concert Poster (Soft Egg Productions, 1970) New York City's Academy of Music was the scene for this 1970 concert of Rock 'n' Roll and blues pioneers. Big Mama Mae Thornton is best remembered for giving the world the classic tune "Hound Dog", which helped a young Elvis Presley skyrocket to fame in the mid-1950s. George "Harmonica" Smith is considered an early master of the amplified harmonica, and played with Muddy Waters and Champion Jack Dupree. Guitarist Hound Dog Taylor, born with six fingers on each hand, was a Chicago favorite; his tight band, the Houserockers were known for never rehearsing, and playing only after a certain amount of alcohol was consumed! And of course, Big Joe Turner is a respected name in Rock, Blues, and Jazz circles, and has been called "the World's Greatest Blues Shouter". This poster is from that incredible night of music. It measures 20" x 29", and is in VG+ condition.
Johnny Thunders Paradiso Concert Poster (1981) Guitarist Johnny Thunders practically invented the punk rock guitar hero. His initial splash of fame came with the early 1970s glam rockin' New York Dolls, who have been cited as the direct inspiration for the Sex Pistols. Next came the Heartbreakers (not to be confused with Tom Petty's backing band), who were without a doubt the poster boys for "heroin chic". Before his addiction got the best of him, Johnny toured the world, including this early '80s appearance at the Paradiso, a converted church club in Amsterdam. The poster measures 24" x 17", and is printed in an unusual "split fountain" blue and black on white. VG++. Don't be "so alone" when you can have Johnny hanging around!
TNT Show Window Card (American International, 1966) This top-notch concert movie is one of the best of it's kind to emerge from the 1960s. Including performances by a wild variety of acts, such as Ray Charles, the Byrds, Modern Folk Quartet, Ike and Tina Turner, Donovan, Petula Clark, and many more, this was a must-see film in its day. The window card measures 13.75" x 22", with the top portion open for movie theaters to fill in their on information about dates and times. Outside of natural aging and minor edge wear, it remains in VG+ condition.
Trans Continental Pop Festival Original Concert Poster (1970). If you happened to catch the recent DVD release "Festival Express," you know the story of the five-day train journey through Canada in 1970, with a diverse group of rock musicians including Janis Joplin, Grateful Dead, the Band, Buddy Guy, and others, as they traveled from Montreal, Toronto, Calgary, and on to Winnipeg, as part of a rolling Rock Festival and non-stop party. This is an extremely scarce poster for two Calgary shows, and is in NM condition. These shows were known for out-of-control protests over ticket prices that nearly derailed the entire event; the fact that posters for the show still survive is remarkable in itself, let alone this one in such perfect condition! The concert was a rare event, and so is this opportunity to own this poster. Do not let it slip away!
T. Rex Great Highway Concert Poster (Family Dog, 1969) After losing his lease on the Avalon Ballroom, Family Dog guru Chet Helms tried running shows out of a converted speedway, under the name Family Dog on the Great Highway. Here's a fascinating poster from that brief period, featuring headliners Country Joe and the Fish. Of special interest is the opening act Tyrannosaurus Rex. In a few years, this Marc Bolan-led band would become worldwide sensation T. Rex, of "Bang a Gong" fame. This 14.25" x 21.5" poster is a first printing, and is in VG+ condition.
Trip or Freak Concert Handbill (1967) One of the most highly sought after pieces by collectors is the legendary "Trip or Freak" poster from Halloween 1967. Even harder to find is the handbill for the show, which is offered here. The image was created, and lettered, by the team of Stanley Mouse, Alton Kelly, and Rick Griffin. Bands at the show included Quicksilver Messenger Service, Big Brother and the Holding Company, and the Grateful Dead. This handbill is in Near Mint condition and measures 3.75" x 7.25". It also is pictured in the book "The Art of Rock" and bears the designation A.O.R. 2.183.
Spring Trips Festival Portland Flyer and Midsummer Trips Festival Handbill (1967). The original Trips Festival was held in San Francisco in 1966, as a "non-drug induced psychedelic experience," and included a little bit of everything; bands (like the Grateful Dead); light shows; films; t-shirt venders; and plenty of stoned (or stoned-looking) people milling around. Naturally, it was a lot of fun for those hip enough to endure all the madness, and was repeated in events like the ones advertised in these two rare items. First up is an 8.5" x 11" flyer for the Portland Armory Spring Trips festival, with a listed date of April 30 (and written over "May 14"); and a 5.5" x 8.5" handbill for the Midsummer Trips Festival at Portland's Pythian. Both items are in VG+ condition.
Tuesday Night Jam Carousel Ballroom Concert Poster and Artist-Signed Postcard (1968) This event took place on May 21, 1968, and included performances by Jerry Garcia, Mickey Hart, Jorma Kaukonen, Jack Cassidy, Elvin Bishop, and Steve Miller -- all for the price of one buck! Wow! This venue was later bought out by Bill Graham, who renamed it Fillmore West. The poster, featuring a wild cartoon image of a bow-tied pig on a milk of magnesia bottle by Stanley Mouse, measures 13.75" x 21", and is in NM- condition. In addition, a copy of the matching postcard (signed in the upper left corner in pencil by Mouse, complete with a little running rodent underneath) accompanies this lot. It too is in NM- condition. We've read that the pig was actually Mouse's take on President Lyndon Johnson -- but we'll let you draw your own conclusions!
The Turtles Fillmore Concert Handbill BG15 (Bill Graham, 1966) One of the most collected handbills of the Bill Graham series is this one with its image of dancing turtles. Since it was a one day show, fewer handbills were printed than the shows around it. This piece is in VG condition with minor tape marks on the back, and light wrinkles where the tape was years ago. Overall size of this piece is 5.5" x 8.75".
Van Halen Concert Handbills, Group of 2 (1975) Two handbills from the opposite ends of Van Halen's career. The first is from a 1975 show at the Pasadena Civic Auditorium. It's in VG- condition, due to small tears along the edge, but is tough to find in any shape. The second is a backstage handbill from
Van Halen "Chevelles LTD" Pasadena Concert Handbill (1975) In their early, pre-superstardom days of gigging around Southern California, Van Halen would often draw up flyers for upcoming shows themselves, complete with maps, which they would paper the area with. Here's one from 1975, two years before the release of their groundbreaking 1978 debut album on Warner Brothers records. Few saw fit to save these paper treasures, and they rarely come our way. This one is printed on yellow paper, and is in VG- condition, with a few small tears, folds, and stains.
Van Halen Paradiso Concert Poster (1978). The Van Halen brothers (Eddie and Alex) came roaring back home to their Dutch roots with a blistering 1978 show at Amsterdam's Paradiso Club. The band was at their early peak, with singer David Lee Roth in great form. This classic show, immortalized on the bootleg album "Burning Blood", was promoted by this 24" x 17" poster, featuring bold graphics printed in green ink. The poster is in VG++ condition. Also included with this lot are a 3.75" round cloth "Stagehand" pass from 1992's For Unlawful Carnal Knowledge tour, unused except for a staple hole above the VH logo, and a 1991 ticket stub for the band's Shoreline Amphitheatre show.
Vanilla Fudge with Led Zeppelin Pacific Coliseum Concert Poster (Concerts West, 1968). This poster for a December 28, 1968 show, featuring chart-toppers Vanilla Fudge (whose remake of the Supremes song "You Keep Me Hangin' On" was burning up the charts late that year), looks pretty ordinary at first glance, unless you happened to have been at the Vancouver Pacific Coliseum that Saturday night. Opening for Mark, Vince, Tim and Carmine was a new band out of England who were briefly known the New Yardbirds -- that's right, Led Zeppelin, shortly before the release of their debut album, were on that tour! In fact, the earliest-known live recording of Zep would take place two nights later, at Spokane, Washington's Gonzaga University. While Led Zeppelin's name does not appear anywhere on this poster, take it from us they were there: we've seen the ticket stub from this same show, which does list the band by name. Actually, this was Led Zeppelin's fourth show in the United States. The poster measures 16" x 20", and is in NM- condition.
Paul Ray and the Cobras/Jimmy Vaughan "Valentine's Dance" Concert Poster (Armadillo World Headquarters, 1977) Hold on to your hats, Stevie Ray fans! This could be the Holy Grail of all SRV posters! Paul Ray and the Cobras were a popular Austin blues band when 22 year-old Stevie Ray Vaughan joined on guitar in 1976. This rare poster is from '77, and it features the very first known photo of Stevie on a concert poster! It predates the famous April, '77 poster featuring Stevie's hand-written "Rome Inn" info (a copy of which is also featured in this sale) by two months, and features pictures of Stevie Ray with the Cobras, plus a shot of him with big brother Jimmie Vaughan and Kim Wilson of the (Fabulous) Thunderbirds. Incredible! The poster, printed in brown ink on beige card stock, is in VG condition, with water stains and numerous tack holes. Try and find a better one -- it won't be easy!
Stevie Ray Vaughn Austin Memorabilia Group (1977-84). Five assorted flyers for various Stevie Ray Vaughn events make up this interesting lot. First up, a 1977 Soap Creek Saloon 11" x 17" miniposter for the month of November, 1977, featuring a nice pen and ink sketch of Asleep at the Wheel, with Stevie and the Triple Threat Review listed (VG); 2) an Armadillo World Headquarters poster for Kenny Acosta's Gumbo Boil and Jelly Roll Festival for July 30, 1977, featuring SRV as part of an Austin Blues Stars Jam (VG++); 3) Texas Independence Day 8.5" x 11" flyer from March 1, 1982 featuring SRV alongside Jimmie Vaughn, Kinky Friedman, Joe Ely, and others (VG+); 4) an 8.5" x 11" calendar schedule for A. J.'s Midtown, featuring SRV and Double Trouble playing a two-night gig (NM), and 5) an 8.75" x 11.25" flyer for Antones, February 27, 1983 advertising a benefit gig featuring SRV and Double Trouble with two other bands. As a bonus, we're tossing in a small handout for a Fresno, California show, featuring a nice black and white photo of SRV and Double Trouble (NM).
Stevie Vaughn and Triple Threat Soap Creek Saloon Poster (1978) If you were hanging out around Austin in the mid-late 1970s, chances are you downed a cold Pearl beer or two at the old Soap Creek Saloon, in its original location on Bees Cave Road. If not, well... you shore missed out, pardner! This fondly remembered venue was an important launching pad for the red-hot career of guitar slinger Stevie Ray Vaughn. This poster/calender/schedule, drawn with great humor and panache by resident artist Kerry Awn, feature's a cool illustration of Stevie's first great line-up, Triple Threat, featuring singer Lou Ann Barton. These show schedules are greatly collectible in their own right, not to mention the early Stevie Ray appearance! The item measures 11" x 17", and is in NM condition. Having this beautiful bit of Austin, Texas history hanging on your wall will almost be like having big Billy Bob Sanders watching the door... look, there's Doug Sahm and Alvin Crow playing pool...
Stevie Ray Vaughan and Double Trouble After Ours Concert Poster (circa 1979) For a brief period, Stevie Ray Vaughan's band Double Trouble, which formed after the demise of Triple Threat, employed the 'Threat's vocalist, Lou Ann Barton. Here's a rather plain-looking poster for an undisclosed month or year (probably 1979), with the unusual billing of Double Trouble featuring Miss Lou Ann. The poster measures 11" x 17"; there's a quarter-inch hole below the R in After, otherwise, it is in VG condition. Very rare!
Wailers Fillmore Concert Poster #BG 11 (Bill Graham, 1966) The fabulous Wailers from Tacoma, Washington (not to be confused with the Kingston, Jamaica Wailers, featuring Bob Marley) were in fact one of the most exciting bands to come out of the Northwest. Best known for their early hit "Tall Cool One", here, they were promoting their latest single "It's You Alone" at this Fillmore show, which also included Bay Area faves Quicksilver Messenger Service. Wes Wilson provided the trippy red and blue graphics for this eleventh Bill Graham poster, which measures 14" x 20". It's a first printing, in VG++ condition.
Jerry Jeff Walker/Michael Murphy Armadillo World Headquarters Concert Poster, Group of 2 (1972-73) Native Texas sons Jerry Jeff Walker and Michael Murphy (oh, ok -- we know Jerry Jeff was actually born in New York, but he's spent plenty of time in the Lone Star State) are featured in this interesting group of two posters. First up is an 11" x 16" show featuring both acts, from August 2 and 3, 1972; next, we offer an 11" x 17" Michael Murphy and the Cosmic Cowboy Orchestra poster from June 29 and 30, 1973. Both posters feature art by Michael Priest, and are in NM condition. Both posters have been attractively matted and framed to an overall size of 16.5" x 20.5", and are ready to hang.
The Weirdos Concert Poster and Original Art (The Firehouse, 2003) Having just reformed in the past few years, Los Angeles' Weirdos are true Punk Rock pioneers. From the paintbrush and pen of "Dirty Donny" comes this signed, silkscreened poster, and his original art. With his homage to EC comics, this poster should appeal to comic book and rock and roll fans alike! While the size varies, both pieces are in Near Mint condition.
White Stripes Concert Posters, Group of 5 (2001-03 From the pen and brush of The White Stripes' official artist come these five killer posters all in average NM condition. Dennis Loren has been designing all of the groups concert posters for the last five years, adding his psychedelic spin to their rough sound. The size of the posters varies, but they feature concerts from Detroit, New York City, London, Rome, and France. With over ten million records sold, this is a band worth collecting!
White Stripes Concert Posters, Group of 2, Signed by the artists (idealposters.com, 2003) A group of posters for a weekend homecoming with the White Stripes at Detroit's Masonic Temple. The poster for the Friday, November 28th show is by Dennis Loren, and features supporting group the Hentchmen. For the show on Saturday, November 29th, the poster is by Gary Grimshaw and has the Paybacks opening. Both posters are in Near Mint condition and measure 17.75" x 12.75". They have been signed in the lower corners by the artists. Because these are both from the JC numbered series they bear the designation JC-5 and JC-6.
The Who "I Can See For Miles" English Boutique Poster (Osiris Visions, circa 1967). This "head shop" poster featuring Pete Townsend and company is simply loaded with psychedelic imagery, courtesy of hippie art collective Haphash and the Coloured Coat (Michael English and Nigel Weymouth). It's a large, 20" x 30" poster drenched in multicolored stars, swirling designs, and a great line-art image of the band, looking somewhat like wizards -- especially Pete, who is seen here with wand and long, flowing robe. Very English, very trippy! This is a second printing, in NM- condition.
The Who Fillmore Concert Poster #BG108, Tickets, Photo and Group Autograph (Bill Graham, 1968) Britain's mighty Who rocked San Francisco's Fillmore and Winterland auditoriums for three nights back in February, 1968, with opening acts Cannonball Adderly and the Vagrants. Here's an awesome 28" x 24" framed and matted presentation, featuring the original poster by Lee Conklin, a set of all three unused tickets, and a classic black and white photo of the band (circa 1965). Completing the set is an unusually clean set of all four autographs on one 8" x 6" piece of paper, featuring incredibly legible signatures. Finding all four autographs on one item, including that of Keith Moon (who died in 1978), can be quite frustrating, not to mention with signatures this nice! Really impressive, with then poster and tickets first printings, all in NM condition.
The Who "Fallout Shelter" Cow Palace Concert Poster (Bill Graham, 1973) An eyecatching design graces this unusual poster, advertising the 11/20/73 performance at San Francisco's Cow Palace by British power-rockers, the Who. These were the glory days for Pete Townsend, Roger Daltrey, John Entwhistle, and Keith Moon, whose antics on and off stage have become the stuff of legend. This black on goldenrod, 12.5" x 21.25" poster is in sharp NM condition. Long Live Rock -- and the Who!
Isle of Wight Poster, Flyer and Three-Day Ticket (1970). A year after Woodstock came this incredible British three-day festival, highlighted by an unforgettable performance by Jimi Hendrix (which, as fate would have it, was one of his last before his untimely death in September, 1970). This is the original color poster for that event, which also starred such heavyweights as Chicago, James Taylor, Joni Mitchell, the Doors, the Who, Sly and the Family Stone, and Jethro Tull. The large, 20" x 30" poster has also been matted together with an original handbill for the event, along with an unused three-day ticket (orignal price for the festival -- three pounds). All average NM- condition. A line-up like this may never happen again; looking at this fantastic, colorful poster will help transport you back to that magic time and place!
Link Wray Paradiso Concert Poster Group (1979) Guitarist Link Wray pioneered the "Power Chord" by dragging a major chord up and down the neck of his electric guitar on his 1958 signature tune, "Rumble". Link and his brothers Vernon and Doug toured the world as Link Wray and the Raymen, chalking up hits like "Rawhide" and "Jack the Ripper" that went over big with the black leather jacket crowd. In the late 1970s, he teamed up with former Tuff Darts singer Robert Gordon, whose rockabilly-style records helped revive Wray's solo career. This 16" x 23.5" poster, with its stark black and white photo of Link in his trademark sunglasses, promoted an appearance at Amsterdam's Paradiso. Also included is a 5.5" x 8.5" pink-paper Robert Gordon flyer, plus a copy of Gordon and Wray's 1978 "Fire" 45 single, in a VG+ picture sleeve. All other items are in NM- condition.
Yardbirds Fillmore Concert Poster #BG121, Postcard, Tickets, and Autograph Set (Bill Graham, 1968) The Yardbirds were widely regarded as one of Britain's best blues-influenced rock bands, and the staring ground for three of rock's greatest lead guitarists: Eric Clapton (who played on the original "Five Live Yardbirds" album and their first hit, "For Your Love"); Jeff Beck, who guided the band through most of their mid '60s career, and Beck's eventual replacement, Jimmy Page, responsible for the band's final studio album. For an all-too-brief time, the band had the services of both Beck and Page; unfortunately, the only recorded work by this incarnation was their appearance in the 1967 film "Blow Up" (performing a fiery version of "Stroll On"). That makes this item all the more desirable, as the autograph set included does indeed feature both guitarists, as well as band members Chris Dreja, Jim McCarty, and the late Keith Relf. The poster is the May 23-25 Fillmore concert with Cecil Taylor and It's a Beautiful Day, featuring art by Lee Conklin. A complete set of three unused tickets and a postcard round out the set. The autographs, written on an LP insert sleeve, are quite legible, especially Page. And considering Beck's long-time reluctance to sign anything except current items, it's extremely doubtful he added his signature (in contrasting blue ink) at a later date. The signed sleeve has a few minor wrinkles, but the overall collection, matted and framed to an overall size of 28" x 15.5", is in NM- condition.
Youngbloods "Mist Dance" Avalon Concert Poster FD-81 (Family Dog, 1967). If far-out, trippy, psychedelic images are your cup of tea, then drink in the vivid colors of this amazing Victor Moscoso masterpiece. Of the legendary "Big Five" San Francisco poster artists (including Stanley Mouse, Wes Wilson, Rick Griffin, and Alton Kelley), Moscoso's work pushed the boundaries of established graphic design to the most extreme. This incredible image, featuring an altered photo of a nude couple, promoted a Youngbloods ("Get Together") show at the Avalon, with supporting acts the Other Half and Mad River. It measures 14" x 20", is a first printing, and is in NM condition.
ZZTop Seattle Center Coliseum Concert Poster (Concerts West, 1974) Texas rockers ZZ Top are known today for having the longest beards in showbiz, but there was a time when guitarist Billy Gibbons was clean-shaven! Here's a great early poster for the band's 1974 Seattle, Washington concert appearance. The stark, black and white graphics show our Billy, Les Paul in hand, as he strums his way through songs like "Just Got Paid Today". The poster measures approximately 13.5" x 22", and is in VG+ condition.
ZZ Top Three River Stadium Concert Poster (1976) That little ol' band from Texas, ZZ Top, headlined this Pittsburgh show, part of their World Wide Texas Tour. Opening act: none other than Aerosmith! This beautiful 17.5" x 24.75" poster, highlighted by a photo of the band inset amid classic Western items such as buffalo, barb wire, and a longhorn steer, was designed by Texas artist Bill Narum, who has signed the poster in pencil. Storage problems have resulted in some damage along the top of the poster, most notably in the top left corner; otherwise, it grades a respectable VG+, and would frame nicely. Drink a little beer and raise a little hell with Billy, Dusty, and Frank!
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Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842